Relevant bibliographies by topics / Propaganda, Soviet – History

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Propaganda, Soviet – History'

Author: Grafiati
Published: 10 March 2023
Last updated: 31 July 2025

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Journal articles on the topic "Propaganda, Soviet – History"

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Șișcanu, Ion, and Daniela Șișcanu. "The Soviet Propaganda at the Beginning of the USSR War against Finalnd in the Winter of 1939-1940." Analele Universităţii "Dunărea de Jos" din Galaţi Fascicula XIX Istorie 8 (November 27, 2009): 103–29. http://dx.doi.org/10.35219/history.2009.04.

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In the autumn of 1939, after the Soviet-German split of Poland, the Soviet Union imperatively requested Finland to surrender an important part of the Karel Isthmus and the Hanko Peninsula. The Finnish government refused to comply with the Soviet demands. On November the 26th, the Soviets have staged an incident during which the Soviet artillery bombed a region of the border village of Mainila, for which they blamed Finland. The Finland government declined any responsibility for the incident and refused to retreat the armed forces it had in the area. The refusal was used by the Soviet Union as
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Piirimäe, Kaarel. "“Tugev Balti natsionalistlik keskus” ning Nõukogude välispropaganda teel sõjast rahuaega ja külma sõtta [Abstract: “The strong Baltic nationalistic centre” and Soviet foreign propaganda: from war to peace and toward the Cold War]." Ajalooline Ajakiri. The Estonian Historical Journal, no. 4 (September 10, 2019): 305–36. http://dx.doi.org/10.12697/aa.2018.4.03.

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Abstract: “The strong Baltic nationalistic centre” and Soviet foreign propaganda: from war to peace and toward the Cold War
 This special issue focuses on censorship, but it is difficult to treat censorship without also considering propaganda. This article discusses both censorship and foreign propaganda as complementary tools in the Soviet Union’s arsenal for manipulating public opinion in foreign countries. The purpose of such action was to shape the behaviour of those states to further Soviet interests. The article focuses on the use of propaganda and censorship in Soviet efforts to se
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Наталія Василівна Рудницька. "PROPAGANDA AND AGITATION INFLUENCE ON THE SOVIETIZING PROCESS OF THE LIFE OF POLES AND JEWS IN THE VOLYN PROVINCE IN THE 20'S OF THE XXTH CENTURY." Intermarum history policy culture, no. 5 (January 1, 2018): 273–91. http://dx.doi.org/10.35433/history.111820.

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The article examines the role of the Bolshevik propaganda and agitation in the period of the Soviet power formation, methods and forms of work with the population of polyethnic Ukraine and technologies of mass consciousness manipulation. It is emphasized that the Ukrainian Revolution of 1917-1921 activated the national and socio-political life of the Poles and Jews in Ukraine, in particular in the Volyn province. But the civil war and the Bolshevik aggression led to the destruction of Ukraine's independence, the Sovietization of all spheres of life, in particular Polish and Jewish communities,
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Drozdov, Viktor. "THE MANAGEMENT OF AGITATION AND PROPAGANDA ACTIVITIES IN IZMAIL REGION UkrSSR IN 1944–1945." Intermarum history policy culture, no. 9 (December 25, 2021): 175–94. http://dx.doi.org/10.35433/history.112022.

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The work aims to study the formation of a system of ideological influence on the Izmail region’s population in 1944–1945. Based on archival sources and materials of the regional press, the tasks of agitation and propaganda activities, the general forms and methods used by the Communist Party to spread ideology among the population of the annexed region were revealed. The author paid particular attention to determining the role of the regional party leadership in managing and conducting agitation and propaganda. The methodology. The study is based on the principles of historicism, scientificity
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Andrii Mahaletskyi. "THE MYTH OF THE GREAT PATRIOTIC WAR AS A TOOL OF RUSSIA’S PROPAGANDA INFLUENCE IN THE HYBRID WAR AGAINST UKRAINE." Intermarum history policy culture, no. 8 (December 30, 2020): 121–39. http://dx.doi.org/10.35433/history.11208.

