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Journal articles on the topic 'Promenade architecturale'

Author: Grafiati

Published: 4 June 2021

Last updated: 3 February 2022

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1

Carrau Carbonell, Teresa, Ignacio Bosch Reig, and Alberto Burgos Vijande. "La Villa Bianca de Terragni. Panorámica temporal de una promenade architecturale." EGA Revista de Expresión Gráfica Arquitectónica 25, no. 40 (2020): 230. http://dx.doi.org/10.4995/ega.2020.14571.

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<p>Durante su corta pero brillante carrera profesional, Terragni realizó algunos ejercicios residenciales, entre los que destaca la Villa Bianca en Seveso. A través de los dibujos del arquitecto racionalista, comprenderemos que verdaderamente la forma es el resultado de la función, que la envolvente responde a la resolución de las necesidades del hombre. Se analiza el estado inicial de la villa a través de la planimetría original, donde encontraremos las claves de esta villa, su evolución en el tiempo a través de la documentación gráfica inédita del arquitecto que la restauró y su estado

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2

Arnold, Felix. "Das Landhaus des Marqués de Murrieta bei Córdoba." Architectura 47, no. 1-2 (2019): 132–45. http://dx.doi.org/10.1515/atc-2017-0008.

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AbstractThe architecture of Spain of the 1920s and 1930s remains a little studied aspect of the emergence of the modern movement. In 1926 –1931 the architects Carlos Arniches and Martín Domínguez, both prominent members of the so called ›Generación del 25‹, constructed a country estate near Córdoba for the Marqués de Murrieta. The remains of the now lost villa and garden have recently been investigated by the German Archaeological Institute, as part of a comprehensive study of the 10th century Islamic palace on which the estate had been built. The singular design of the building attests to the

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3

Saldarriaga Sierra, Juan Alejandro. "“No es simplemente la promenade architecturale”: interpretaciones sobre Le Corbusier y Rogelio Salmona." Dearq, no. 15 (December 2014): 116–29. http://dx.doi.org/10.18389/dearq15.2014.09.

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4

KYONNE JINHYUN. "Etude sur les caractéristiques d’application de la Promenade architecturale de Le Corbusier dans l’architecture de Rem Koolhaas - Villa Savoye et Kunsthal -." ASSOCIATION CULTURELLE FRANC0-COREENNE ll, no. 27 (2013): 43–66. http://dx.doi.org/10.18022/acfco.2013..27.002.

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Martin, Carole. "La promenade architecturale de Mélite : initiation au libertinage ou démonstration de savoir-vivre dans la petite maison de Jean-François de Bastide." Dix-huitième Siècle 36, no. 1 (2004): 523–45. http://dx.doi.org/10.3406/dhs.2004.2635.

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6

Aliaga, Maribel, and Mariana Figueiredo Sobral Torres. "Alô! Tem alguém aí?" Paranoá: cadernos de arquitetura e urbanismo, no. 24 (March 8, 2020): 109–26. http://dx.doi.org/10.18830/issn.1679-0944.n24.2019.10.

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“Ei! Tem alguém aí?”, do autor norueguês Jostein Gaarder, dá origem a adaptação para um curta-metragem de mesmo nome. Na história, Joaquim é um menino de oito anos que está prestes a ganhar um irmãozinho. Na noite da chegada do bebê, ele fica sozinho em casa e recebe uma visita inesperada do pequeno extraterrestre Mika, que cai dos céus, direto no seu jardim. Aqui, a casa representa em sua composição formal uma expressão desse olhar, e desenvolvê-lo é o ponto chave desse projeto. Para criar a casa do Joaquim, foram necessárias algumas etapas de estudo. Primeiramente uma investigação sobre a re

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7

Pjesivac, Zeljka. "Architectural promenade as scene of writing: the Jussieu library (1992) by Oma/Rem Koolhaas." Facta universitatis - series: Architecture and Civil Engineering 15, no. 3 (2017): 431–38. http://dx.doi.org/10.2298/fuace160930033p.

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This study investigates implementation of the conceptual and textual techniques associated with poststructuralism (such as the poststructuralist concepts of writing, text, intertext, discoursive practices) in Rem Koolhaas's project the Jussieu Library (1992) planned within the Sorbonne University complex in Paris. The main hypothesis of the study is that Koolhaas produces in the project for the Jussieu Library transgression of language of modernistic architecture conceiving the concept of architectural promenade as a scene of writing. In other words, from the understanding of the concept of ar

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Samuel, Flora, and Peter Blundell Jones. "The making of architectural promenade: Villa Savoye and Schminke House." Architectural Research Quarterly 16, no. 2 (2012): 108–24. http://dx.doi.org/10.1017/s1359135512000437.

