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Journal articles on the topic 'Prolepsis'

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Published: 4 June 2021
Last updated: 1 February 2022

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1

Ausland, Hayden W. "Proëmial Prolepsis in Plato'sPoliteia." Symbolae Osloenses 83, no. 1 (October 2008): 18–44. http://dx.doi.org/10.1080/00397670902906974.

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2

White, Phillip. "Understanding Prolepsis through Teacher Research." Networks: An Online Journal for Teacher Research 1, no. 1 (January 1, 1998): 56. http://dx.doi.org/10.4148/2470-6353.1249.

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3

Fortuin, Egbert, and Ico Davids. "Subordinate clause prolepsis in Russian." Russian Linguistics 37, no. 2 (April 25, 2013): 125–55. http://dx.doi.org/10.1007/s11185-013-9111-0.

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4

Mlynář, Jakub. "“I’ll tell you later on”." Narrative Inquiry 30, no. 1 (March 10, 2020): 161–84. http://dx.doi.org/10.1075/ni.18020.mly.

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Abstract This article investigates an interactional phenomenon in which oral history interview participants deal with temporal structure in extended storytelling. It is based on the observation that while narrating a life story, participants routinely use its temporal structure as an organizing principle of the interview. Drawing inspiration from Sacks’ notion of tying devices and Genette’s distinction of prolepsis/analepsis, I have identified two forms of practices that interrelate storytelling sequences in an interview. For the first form, I propose the term analeptic tying: in this practice, turns produced earlier are treated as a resource for the current turn. For the second form, I propose the term proleptic tying, which refers to planned turns of speech that have yet to be produced being treated as a resource. I discuss the proleptic and analeptic tying devices in relation to relevant research in ethnomethodology/conversation analysis, which is the approach taken in this article.
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5

Van Belle, Gilbert. "PROLEPSIS IN THE GOSPEL OF JOHN." Novum Testamentum 43, no. 4 (2001): 334–47. http://dx.doi.org/10.1163/15685360152811134.

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6

Gonzalez-del-Valle, Luis T. "La prolepsis disonante de Tirano Banderas." Hispanic Review 61, no. 4 (1993): 501. http://dx.doi.org/10.2307/474262.

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7

Verity, Deryn. "Coming around: Tutors, orientation, and prolepsis." Journal of Academic Writing 8, no. 2 (November 2018): 114–23. http://dx.doi.org/10.18552/joaw.v8i2.466.

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8

Murphy, George L. "Prolepsis and the Physics of Retrocausality." Theology and Science 7, no. 3 (August 2009): 213–23. http://dx.doi.org/10.1080/14746700903036452.

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9

Crocker, Stephen. "Prolepsis: On speed and time's interval." Cultural Values 2, no. 4 (October 1998): 485–98. http://dx.doi.org/10.1080/14797589809359311.

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10

Brenez, Nicole. "Edouard de Laurot: Engagement as Prolepsis." Third Text 25, no. 1 (January 2011): 55–65. http://dx.doi.org/10.1080/09528822.2011.545614.

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11

Langbauer, Laurie. "Prolepsis and the Tradition of Juvenile Writing: Henry Kirke White and Robert Southey." PMLA/Publications of the Modern Language Association of America 128, no. 4 (October 2013): 888–906. http://dx.doi.org/10.1632/pmla.2013.128.4.888.

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This essay considers the poetry of the juvenile author Henry Kirke White (1785-1806), largely unstudied today but well known throughout the nineteenth century. Kirke White's work provides an example of the importance to juvenile writing of prolepsis—a trope that yokes immediacy to the future, employing a range of strategies including both anticipation and retrospection. Robert Southey's edition of Kirke White's Remains, coming on the heels of Southey and Joseph Cottle's edition of Thomas Chatterton (1752-70), consolidated juvenile writing into a recognizable tradition. Taking young Romanticera writers seriously now helps us recover how many young people published and how actively their writing was discussed. Romanticism's relation to juvenility can shape new hypotheses about literary practice and offer alternative understandings of tradition: the juvenile tradition, through a proleptic sense of its own immanence, anticipates its future critical neglect but indicates the retrospection and reinterpretation that will someday remedy it.
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12

Fitzgerald, Lauren. "Crime, Punishment, Criticism: The Monk as Prolepsis." Gothic Studies 5, no. 1 (May 2003): 43–54. http://dx.doi.org/10.7227/gs.5.1.3.