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The purpose of this paper is to observe the formation of Russia’s myth of the Great Patriotic War as a tool of Russian propaganda influence and its uses in the Russo-Ukrainian war. The research methodology. The study applies the principles of historicism and objectivity that are essential for revealing historical events in the state policy sphere. The historic and genetic method is employed to determine the sources, development and uses of the myth of the Great Patriotic War as an element of the Russian Federation’s propaganda. The historical and systematic method sustains the analysis of soci
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Stelnykovych, Serhii, and Oleksandr Zhukovskyi. "THE NEWSPAPER «OVRUCHSKI VISTI» IN THE NAZI INFORMATION SPACE (AUGUST – OCTOBER 1943)." Intermarum history policy culture, no. 12 (March 31, 2023): 117–29. http://dx.doi.org/10.35433/history.112052.

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This article aims to examine the newspaper «Ovruchski Visti», published in Ovruch between August and October 1943, as part of the Nazi information space during World War II. The research methodology is based on general scientific and special historical methods, integrating the fundamental principles of historical knowledge: historicism, scientificity, objectivity, and systematicity. The principles of historicism and scientificity have been used to recreate the history of the newspaper «Ovruchski Visti» in all its complexity and diversity in connection to the events of the time. The principle o
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Parppei, Kati. "“Impudent Provocation by Finnish Warmongers” The Shelling of Mainila (1939) in the Context of Soviet/Russian Propaganda and Information Warfare." Use and Abuse of History. Russia and Frauds 2, no. 2 (2023): 166–91. http://dx.doi.org/10.54881/212fwspkp.

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The shelling of Mainila in November 1939 was used as a pretext by the Soviet Union to start a war against Finland and is often presented in military history as a classic case of a false-flag operation. This article examines this incident in the context of Soviet propaganda, post-Soviet history politics, and contemporary Russian war propaganda and rhetoric. It argues that the same strategies – blaming others for provocation, “accusation in a mirror”, and systematically emphasizing one’s innocence –applied by Soviet newspapers to their reportage of this “provocation” are applied by Russian propa
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Олександр Вікторович Мосієнко. "PROPAGANDA CAMPAIGN AT THE SOUTH-WESTERN FRONT OF THE FIRST WORLD WAR: ANALYSIS OF HISTORIOGRAPHY." Intermarum history policy culture, no. 5 (January 1, 2018): 64–74. http://dx.doi.org/10.35433/history.11184.

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Modernity alongside with new technologies development, fundamental changes in the printing industry and informatization of society presented the mankind with such an invention as propaganda. It became an integral part of authoritarian and totalitarian political regimes of the XXth century. However, as a tool of consciousness manipulation, it was actively used by the empires during the "long" XIXth century. In the conditions of the First World War propaganda played a significant role in the mobilization processes and in the formation of the enemy's image. The article attempts to assess the effe
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Cozma, Ioana Maria. "Forms of Communist Propaganda during Election campaigns in 1946-1948. Cluj County Case Study." Analele Universităţii "Dunărea de Jos" din Galaţi Fascicula XIX Istorie 8 (November 27, 2009): 151–66. http://dx.doi.org/10.35219/history.2009.06.

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Since its first days of existence in the Soviet Union, one of the top priorities of the new communist regime was to create a new man, as part of a larger process of reevaluation of all values, necessary in order to create a brand new world. To accomplish this task, the Communist Party used on a massive scale, for the first time in world history, the instrument of the propaganda. In Romania, a country in which the process of stalinisation started on the 6th of March 1945, the first post-war elections offered a good opportunity for the communist propaganda machine to test its effectiveness, taki
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Berard, Ewa. "The ‘First Exhibition of Russian Art’ in Berlin: The Transnational Origins of Bolshevik Cultural Diplomacy, 1921–1922." Contemporary European History 30, no. 2 (2021): 164–80. http://dx.doi.org/10.1017/s0960777320000661.

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The emergence of a Soviet cultural diplomacy in the 1920s was hardly predictable. Bolsheviks’ propaganda for ‘world revolution’ reduced the image of Soviet Russia to one of Leninist-proletarian victory, while the rejection of diplomatic tradition and a distrust of artists and intellectuals precluded any commitment to cultural action abroad. This article explores how, when and why a Soviet cultural diplomacy developed. It focuses on two episodes related to the famine of 1921, including, based on new archival evidence, the First Exhibition of Russian Art in Berlin in October 1922. The exhibition
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Dissertations / Theses on the topic "Propaganda, Soviet – History"

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Davies, Sarah J. "Propaganda and popular opinion in Soviet Russia, 1934-1941." Thesis, University of Oxford, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.260102.

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Holloway, Thomas Walter. "Propaganda analysis and the Soviet intervention in Afghanistan." The Ohio State University, 1991. http://rave.ohiolink.edu/etdc/view?acc_num=osu1272462089.

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Dreeze, Jonathon Randall. "Stalin's Empire: Soviet Propaganda in Kazakhstan, 1929-1953." The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu158757030976164.

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Froggatt, Michael. "Science in propaganda and popular culture in the USSR under Khruschëv (1953-1964)." Thesis, University of Oxford, 2006. http://ora.ox.ac.uk/objects/uuid:101d4ec5-48cc-4a85-b7e9-0e5b7c8fdafd.

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This thesis is the first detailed study of the way in which science and technology were portrayed in propaganda and popular culture during the Khrushchëv period, a time when the Soviet leadership invested significant resources, both at home and abroad, in order to capitalise on its scientific achievements. It draws upon a wide range of previously unseen materials from the archives of the RSFSR Ministry of Education, the Soviet Academy of Sciences, the State Committee on Radio and Television and the Central Committee of the CPSU. It provides the first archive-based analysis of the lecturing org
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Rollins, Joel D. (Joel David). "An Analysis of Propaganda in the Yellow Rain Controversy." Thesis, University of North Texas, 1989. https://digital.library.unt.edu/ark:/67531/metadc500599/.

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The use of arguments containing increasingly technical materials has grown significantly in the recent years. Specifically, arguments that are used to justify military expenditures or to allege violations of international agreements are becoming more sophisticated. This study examines the dissemination and use of technical argument in claims made by the United States government that the Soviet Union violated chemical and biological treaties in Southeast Asia and Afghanistan. This study employs the Jowett-O'Donnell method for analyzing propaganda to determine the extent and effectiveness of th
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Pfeifer, Justin Thomas. "The Soviet Union through German Eyes: Wehrmacht Identity, Nazi Propaganda, and the Eastern Front War, 1941-1945." University of Toledo / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=toledo1417426182.

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Spencer, Malcolm Lyndon Gareth. "Stalinism and the Soviet-Finnish war of 1939-40 : crisis management, censorship and control." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:74e74093-9ac5-40fe-92e2-9f0d6e5c833d.

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In both western and Russian historiography the Soviet-Finnish War of 1939-40 enjoys, at best, only a passing reference in any narrative of the period and is poorly integrated into existing scholarly analyses of the Soviet regime under Stalin. It is my contention that this conflict offers an invaluable opportunity to test for continuity and change in the form and function of the Stalinist system. Between the disastrous efforts of its forces and the condemnation of the international community, the Kremlin was confronted with the serious challenge of how to portray the events of the war in the me
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Dreeze, Jonathon Randall. "On the Creation of Gods: Lenin’s Image in Stalin’s Cult of Personality." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1366129547.

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Garrido, Caballero María Magdalena. "Las relaciones entre España y la Unión Soviética a través de las Asociaciones de Amistad en el siglo XX." Doctoral thesis, Universidad de Murcia, 2006. http://hdl.handle.net/10803/10891.

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La investigación ha abordado los contactos oficiales y extraoficiales entre España y la Unión Soviética durante el siglo XX, y, especialmente, se ha centrado en la proyección del modelo soviético desplegado por las Asociaciones de Amistad, tales como la Sección Española de los Amigos de la Unión Soviética y la Asociación España - URSS, como un medio de calibrar su impacto en España. Asimismo, se ha prestado atención a las asociaciones de amistad británicas para comparar el relativo éxito de estas asociaciones en los dos países. Las principales fuentes utilizadas han sido los fondos VOKS y SODD
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Barbat, Victor. "Roman Karmen, la vulgate soviétique de l'histoire : stratégies et modes opératoires d'un documentariste au XXème siècle." Thesis, Paris 1, 2018. http://www.theses.fr/2018PA01H047.

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A travers l’étude de l’œuvre du cinéaste Roman Karmen, nous souhaitons reconstituer un patrimoine et tenter d’en définir les enjeux autour de questions historiographiques. En effet, les images de l’opérateur soviétique n’ont pas seulement marqué l’histoire du XXème, elles ont en partie contribué à la construire en un objet unique. Les propriétés métonymiques de l’image (photographies et prises de vues) ont bouleversé notre perception en même temps qu’elles ont participé à la construction d’un récit historique général d’un nouvel ordre. Il s’agit d’un récit visuel complexe où se mêlent prises d
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Books on the topic "Propaganda, Soviet – History"

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Drozhzhin, G. Asy i propaganda. I︠A︡uza, 2004.

