Relevant bibliographies by topics / Promenade architecturale

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Promenade architecturale'

Author: Grafiati
Published: 4 June 2021
Last updated: 3 February 2022

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Journal articles on the topic "Promenade architecturale"

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Carrau Carbonell, Teresa, Ignacio Bosch Reig, and Alberto Burgos Vijande. "La Villa Bianca de Terragni. Panorámica temporal de una promenade architecturale." EGA Revista de Expresión Gráfica Arquitectónica 25, no. 40 (2020): 230. http://dx.doi.org/10.4995/ega.2020.14571.

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<p>Durante su corta pero brillante carrera profesional, Terragni realizó algunos ejercicios residenciales, entre los que destaca la Villa Bianca en Seveso. A través de los dibujos del arquitecto racionalista, comprenderemos que verdaderamente la forma es el resultado de la función, que la envolvente responde a la resolución de las necesidades del hombre. Se analiza el estado inicial de la villa a través de la planimetría original, donde encontraremos las claves de esta villa, su evolución en el tiempo a través de la documentación gráfica inédita del arquitecto que la restauró y su estado
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Arnold, Felix. "Das Landhaus des Marqués de Murrieta bei Córdoba." Architectura 47, no. 1-2 (2019): 132–45. http://dx.doi.org/10.1515/atc-2017-0008.

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AbstractThe architecture of Spain of the 1920s and 1930s remains a little studied aspect of the emergence of the modern movement. In 1926 –1931 the architects Carlos Arniches and Martín Domínguez, both prominent members of the so called ›Generación del 25‹, constructed a country estate near Córdoba for the Marqués de Murrieta. The remains of the now lost villa and garden have recently been investigated by the German Archaeological Institute, as part of a comprehensive study of the 10th century Islamic palace on which the estate had been built. The singular design of the building attests to the
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Saldarriaga Sierra, Juan Alejandro. "“No es simplemente la promenade architecturale”: interpretaciones sobre Le Corbusier y Rogelio Salmona." Dearq, no. 15 (December 2014): 116–29. http://dx.doi.org/10.18389/dearq15.2014.09.

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KYONNE JINHYUN. "Etude sur les caractéristiques d’application de la Promenade architecturale de Le Corbusier dans l’architecture de Rem Koolhaas - Villa Savoye et Kunsthal -." ASSOCIATION CULTURELLE FRANC0-COREENNE ll, no. 27 (2013): 43–66. http://dx.doi.org/10.18022/acfco.2013..27.002.

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Martin, Carole. "La promenade architecturale de Mélite : initiation au libertinage ou démonstration de savoir-vivre dans la petite maison de Jean-François de Bastide." Dix-huitième Siècle 36, no. 1 (2004): 523–45. http://dx.doi.org/10.3406/dhs.2004.2635.

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Aliaga, Maribel, and Mariana Figueiredo Sobral Torres. "Alô! Tem alguém aí?" Paranoá: cadernos de arquitetura e urbanismo, no. 24 (March 8, 2020): 109–26. http://dx.doi.org/10.18830/issn.1679-0944.n24.2019.10.

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“Ei! Tem alguém aí?”, do autor norueguês Jostein Gaarder, dá origem a adaptação para um curta-metragem de mesmo nome. Na história, Joaquim é um menino de oito anos que está prestes a ganhar um irmãozinho. Na noite da chegada do bebê, ele fica sozinho em casa e recebe uma visita inesperada do pequeno extraterrestre Mika, que cai dos céus, direto no seu jardim. Aqui, a casa representa em sua composição formal uma expressão desse olhar, e desenvolvê-lo é o ponto chave desse projeto. Para criar a casa do Joaquim, foram necessárias algumas etapas de estudo. Primeiramente uma investigação sobre a re
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Pjesivac, Zeljka. "Architectural promenade as scene of writing: the Jussieu library (1992) by Oma/Rem Koolhaas." Facta universitatis - series: Architecture and Civil Engineering 15, no. 3 (2017): 431–38. http://dx.doi.org/10.2298/fuace160930033p.

