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Journal articles on the topic 'Prophetic Theaters'

Author: Grafiati
Published: 4 June 2025
Last updated: 1 August 2025

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1

Taiwo, Oladeji Adefisoye. "Prophesying or Prophelying? Prophets, Prophetic Punditry and the 2015 General Elections in Nigeria." International Journal of Case Studies 6, no. 3 (2017): 25–37. https://doi.org/10.5281/zenodo.3534889.

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lessons, unforgettable. The introduction and use of electronic voting option and Smart Card Readers; the odious and provocative nature of political campaigns and jingles; the triumph of the main opposition party and the defeat of the incumbent party after sixteen years of uninterrupted rule, were prominent events that heralded the exercise and thus made the 2015 elections a watershed in the history of electioneering in Nigeria’s democratic experience.The elections which were perhaps the most expensive in the history of Africa also marked the first time an incumbent president has ever los
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2

Usmiani, Renate. "Roy Mitchell: Prophet in Our Past." Theatre Research in Canada 8, no. 2 (1987): 147–68. http://dx.doi.org/10.3138/tric.8.2.147.

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Roy Mitchell, Canadian pioneer of modernism in the theatre, has been largely ignored by Canadian theatre historians and publishers. Creative Theatre (1929), his summa, was republished in 1969 - in the United States. It is the purpose of this article to give an overview of Mitchell's innovative theoretical ideas (as expressed in his three books and numerous articles); of the early practical work at the Arts and Letters Club and at Hart House Theatre, which led to these ideas; and of the interrelationship between Mitchell's aesthetics of the theatre and his theosophist beliefs.
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3

Imam Nawawi. "On Prophetic Decolonization During the Roman Empire." Journal of Islamic History and Manuscript 4, no. 1 (2025): 61–82. https://doi.org/10.24090/jihm.v4i1.13169.

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This study examines the decolonization in the prophetic period of Muhammad SAW. Different analyses occur among historians, with some viewing Islam as supportive of colonialism and others as anti-colonialism. This study aims to answer how decolonization was practiced in the prophetic period. The study’s objective is to demonstrate that Prophet Muhammad SAW laid out the foundations of thoughts and actions of decolonization. The colonial enterprises undertaken during the subsequent caliphates, which some historians such as Philip K. Hitt assumed, differ fundamentally from the principles of govern
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4

Mehta, Brinda. "Postscript on Laila Soliman's Revolutionary Theatre." Review of Middle East Studies 47, no. 2 (2013): 169–71. http://dx.doi.org/10.1017/s2151348100058067.

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Laila Soliman's prophetic words in Lessons in Revolting, “this revolution is far from over” (2011) have come to fruition. The ouster of former President Mohammed Morsi and the Muslim Brotherhood-dominated government by a military takeover on 3 July 2013 (after only one year in power) has added another chapter to the uprising's trajectory. While the revolution inspired dramatic protest and equally spectacular creative expression in the form of experimental theatre, music, art, spoken word, and other forms, many Egyptian artistes and cultural critics have bemoaned a general stymying of artistic
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Owie, Anggra Agastyassa. "The prophetic message in the play script for the ESKA Theater's three shadows in 2021." Ath Thariq Jurnal Dakwah dan Komunikasi 5, no. 2 (2021): 115. http://dx.doi.org/10.32332/ath_thariq.v5i2.3601.

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Mengangkat karya pada pementasan tiga bayangan Teater Eska UIN Sunan Kalijaga tahun 2021. Pada naskah kelaparan di pementasan tiga bayangan tahun 2021 teater Eska terdapat muatan tematik yang cukup signifikan. Tema profetik menemukan ruanngnya tersendiri. Mengenai humanisasi, liberasi dan transendensi yang merupakan tiga unsur pokok dalam profetik. Dalam penelitian ini dihadirkan rumusan masalah Dapatkah teks naskah drama Kelaparan Pementasan Tiga Bayangan Teater Eska tahun 2021 memberikan nilai peluang profetik dalam dunia dakwah? Pada tujuan penelitian, terdapat upaya menjawab pertanyaan yan
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Sablatzky, Tenley. "Internet is a Loaded Gun: Ray Bradbury’s Prophetic View of Digital Literacy." New Ray Bradbury Review, no. 7 (August 27, 2023): 49–60. http://dx.doi.org/10.18060/27570.

