Relevant bibliographies by topics / Prometheus (Orozco, José Clemente)

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Prometheus (Orozco, José Clemente)'

Author: Grafiati
Published: 4 June 2021
Last updated: 8 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Prometheus (Orozco, José Clemente).'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Prometheus (Orozco, José Clemente)"

1

Rashkin, Elissa J. "José Clemente Orozco, Caricaturista." La Palabra y el Hombre, revista de la Universidad Veracruzana 1, no. 43 (2018): 44–48. http://dx.doi.org/10.25009/lpyh.v1i43.2532.

Full text
Abstract:
José Clemente Orozco es conocido sobre todo por sus murales, pero su trabajo como caricaturista, oficio que ejerció durante décadas, ha tenido poca difusión. De ahí la importancia de la exposición "José Clemente Orozco: obra gráfica", presentada en 2017 en Xalapa y en el Puerto de Veracruz, que reunió 67 piezas de las 234 que resguarda el acervo del Instituto Veracruzano de la Cultura (Ivec). En ellas satiriza la hipocresía del amor romántico y el matrimonio, la infidelidad, la coquetería femenina, la violencia doméstica, la moral de los clérigos, los embarazos vergonzosos y las mentiras que l
APA, Harvard, Vancouver, ISO, and other styles
2

Fernández, Justino. "Autobiografía, de José Clemente Orozco." Anales del Instituto de Investigaciones Estéticas 4, no. 15 (2012): 115. http://dx.doi.org/10.22201/iie.18703062e.1947.15.440.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Hernández Luna, Jesús Adrián. "Análisis iconográfico: Sacrificio humano de José Clemente Orozco." Edähi Boletín Científico de Ciencias Sociales y Humanidades del ICSHu 9, no. 18 (2021): 27–38. http://dx.doi.org/10.29057/icshu.v9i18.6821.

Full text
Abstract:
Este artículo se centra en la investigación sobre la obra “Sacrificio humano” de José Clemente Orozco, cuyos objetivos son: analizar diversas fuentes tanto etnohistóricas como contemporáneas, distinguir las diversas influencias artísticas en la obra de Orozco, analizar la obra con el método iconográfico y comprender lo que la obra Sacrificio Humano busca transmitir a los espectadores.
 Orozco es resultado de su época, el periodo en el que vivió estuvo plagado de conflictos bélicos, nacionalismos e incertidumbre. La obra Sacrificio humano busca cuestionar la época y la idea de la guerra, e
APA, Harvard, Vancouver, ISO, and other styles
4

Fernández, Justino. "José Clemente Orozco, de Luis Cardoza y Aragón." Anales del Instituto de Investigaciones Estéticas 3, no. 12 (2012): 77. http://dx.doi.org/10.22201/iie.18703062e.1945.12.389.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Toscano, Salvador. ""José Clemente Orozco. Forma e idea", de Justino Fernández." Anales del Instituto de Investigaciones Estéticas 3, no. 9 (2012): 106. http://dx.doi.org/10.22201/iie.18703062e.1942.9.331.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Del Conde, Teresa. "José Clemente Orozco. En Torno a las "Cartas a Margarita"." Anales del Instituto de Investigaciones Estéticas 15, no. 58 (1987): 111. http://dx.doi.org/10.22201/iie.18703062e.1987.58.1364.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Ramouche, Marie-Pierre. "Miguel Hidalgo: un héroe dual en Sublevación de José Clemente Orozco." America, no. 42 (September 1, 2012): 49–57. http://dx.doi.org/10.4000/america.1062.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Hartz, Lisa Beech. "Portrait of José Clemente Orozco, Doris Ulmann, New York City, 1929." Massachusetts Review 57, no. 3 (2016): 566. http://dx.doi.org/10.1353/mar.2016.0078.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Indych, Anna. "Made for the Usa: Orozco´s Horrores de la Revolución." Anales del Instituto de Investigaciones Estéticas 23, no. 79 (2012): 153. http://dx.doi.org/10.22201/iie.18703062e.2001.79.2087.