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This study investigates implementation of the conceptual and textual techniques associated with poststructuralism (such as the poststructuralist concepts of writing, text, intertext, discoursive practices) in Rem Koolhaas's project the Jussieu Library (1992) planned within the Sorbonne University complex in Paris. The main hypothesis of the study is that Koolhaas produces in the project for the Jussieu Library transgression of language of modernistic architecture conceiving the concept of architectural promenade as a scene of writing. In other words, from the understanding of the concept of ar
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Samuel, Flora, and Peter Blundell Jones. "The making of architectural promenade: Villa Savoye and Schminke House." Architectural Research Quarterly 16, no. 2 (2012): 108–24. http://dx.doi.org/10.1017/s1359135512000437.

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The term ‘architectural promenade’ has become a part of the language of modern architecture, yet it has been little discussed or investigated. We find it insufficient as a generic term to express a concern with the experience of moving through a building, for the promenade can mean different things to different people. To illustrate this point we make a comparison of the promenade in the Villa Savoye by Le Corbusier – perhaps the promenade par excellence – and that of the almost contemporary Schminke House by Hans Scharoun. We have found many distinct differences. The emphasis in this essay is
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Masson, Alain. "An architectural promenade." Continuum 5, no. 2 (1992): 159–66. http://dx.doi.org/10.1080/10304319209388232.

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Stickells, Lee. "Conceiving an architecture of movement." Architectural Research Quarterly 14, no. 1 (2010): 41–51. http://dx.doi.org/10.1017/s1359135510000564.

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Ideas about movement were fundamental for Modernist architecture of the early twentieth century and are ubiquitous in contemporary theory and practice. The shifting theoretical terrain in which bodily movement is made sense of has continuously produced different understandings of architectural possibilities. For example, where in much early Modernism, and in present conventional practice, movement is often articulated in terms of technical, functional circulation and narrativised aesthetic experience (the architectural promenade), other recent practices adopt more ambivalent approaches. The em
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Dissertations / Theses on the topic "Promenade architecturale"

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Jenkins, Megan. "Viewpoints: Visual Narratives in the Promenade Architecturale." University of Cincinnati / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1378109196.

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Bezuidenhout, Lorinda. "Urban [i]scape : information centre." Diss., Pretoria : [s.n.], 2008. http://upetd.up.ac.za/thesis/available/etd-11262008-222534.

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Niu, Yanfang. "La promenade architecturale chez Le Corbusier : une méthode pour penser l'architecture : genèse, application et évolution (1907-1939)." Thesis, Paris 1, 2017. http://www.theses.fr/2017PA01H036.

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La « promenade architecturale », expression inventée par Le Corbusier en 1929, à l’occasion de la publication du premier volume de l’Œuvre Complète, représente un concept clé corbuséen parmi les plus fréquemment évoqués. En suivant les pistes tracées par l’utilisation du terme «promenade architecturale» par l’architecte lui-même, sans s’y limiter toutefois, notre étude vise à clarifier la genèse, l’application et le développement de ce concept. Une méthodologie constituée de trois approches — historique, projectuelle et textuelle — est adoptée afin de mesurer son évolution de 1907 à 1939. La p
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Bubb, Cynthia Lynne. "Sequence as Structure: Ordering the Body, Space and Architecture." Cincinnati, Ohio : University of Cincinnati, 2006. http://www.ohiolink.edu/etd/view.cgi?acc%5Fnum=ucin1155843083.

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Thesis (Master of Architecture)--University of Cincinnati, 2006.<br>Title from electronic thesis title page (viewed Oct.10, 2006). Includes abstract. Keywords: sequence; cinema; tschumi; manhattan transcripts; promenade architecturale; situationists; ferry terminal; boston Includes bibliographical references.
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Selva, Pamela, and Oana Damsa. "Atene citta universale. Progetto per una migliore fruibilita di accesso all'Acropoli e ai suoi percorsi." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2020.