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The term ‘architectural promenade’ has become a part of the language of modern architecture, yet it has been little discussed or investigated. We find it insufficient as a generic term to express a concern with the experience of moving through a building, for the promenade can mean different things to different people. To illustrate this point we make a comparison of the promenade in the Villa Savoye by Le Corbusier – perhaps the promenade par excellence – and that of the almost contemporary Schminke House by Hans Scharoun. We have found many distinct differences. The emphasis in this essay is

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9

Masson, Alain. "An architectural promenade." Continuum 5, no. 2 (1992): 159–66. http://dx.doi.org/10.1080/10304319209388232.

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10

Stickells, Lee. "Conceiving an architecture of movement." Architectural Research Quarterly 14, no. 1 (2010): 41–51. http://dx.doi.org/10.1017/s1359135510000564.

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Ideas about movement were fundamental for Modernist architecture of the early twentieth century and are ubiquitous in contemporary theory and practice. The shifting theoretical terrain in which bodily movement is made sense of has continuously produced different understandings of architectural possibilities. For example, where in much early Modernism, and in present conventional practice, movement is often articulated in terms of technical, functional circulation and narrativised aesthetic experience (the architectural promenade), other recent practices adopt more ambivalent approaches. The em

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Penz, François. "The architectural promenade as narrative device: practice based research in architecture and the moving image." Digital Creativity 15, no. 1 (2004): 39–51. http://dx.doi.org/10.1076/digc.15.1.39.28152.

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12

Fernandes, Eduardo. "Critical Eclecticism. The Way(s) of the Porto School." For an Architect’s Training, no. 49 (2013): 52–57. http://dx.doi.org/10.52200/49.a.tek40oma.

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The term “Porto School” designates an identity that relates the pedagogy of a teaching institution with the ideas and the architectural practice of its professors and/or former students, resulting of the transmission (and update) of a way of thinking connected to a way of doing: a concern with social responsibility (perceived through the notions of collaboration and relationship with the context), a timeless concept of modernity, an intentional appropriation and miscegenation of models (in a process that we can call critical eclecticism), the belief that architecture should be considered figur

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Psarra, Sophia, and Tadeusz Grajewski. "Architecture, narrative and promenade in Benson + Forsyth's Museum of Scotland." Architectural Research Quarterly 4, no. 2 (2000): 123–36. http://dx.doi.org/10.1017/s1359135500002578.

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Interaction between the contents and the architecture lies at the heart of the Museum of Scotland's presentation of the story of the land and its people. The design accordingly raises questions concerning the relation between architecture, the viewer and the educational message. Space syntax techniques suggest that this relation is based on a configurational logic combining informality and a clear structure. This study also examines the curatorial interpretation of the collections and demonstrates that the building forms a coherent setting for objects and exhibition themes.

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Hicks, Jonathan. "In Memoriam Indoor Fountains: Promenade Concerts and the Built Environment." 19th-Century Music 45, no. 1 (2021): 37–48. http://dx.doi.org/10.1525/ncm.2021.45.1.37.

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Discussions of promenade concerts, at least in the United Kingdom, tend to run along one of two lines: either the format is emblematic of attempts to popularize classical music or (in the famous case of the Last Night of the BBC Proms) it is symptomatic of a contested cultural nationalism. An alternative line of inquiry is to consider promenade concerts as part of the built environment. Until 2010 the fountain at the Royal Albert Hall was a mainstay of musical promenading; it had been so for over a century and a half. Such fountains, often accompanied by potted plants and Arcadian décor, were

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Chédozeau, Bernard. "Architecture et liturgie au XVIIe siècle Promenades dans Paris." Dix-septième siècle 210, no. 1 (2001): 145. http://dx.doi.org/10.3917/dss.011.0145.

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16

Vázquez-Ramos, Fernando Guillermo. "Cuadros de una exposición: promenade architectural por la obra de Eduardo de Almeida." Revista de Arquitectura 19, no. 2 (2017): 28–43. http://dx.doi.org/10.14718/revarq.2017.19.2.78.

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17

Birksted, Jan Kenneth. "‘Beyond the clichés of the hand-books’: Le Corbusier's architectural promenade1." Journal of Architecture 11, no. 1 (2006): 55–132. http://dx.doi.org/10.1080/13602360600636123.