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13

Barnhart, B. "Prolepsis and Parabasis: Jazz and the Novel." Novel: A Forum on Fiction 42, no. 2 (June 1, 2009): 216–22. http://dx.doi.org/10.1215/00295132-2009-007.

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14

Robbins, Bruce. "Many Years Later: Prolepsis in Deep Time." Henry James Review 33, no. 3 (2012): 191–204. http://dx.doi.org/10.1353/hjr.2012.0017.

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15

Bridgeman, Teresa. "Thinking Ahead: A Cognitive Approach to Prolepsis." Narrative 13, no. 2 (2005): 125–59. http://dx.doi.org/10.1353/nar.2005.0007.

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16

Olszewski, Edward J. "Prophecy and Prolepsis in Donatello's Marble "David"." Artibus et Historiae 18, no. 36 (1997): 63. http://dx.doi.org/10.2307/1483599.

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17

Osinubi. "Queer Prolepsis and the Sexual Commons: An Introduction." Research in African Literatures 47, no. 2 (2016): vii. http://dx.doi.org/10.2979/reseafrilite.47.2.01.

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18

Atay, E., and F. Koyuncu. "Branch induction via prolepsis in apple nursery trees." Acta Horticulturae, no. 1139 (August 2016): 439–44. http://dx.doi.org/10.17660/actahortic.2016.1139.76.

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19

Zewi, T. "Subordinate nominal sentences involving prolepsis in biblical Hebrew." Journal of Semitic Studies 41, no. 1 (March 1, 1996): 1–20. http://dx.doi.org/10.1093/jss/41.1.1.

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20

ZEWI, T. "SUBORDINATE NOMINAL SENTENCES INVOLVING PROLEPSIS IN BIBLICAL HEBREW." Journal of Semitic Studies XLI, no. 1 (January 1, 1996): 1–20. http://dx.doi.org/10.1093/jss/xli.1.1.

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21

Webb, P. Taylor, and Kalervo N. Gulson. "Policy prolepsis in education: Encounters, becomings, and phantasms." Discourse: Studies in the Cultural Politics of Education 33, no. 1 (February 2012): 87–99. http://dx.doi.org/10.1080/01596306.2012.632169.

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22

López, Marissa. "The Xicano Future is Now: Poetry, Performance, and Prolepsis." ASAP/Journal 4, no. 2 (2019): 403–28. http://dx.doi.org/10.1353/asa.2019.0028.

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23

Kukkonen, Karin. "Flouting figures: Uncooperative narration in the fiction of Eliza Haywood." Language and Literature: International Journal of Stylistics 22, no. 3 (August 2013): 205–18. http://dx.doi.org/10.1177/0963947013489238.

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Eliza Haywood’s narrators often display what could be termed ‘uncooperative narration’ in that they defy the smooth course that fictional narration is supposed to take, and claim to be unable to narrate strongly emotional states (in Love in Excess, 2000; first published 1719) or precipitate readers’ reactions to future events (in The History of Miss Betsy Thoughtless, 1998; first published 1751). Haywood’s strategies of uncooperative narration are based on rhetorical figures which flout the cooperative principle underlying human communication according to Grice: the denial of narration, adynaton, flouts the maxim of quantity; the time-based playing with readers’ meaning-making, prolepsis, flouts the maxim of manner. This article will develop an account of uncooperative narration on the basis of Gricean pragmatics (Grice, 1989) and Tomasello’s work on communication and cooperation in human evolution (Tomasello, 2008), which extends the traditional narratological focus on unreliable narration. Uncooperative narration challenges readers to find the communicative purpose behind flouting figures like adynaton and prolepsis, contributes to the characterisation of the narrator and, in Eliza Haywood’s fiction, often holds up a mirror to readers themselves.
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24

Looser, Devoney, Alexandra Prunean, and David Owen. "Reviews." Journal of Juvenilia Studies 1 (July 4, 2018): 83–91. http://dx.doi.org/10.29173/jjs128.

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Juliet McMaster's Jane Austen, Young Author (Ashgate [now marketed by Routledge], 2016), reviewed by Devoney Looser; Ethel Turner's Tales from the Parthenon and That Young Rebel, edited by Pamela Nutt with others (Juvenilia Press, 2014 and 2015), reviewed by Alexandra Prunean; Laurie Langbauer's The Juvenile Tradition: Young Writers and Prolepsis, 1750-1835 (Oxford UP, 2016), reviewed by David Owen.
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25

Davies, William D. "Madurese Prolepsis and Its Implications for a Typology of Raising." Language 81, no. 3 (2005): 645–65. http://dx.doi.org/10.1353/lan.2005.0121.

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26

Paul Giles. "Virtual War: States of Prolepsis and the Aesthetics of Violence." Journal of English Language and Literature 65, no. 4 (December 2019): 563–86. http://dx.doi.org/10.15794/jell.2019.65.4.001.

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27

Cooper, Andrew M. "Small Room for Judgment: Geometry and Prolepsis in Blake’s “Infant Sorrow”." European Romantic Review 31, no. 2 (March 3, 2020): 129–55. http://dx.doi.org/10.1080/10509585.2020.1723574.

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28

Thompson, Lucy E. "Laurie Langbauer's The Juvenile Tradition: Young Writers and Prolepsis, 1750–1835." Romanticism 26, no. 2 (July 2020): 220–22. http://dx.doi.org/10.3366/rom.2020.0470.

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29

Thiébaut, B., B. Comps, and E. Teissier du Cros. "Développement des axes des arbres : pousse annuelle, syllepsie et prolepsie chez le Hêtre (Fagus sylvatica)." Canadian Journal of Botany 68, no. 1 (January 1, 1990): 202–11. http://dx.doi.org/10.1139/b90-027.

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Polycyclic growth is more complex in the European beech (Fagus sylvatica L.) than in other tree species. Growth patterns common to all beeches studied have revealed the existence of annual and intra-annual growth rhythms and a development program peculiar to this species. Syllepsis and prolepsis are discussed in relation to beech. These observations raise new questions: (i) how can we explain a meristematic revertible conversion and (ii) what are the advantages of such a complex mode of development?
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30

Hackett, C. "Philosophy From Oracles: Heraclitus, Aquinas, and Heidegger on the Metaphysics of Prolepsis." Telos 2013, no. 163 (June 1, 2013): 147–69. http://dx.doi.org/10.3817/0613163147.

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31

Wilson, J. R. S. "Thrasymachus and the thumos: a further case of prolepsis in Republic I." Classical Quarterly 45, no. 1 (May 1995): 58–67. http://dx.doi.org/10.1017/s0009838800041689.

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In a recent article, C. H. Kahn addresses an ‘old scholarly myth’, namely the idea that Book I of the Republic began life as an earlier, independent dialogue and was subsequently adapted to serve as a prelude to the much longer work that we know. The case for this hypothesis rests both on stylometric considerations and on the many ‘Socratic’ features that Book I, unlike the rest of the Republic, shares with Plato's earlier works. Having disposed of the positive arguments in favour of the ‘myth’, Kahn turns to the contrary—and in his view overwhelming—evidence that Book I was composed from the start as an integral part of the longer Republic. He catalogues 12 passages in Book I, accounting for roughly half its length, whose full significance will, he argues, only emerge if they are seen as instances of prolepsis, deliberate anticipations of what is to come in later books.
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32

Gruber, Franz. "Präformierte Und neoformierte Syllepsis sowie Prolepsis bei der Buche (Fagus sylvatica L.)." Flora 193, no. 4 (October 1998): 369–85. http://dx.doi.org/10.1016/s0367-2530(17)30863-0.