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L'Acropoli di Atene è un sito archeologico di un enorme pregio storico, artistico, archeologico. Il progetto si pone come obiettivo di ridare valore all'area di accesso all'ingresso dell'Acropoli valorizzando le preesistenze ambientali e storiche. L'intenzione primaria della tesi è di fruire un'accessibilità democratica. Il progetto dell’area ha permesso di delineare una nuova visione del territorio in termini sia di nuovi servizi. A seguito di un’analisi dettagliata del sito, nella seconda parte del percorso di tesi abbiamo deciso di affrontare il tema dell’ingresso all’Acropoli di Atene.
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Bersch, Danielle. "A Promenade for Isolation." Thesis, Virginia Tech, 2013. http://hdl.handle.net/10919/23673.

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This building emerges as a solitary work from obscurity. Its form is a composition of disjointed rooms connected by common themes: frontality, obscurity, artifice, and seclusion.<br /><br />In the first part, the plan appears as a map of a promenade which is the main ordering device of the building structure.<br /><br />In the second part, the internal spaces are presented as isolated from each other as is the building from any external reference.<br /><br />In the sections, which constitute the third part, the building appears as layered facades emerging from planes of strata.<br>Master of Ar
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Perglová, Iveta. "Městská památková rezervace Kroměříž – architektonicko–urbanistické řešení vybrané lokality." Master's thesis, Vysoké učení technické v Brně. Fakulta architektury, 2014. http://www.nusl.cz/ntk/nusl-216106.

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This thesis focuses on developing an architectural study modifications of selected localities in the urban reserve Kroměříže. The proposal respects the regulatory plan and conservation requirements. The selected street Vejvanovského function has been selected, addressed a formal operational connection with the immediate surroundings, including urban interior green. In addition an architectural study of three selected newly designed buildings with regard to the historical picture of the urban conservation area towns.
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Roggenkamp, Chrystal R. "Spatial Promenades: Sequential Experiences in Space and Time." University of Cincinnati / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1306499060.

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Deganutti, Paola Souza Gomes. "Promenade littéraire: excursões arquiteturais em O Corcunda de Notre Dame." Universidade Estadual de Ponta Grossa, 2018. http://tede2.uepg.br/jspui/handle/prefix/2515.

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Submitted by Angela Maria de Oliveira (amolivei@uepg.br) on 2018-05-22T11:55:06Z No. of bitstreams: 2 license_rdf: 811 bytes, checksum: e39d27027a6cc9cb039ad269a5db8e34 (MD5) Paola Souza Gomes.pdf: 1346915 bytes, checksum: 3fe4f222e1c4f1b330657f9e63325f76 (MD5)<br>Made available in DSpace on 2018-05-22T11:55:06Z (GMT). No. of bitstreams: 2 license_rdf: 811 bytes, checksum: e39d27027a6cc9cb039ad269a5db8e34 (MD5) Paola Souza Gomes.pdf: 1346915 bytes, checksum: 3fe4f222e1c4f1b330657f9e63325f76 (MD5) Previous issue date: 2018-03-26<br>Não é de hoje que as relações entre Literatura e Arquitetura
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Dedenroth, Høj Louise. "Exploring the potentials of dementia village architecture." TUDpress, 2019. https://tud.qucosa.de/id/qucosa%3A36682.

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This paper is exploring dementia village architecture as a new architectural model, addressing the dementia care challenge, and linking it to the continuous process of deinstitutionalization, as a broader political, social, and cultural project. The paper will investigate the specific challenges and opportunities of the village model, through a case study of two exemplar cases of this model, asking, what are the properties of ‘villageness’, and to what degree are they each responding to an idea of ‘villageness’? This is explored through different scales of the village, going from ‘part’, to ‘r
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Books on the topic "Promenade architecturale"

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Stening, Jenny. Gustavia, Saint Barthélemy: Promenade architecturale historique = architectural historic walk = arkitekturhistorisk promenad. Berghede arkitektur och design], 2008.

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Paolo, Portoghesi, ed. Promenades architecturales. P. Lubrina, 1987.

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Buseva-Davydova, I. L. Promenades architecturales dans Moscou. Editions Flies France, 1996.

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Promenades romaines. Lethielleux, 2003.

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Cavalier, Philippe. Une promenade magique dans Paris. Carrière, 2010.

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Vichy: Invitation à la promenade. Lieux dits, 2010.