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Drozhzhin, Gennadiĭ. Asy i propaganda. Mify podvodnoĭ voĭny. EKSMO-PRESS-I︠a︡UZA, 2004.

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Torsten, Nyström, ed. Propaganda: Fotografier från sovjetiska arkiv. Max Ström, 2007.

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Shamshur, V. V. Prazdnestva revoli͡u︡t͡s︡ii: Organizat͡s︡ii͡a︡ i oformlenie sovetskikh massovykh torzhestv v Belorussii. "Nauka i tekhnika", 1989.

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Corporation, British Broadcasting, and Films for the Humanities (Firm), eds. Propaganda. Films for the Humanities & Sciences, 2004.

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Arnoux, Robert. Arménie, 1947: Les naufragés de la terre promise. Edisud, 2004.

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Brody, Richard J. Ideology and political mobilization: The Soviet home front during World War II. Center for Russian & East European Studies, University of Pittsburgh, 1994.

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Brody, Richard J. Ideology and political mobilization: The Soviet home front during World War II. University of Pittsburgh, Center for Russian and East European Studies, 1994.

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Witkowski, Igor. Hitler-Stalin: Oblicza propagandy. WiS, 2001.

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Lenoe, Matthew E. Agitation, propaganda, and the "Stalinization" of the Soviet press, 1922-1930. Center for Russian and East European Studies, 1998.

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Book chapters on the topic "Propaganda, Soviet – History"

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Darchashvili, Manana. "Soviet Russia." In Handbook of Research on Ethnic, Racial, and Religious Conflicts and Their Impact on State and Social Security. IGI Global, 2022. http://dx.doi.org/10.4018/978-1-7998-8911-3.ch007.

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The First Democratic Republic of Georgia (1918-1921) left an important mark on the history of the country. One hundred years have passed since the occupation of Georgia by Russian troops. However, during the Soviet era, Soviet propaganda did not portray the incident as such; on the contrary, on February 25, 1921, the day the capital was captured, the country's population celebrated “Sovietization.” During the three years of independence, a lot has been done by the national government for the development of the country, as a result of selfless work in terms of establishing democracy. Thus, the
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"“Kultur-terror” Pro-German, Anti-American Propaganda Poster." In Milestone Visual Documents in American History. Schlager Group Inc., 2022. https://doi.org/10.3735/9781935306733.book-part-087.

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This poster was part of the work done by the Norwegian artist Harald Damsleth and his advertising agency, Heralden, undertaken for the extreme right-wing administration of Vidkun Quisling (1887–1945) in Norway during World War II. From the time Nazi troops seized control of most of Norway in April 1945, Quisling’s regime had aligned itself with Germany—and ultimately the Axis Powers of Germany, Italy, and Japan—against the Allies, France and Britain. After France was overrun and capitulated to the Germans on June 25, 1940, and England had fended off Hitler’s Reich for over a year, the Soviet U
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Ehrlich, Charles E. "Holocaust, propaganda, and the distortion of history in the former Soviet space." In Conceptualizing Mass Violence. Routledge, 2021. http://dx.doi.org/10.4324/9781003146131-8.

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Goldman, Jasper. "Warsaw: Reconstruction as Propaganda." In The Resilient City. Oxford University Press, 2005. http://dx.doi.org/10.1093/oso/9780195175844.003.0012.

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By any standards, the resilience displayed byWarsaw duringWorld War II and its aftermath was awesome. The city endured three waves of destruction: during the German invasion of 1939, the Jewish ghetto uprising of 1943, and theWarsaw uprising of 1944 and their aftermaths. After the last had been put down, Adolf Hitler ordered the city to be destroyed entirely, and particular care was taken by the Nazis to individually target monuments and buildings of any historic, cultural, or aesthetic significance. This was done with grim efficiency, and by the time the Soviet army occupied the city in Janua
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Laruelle, Marlene. "The Soviet Legacy in Thinking about Fascism." In Is Russia Fascist? Cornell University Press, 2021. http://dx.doi.org/10.7591/cornell/9781501754135.003.0003.

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This chapter goes back in time to look at the Soviet construction of the Russian term fashizm and some of the ambiguities that the Soviet society cultivated toward the term and its historical personification, Nazi Germany. It recalls that the term fascism (fashizm), in Soviet times, belonged more to an emotional than to an analytical lexicon. The chapter also discusses Russia's history and Russians' memories of the Second World War, called the Great Patriotic War in Russian (Velikaia otechestvennaia voina) and Victory Day (Den´ pobedy). It reviews how the cult of war is intimately linked to th
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Mevius, Martin. "Agents of Moscow (1941-1944)." In Agents of Moscow. Oxford University PressOxford, 2005. http://dx.doi.org/10.1093/oso/9780199274611.003.0003.

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Abstract On the day of the German attack on the Soviet Union, Commissar for Foreign Affairs Vyacheslav Molotov gave a rousing speech in which he referred to the defeat of Napoleon at the hand of the tsars almost a century earlier, consciously mixing tsarist and Soviet history. The war became the ‘Great Patriotic War’, and Russian national heroes such as Alexandr Nevsky were used to rally the troops. Simultaneously the parties connected to the Comintern conducted national propaganda of their own, in a centrally organized ‘national line’ carried out on orders by Stalin.
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Welch, David. "The Culture of War." In The Oxford History of World War II. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192884084.003.0014.

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Abstract World War II saw an outpouring of the arts directed at the war effort, partly because they were mobilized for propaganda campaigns, partly as an expression of the intensity and drama of the war itself. All states needed to keep the public enthusiastic for the war effort and this chapter argues that cultural mobilization in Britain, Germany, the Soviet Union and the United States played an important part in sustaining commitment and shaping the popular view of why the war was being fought. The war was expressed more clearly in ideological terms than World War I, and culture helped to c
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Snape, Michael. "Front Line I." In The Oxford History of World War II. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192884084.003.0010.

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Abstract The chapter examines the way armed forces were recruited, trained, and organized for World War II. The armed forces were mainly civilians in uniforms, a fraction of them volunteers. There were also women serving in most armed forces, though only the Soviet Union gave women combatant roles. The social structures of armed forces varied between the warring powers, but the importance of propaganda, ideology, religious belief and popular culture were common to many. These many aspects of military life defined the nature of the institution and explain the capacity of the military organizati
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Hooper, Beverley. "Identities and roles." In Foreigners under Mao. Hong Kong University Press, 2016. http://dx.doi.org/10.5790/hongkong/9789888208746.003.0003.

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As representatives of the West in China, to use Isabel Crook’s words, the long-term residents were active participants in the PRC’s ‘people-to-people diplomacy’ (or ‘friendship diplomacy’) which, like its Soviet counterpart, was directed towards influencing foreign public opinion, especially in the West. In her book A History of China’s Foreign Propaganda 1949–1966, PRC journalist and author Xi Shaoying saw the long-term residents, along with short-term invited ‘friends of China’, as playing an integral role in the government’s ‘foreign propaganda work’. In the West, the long-termers’ most con
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Belodubrovskaya, Maria. "Conclusion." In Not According to Plan. Cornell University Press, 2017. http://dx.doi.org/10.7591/cornell/9781501709944.003.0007.

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The Conclusion summaries the book’s findings and proposes that an institutional approach to cinema history is well suited to provide specific answers about how ideology affects cinema. Films are produced not by ideologies, but by filmmakers and film executives working within a certain institutional environment. What ideology determines are the institutions. The institutions of Soviet cinema were ill equipped to mass-produce propaganda films, because the Stalinist ideological ambition to make “superior” films precluded industrial development. The combination of strong political ambition and wea
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Conference papers on the topic "Propaganda, Soviet – History"

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Feldmane, Iveta. "THE HEROIC AND THE GUILTY BODY IN POLITICAL AND SOCIAL POSTERS OF LATVIA DURING THE PERIOD OF SOVIET OCCUPATION." In 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscah.2024/s07.18.

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The poster as the genre of graphic arts is a medium where the representation of the human body functions as an important semiotic sign. This genre has also reflected and influenced the most diverse spectrum of artistic, social and political processes. In addition to informative and illustrative content, the inclusion of the human body in the composition of the poster has always had ideological purpose. The aim of this paper is to discuss how political ideology integrates the images of the human body in the posters and how it contradicts the individuals� personal feelings and bodily experiences
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Рыжкина, Е. Н. "HISTORY OF SOVIET SATIRICAL GRAPHICS. DMITRY MOORE IS A FIGHTER ARTIST, AN APOLOGIST FOR SOVIET PROPAGANDA SATIRE." In Месмахеровские чтения — 2024 : материалы междунар. науч.-практ. конф., 21– 22 марта 2024 г. : сб. науч. ст. / ФГБОУ ВО «Санкт-Петербургская государственная художественно-промышленная академия имени А. Л. Штиглица». Crossref, 2024. http://dx.doi.org/10.54874/9785605162926.2024.10.24.

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Данная статья посвящена рассмотрению и анализу этапов творческого пути Дмитрия Стахиевича Моора, художника- публициста, графика, карикатуриста, ставшего классиком советской сатиры. Прослеживаются в историческом контексте основные темы, сюжеты и графические решения плакатов и карикатур относительно задач сатирической агитационной культуры. This article is devoted to the consideration and analysis of the artist’s work in a historical context. The main themes, plots and graphic solutions of posters and cartoons concerning the tasks of satirical propaganda culture are traced.
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Papkova, Elena. "VSEVOLOD IVANOV'S TRILOGY ABOUT THE BORODINO FIELD: HISTORICAL CONTEXTS." In FIRST KULAKOV READINGS: ON THE FIELDS OF RUSSIA'S MILITARY. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3631.khmelita-19/29-44.

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This article deals with the stories of Vsevolod Ivanov “At Borodino”, “Near the old Smolensk road” and the story “On the Borodino Field”, written in 1943 and forming a kind of trilogy in the writer's work dedicated to the Patriotic War of 1812 and the Great Patriotic War of 1941-1945. The elements of the poetics of texts that unite them into a whole are revealed. For the first time, the historical context of the creation of Ivanov's works in 1943 is analyzed: the actualization of attention to Russian history, and in particular to the war with Napoleon, Soviet propaganda work in the early years
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Neimane, Lelde. "The Course of Life of Those Deported on 14 June 1941 Until Their Release from Forced Settlement. Examples of Disinformation, Misleading Information." In International scientific conference of the University of Latvia. University of Latvia Press, 2023. http://dx.doi.org/10.22364/ms22.10.

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Totalitarian state regimes use disinformation and misleading information in the form of propaganda to influence, control and reduce the possibility of critical thinking in their citizens. It still continues in several countries around the world. In order to facilitate recognising disinformation, to understand its manipulation methods, to promote critical thinking in a democratic environment, it has been valuable to analyse the country’s own lived experience through the prism of its inhabitants. The article reflects examples of the experience of the population displaced from Latvia during the m
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Reșetnic, Elena. "Th e contribution of the National Museum of Ethnography and Natural History to the organization of free time in the post-war period." In Simpozion internațional de etnologie: Tradiții și procese etnice, Ediția III. Institute of Cultural Heritage, Republic of Moldova, 2023. http://dx.doi.org/10.52603/9789975841733.13.

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Th e Communist Party entirely controlled the lives of the citizens, including the way of organizing and spending leisure time. Th e individual didn’t actually have the choice of what to do in his spare time. In order not to allow people too many “useless” thoughts, it was necessary for them to be always busy with something. Since they were little, they passed into the ranks of Octombrees, then of pioneers, later they became komsomolists and party members. Th ere are a lot of activities for spending the free time: watching movies, theatrical performances, sports activities, visiting museums, et
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Reports on the topic "Propaganda, Soviet – History"

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Lylo, Taras. Ideologemes of modern Russian propaganda in Mikhail Epstein’s essayistic interpretations. Ivan Franko National University of Lviv, 2022. http://dx.doi.org/10.30970/vjo.2022.51.11404.

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The article analyzes the main anti-propaganda accents in Mikhail Epstein’s essayistic argumentation about such messages of modern Russian propaganda as “Russia is threatened by an external enemy”, “Russia is a significant, powerful country”, “The collapse of the USSR was a tragedy”, “Russia is a special spiritual civilization”, “Our cause in Donbass is sacred”, “The enemy uses, or may use of illegal weapons”... A special emphasis is placed on the fact that the basis of these concepts is primarily ontological rather than ideological. Ideology is rather a cover for problematic Russian existence
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