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1

Prophetic imagination. S.C.M. P., 1992.

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2

Hopeful imagination: Prophetic voices in exile. Fortress Press, 1986.

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3

The practice of prophetic imagination: Preaching an emancipatory word. Fortress Press, 2012.

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4

Urban imagination in biblical prophecy. T & T Clark International, 2012.

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5

Imaginationen des Islam: Bildliche Darstellungen des Propheten Mohammed im westeuropäischen Buchdruck bis ins 19. Jahrhundert. De Gruyter, 2015.

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6

The Prophetic Imagination. Augsburg Fortress Publishers, 2001.

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7

Portier-Young, Anathea E. Daniel and Apocalyptic Imagination. Edited by Carolyn J. Sharp. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199859559.013.13.

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The book of Daniel forms a bridge between Israel’s classical prophetic literature and the genre apocalypse. Daniel has often been classified among the prophets, but also stands apart. An examination of revealed knowledge and textual authority in Daniel clarifies the relationship among Daniel, earlier prophets, and Mesopotamian divinatory wisdom. Daniel’s apocalyptic imagination combines prophetic language and imagery with new visionary experience, offering readers powerful new language, symbols, and models for embodied practice. Cross-disciplinary studies of imagination suggest ways that Danie
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8

Hopeful imagination: Prophetic voices in exile. SCM, 1992.

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9

Voicing the Vision: Imagination and Prophetic Preaching. Morehouse Publishing, 2004.

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10

McNaughton, James. “Prophetic Relish”. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198822547.003.0007.

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Chapter 6 demonstrates how Endgame reckons with man-made genocide through famine to broaden debates about what counts as genocide postwar, to source recent starvation policies in European imperialism, and to extend Joyce’s indictment of English literary complicity, from Shakespeare to Kipling. The drama replays into dwindled dialogue political tactics from the 1930s centered on food politics: both catastrophic threats of starvation used to subordinate, and saving prophecies of plenitude used as advocacy for barbarity. Endgame performs the aftermath of Hitler’s central biopolitical concept, Leb
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11

Cheetham, Tom. After Prophecy: Imagination, Incarnation, and the Unity of the Prophetic Tradition. Spring Journal, Inc, 2007.

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12

Dante, Columbus and the Prophetic Tradition: Spiritual Imperialism in the Italian Imagination. Taylor & Francis Group, 2017.

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13

A Passion For The Glory: An Architectural Framework For Prophetic Ministry And Imagination. Vincom Publishing Co, 1996.

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14

Critical Social Theory: Prophetic Reason, Civil Society, and Christian Imagination (Guides to Theological Inquiry). Augsburg Fortress Publishers, 2001.

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15

Petrasek, Peter Francis. Mystical experience and prophetic imagination: A religion teacher's self-reflective inquiry and life-text. 2003.

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16

Schmidt, Jr, Ronald J. Machiavelli’s Moses. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190843359.003.0003.

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Turning again to a question posed by a contemporary political theorist, the chapter uses an injunction by George Shulman and a close reading of Machiavelli’s discussions of Moses and the Florentine Friar Girolamo Savonarola to try to imagine a prophetic language that is democratic. Shulman recognizes that prophetic language is too important to the American political imagination to allow it to by monopolized by reactionary thinkers, and he demonstrates its effectiveness in the politics of abolition. By coyly emphasizing the political skill and democratic power of Moses, and contrasting that wit
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17

Phillips, Jason. Prophecies. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190868161.003.0005.

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Focusing on Edmund Ruffin, this chapter interprets the prophecies of secessionists. During a national craze for John Brown relics after the Harpers Ferry raid, Edmund Ruffin circulated Brown’s pikes to each southern legislature or governor to promote southern nationalism and secession. This chapter inverts memory studies to interpret how antebellum novels by Ruffin, John B. Jones, and Beverley Tucker forecasted civil war and elevated white supremacy. The prophetic imagination of secessionists like Ruffin empowered masters at the expense of women, yeomen, and slaves. By identifying themselves a
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18

O’Collins, SJ, Gerald. The New Testament as Inspired by the Old Testament. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198824183.003.0003.

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2 Timothy 3: 16–17 and 2 Peter 1: 20–1 reflect on the production and inspiring impact of Old Testament texts. The Old Testament inspires the New Testament. Scriptures ‘inspired’ Jesus’ sense of his own identity and prophetic mission (e.g. as Son of man) and some of his teaching. He took up the Scriptures to innovate on matters like love of God and neighbour. Matthew, also inspired by Scripture, appealed to texts that commented authoritatively on the story of Jesus. Biblical interpretation was central to Paul’s teaching. Isaiah gave an inspired and inspiring encouragement to the apostle’s minis
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19

Mills, Mary E., Andrew Mein, and Claudia V. Camp. Urban Imagination in Biblical Prophecy. Bloomsbury Publishing Plc, 2014.

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20

Augustine, Matthew C. Aesthetics of contingency. Manchester University Press, 2018. http://dx.doi.org/10.7228/manchester/9781526100764.001.0001.

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Aesthetics of contingency provides an important reconsideration of seventeenth-century literature in light of new understandings of the English past. Emphasising the contingency of the political in revolutionary England and its extended aftermath, Matthew Augustine challenges prevailing literary histories plotted according to structural conflicts and teleological narrative. In their place, he offers an innovative account of imaginative and polemical writing, in an effort to view later seventeenth-century literature on its own terms: without certainty about the future, or indeed the recent past
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21

McManus, Laurie. Brahms in the Priesthood of Art. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190083274.001.0001.

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Brahms in the Priesthood of Art: Gender and Art Religion in the Nineteenth-Century German Musical Imagination explores the intersection of gender, art religion (Kunstreligion), and other aesthetic currents in Brahms reception of the nineteenth and early twentieth centuries. In particular, it focuses on the theme of the self-sacrificing musician devoted to his art, or “priest of music,” with its quasi-mystical and German Romantic implications of purity seemingly at odds with the lived reality of Brahms’s bourgeois existence. While such German Romantic notions of art religion informed the thinki
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22

Smith, Gary Scott. Mark Twain. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192894922.001.0001.

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Mark Twain is one of the most fascinating figures in American history. His literary works have intrigued, illuminated, inspired, and irritated millions from the late 1860s to the present. Twain was arguably America’s greatest writer from 1870 to 1910. In an era of mostly lackluster presidents and before the advent of movie, radio, television, and sports stars, Twain was probably the most popular person in America during the 1890s and competed with only Theodore Roosevelt for the title in the 1900s; his celebrity status exceeded that of European kings. Twain’s varied experiences as a journeyman
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