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1932-, Vranckx Georges, ed. 16 promenades dans Venise. Editions universitaires, 1987.

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Coster, Léon de. 16 promenades dans Florence. Editions universitaires, 1990.

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Coster, Léon de. 16 promenades dans Vienne. Casterman, 1992.

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Coster, Xavier de. 17 promenades dans Barcelone. Casterman, 1992.

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Book chapters on the topic "Promenade architecturale"

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Holmes, Amanda. "The Architectural Promenade and the Cinematic Window in El hombre de al lado." In Politics of Architecture in Contemporary Argentine Cinema. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-55191-3_7.

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"Promenade architecturale / Promenade architecturale." In Le Corbusier. Die Kapelle von Ronchamp / La Cappella di Ronchamp. Birkhäuser, 1997. http://dx.doi.org/10.1515/9783035604115.12.

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"Die «Promenade architecturale» / La «passeggiata architettonica»." In Le Corbusier. Die Kapelle von Ronchamp / La Cappella di Ronchamp. Birkhäuser, 1997. http://dx.doi.org/10.1515/9783035604115.29.

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Vidler, Anthony. "The Eisenstein Effect." In The Moving Eye. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190218430.003.0005.

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This chapter analyzes the confluence in thinking about cinematic and architectural montage in the work of the Russian filmmaker Sergei Eisenstein and the Swiss architect Le Corbusier. It describes their encounter in Moscow in 1928 and their shared admiration for the French architectural historian Auguste Choisy, whose description of spatial passage through the Athenian Acropolis is a key point of reference in the accounts the filmmaker and the architect develop of the role of narrative, movement, and editing in the apprehension of space. Although Le Corbusier’s promenade architecturale is the manipulation of a body moving through actual space according to precise calculations of a visual sequence, the cinematic version, as staged by Corbusier and Chenal, faced the viewer with a surrogate or avatar body moving through space, but never presented the viewer with the scenes viewed by this body: an invisible, one might say ineffable merging of architecture with the image of an invisible architecture as a projection of a static viewer. Architecture in this sense achieves the status desired of the modernist machine universe, but in the process has been reduced to two dimensions, without perspective. Eisenstein, for his part, was in this sense able to “build” an architecture in film—not the imperfect static forms that one had to walk through or work hard to imagine their ecstatic movement, but through the moving image itself understood as the highest technological achievement of modernism, thus achieving the (ecstatic) dissolution, in image, of modernist architecture.
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"Architectural Promenade." In The Visual Dictionary of Interior Architecture and Design. AVA Publishing SA Distributed by Thames & Hudson (ex-North America) Distributed in the USA & Canada by: Ingram Publisher Services Inc. English Language Support Office, 2009. http://dx.doi.org/10.5040/9781350088719.0011.

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"‚Promenades architecturales‘." In "Spazieren muss ich unbedingt". Wilhelm Fink Verlag, 2018. http://dx.doi.org/10.30965/9783846763773_016.

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"Elements of the architectural promenade." In Le Corbusier in Detail. Routledge, 2007. http://dx.doi.org/10.4324/9780080550626-11.

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Porfiri, Francesca. "Interpretative Reading of an Illusory Painted Wall." In Advances in Media, Entertainment, and the Arts. IGI Global, 2016. http://dx.doi.org/10.4018/978-1-5225-0029-2.ch017.

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This study concerns architectural representation, and it focuses on the Quadratura issue: an illusory architecture painting where perspective creates the illusion of spatial depth on a flat surface. The main subject of this work is the study of the perspective scenes frescoed in the yards of historical building, during the 18th century in northern Italy, especially in Bologna; they represent architectural scenes, placed at the end of a promenade through the building. One of the most interesting example of these perspective frescoes in Bologna has been designed in 1761 by Antonio Galli Bibiena in Palazzo Vizzani's yard. This study aimed to approach a digital 3D-reconstruction of the scene, based on an accurate documentation and a combination of architectural survey techniques. Finally the digital reconstructed scene can be video-projected on the wall: it can simulate a viewer's eye guided across the building towards and inside the scene.
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Samuel, Flora. "1.5 Architectural Promenades through the Villa Savoye." In Architecture and Movement. Routledge, 2014. http://dx.doi.org/10.4324/9781315764771-7.