Full text
Abstract:
This paper traces the development of a body of drawings by José Clemente Orozco known upon their commission as Los Horrores de la Revolución (1926-1928), and their relation to his murals at the Escuela Nacional Preparatoria, in light of the political pressures of the post-revolutionary regime in Mexico, and the demands of the New York art market.
APA, Harvard, Vancouver, ISO, and other styles
10

Ruiz Pérez, Ángel. "Tradición clásica y mitos en la poesía cubana del siglo XIX." Fortunatae. Revista Canaria de Filología, Cultura y Humanidades Clásicas, no. 32 (2020): 683–94. http://dx.doi.org/10.25145/j.fortunat.2020.32.44.

Full text
Abstract:
Study of myths and motifs of classical antiquity in the poetry of some important Cuban poets of the 19th century (José María Heredia, Juan Clemente Zenea, Enrique José Varona Julián del Casal and especially José Martí). The importance of art as a subject and as a way of connecting with the ancient world and above all, the centrality of political issues are key aspects that explain the repeated presence of Prometheus and Laocoon
APA, Harvard, Vancouver, ISO, and other styles

Dissertations / Theses on the topic "Prometheus (Orozco, José Clemente)"

1

Rodriguez, Abigail E. "Playing With Fire: An Examination of the Context and Conservation of Jose Clemente Orozco's Prometheus." Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/scripps_theses/860.

Full text
Abstract:
Tucked within Pomona College’s campus in Claremont, California, sits Frary Hall, the home of Mexican muralist Jose Clemente Orozco’s first work in the United States. The mural, titled Prometheus (1930), has been subjected to many instances of vandalism over the years. Thus, in 1980, a protective coating was applied. Today, the coating, a highly-reflective varnish, has been noted as a hindrance of the fresco’s original matte surface. Using case studies and art historical analysis, this thesis examines the importance of the mural within the history of Mexican muralism and the pros and cons of re
APA, Harvard, Vancouver, ISO, and other styles
2

SANCHEZ, LOPEZ INDIRA 367474, and LOPEZ INDIRA SANCHEZ. "Nacionalismo e Identidad Nacional en la Obra Mural de José Clemente Orozco y Alfredo Zalce." Tesis de maestría, Universidad Autónoma Del Estado De México, 2012. http://hdl.handle.net/20.500.11799/49434.

Full text
Abstract:
El arte a través de sus diferentes formas de expresión es un vehículo constante en la manifestación de ideas, sentimientos, deseos y pensamientos, tanto individuales como colectivos. Aun siendo un modo de expresión personal, la creación espera ser asimilada, comprendida, criticada, juzgada o adulada en un contexto socio-histórico determinado. En este sentido, el arte posee una función social; las corrientes y escuelas del arte se caracterizan por compartir cualidades no sólo plásticas sino también por abordar temáticas similares, lo que hace de ellas un modo particular de acercarse a los disti
APA, Harvard, Vancouver, ISO, and other styles
3

Santiago, Maycom Pinho. "México mural : Rivera, Siqueiros e Orozco em perspectiva decolonial." reponame:Repositório Institucional da UnB, 2018. http://repositorio.unb.br/handle/10482/32521.

Full text
Abstract:
Dissertação (mestrado)—Universidade de Brasília, Instituto de Ciências Sociais, Departamento de Estudos Latino-Americanos, Programa de Pós-Graduação em Estudos Comparados Sobre as Américas, 2018.<br>Submitted by Raquel Viana (raquelviana@bce.unb.br) on 2018-08-22T21:39:21Z No. of bitstreams: 1 2018_MaycomPinhoSantiago.pdf: 1832903 bytes, checksum: 59270e69a34a3f37ae12dafaa65c47e2 (MD5)<br>Approved for entry into archive by Raquel Viana (raquelviana@bce.unb.br) on 2018-08-27T22:27:45Z (GMT) No. of bitstreams: 1 2018_MaycomPinhoSantiago.pdf: 1832903 bytes, checksum: 59270e69a34a3f37ae12dafaa65c4
APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Prometheus (Orozco, José Clemente)"