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33

Ferholt, Beth, Angela Booker, Michael Cole, Alfredo Jornet, Bonnie Nardi, Jennifer A. Vadeboncoeur, and Julian Williams. "Prolepsis and boundary crossings in the development of Mind, Culture, and Activity." Mind, Culture, and Activity 26, no. 1 (January 2, 2019): 1–3. http://dx.doi.org/10.1080/10749039.2019.1588326.

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34

Hauser, Elliott. "UNIX time, UTC, and datetime: Jussivity, prolepsis, and incorrigibility in modern timekeeping." Proceedings of the Association for Information Science and Technology 55, no. 1 (January 2018): 161–70. http://dx.doi.org/10.1002/pra2.2018.14505501018.

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35

yu-suk oh. "A priori or a posteriori? - as regards interpretations of preconception(prolepsis or praenotio) -." Studies in Philosophy East-West ll, no. 62 (December 2011): 81–103. http://dx.doi.org/10.15841/kspew..62.201112.81.

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36

Cobos Castro, Esperanza. "Anacronía narrativa en "Le lys dans la vallée" de Balzac: analepsis y prolepsis." Alfinge. Revista de Filología 3, no. 3 (January 1, 1985): 169. http://dx.doi.org/10.21071/arf.v3i3.7853.

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37

Rueda Laffond, José Carlos. "El futuro del pasado. Prolepsis y memoria en el discurso comunista (1931-1975)." Pasado y Memoria. Revista de Historia Contemporánea, no. 21 (July 1, 2020): 155. http://dx.doi.org/10.14198/pasado2020.21.06.

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El artículo estudia un corpus limitado de informes políticos confeccionados por el Partido Comunista de España y la Internacional Comunista. Dichos materiales ponen de relieve la persistencia de un esquema recurrente en el discurso orgánico, caracterizado por vincular reflexiones de pasado con diagnósticos de presente y prospecciones de futuro. La tesis que se defiende en este artículo es que esa última dimensión no debe valorarse como mera coda especulativa. Por el contrario, se considera que las expectativas de futuro sirvieron de espacio de comprensión para el hoy y el ayer. De ese modo, se resalta la importancia de las imágenes de futuro como premisa para entender la estrategia política y las narrativas de la memoria. Paralelamente, el estudio de momentos distantes –de las vísperas de la II República al tardofranquismo– permite apreciar la continuidad de tales prácticas y la notable ductilidad histórica de esos imaginarios.
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38

Brescó de Luna, Ignacio. "The end into the beginning: Prolepsis and the reconstruction of the collective past." Culture & Psychology 23, no. 2 (May 18, 2017): 280–94. http://dx.doi.org/10.1177/1354067x17695761.

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39

Carruthers, Anne. "Temporality, Reproduction and the Not-Yet in Denis Villeneuve's Arrival." Film-Philosophy 22, no. 3 (October 2018): 321–39. http://dx.doi.org/10.3366/film.2018.0083.

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The prolepsis in Denis Villeneuve's Arrival emphasises the cyclical nature of the film's narrative and anchors human reproduction as a central theme. Pregnancy, the pregnant body, and the physical, experiential nature of birth, commonly heavily gendered in film, are misleading focal points in the narrative. The presence of the unborn as a subtext in the film problematises Iris Marion Young's (2005) notion of pregnant embodiment as a subjective lived-body experience. The viewer is encouraged to empathise with the complexity of birth, life, and death as part of Louise's lived-body experience, but is finally confronted with the uncertainty of maternity, pregnancy and the unborn. When Barbara Duden (1992) calls the unborn foetus a “not-yet”, she describes the process by which the foetus achieves a legal status, and the precarious nature of ascribing life or personhood. The prolepsis, which punctuates the main narrative, emphasises the reversibility and irreversibility of life that does “not-yet” exist. Importantly, the constant hovering over the threshold of life in the film complicates the timeline of reproduction. At the end of the film's narrative, the main character Louise Banks (Amy Adams), is “not-yet” pregnant, is “not-yet” a parent, and has “not-yet” lost a child. The temporal shifts in the film rely on repositioning or reorienting both Louise and the viewer to the “not-yet” reproductive body and the “not-yet” child. By presenting events out of chronological time and returning to the time before and after a child is born, the film ultimately raises crucial questions about the ethics of reproduction, the quality of life, and issues of consent.
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40

Jannah, Hariratul, Sumirna Sumirna, and Nurhikmawati Nurhikmawati. "Language Styles of Advertisements In High End Magazine." Tamaddun 15, no. 2 (December 15, 2016): 65–72. http://dx.doi.org/10.33096/tamaddun.v15i2.40.

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The objectives of the research are to know how the language styles are used in advertisements High-End magazine and to know the kinds of language styles used in advertisements High-End magazine. This method of writing is descriptive by exposing aspects of language style contained in High-End magazine. In this study, the data obtained from High-End magazine, published in January 2014. The samples taken are 20 types of ads. In conclusion, there are eight kinds of language styles used by advertisers in High-End magazine. The language styles are the parable, metaphor, personification, prolepsis or anticipation, oxymoron, alliteration, asyndeton, and assonance.
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41

Scott, Catherine. "Time Out of Joint: The Narcotic Effect of Prolepsis in Christopher Reeve's Still Me." Biography 29, no. 2 (2006): 307–28. http://dx.doi.org/10.1353/bio.2006.0045.

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42

Lee, Sungho. "Anticipation and the Trinity: A Response to Philip Clayton’s Critique of Wolfhart Pannenberg’s Prolepsis." Theology and Science 17, no. 4 (October 2, 2019): 485–98. http://dx.doi.org/10.1080/14746700.2019.1670963.

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43

den Dikken, Marcel. "Arguments for successive-cyclic movement through SpecCP." Linguistic Variation Yearbook 2009 9 (December 31, 2009): 89–126. http://dx.doi.org/10.1075/livy.9.03dik.

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Successive-cyclic A'–Cmovement derivations exploiting SpecCP as an intermediate landing-site deserve careful scrutiny. As a companion to Den Dikken’s (2009a) case for a typology of A'–Cdependencies that includes successive-cyclic movement via vP–edges, resumptive prolepsis, and scope marking, but not successive-cyclic movement via SpecCP, this paper demonstrates that the arguments accumulated in the generative literature in favour of successive-cyclic movement via SpecCP are invalid. To the extent that any of these arguments implicate SpecCP at all, they never make reference to SpecCP as an intermediate stopover point: they are arguments either for terminal movement to a subordinate SpecCP or for successive-cyclic movement via intermediate stopovers in positions other than SpecCP.
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44

Nicosia, Marissa. "“To Plant Me in Mine Own Inheritance”: Prolepsis and Pretenders in John Ford’s Perkin Warbeck." Studies in Philology 115, no. 3 (2018): 580–97. http://dx.doi.org/10.1353/sip.2018.0021.

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45

Besel, Richard. "Prolepsis and the Environmental Rhetoric of Congressional Politics: Defeating the Climate Stewardship Act of 2003." Environmental Communication 6, no. 2 (April 18, 2012): 233–49. http://dx.doi.org/10.1080/17524032.2012.666985.

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46

Zechner, Dominik. "Inventive Languages: Walter Benjamin, Ernst Jandl, and the Possibility of Back-Translation." Translation and Literature 29, no. 3 (November 2020): 317–37. http://dx.doi.org/10.3366/tal.2020.0434.

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Theories of translation that rely on Walter Benjamin's famous essay ‘The Task of the Translator’ have tended to view the specific direction of translation as one that only reaches forward, according to a gesture of ‘prolepsis’ (‘Vorgriff’, as Benjamin says). As Jacques Derrida and others have pointed out, Benjamin explicitly disqualifies other kinds of direction, including a translation ‘backward’, from the realm of translation proper. This essay argues for a renewed understanding of translation's directionality and offers a fresh take on Benjamin's essay by juxtaposing it with the poetics of Austrian writer Ernst Jandl. Jandl's poem ‘chanson’, for instance, recognizes translatability as its inventive principle, and it performs the process of translation as one that both proleptically reaches forward and periodically flows back.
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47

Genetti, Carol. "The participial construction of Dolakhā Newar." Studies in Language 29, no. 1 (March 11, 2005): 35–87. http://dx.doi.org/10.1075/sl.29.1.03gen.