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Kristiánová, Katarína. "Promenade as Landscape Architecture Strategy for Riverbanks of Small Danube Cities: Komárno and Štúrovo." In Landscape Architecture - The Sense of Places, Models and Applications. InTech, 2018. http://dx.doi.org/10.5772/intechopen.72921.

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Conference papers on the topic "Promenade architecturale"

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Chinalha, Ana, and Ana Florio. "Casas com rampas desenhadas por Le Corbusier e a promenade architecturale." In Congresso de Iniciação Científica UNICAMP. Universidade Estadual de Campinas, 2019. http://dx.doi.org/10.20396/revpibic2720191876.

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Colonnese, Fabio. "Le Corbusier and the mysterious “résidence du président d’un collège”." In LC2015 - Le Corbusier, 50 years later. Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.774.

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Abstract: At the very end of his travel to United States, Le Corbusier conceived and designed a modern villa that he lately inserted in the third volume of his Oeuvre Complete with the title ‘Résidence du président d’un college près Chicago’ and few words below describing it. He interpreted a simple request for suggestions by Joseph Brewer, the president of the Olivet College, Michigan, into an actual commission for a new house that responded to the kind of works he expected from his American admirers. He possibly designed it in a few hours’ time from Kalamazoo to Chicago but the autograph han
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Barneche-Naya, Viviana, and Luis A. Hernández-Ibáñez. "EMULATION OF HUMAN ATTENTION FOR EXPLORATION OF VIRTUAL ARCHITECTURAL ENVIRONMENTS. APPLICATION TO LE CORBUSIER’S PROMENADE ARCHITECTURALE OF A VIRTUAL VILLE SAVOYE." In International Conference On Interfaces and Human Computer Interaction 2019. IADIS Press, 2019. http://dx.doi.org/10.33965/ihci2019_201906c043.

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Lus Arana, Luis M. "La Ligne Claire de Le Corbusier. Time, Space, and Sequential Narratives." In LC2015 - Le Corbusier, 50 years later. Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.814.

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Abstract: In 1921, issue 11-12 of L’Esprit Nouveau featured an article entitled “Toepffer, précurseur du cinema” where Le Corbusier, signing as ‘De Fayet’, vindicated the figure of Rodolphe Töpffer (1799-1846), a Swiss a pioneer of comics, as a key element in the development of cinema. Marginal as it may seem, this reference unveils a deeper relationship between Jeanneret and Töpffer’s work which started in his childhood, and would have a key role in the development of some of Le Corbusier’s trademark obsessions: travel, drawing, and cinematic narratives. In this context, “La Ligne Claire de L
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Miralles Jori, Roger. "FLC 4932. Lo inesperado en la obra de Le Corbusier. Consideraciones en torno al origen de la promenade." In LC2015 - Le Corbusier, 50 years later. Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.976.

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Resumen: Entender la evolución de la idea de la promenade en la crítica corbuseriana. Cómo la idea ha ido pasando de la idea del movimiento al pintoresquismo, a lo cinematográfico y finalmente a la idea de montaje. Leyendo Le Corbusier entender que lo mas relevante de la promenade es la idea de lo inesperado para el espectador. Entender de dónde viene esta idea de lo inesperado a través de la formación de Le Corbusier y, sobretodo, a partir de su formación en la crítica del S.XIX. Especialmente importante para entender la idea de lo inesperado es el libro de Mornings in Florence de Ruskin, en
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De Ortueta Hilberath, Elena. "Nuevas arquitecturas o la protección de las fortificaciones en Tarragona." In FORTMED2020 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11380.

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New architectures or the protection of the fortifications in TarragonaThe conservation of the fortification in Tarragona was not an easy task. In 1884 the Roman wall was declared a National Monument, and in 1966 it was declared a historical and artistic complex. These measures distant in time did not achieve a joint protection of it. This study deals with the transformation of the bastion of Cadenas in the San Antonio Promenade. It is an example of urban speculation during Franco’s developmentalism. Our contribution is the result of an analysis and comparison of various types of documentation:
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