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Books on the topic 'Production of the urban space. eng'

Author: Grafiati
Published: 4 June 2021
Last updated: 11 February 2022

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1

Gottdiener, Mark. The social production of urban space. 2nd ed. University of Texas Press, 1994.

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Gottdiener, Mark. The social production of urban space. 2nd ed. University of Texas Press, 1994.

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Gottdiener, M. The social production of urban space. 2nd ed. University of Texas Press, 1994.

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4

The social production of urban space. University of Texas Press, 1985.

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5

Gottdiener, Mark. The social production of urban space. 2nd ed. University of Texas Press, 1994.

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6

Lehtovuori, Panu. Experience and conflict: The production of urban space. Ashgate Pub. Co., 2009.

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Experience and conflict: The production of urban space. Ashgate Pub. Co., 2009.

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8

Henri Lefebvre on space: Architecture, urban research, and the production of theory / Lukasz Stanek. University of Minnesota Press, 2011.

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9

Keswani, Kiran. The practice of tree worship and the territorial production of urban space in the Indian neighborhoods. Asia Research Institute, National University of Singapore, 2015.

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10

Saunderson, Wendy. A theoretical and empirical investigation of gender and urban space: The production and consumption of the built environment. The Author], 1995.

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11

Pestana, Catarina. Life cycle(s) of the poster: The urban space as a mechanism for art and cultural production - communicative or purely aesthetic?. Chelsea College of Art and Design, 2003.

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12

Lehtovuori, Panu. Experience and conflict: The dialectics of the production of public urban space in the light of new event venues in Helsinki 1993-2003. Helsinki University of Technology, Centre for Urban and Regional Studies, 2005.

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13

Cabannes, Yves, Mike Douglass, and Rita Padawangi, eds. Cities in Asia by and for the People. Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789462985223.

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This book examines the active role of urban citizens in constructing alternative urban spaces as tangible resistance towards capitalist production of urban spaces that continue to encroach various neighborhoods, lanes, commons, public land and other spaces of community life and livelihoods. The collection of narratives presented here brings together research from ten different Asian cities and re-theorises the city from the perspective of ordinary people facing moments of crisis, contestations, and cooperative quests to create alternative spaces to those being produced under prevailing urban processes. The chapters accent the exercise of human agency through daily practices in the production of urban space and the intention is not one of creating a romantic or utopian vision of what a city "by and for the people" ought to be. Rather, it is to place people in the centre as mediators of city-making with discontents about current conditions and desires for a better life.
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14

Valjakka, Minna, and Meiqin Wang, eds. Visual Arts, Representations and Interventions in Contemporary China. Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789462982239.

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This edited volume provides a multifaceted investigation of the dynamic interrelations between visual arts and urbanization in contemporary Mainland China with a focus on unseen representations and urban interventions brought about by the transformations of the urban space and the various problems associated with it. Through a wide range of illuminating case studies, the authors demonstrate how innovative artistic and creative practices initiated by various stakeholders not only raise critical awareness on socio-political issues of Chinese urbanization but also actively reshape the urban living spaces. The formation of new collaborations, agencies, aesthetics and cultural production sites facilitate diverse forms of cultural activism as they challenge the dominant ways of interpreting social changes and encourage civic participation in the production of alternative meanings in and of the city. Their significance lies in their potential to question current values and power structures as well as to foster new subjectivities for disparate individuals and social groups.
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15

Dibazar, Pedram, and Judith Naeff, eds. Visualizing the Street. Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789462984356.

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From user-generated images of streets to professional architectural renderings, and from digital maps and drone footages to representations of invisible digital ecologies, this collection of essays analyses the emergent practices of visualizing the street. Today, advancements in digital technologies of the image have given rise to the production and dissemination of imagery of streets and urban realities in multiple forms. The ubiquitous presence of digital visualizations has in turn created new forms of urban practice and modes of spatial encounter. Everyone who carries a smartphone not only plays an increasingly significant role in the production, editing and circulation of images of the street, but also relies on those images to experience urban worlds and to navigate in them. Such entangled forms of image-making and image-sharing have constructed new imaginaries of the street and have had a significant impact on the ways in which contemporary and future streets are understood, imagined, documented, navigated, mediated and visualized. Visualizing the Street investigates the social and cultural significance of these new developments at the intersection of visual culture and urban space. The interdisciplinary essays provide new concepts, theories and research methods that combine close analyses of street images and imaginaries with the study of the practices of their production and circulation. The book covers a wide range of visible and invisible geographies — From Hong Kong’s streets to Rio’s favelas, from Sydney’s suburbs to London’s street markets, and from Damascus’ war-torn streets to Istanbul’s sidewalks — and engages with multiple ways in which visualizations of the street function to document street protests and urban change, to build imaginaries of urban communities and alternate worlds, and to help navigate streetscapes.
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16

Experience and Conflict: The Production of Urban Space. Taylor & Francis Group, 2016.

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17

Prytherch, David, and Julie Cidell. Transport Mobility and the Production of Urban Space. Taylor & Francis Group, 2018.