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18

Gül, Murat, John Dee, and Cahide Nur Cünük. "ISTANBUL’S TAKSIM SQUARE AND GEZI PARK: THE PLACE OF PROTEST AND THE IDEOLOGY OF PLACE." JOURNAL OF ARCHITECTURE AND URBANISM 38, no. 1 (2014): 63–72. http://dx.doi.org/10.3846/20297955.2014.902185.

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May 2013 saw Istanbul witness a massive public demonstration. The incident began on 28 May when a small group of environmental activists tried to save Gezi Park, one of the most iconic green spaces in the Taksim district of central Istanbul. The park dates back to the 1940s and is well-known as public promenade. The modest demonstration was triggered by a government decision to reconstruct a former Ottoman Artillery Barracks. Within a few days, it developed into a violent uprising on an unprecedented scale lasting almost an entire month. Crowds not only gathered in Istanbul but also in many ot

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19

Kim, Chang Sung. "The Analysis of Architectural Promenade to be Showed in the House Works of Le Corbusier." KIEAE Journal 20, no. 3 (2020): 65–71. http://dx.doi.org/10.12813/kieae.2020.20.3.065.

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20

Rahguzar, Nazir Ahmad. "The Motivation of Construction Khayaban-e- Herat (Herat Street)." Shanlax International Journal of Arts, Science and Humanities 9, no. 1 (2021): 26–33. http://dx.doi.org/10.34293/sijash.v9i1.3916.

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After Herat had conquered by Timor his son ascended the throne in Khorasan. Herat was enclosed to AL-Krt square shape boundaries and was developed significantly to northern. North to south length streets were theme of gardens and architectural constructions.The aim of this article is to get to know more about these streets as a link factor for constructions, streams and gardens of streets beside their role identifying and rating alongside history to get their unique-unity sense in the boundaries. The approach of this article is historical, descriptive, analytical and data collection both libra

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21

Martí Casanovas, Miquel, and Estanislau Roca. "Urban visions for the architectural project of public space." Journal of Public Space 2, no. 2 (2017): 13. http://dx.doi.org/10.5204/jps.v2i2.89.

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<p>Public spaces should be places that support an intense civic life. They have been so throughout history, even if in each culture and historical period they have taken very different shapes and followed different design principles. Nevertheless, during the XX century, the Modern Movement faced some difficulties in dealing with public spaces. Too many times the zoning approach opposed the complexity, mix of uses and intensity required by lively public spaces, where social encounters and knowledge exchanges are made possible. In the XXI century, public spaces regained a major role in cit

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22

Kim, Nam-Hoon. "A Study on Le Corbusier's Carpenter Center for the Visual Arts : Focused on Experience of Architectural Promenade." Architectural research 14, no. 2 (2012): 67–73. http://dx.doi.org/10.5659/aikar.2012.14.2.67.

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23

Więckowski, Marek. "Symboliczne łączenie transgranicznych miast nadmorskich. Przykład Świnoujście – Heringsdorf." Studia Polityczne 48, no. 2 (2020): 241–59. http://dx.doi.org/10.35757/stp.2020.48.2.09.

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The aim of the article is to show the elements of cooperation that foster the connection of border cities, with particular emphasis on infrastructure, means of transport and tourism, using the example of coastal cities. An example of such a place is the island of Uznam and the coastal cities of Heringsdorf (Germany) and Świnoujście (Poland) separated by the state border. With the opening of the internal borders of the European Union, it became possible to organise the undeveloped spaces between the settlement units in the cross-border areas. This is aimed at both: managing the initial border a

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24

Needell, Jeffrey D. "Rio de Janeiro and Buenos Aires: Public Space and Public Consciousness in Fin-de-Siècle Latin America." Comparative Studies in Society and History 37, no. 3 (1995): 519–40. http://dx.doi.org/10.1017/s0010417500019794.

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The Parisian Faubourg Saint Germain and perhaps the Rue de la Paix and the boulevards seemed the adequate measure of luxury to all of the snobs. The old colonial shell of the Latin American cities little approximated such scenery. The example of Baron de Haussmann and his destructive example strengthened the decision of the new bourgeoisies who wished to erase the past, and some cities began to transform their physiognomy: a sumptuous avenue, a park, a carriage promenade, a luxurious theater, modern architecture revealed that decision even when they were not always able to banish the ghost of

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KOKRANOVA, Olesya V., and Denis V. LITVINOV. "ANALYSIS OF EMBANKMENT HISTORIC DEVELOPMENT AS OPTIMAL ARCHITECTURAL AND PLANNING ENVIRONMENT FOR ALL RECREATIONAL TYPES AND FORMS." Urban construction and architecture 6, no. 3 (2016): 67–73. http://dx.doi.org/10.17673/vestnik.2016.03.11.