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The terms “(clause) chaining” and “converbal constructions” are used for the classification of similar types of clause linkage. Chaining is generally used for constructions which do not entail subordination, while converbs are defined as subordinate. In Dolakhā Newar adverbial and “participial” clauses are not syntactically distinct, but neither are they subordinate. I propose that the term “converb” be redefined as a clause-linkage strategy that subsumes adverbial clauses and clauses akin to the Dolakhāe “participial”, and that there be no requirement that converbs be either subordinate or adverbial. I provide an analysis of “case prolepsis”, the casemarking of an argument by a verb in a non-adjacent clause, and argue that this results from the participial construction applying at a distinct level of clause structure.
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48

Carvalho, Francisco Amorim. "As metáforas nas projeções utópicas." Pensando - Revista de Filosofia 9, no. 17 (October 16, 2018): 267. http://dx.doi.org/10.26694/pensando.v9i17.7551.

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As metáforas são recursos de linguagem através dos quais se percebe semelhanças, também o modo de nos fazer presente aquilo que se encaminha do não-ser ao ser; assim, é o recurso poético apropriado às utopias; também seu criativo emprego se verifica em textos científicos e econômicos. As metáforas configuram distintos paradigmas utópicos, associados a dois modelos históricos: ontologia e teleologia, e a dois modos de conhecer: anamnesis e prolepsis. Através de analogia, apreciamos o uso de metáforas no documento The Growth Report: Strategies for Sustained Growth and Inclusive Development – 2008, publicado pelo Banco Mundial; o objetivo é compreender os ideais de mundo que neste documento se projeta. A seguir, conjeturamos a razão estética e a sinopsis, cujos termos são: conjunção, compreensão e vivência, como mediação entre parcialidades éticas.
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49

Sasongko, Nindyo. "Toward a Nonviolent Koinonia." Ecclesiology 11, no. 3 (October 16, 2015): 327–49. http://dx.doi.org/10.1163/17455316-01103005.

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While many churches now affirm the importance of nonviolence as a missional strategy, it is not clear that this has yet affected their ecclesial self-understanding. What have the ecumenical churches said about the church and nonviolence? Have they developed enough of a nonviolent ecclesiology? In this study, I contend that it is essential that the Christian churches be a nonviolent koinonia. The true church is the nonviolent church. Drawing upon major ecumenical documents, and listening to the voices of three theologians who have endorsed nonviolent theology, I outline a vision of the nonviolent church as a koinonia which participates in the life of the Triune God. As the community which is centred on the eucharist, I argue that the nonviolent koinonia is a community of anamnesis, of prolepsis, and of philoxenia.
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50

Rodríguez Pequeño, Javier. "Títulos y epígrafes en el díptico de la guerra por las drogas de Don Winslow." Microtextualidades. Revista Internacional de microrrelato y minificción, no. 3 (May 25, 2018): 19–40. http://dx.doi.org/10.31921/microtextualidades.n3a2.

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En este trabajo pretendo poner de manifiesto la importancia de lo que G. Genette llamó paratextualidad, es decir la relación que el texto mantiene con su paratexto, en lo que vamos a referirnos como el díptico de la guerra por las drogas, esto es, la gran novela que componen El poder del perro y El cártel de Don Winslow. Los elementos paratextuales, especialmente los títulos de las partes y capítulos y los epígrafes, constituyen un discurso paralelo que sintetiza y anticipa, que ayuda al lector a crear un contexto de recepción, al tiempo que confiere a la historia un valor de literariedad, en lo que se une a otros procedimientos como la agilidad de los diálogos, las prolepsis de ambos comienzos y la distancia en busca de objetividad e intriga con respecto a ciertas escenas.
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