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18

Transport, Mobility, and the Production of Urban Space. Taylor & Francis Group, 2015.

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19

Exploring the Production of Urban Space: Differential Space in Three Post-Industrial Cities. Policy Press, 2016.

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20

Gauthiez, Bernard. Production of Urban Space, Temporality, and Spatiality: Lyons, 1500-1900. de Gruyter GmbH, Walter, 2020.

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21

On South Bank: The Production of Public Space. Taylor & Francis Group, 2016.

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22

On South Bank: The Production of Public Space. Taylor & Francis Group, 2016.

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23

Education and the Production of Space: Political Pedagogy, Geography, and Urban Revolution. Taylor & Francis Group, 2016.

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24

Henri Lefebvre on space : architecture, urban research, and the production of theory. University of Minnesota Press, 2011.

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25

Dickens and the Virtual City: Urban Perception and the Production of Social Space. Palgrave Macmillan, 2017.

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26

Thornton, Sara, and Estelle Murail. Dickens and the Virtual City: Urban Perception and the Production of Social Space. Palgrave Macmillan, 2018.

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27

Barros, Sulivan Charles. Carnaval e cidade – usos e apropriações de espaços urbanos: Recife e Olinda em perspectiva. Brazil Publishing, 2021. http://dx.doi.org/10.31012/978-65-5861-277-3.

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Carnival is one of the most important manifestations of Brazilian culture. On festival days, the carnival locus is occupied by antagonistic social actors, producing a unique image of the sensitive movements that the city experiences throughout the year and that end up in the unequal processes of power and space - one of the multiple readings that the carnival phenomenon offers. Understanding this complex moment of polyphonies and polysemias requires a review of its historical development process, aiming at a broader understanding of how it was (and continues to be) forged as an entirely Brazilian social fact, an element that makes up a part of the nation's identity formation. In this direction, the city becomes a privileged place for carnival production based on evocation of memory, symbolizing the idea of public spaces to be activated and reconstructed. In order to build an articulation between past, present and future, commercial investments have been integrating multiple strategies in the search to dynamize old uses of urban space, associated with contemporary forms of carnival consumption. In this sense, this research proposes to analyze the relationship between carnival and the city from the uses and appropriations of public spaces and that will present the cities of Recife and Olinda as an empirical reference.
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28

Clark, Gordon L., and Ashby H. B. Monk. Production of Investment Returns. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198793212.003.0004.

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Chapter 4 introduces the ways in which institutional investors produce investment returns over time and space. In doing so, the chapter considers the 1937 theory of the firm by Coase and reviews the theory’s relevance in today’s environment. It then outlines the three building blocks underpinning the ways in which financial institutions produce investment returns in the context of spatially extensive financial markets: ecology of finance, managers and workers, and coordination. The chapter also demonstrates the distinctive attributes of financial institutions, especially vis-à-vis the power and authority of senior managers in relation to the institution’s goals and objectives. The chapter explores other influential factors, such as the ways in which location, particularly in large urban centres with extensive financial networks, can make a difference.
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29

Jamil, Ghazala. Materiality of Culture and Identity. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199470655.003.0002.

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This chapter opens with a brief survey of literature on spatialization of discrimination. It presents an account of Old Delhi and Seelampur. It investigates ideological purposes of production of space and asserts that urban space has been commodified by capitalism even in its quality as a place of play and leisure. Parts of the Muslim localities in the walled city are produced as museumized space for the adventurous neo-liberal consumer of artistic, cultural, historical, and architectural heritage. Simultaneously, Muslim localities (such as Seelampur) are produced as derelict, dense and illicit areas by discursive practice—journalists, social science/planning researchers, social work/development practitioners. It is asserted that the two processes of segregation through ‘representation of space’ are affected due to materiality of culture and identity. Cultural commodification and labour market segmentation, as two modes of accumulation, are aided by segregation.
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30

Ellis, Steven J. R. The Second Retail Revolution. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198769934.003.0005.

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This chapter details the causes behind the second retail revolution of the early Imperial period. It was at this time that we see a rise (once again) in the number of Roman tabernae, as well as a significant increase in their specialization. Essentially, the evidence from Pompeii and elsewhere shows us that a good deal of production associated with tabernae now gave way to retailing activities more exclusively; while street-front production still played an important role in the city, still many workshops now became shops. One noteworthy outcome of this move toward the specialization of retail space was the advent of the food and drink outlet—the bar—as identified by the arrival of the masonry sales counter. As with the first retail revolution, this one too can be connected to a series of urban developments at this time.
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31

Shabazz, Rashad. Epilogue. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039645.003.0007.

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This epilogue focuses on Chicago's changing racial geography, arguing that this change is creating not only gentrification in parts of the city, but also openings for Black Chicagoans to augment their geography. Since the mid-1990s abandoned lots all over Chicago have been turned into spaces of agricultural production. Not limited to middle-class white neighborhoods, urban gardens have sprung up in poor and working-class communities on the South and West Sides of the city. This is not the first time Chicagoans have performed agriculture in the city. The city has a long history of urban agriculture. This epilogue shows that green spaces can undo the consequences of carceral space by enabling Black Chicagoans to eat fresh fruits and vegetables in places with little retail access to them and creating environments of stress reduction for the entire community. It also demonstrates that the poor and the working class can be architects and planners, that they can augment their geographies in ways that produce healthy people and vital, vibrant communities—on their own terms.
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32

Spentzou, Efrossini. Propertius’ Aberrant Itineraries. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198768098.003.0002.

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Can we find the flâneur in ancient Rome? This is not a narrow question of whether this modern French literary figure has a Classical prehistory, but whether there is a parallel relationship at Rome between large urban centres, literary production, and individualism. This chapter suggests there are instances in Latin love elegy that offer a layered response to spatial forms. Observing the rhythms of the everyday in Rome, we discover shared spaces of erotic and imperial power. Propertius and Ovid are as much constructors of the eternal city as its monumental imperial builders. It is in fleeting and intense moments of escape that we become aware of the inflexibility of everyday life in Rome. In the moments when the citizen may (or may not) give way to the lover, the limitations of set scripts are revealed, and the implacable logic of imperial space softens in the undecidability of the moment.
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33

Murray Levine, Alison J. Vivre Ici. Liverpool University Press, 2018. http://dx.doi.org/10.3828/liverpool/9781786940414.001.0001.

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Vivre Ici analyzes a selection of films from the vast viewing landscape of contemporary French documentary film, a genre that has experienced a renaissance in the past twenty years. The films are connected not just by a general interest in engaging the “real,” but by a particular attention to French space and place. From farms and wild places to roads, schools, and urban edgelands, these films explore the spaces of the everyday and the human and non-human experiences that unfold within them. Through a critical approach that integrates phenomenology, film theory, eco-criticism and cultural history, Levine investigates the notion of documentary as experience. She asks how and why, in the contemporary media landscape, these films seek to avoid argumentation and instead, give the viewer a feeling of “being there.” As a diverse collection of filmmakers, both well-known and less so, explore the limits and possibilities of these places, a collage-like, incomplete, and fragmented vision of France as seen and felt through documentary cameras comes into view. Venturing beyond film analysis to examine the production climate for these films and their circulation in contemporary France, Levine explores the social and political consequences of these “films that matter” for the viewers who come into contact with them.
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34

Wilsey, Brian J. The Biology of Grasslands. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198744511.001.0001.

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This accessible text provides a concise but comprehensive introduction to the biology of global grasslands. Grasslands are vast in their extent, with native and non-native grasslands now covering approximately 50 percent of the global terrestrial environment. They are also of vital importance to humans, providing essential ecosystem services and some of the most important areas for the production of food and fibre worldwide. It has been estimated that 60 percent of calories consumed by humans originate from grasses, and most grain consumed is produced in areas that were formerly grasslands or wetlands. Grasslands are also important because they are used to raise forage for livestock, represent a source of biofuels, sequester vast amounts of carbon, provide urban green-space, and hold vast amounts of biodiversity. Intact grasslands contain an incredibly fascinating set of plants, animals, and microbes that have interested several generations of biologists, generating pivotal studies to important theoretical questions in ecology. As with other titles in the Biology of Habitats Series, the emphasis is on the organisms that dominate this environment although restoration, conservation, and experimental aspects are also considered. The Biology of Grasslands is suitable for both senior undergraduate and graduate students (in departments of biology, geography, and environmental science) taking courses in grassland ecology, plant ecology, and rangeland ecology as well as the many professional ecologists and conservation biologists requiring an authoritative overview of the topic.
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35

Lippert, Amy DeFalco. Consuming Identities. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190268978.001.0001.

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Along with the rapid expansion of the market economy and industrial production methods, innovations including photography, lithography, and steam printing created a pictorial revolution in the nineteenth century. Consuming Identities: Visual Culture in Nineteenth-Century San Francisco explores the significance of that revolution in one of its vanguard cities: San Francisco, the revolving door of the gold rush and the hub of Pacific migration and trade. The proliferation of visual prints, ephemera, spectacles, and technologies transformed public values and perceptions, and its legacy was as significant as the print revolution that preceded it. In their correspondence, diaries, portraits, and reminiscences, thousands of migrants to the city by the Bay demonstrated that visual media constituted a central means by which to navigate the bewildering host of changes taking hold around them in the second half of the nineteenth century. Images themselves were inextricably associated with these world-changing forces; they were commodities, but they also possessed special cultural qualities that gave them new meaning and significance. Visual media transcended traditional boundaries of language and culture that had divided groups within the same urban space. From the 1848 conquest of California and the gold discovery to the disastrous earthquake and fire of 1906, San Francisco anticipated broader national transformations in the commodification, implementation, and popularity of images. For the city’s inhabitants and visitors, an array of imagery came to mediate, intersect with, and even constitute social interaction in a world where virtual reality was becoming normative.
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