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The analysis of historical development of the embankment, as technical construction which gains wide popularity during formation of coastal resorts of the English aristocracy of the XIX-XX centuries is carried out. Recreational development of the coast is defined as the major factor of transformation of natural landscapes. To give to the coast the correct form, strengthening, protection from washout, to increase city space embankments are under construction in a coastal zone. Again formed space is used for creation of promenades, esplanades, parks, piers, etc. The analysis shows that the emban

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Hronová Šafářová, Lucie. "Compositional development of spaces related to the fortification of cities from the point of view of garden art and landscape architecture." Acta Universitatis Agriculturae et Silviculturae Mendelianae Brunensis 60, no. 8 (2012): 87–100. http://dx.doi.org/10.11118/actaun201260080087.

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The article deals with the specific urban and suburban spaces where landscape design and garden art were confronted with existing or later disappearing fortification system. It analyses structures related to the landscape architecture from the baroque and classical times to the era of the pseudohistorical style, from the end of the 17th century to the end of the 19th century, with special interest devoted to the less known historical forms of the 18th century and their development. Using detailed historical maps and plans, the research reveals elements of landscape architecture in smaller or l

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Chen, Li, Yuan Feng, Baochun Li, and Bo Li. "Promenade: Proportionally Fair Multipath Rate Control in Datacenter Networks with Random Network Coding." IEEE Transactions on Parallel and Distributed Systems 30, no. 11 (2019): 2536–46. http://dx.doi.org/10.1109/tpds.2019.2915638.

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Cardoso de Matos, Ana, and Fernanda De Lima Lourencetti. "Reusing railway infraestructures in the spirit of circular construction. A contribution to an operational concept." VITRUVIO - International Journal of Architectural Technology and Sustainability 6, no. 1 (2021): 12. http://dx.doi.org/10.4995/vitruvio-ijats.2021.15487.

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<p class="Abstracttext-VITRUVIO">This paper aims to be a contribution to establish a position to the reuse of obsolete railway buildings in the field of circular construction. Recent discussions argue that considering that the circular economy is only related to the use of materials or waste is a misconception. The reuse of buildings is also an issue circular architecture. The European Union itself, since 2002, supports the Programme ESPON - European Territorial Cooperation Programme, which incisively inserts obsolete buildings in the "spirit of the circular economy", giving greater atte

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Runting, Helen, and Hélène Frichot. "Welcome to The Promenade City: A Gentri-Fictional Cartography of Stockholm in the Postindustrial Age." Architecture and Culture 3, no. 3 (2015): 397–411. http://dx.doi.org/10.1080/20507828.2015.1082056.

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Inguenaud, Virginie. "Côte d'Or. Beaune : une réalisation beaunoise rendue à Nicolas Lenoir dit Le Romain : la promenade des Lions." Bulletin Monumental 159, no. 2 (2001): 167–69. http://dx.doi.org/10.3406/bulmo.2001.978.

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L., Chyzhevska. "TYPES OF RURAL SETTLEMENTS WITH AGRICULTURAL DIRECTION AND METHODS OF THE ARCHITECTURAL AND PLANNING ORGANIZATION OF THEIR RECREATION ENVIRONMENT." Vìsnik Nacìonalʹnogo unìversitetu "Lʹvìvsʹka polìtehnìka". Serìâ Arhìtektura 2, no. 2 (2020): 229–36. http://dx.doi.org/10.23939/sa2020.02.229.

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The article clarifies the typology issues of rural settlements with agri-recreational directions and the basic methods of their architectural and planning organization. As a result of the researches and generalizations the types of settlements with tourist and recreational functions were designed: "resort settlements" are the centers of amalgamated territorial communities with available natural healing resources and long-term recreation and treatment facilities as urban development basis; "recreational villages" are settlements, the main function is to ensure long-term rest of the population;

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Jankovič, Liljana, and Jelka Hudoklin. "Renewal of a monument of designed nature in the built environment – the Kette promenade in Novo mesto." Urbani izziv, no. 23-25 (1995): 67–75. http://dx.doi.org/10.5379/urbani-izziv-en-1993-23-25-011.

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Campanella, Thomas J. "Playground of the Century." Journal of the Society of Architectural Historians 72, no. 2 (2013): 189–204. http://dx.doi.org/10.1525/jsah.2013.72.2.189.

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Playground of the Century: A Political and Design History of New York City’s Greatest Unbuilt Park presents a microhistory of one of the last substantial open spaces in metropolitan New York, the Gerritsen tidal marsh of Brooklyn. Spared from development on the recommendation of Daniel Burnham and Edward H. Bennett, the Gerritsen estuary was an ecological treasure that nonetheless became a “clean slate” upon which a succession of heroic plans was projected. The greatest of these was Charles Downing Lay’s 1,800-acre Marine Park, intended to be the largest urban playground in the world. A vast s

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Bottà, Giacomo. "Dancing to architecture: Popular music, economic crisis and urban change in 1980s industrial Europe." SAJ - Serbian Architectural Journal 4, no. 1 (2012): 113–31. http://dx.doi.org/10.5937/saj1201113b.

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This article examines popular music practices in industrial cities during the time of economic downturn and crisis (the early 1980s). In particular it takes into account the birth of alternative DIY musical practices and their use of urban space at the imaginary and material level. The article will start with an introduction to music making and to the effects it has on space / place perception and use. I have examined case studies from industrial cities and compared the way different music scenes developed during times of crisis and achieved relevant cultural expressions. The main interest of

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Hussaini, Ewaz Ali, Dawlat Shah Poyesh, M. Eshaq Rasikh, and Hussain Zarie. "Study on approaches of revitalization, optimization and usability of green spaces of Kabul province from the perspective of users." International Journal of Innovative Research and Scientific Studies 4, no. 3 (2021): 152–62. http://dx.doi.org/10.53894/ijirss.v4i3.71.

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The current study examined the status of major parks and green spaces of in Kabul from the user’s perspective between 2017-2018. The green areas under study included Tapeh Paghman Park, Qaraghah Promenade, Hesse Avale Khairkhana Park, Babur Garden and Dehbouri Park. This research was an analytical one in which, after reviewing the theoretical foundations and related libraries, questionnaires were designed and distributed to the visitors of the park to disseminate the desired data and then the results were statistically analyzed. SPSS software was used to analyze gathered data. The data collect

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Skivko, Maria. "The potential of a short tourist route on the example of a single street: tourist attractiveness of urban spaces." Урбанистика, no. 2 (February 2021): 32–43. http://dx.doi.org/10.7256/2310-8673.2021.2.33001.

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The subject of this research is tourist attractiveness of the walking rout of a section of a single street in Samara. The object of this research is such characteristics of the route as visual attractiveness, convenience and safety, atmosphere, and uniqueness. This article provides the analysis of urban space and environment on the example of a specific street in the city of Samara. The selected section directly connects the railway station, which is the place of daily arrival and transit tourists, and the Volga promenade &ndash; as one of the main symbols of the city and the center of att

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Szilágyi, Kinga, Chaima Lahmar, Camila Andressa Pereira Rosa, and Krisztina Szabó. "Living Heritage in the Urban Landscape. Case Study of the Budapest World Heritage Site Andrássy Avenue." Sustainability 13, no. 9 (2021): 4699. http://dx.doi.org/10.3390/su13094699.

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Historic allées and urban avenues reflect a far-sighted and forward-thinking design attitude. These compositions are the living witnesses of olden times, suggesting permanence. However, the 20th century’s urban development severely damaged the environment, therefore hundred-year-old mature trees are relatively rare among city avenues’ stands. Due to the deteriorated habitat conditions, replantation may be necessary from time to time. However, there are a large number of replanted allées and urban avenues considered historical monuments, according to the relevant international literature in urb

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Lheureux, Charlotte. "Danser l'architecture." lieuxdits, June 1, 2012, 3–6. http://dx.doi.org/10.14428/ld.vi3.21293.

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L’article fait suite au séminaire "Architecture & Art", qui invitait des étudiants en danse et en architecture à représenter, par le corps et par le mouvement, une promenade architecturale effectuée préalablement au sein d’édifices iconiques. Le propos consiste ici à interroger les processus de création des deux disciplines, en utilisant notamment l’écriture comme trait d’union. Citation de l'article A venir Bibliographie A venir

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"Progress and promenade." Architectural Research Quarterly 16, no. 2 (2012): 99–100. http://dx.doi.org/10.1017/s1359135512000401.

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Mugnai, Niccolò. "A promenade at Lepcis Magna: Experiencing buildings from the Augustan to the Antonine era." Libyan Studies, August 31, 2021, 1–32. http://dx.doi.org/10.1017/lis.2021.14.

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Abstract This article investigates the visibility of public edifices at Lepcis Magna (Lebdah, Libya) and how people in antiquity approached, lived, and experienced them. It engages with the buildings’ layout, architectural and sculptural ornamentation, and epigraphic apparatuses, looking at the transformations of the cityscape from Augustus to the Antonine era. The analysis highlights the importance of private and public patronage and how social status was showcased through the monumentality and visibility of new constructions in an evolving urban environment. Buildings and their ornament drew

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Delaporte, Marie-Laure. "From Dan Graham’s Proprioceptive Installations to Jesper Just’s “Post-Cinema” Walks." L’Installation artistique : une expérience de soi dans l’espace et dans le temps, no. 40 (December 15, 2020). http://dx.doi.org/10.35562/iris.1174.

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L’émergence de l’installation au milieu du xxe siècle se fait de manière concomitante avec l’art de la performance et de la vidéo. Les artistes de l’installation se sont donc emparés de l’image en mouvement et ont développé des dispositifs au caractère performatif vis-à-vis du visiteur. Dans les années 1970, Dan Graham révèle la visibilité et la perception d’un « invu », à savoir le temps comme matière et l’espace comme vecteur proprioceptif dans ses installations vidéographiques reposant sur l’effet de time delay. Face à l’enregistrement et à la retransmission en décalé de sa propre image, le

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Delaporte, Marie-Laure. "From Dan Graham’s Proprioceptive Installations to Jesper Just’s “Post-Cinema” Walks." L’Installation artistique : une expérience de soi dans l’espace et dans le temps, no. 40 (December 15, 2020). http://dx.doi.org/10.35562/iris.1174.

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L’émergence de l’installation au milieu du xxe siècle se fait de manière concomitante avec l’art de la performance et de la vidéo. Les artistes de l’installation se sont donc emparés de l’image en mouvement et ont développé des dispositifs au caractère performatif vis-à-vis du visiteur. Dans les années 1970, Dan Graham révèle la visibilité et la perception d’un « invu », à savoir le temps comme matière et l’espace comme vecteur proprioceptif dans ses installations vidéographiques reposant sur l’effet de time delay. Face à l’enregistrement et à la retransmission en décalé de sa propre image, le

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Mayorga, Miguel, and María Pía Fontana. "Franjas costeras y proyecto de paisaje: tres estrategias de intervención en la costa sur italiana." ZARCH, no. 7 (December 27, 2016). http://dx.doi.org/10.26754/ojs_zarch/zarch.201671521.

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Una visión actual del desarrollo sostenible costero puede articularse mediante tres aspectos destacados: el paisaje entendido como paisaje ecológico; la introducción de las políticas del Manejo Integrado Costero (MCI) y la proyectación del paisaje a través de un enfoque interdisciplinar e interescalar. Temas principales que definen el enfoque de algunos concursos de ideas para frentes y paseos marítimos y franjas costeras, localizados en el sur de Italia. A través de la participación en tres concursos internacionales para tres distintos ámbitos, podemos verificar la voluntad de las adminstraci

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Kissamedin, Guljan. "THE CONTEXT OF NATURAL ENVIRONMENT IN THE ARCHITECTURE OF THE"PROMENAD" SHOPPING CENTER IN ALMATY, 2003." GISAP:Technical Sciences, Construction and Architecture, no. 6 (August 22, 2015). http://dx.doi.org/10.18007/gisap:tsca.v0i6.1142.

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McGillivray, Glen. "Nature Transformed: English Landscape Gardens and Theatrum Mundi." M/C Journal 19, no. 4 (2016). http://dx.doi.org/10.5204/mcj.1146.

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IntroductionThe European will to modify the natural world emerged through English landscape design during the eighteenth century. Released from the neo-classical aesthetic dichotomy of the beautiful and the ugly, new categories of the picturesque and the sublime gestured towards an affective relationship to nature. Europeans began to see the world as a picture, the elements of which were composed as though part of a theatrical scene. Quite literally, as I shall discuss below, gardens were “composed with ‘pantomimic’ elements – ruins of castles and towers, rough hewn bridges, Chinese pagodas an

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