1

L, Harth Marjorie, Orozco José Clemente 1883-1949, and Pomona College (Claremont, Calif.). Museum of Art., eds. José Clemente Orozco: Prometheus. Pomona College Museum of Art, 2001.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Clemente, Orozco José. José Clemente Orozco. Hacker Art Books, 1985.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Museo de Arte Carrillo Gil. and Instituto Cultural Cabañas (Guadalajara, Mexico), eds. José Clemente Orozco: Serie "La verdad". Instituto Nacional de Bellas Artes, 2004.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Clemente, Orozco José. José Clemente Orozco: Obra gráfica : catálogo razonado. Clemente Orozco, 1997.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Tibol, Raquel. José Clemente Orozco. Galeria Enrique Guerrero, 1998.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Clemente, Orozco José. José Clemente Orozco. Hacker Art Books, 1985.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

1883-1949, Orozco José Clemente, ed. José Clemente Orozco: Graphic work. University of Texas Press, 2004.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

1883-1949, Orozco José Clemente, ed. José Clemente Orozco: El Orfeo mexicano. Universidad de Guadalajara, Centro Universitario de Arte, Arquitectura y Diseño, 2004.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Miguel, Cervantes, MacKenzie Beatriz, Instituto Cultural Cabañas (Guadalajara, Mexico), and Antiguo Colegio de San Ildefonso (Museum), eds. José Clemente Orozco: Pintura y verdad. Instituto Cultural Cabañas, 2010.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Mello, Renato González. José Clemente Orozco: La pintura mural mexicana. Consejo Nacional para la Cultura y las Artes, Dirección General de Publicaciones, 1997.

Find full text
APA, Harvard, Vancouver, ISO, and other styles

Book chapters on the topic "Prometheus (Orozco, José Clemente)"

1

Dalton, David S. "Painting Mestizaje in a New Light." In Mestizo Modernity. University Press of Florida, 2018. http://dx.doi.org/10.5744/florida/9781683400394.003.0003.

Full text
Abstract:
This chapter analyzes the state-funded murals of Diego Rivera and José Clemente Orozco, two artists who served as de facto mouthpieces for the state as they trumpeted the postrevolutionary tenets of official mestizaje through their work. Despite sharing the state’s seal of approval, the two men communicated contradictory racial discourses as they disagreed about the proper place of the nation’s European and indigenous heritage within the official ideology. That said, both men’s work was pro-mestizo despite the fact that they conceived mixed-race identity in very different ways. Orozco’s understanding of racial and technological hybridity tended toward hispanismo as he constantly validated the result—if not the means—of the Spanish conquest. Unlike Orozco, Rivera carefully separated European science—which he celebrated—from the cosmology that had permitted the destruction of thousands of indigenous lives. Instead, he posited an essentialistic indigenous spirit that would redeem mestizo Mexico from the conquering nature it had inherited from its European progenitors. This paternalistic understanding of indigeneity led to an indigenista discourse that became the favored paradigm of official mestizaje throughout the mid-twentieth century.
APA, Harvard, Vancouver, ISO, and other styles
2

Snow, K. Mitchell. "Ballets without Ballerinas?" In A Revolution in Movement. University Press of Florida, 2020. http://dx.doi.org/10.5744/florida/9780813066554.003.0009.

Full text
Abstract:
The production of socially conscious dance associated with the Lázaro Cárdenas administration suffered a decline when his successor pointed Mexico in a more conservative direction in terms of economic and cultural policy. Ballet temporarily re-emerged as the favored form. Foreign ballet companies figured prominently in the programming decisions of the government’s Palacio de Bellas Arte and the Ballet Theatre’s production of a Mexican-themed ballet, Léonide Massine’s Don Domingo de Don Blas revived Mexican aspirations for increased international exposure through ballet. On a bet, the government even extended its support to the creation of the Ballet de la Ciudad de Mexico, led by Nellie and Gloria Campobello. While initially well-received, the company soon fell into disfavor; the critics could applaud the scenery, created by the likes of the company’s spokesman José Clemente Orozco, but not the dance for which it had been designed.
APA, Harvard, Vancouver, ISO, and other styles
3

"The Sickle, the Serpent, and the Soil: History, Revolution, Nationhood, and Modernity in the Murals of Diego Rivera, José Clemente Orozco, and David Alfaro Siqueiros." In The Eagle and the Virgin. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822387527-005.

Full text
APA, Harvard, Vancouver, ISO, and other styles
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography