Relevant bibliographies by topics / Propaganda artistica fascista

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Book chapters

Academic literature on the topic 'Propaganda artistica fascista'

Author: Grafiati
Published: 11 March 2023
Last updated: 31 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Propaganda artistica fascista.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Propaganda artistica fascista"

1

Sawicky, I. M. "SOCIAL AND POLITICAL LIFE OF WORKERS AND EMPLOYEES OF DEFENSE INDUSTRY IN WESTERN SIBERIA DURING THE GREAT PATRIOTIC WAR." Bulletin of Kemerovo State University, no. 2 (June 29, 2017): 95–103. http://dx.doi.org/10.21603/2078-8975-2017-2-95-103.

Full text
Abstract:
The article considers the socio-political life of the workers and employees of the military-industrial complex in Western Siberia, which is one of three such complexes in the USSR that supplied the Red Army with military equipment and ammunition. It was established that the Central Committee of the All-Union Communist Party of Bolsheviks (CPSU (b), giving great attention to the regions of their location, in the Propaganda and Agitation Department of the Central Committee added some new structural units, whose influence embraced all aspects of socio-political life of the workers and employees i
APA, Harvard, Vancouver, ISO, and other styles
2

Strożek, Przemysław. "Football, decathlon and the martial arts: The Axis Powers and the visual propaganda of the international mega sporting events: 1934–1940." Quart, no. 4(66) (December 1, 2022): 152–70. http://dx.doi.org/10.19195/quart.2022.4.95178.

Full text
Abstract:
The article focuses on the visual propaganda of international mega sporting events organized and planned by three countries, which would form the Axis Powers: Italy, Germany and Japan. These were the 1934 World Cup in Italy, the 1936 Berlin Olympics and the planned 1940 Olympic Games in Tokyo. Each of the three regimes developed a specific type of sport to be promoted by artists at the sporting events they hosted: football in Italy, a decathlon in Germany and martial arts in Japan. Despite fundamental differences in sporting topics and artistic styles, the depictions of athletes represented th
APA, Harvard, Vancouver, ISO, and other styles
3

Iñiguez Egido, Alain. "A Madrid: 682 de Juan Ignacio Luca de Tena y la literatura fascista española: narración e ilustración al servicio de la propaganda." 452ºF. Revista de Teoría de la literatura y Literatura Comparada, no. 30 (January 31, 2024): 235–53. http://dx.doi.org/10.1344/452f.2024.30.12.

Full text
Abstract:
El guion de cine A Madrid: 682 del escritor Juan Ignacio Luca de Tena reproduce algunos de los lugares comunes de la propaganda escrita por el bando sublevado durante la guerra civil española. No obstante, al margen de la tergiversación del relato histórico contrastado con respecto a algunos hechos —como ocurre con el asedio del Alcázar de Toledo—, llama la atención el medio por el cual Luca de Tena pergeña su texto. Así, la incorporación de ilustraciones del artista boliviano Arturo Reque Meruvia se estudia aquí como un medio adicional, muy significativo, de transmisión y consolidación de la
APA, Harvard, Vancouver, ISO, and other styles
4

Ahmed, Ala Beshank, Shajwan N. Fatah, and Atta Abdalwahid Ahmed. "From Brushstrokes to Pixels: Analyzing the Evolution of Political Propaganda in Visual Media." Journal of Philology and Educational Sciences 2, no. 1 (2023): 54–67. http://dx.doi.org/10.53898/jpes2023215.

Full text
Abstract:
Leaders, particularly those associated with fascist ideologies, employ visual media as a tool to construct and propagate certain doctrines within the general populace. In this scholarly endeavor, our pursuit revolves around elucidating the profound interplay between art and photography as potent instruments of persuasive communication. First, readers will meet a brief historical background of both mechanisms. Later, in the literature review, several studies will be presented in which critics have shed light on art and photography as effective ways for political propaganda, by analyzing their s
APA, Harvard, Vancouver, ISO, and other styles
5

Radenković Šošić, Bojana. "DVADESETI VEK U OGLEDALU ITALIJANSKE REKLAME." Nasledje, Kragujevac XX, no. 54 (2023): 249–68. http://dx.doi.org/10.46793/naskg2354.249rs.

Full text
Abstract:
Advertising, as one of the most dominant contemporary communication and cultural sig- nifying practices, clearly reflects the overall socio-political environment and ongoing cultural tendencies. The circumstances in Italy are not an exception to that. Like never before, in the pre- vious century, thanks to technological and media advancements, intensive world-wide historical events and innovative cultural and artistic tendencies, advertising has become a fragmented canvas and a blueprint of reality. Therefore, this study presents a historical overview of the twen- tieth century interpreted thr
APA, Harvard, Vancouver, ISO, and other styles
6

Ilyukha, O. P. "“A Threat to the Childhood”: Civil War in the Pyrenees in the Coverage of Soviet Periodicals for Children." Modern History of Russia 13, no. 3 (2023): 721–44. http://dx.doi.org/10.21638/spbu24.2023.312.

Full text
Abstract:
In 1936–1939, the Spanish Civil War was a hot topic used for military-patriotic upbringing and political socialization of children. This article shows has the events in Spain were portrayed in periodicals for preschoolers and primary schoolchildren, including texts and visualizations. While the official perspective of the Spanish events in the USSR was dictated by the Party, children’s optics was tuned using its own means and methods, customized to the psychology of this age group. The article discloses the goals of exploiting this topic in the Soviet child-targeting discourse, reveals the mos
APA, Harvard, Vancouver, ISO, and other styles
7

Ledenev, Aleksandr V., and Mariya S. Rudenko. "Alexei Ivanov's novel «Shadows of the Teutons» against the background of his earlier works." Verhnevolzhski Philological Bulletin 4, no. 27 (2021): 37–44. http://dx.doi.org/10.20323/2499-9679-2021-4-27-37-44.

Full text
Abstract:
Alexey Ivanov's new novel «Shadows of the Teutons» is considered in the context of the writer’s main works written since the early 1990s. The authors put forward the thesis about the experimental nature of the book which is a printed text of an audio novel. Compared with the other works by Ivanov, especially such masterpieces as his metaphysical novels «The Heart of Parma» and «The Gold of Rebellion» and the realistic ones like «The Geographer Drank his Globe Away» and «The Rough Weather», «Shadows of the Teutons» differ in a simplified character treatment, lack of deep psychology and developm
APA, Harvard, Vancouver, ISO, and other styles
8

Batsak, Kostyantyn. "Italian Culture and Art Representations in Odesa under the Policy of Romanization Conditions (1941–1944)." Scientific herald of Tchaikovsky National Music Academy of Ukraine, no. 139 (February 28, 2024): 92–111. https://doi.org/10.31318/2522-4190.2024.139.301123.

Full text
Abstract:
Relevance of the study. Italian culture and art in Odesa, their influence on the city development, the European traditions diffusion in urban planning, education, music and theatre activities have a century-long history. It was interrupted with the World War the First and, subsequently, with decades of the bolsheviks’ dictatorship. Therefore, although brief-lasted, Odessa involvement in the cultural space of Italy during the Romanian occupation of the city in 1941–1944, which took place in Hitler’s and Mussolini’s ideological paradigm of the «new Europe» possessions, became a unique experience
APA, Harvard, Vancouver, ISO, and other styles
9

Войнаровський, Анатолій, та Наталка Жмуд. "Сатирично-гумористичний журнал «Червоний Перець» як джерело відображення повсякденного життя радянської України: аналітичний огляд за 1932 рік". Scientific Papers of the Vinnytsia Mykhailo Kotsyiubynskyi State Pedagogical University Series History, № 49 (26 вересня 2024): 82–90. http://dx.doi.org/10.31652/2411-2143-2024-49-82-90.

Full text
Abstract:
The purpose of the research is to reveal the peculiarities of the reflection of life in the USSR during the active phase of the establishment of Stalinist totalitarianism and the implementation of the Holodomor-genocide policy of the Ukrainian people in the satirical and humorous periodical «Red Pepper», to emphasize the source value of the periodical as an important factor in the formation of public attitudes, the principles of reflecting reality and criticism from the authorities of negative phenomena for it. Research methodology. The benchmark of the methodological approach is a complex int
APA, Harvard, Vancouver, ISO, and other styles
10

Amico, Deianira. "La figura del dormiente." Materiali di Estetica. Terza serie, no. 11.1 (July 31, 2024). http://dx.doi.org/10.54103/mde.i11.1.24680.

Full text
Abstract:
The article investigates the meaning of an iconography widespread in Italy during the interwar years, specifically the figure of the sleeper, exploring the significance of this particular representation in the paintings of Corrente’s movement. The subjects of these artists are often depicted sleeping but almost never in reclined poses; rather, they are leaning on an open book, dozing on folded arms, or sitting. The recurrence of this iconography is not accidental: it is layered with multiple artistic references ranging from Romantic models to the masters of European post-impressionism. These r
APA, Harvard, Vancouver, ISO, and other styles

Dissertations / Theses on the topic "Propaganda artistica fascista"

1

Giorio, Maria Beatrice. "Gli scultori italiani e la Francia. Influenze e modelli francesi nella prima metà del Novecento." Doctoral thesis, Università degli studi di Trieste, 2012. http://hdl.handle.net/10077/7419.

Full text
Abstract:
2010/2011<br>Lo studio ha analizzato la presenza degli scultori italiani a Parigi dall'inizio del XX secolo alla fine degli anni Trenta, con l'obiettivo di ricostruire un capitolo importante della storia degli scambi artistici in Francia. Ci siamo serviti del metodo storico-filologico che è stato applicato agli scritti critici e alla stampa d'epoca. Per quel che riguarda l'inizio del secolo, abbiamo rilevato una partecipazione italiana considerevole ai principali eventi espositivi della capitale come i Salons ufficiali; il successo commerciale e di pubblico aveva consentito loro di ottenere u
APA, Harvard, Vancouver, ISO, and other styles
2

Restivo, Matteo <1995&gt. "Esibire il corporativismo: la propaganda transnazionale fascista attraverso le manifestazioni artistiche." Master's Degree Thesis, Università Ca' Foscari Venezia, 2022. http://hdl.handle.net/10579/21269.

Full text
Abstract:
Questo progetto si propone di analizzare il carattere transnazionale del corporativismo fascista, acquisito anche grazie ad un particolare strumento di propaganda adoperato dal regime fascista italiano: quello di tipo artistico-culturale. Dal 1927-1928 in poi, infatti, il corporativismo divenne il motivo conduttore dell’attività propagandistica del Fascismo all’estero mentre, allo stesso tempo, si rafforzava la politica culturale del regime e la sua attività espositiva. Dunque, a partire dallo studio delle principali teorie e degli sviluppi interni alla Nazione circa il corporativismo, si prov
APA, Harvard, Vancouver, ISO, and other styles

Book chapters on the topic "Propaganda artistica fascista"

1

Potter, Simon J. "Losing control, 1945–1959." In This is the BBC. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780192898524.003.0005.

Full text
Abstract:
After the Second World War, the BBC sought to return to pre-war normality, broadcasting a wide range of radio programmes, reinforcing British and imperial identities, and cutting back on American content and influences. However, it proved hard to restore old certainties. While the BBC’s pre-war imperial role continued, it now had to repurpose propaganda weapons used to fight fascism and deploy them against communism in the Cold War. This entailed close links with other elements of the British state, and a major clash with the government during the Suez Crisis of 1956. Moreover, domestic listen
APA, Harvard, Vancouver, ISO, and other styles
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography