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Books on the topic 'Projection de genre'

Author: Grafiati

Published: 7 July 2024

Last updated: 19 July 2025

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1

Dowd, Garin, and Natalia Rulyova. Genre Trajectories: Identifying, Mapping, Projecting. Palgrave Macmillan Limited, 2015.

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Dowd, Garin, and Natalia Rulyova. Genre Trajectories: Identifying, Mapping, Projecting. Palgrave Macmillan, 2014.

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Genre Trajectories: Identifying, Mapping, Projecting. Palgrave Macmillan, 2015.

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4

Whitesell, Lloyd. Style Modes. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190843816.003.0001.

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This chapter introduces a new index for the analysis of individual musical numbers, specifically in the genre of film musicals: “style mode,” which refers to background orientations of stylistic treatment in both sonic and visual design. It defines the genre’s primary style modes—ordinary, children’s, burlesque, razzle-dazzle, and glamour—by way of well-known examples and illustrates their effectiveness as analytical categories, providing insight into large-scale planning as well as the meanings projected within individual numbers. Because the projection of a style mode takes place independent

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5

Whitesell, Lloyd. Tricks of the Light. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190843816.003.0008.

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This chapter turns to the other side of the coin—the failure of magical belief. Glamour conjures up a transfigured counter-reality and acts as a bridge to that imagined existence. But the entire symbolic edifice is built on fancy and prone to collapse, with reality reasserting itself and dragging us back from our projection into the dreamworld. Many film musicals warn against glamour as mystification or deceit. Four types of examples are discussed, each skeptical in a different way (joking, haunted, wishful, manipulative). Concluding discussion shows how the musical genre has affinities with t

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6

Duffett, Mark, and Jon Hackett. Scary Monsters. Bloomsbury Publishing Inc, 2021. http://dx.doi.org/10.5040/9781501313400.

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Popular music and masculinity have rarely been examined through the lens of research into monstrosity. The discourses associated with rock and pop, however, actually include more ‘monsters’ than might at first be imagined. Attention to such individuals and cultures can say things about the operation of genre and gender, myth and meaning. Indeed, monstrosity has recently become a growing focus of cultural theory. This is in part because monsters raise shared concerns about transgression, subjectivity, agency, and community. Attention to monstrosity evokes both the spectre of projection (which l

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Majsova, Natalija. Soviet Science Fiction Cinema and the Space Age. The Rowman & Littlefield Publishing Group, Inc., 2021. https://doi.org/10.5040/9781978728233.

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This book interrogates the relations between nostalgias of today and past utopias in the context of the space age of the 20th century and its cinematic representations in the USSR and in post-Soviet Russia. Once an enthusiastic projection, then a promising and uncanny present, and eventually an assemblage of nostalgic signifiers, in the history of world cinema, this space age has been linked primarily to the genre of science fiction. Here, aspects of the space age such as humanity’s imminent expansion to space, interplanetary travel, contact with extraterrestrial intelligence, and intergalacti

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8

Colmeiro, José. Peripheral Visions / Global Sounds. Liverpool University Press, 2018. http://dx.doi.org/10.5949/liverpool/9781786940308.001.0001.

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Galician audio/visual culture has experienced an unprecedented period of growth following the process of political and cultural devolution in post-Franco Spain. This creative explosion has occurred in a productive dialogue with global currents and with considerable projection beyond the geopolitical boundaries of the nation and the state, but these seismic changes are only beginning to be the subject of attention of cultural and media studies. This book examines contemporary audio/visual production in Galicia as privileged channels through which modern Galician cultural identities have been im

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Arnold, Gordon B. Projecting the End of the American Dream. ABC-CLIO, LLC, 2013. http://dx.doi.org/10.5040/9798216001980.

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This provocative book reveals how Hollywood films reflect our deepest fears and anxieties as a country, often recording our political beliefs and cultural conditions while underscoring the darker side of the American way of life. Long before the war in Iraq and the economic crises of the early 21st century, Hollywood has depicted a grim view of life in the United States, one that belies the prosperity and abundance of the so-called American Dream. While the country emerged from World War II as a world power, collectively our sense of security had been threatened. The result is a cinematic body

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10

Merl, Dan, Joseph Lucas, Joseph Nevins, Haige Shen, and Mike West. Trans-study projection of genomic biomarkers in analysis of oncogene deregulation and breast cancer. Edited by Anthony O'Hagan and Mike West. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780198703174.013.6.

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This article focuses on the use of Bayesian concepts and methods in the trans-study projection of genomic biomarkers for the analysis of oncogene deregulation in breast cancer. The objective of the study is to determine the extent to which patterns of gene expression associated with experimentally induced oncogene pathway deregulation can be used to investigate oncogene pathway activity in real human cancers. This is often referred to as the in vitro to in vivo translation problem, which is addressed using Bayesian sparse factor regression analysis for model-based translation and refinement of

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Sargent, Lyman Tower. Colonial Utopias/Dystopias. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199609932.003.0018.

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This chapter explores colonial utopias/dystopias. Utopianism and colonialism have had direct connections from the time Thomas More inadvertently created a genre of literature when he published what is now known as his Utopia, in 1516. Utopia reflected the process of exploration taking place in the early sixteenth century that resulted in the discovery of the lands that were to become colonies. Colonists generally have the expectation of achieving a much better life by settling, while producing an actual dystopia for the original inhabitants. While the colonists did not always find what they ex

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12

Fox, Alistair. New Zealand Coming-of-age Films: Distinctive Characteristics and Thematic Preoccupations. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474429443.003.0002.

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This chapter provides an overview of New Zealand coming-of-age films from the first feature film to be made on this theme, The God Boy (Murray Reece, 1976) to the most recent examples, Mahana (Lee Tamahori, 2016) and Hunt for the Wilderpeople (Taika Waititi, 2016), identifying trends and patterns in the evolution of this genre. Characteristic attributes are explored, such as the dialogue with national literature (of the 15 films examined in the book, all but four are adaptations); the universal tendency of filmmakers to update the setting to the time of their own childhood; the presence of per

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13

Petrova, Svetlana, and Helmut Weiß. OV versus VO in Old High German. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198813545.003.0013.

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This chapter surveys the word order variation in the right periphery of the clause in OHG. The investigation is based on a corpus including all dependent clauses introduced by the complementizer thaz ‘that’ in the minor OHG documents, a collection of up to forty smaller texts of various genres. The analysis shows that the majority of the data can be explained within a standard OV grammar, assuming additional extraposition of heavy XPs to the right. But apart from these cases, there is evidence supporting the assumption of leftward movement of the verb to an intermediate functional projection v

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14

Konstan, David. Comedy and the Athenian Ideal. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198748472.003.0006.

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New Comedy was a Panhellenic phenomenon. It may be that a performance in Athens was still the acme of a comic playwright’s career, but Athens was no longer the exclusive venue of the genre. Yet Athens, or an idealized version of Athens, remained the setting or backdrop for New Comedy, whatever its provenance or intended audience. New Comedy was thus an important vehicle for the dissemination of the Athenian polis model throughout the Hellenistic world, and it was a factor in what has been termed ‘the great convergence’. The role of New Comedy in projecting an idealized image of the city-state

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15

Lothian, Alexis. Old Futures. NYU Press, 2018. http://dx.doi.org/10.18574/nyu/9781479811748.001.0001.

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Old Futures traverses the history of imagined futures from the 1890s to the 2010s, interweaving speculative visions of gender, race, and sexuality from literature, film, and digital media. Centering works by women, queers, and people of color that are marginalized within most accounts of the genre, the book offers a new perspective on speculative fiction studies while reframing established theories of queer temporality by arguing that futures imagined in the past offer new ways to queer the present. Imagined futures have been central to the creation and maintenance of imperial domination and t

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Kazemi, Farshid. A Girl Walks Home Alone at Night. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781800859203.001.0001.

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A Girl Walks Home Alone at Night analyses the eponymous film within three theoretical coordinates: vampire cinema, psychoanalytic (film) theory and German Idealism. The book situates the film in the history of the vampire genre through the spectral vampire in early German expressionist cinema (Murnau’s Nosferatu, 1922) and theorizes it as part of a transnational movement in Iranian films that represents ‘the uncanny’ between the two modes of ‘the weird and the eerie,’ theorized by Mark Fisher. The film is situated in relation to the history of Iranian horror films, as well as the female vampir

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Ogden, Daniel, ed. The Oxford Handbook of Heracles. Oxford University Press, 2021. http://dx.doi.org/10.1093/oxfordhb/9780190650988.001.0001.

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The first half of the volume is devoted to the exposition of the ancient evidence, literary and iconographic, for the traditions of Heracles’ life and deeds. After a chapter each on the hero’s childhood and his madness, the canonical cause of his Twelve Labors, each of the Labors themselves receives detailed treatment in a dedicated chapter. The “Parerga” or “Side-Labors” are then treated in a similar level of detail in seven further chapters. In the second half, the Heracles tradition is analyzed from a range of thematic perspectives. After consideration of the contrasting projections of the

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