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In addition to being a bestselling author, Ray Bradbury was also a voracious reader and lifelong advocate of libraries and literacy. His books, including his most famous work, Fahrenheit 451, include themes of anti-censorship, the importance of literacy, and warnings of over-reliance on technology. Bradbury’s attitude towards technology was always more concern than hatred—concern for society’s over-dependence on technology. Recent years of digital culture have proven that Bradbury was correct to be concerned about dependence on the internet for constant visual stimulus. However, his optimism,
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7

Houston, Andrew. "Views & Reviews." Canadian Theatre Review 122 (March 2005): 89–90. http://dx.doi.org/10.3138/ctr.122.019.

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In this issue devoted to an examination ofthe int ersection oftheatre and disability culture, I have chosen to revive a Canadian Theatre Reviewtradition and give myself carte blanche with the Views ’ Reviews section, in order to offer overdue coverage ofsome ofthe noteworthy texts I have received lately. I begin with this idea from Lukacs because of his unique vision of the role of the avant-garde artist in society and because his way of identifying the avantgarde so often reminds me of the process of reviewing and/or editing the reviews for this publication. For Lukacs, the avant-garde was pr
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S. H. Favéro, Paolo, and Christopher Pinney. "Backdrops: Conversation with Chris Pinney." Membrana Journal of Photography, Vol. 3, no. 2 (2018): 30–36. http://dx.doi.org/10.47659/m5.030.int.

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The conversation between the two researches revolves around the central question of backdrop, its meaning, position inside the studio practices. It delves into the performative aspect of backdrop photography putting it in proximity with theatre and cinema, question its nature as a prop in the process of staging an image. The question seem to be how can photography as a general practice can be understood and its theoretical notions enriched through research into rich backdrop practices (in case of Pinney and Fevero mostly in India and surrounding region) and how can we explain those practice vi
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9

Peterson, Eugene H. "Annie Dillard: With Her Eyes Open." Theology Today 43, no. 2 (1986): 178–91. http://dx.doi.org/10.1177/004057368604300204.

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“Annie Dillard prays with her eyes open. She says, Spread out your hands, lift up your head, open your eyes, and we'll pray… She gets us into the theater that Calvin told us about, and we find ourselves in the solid biblical companionship of psalmists and prophets who watched the ‘hills skip like lambs’ and heard the ‘trees clap their hands,’ alert to God everywhere.”
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LITVIN, MARGARET. "From Tahrir to ‘Tahrir’: Some Theatrical Impulses toward the Egyptian Uprising." Theatre Research International 38, no. 2 (2013): 116–23. http://dx.doi.org/10.1017/s0307883313000217.

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In November 2011, on the brink of a new wave of conflict over Egypt's future, an obviously energized audience crowded into Cairo's Rawabet Theatre for The Tahrir Monologues, a documentary play celebrating the Eighteen Days leading to Hosni Mubarak's ouster. Apparently a premature celebration, the show turned out instead to be a self-conscious nostalgia exercise meant to register the decay of revolutionary ideals. This essay analyses The Tahrir Monologues and several other theatrical responses to the unfolding – not to say unravelling – situation in post-Mubarak Egypt. Amid the grotesque improv
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Muhammad Asad Latif. "Church, Cinema, and their Representational Role of Prophet Jesus, With Mary Magdalene: In the Context of Qur’ān, Bible and Historical Facts." MAQOLAT: Journal of Islamic Studies 2, no. 2 (2024): 105–14. http://dx.doi.org/10.58355/maqolat.v2i2.70.

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Respecting the Prophets is necessary in every religion and desecrating them is punishable. In 1895 Skladanowsky Bros, started the era of filmography, and after two months Lumiere bros as well, but they didn’t get the well audience. The dramatic irony continued, and they started the filming of Jesus and showing his miracles on screens and theaters, then they got their goals and aims. Time to time western cinema showed his personality as married, as gay and as nudist Prophet, which is not only against Islamic sharīʿah and faith but its Christian religion either. In Islamic point of view, it’s of
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Dorota, Iwona. "Karol Wojtyła / Jan Paweł II i myśl religijna Zygmunta Krasińskiego we wczesnej epistolografii." Roczniki Humanistyczne 68, no. 4 Zeszyt specjalny (2020): 13–44. http://dx.doi.org/10.18290/rh20684-2s.

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In this work ‘Karol Wojtyła / Jan Paweł II and religious thoughts of Zygmunt Krasiński in his early epistolography’, the Authoress concentrates her research on the figure of young Karol Wojtyla and on his originated in Wadowice period of his life fascination with Polish romantic literature. Young Karol is not only an actor, but a co-director and co-creator of spectacles presented to the public. Wojtyla’s experiences gained in the Rhapsodic Theater and during his studies of Polish literature at the University convince him that the spoken word has a prophetic, missionary character, leading to a
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Hussein, Marwa Sami, Ansam Riyadh Abdullah, and Alaa Hameed Jasim. "Man’s Continuous Search for Salvation in Beckett’s plays: From Arrival in Waiting For Godot to Departure in Endgame." Journal of Tikrit University for Humanities 28, no. 3, 1 (2021): 42–66. http://dx.doi.org/10.25130/jtuh.28.3.1.2021.22.

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Following an existential point of view, the absurd theatre depicts ideas that seem to have illogical explanation. As a case in point, Samuel Beckett is the most eminent of the absurdist playwrights, in a sense that he deals with the dullness of routine, the futility of human action, and humans' inability to communicate. Beckett who has experienced so much of life became a man with a prophetic vision, and the creator of new concepts of modern theatre. His journey continues after writing Waiting for Godot to write Endgame. Both plays share the same view that man is living in a world without a cl
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14

Isnaini, Nurul Azizatul, Adam Malik, and Rahayu Kariadinata. "Analysis of the Application of the Mini Story Theater Learning Model (TMK), Story Poster Making (PPK), and Lectures (CPM) in Islamic Religious Education Learning." Edumaspul: Jurnal Pendidikan 7, no. 2 (2023): 3626–32. http://dx.doi.org/10.33487/edumaspul.v7i2.6021.

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This study aims to analyze the application of the Mini Story Theater (TMK) learning model, Making Story Posters (PPK), and Lectures (CPM) in learning Islamic Religious Education. This study uses a quantitative approach with quasi-experimental methods. The research population consisted of all 92 students in class VII junior high school, with a sample of three classes randomly selected using the cluster random sampling technique, class VII A as the experimental group 1 with the treatment of the Theater Mini Story or TMK learning model; class VII B as the experimental group 2 was treated with the
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15

Kolankiewicz, Leszek. "La dernière bande de Kantor." Slavica Occitania 42, no. 1 (2016): 207–28. https://doi.org/10.3406/slaoc.2016.1001.

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Kantor’s Last Tape Andrzej Sapija’s film Próby, tylko próby (Rehearsals, Just Rehearsals), documenting the work of Tadeusz Kantor on his last, unfinished play Dziś są moje urodziny (Today Is My Birthday), could be viewed from an anthropological perspective : indeed Kantor’s last work appears as a form of apotropaic magic, the aim of which is to turn Death away— the artist’s own death, which was his last and only genuine taboo. The article proposes a comparison between Molière’s Le Malade imaginaire (The Imaginary Invalid) and Kantor’s death. The artist’s Beckettian technique is also examined i
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16

Kamali, Mohamad Hashim. "Tas'ir (Price Control) in Islamic Law." American Journal of Islam and Society 11, no. 1 (1994): 25–37. http://dx.doi.org/10.35632/ajis.v11i1.2453.

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The market (suq or Bazar)has a distinctive place in the history ofIslamic civilization. Makkah and MadInah were major trade centers at thetime of the advent of Islam, and the prophet was himself an active marketparticipant and reformer. There were famous markets-'Ukkaz, Majannah,and Dhu al Majaz- in pre-Islamic Arabia that commonly held fairsduring the pilgrimage season. This practice was conhued after the appearanceof Islam, for when the new Muslims felt that it might be sinfulfor them to trade in such places (al Zubayli 1984), the following versewas revealed: "There is no sin if you seek the
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17

Alexa, Visarion. "Les Inquiétudes du destin dans le monde de Caragiale : pour une poétique de la mise en scène." Studia Universitatis Babeş-Bolyai Dramatica 67, no. 2 (2022): 47–60. http://dx.doi.org/10.24193/subbdrama.2022.2.03.

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"This paper approaches the work of the great Romanian playwright and prose writer I. L. Caragiale from a personal perspective. The author focuses on the concept of destiny and the ambiguities of this concept in Caragiale’s thought. The ambiguity of destiny, always defined between the comic and the tragic, between the sublime and the grotesque, is investigated here, showing that Caragiale had an extraordinary philosophical openness, which he translated into situations and characters. Some emblematic human figures, situations and lines from Caragiale’s work are briefly analysed and the modernity
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18

Walker, Robert G. "The Dynamics of Authorial Forgetting: The Case of James Robertson." Eighteenth-Century Life 49, no. 1 (2025): 84–109. https://doi.org/10.1215/00982601-11523704.

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Abstract James Robertson (1713 – 95) was born in Dublin but spent most of his life in England. By profession a comic actor associated for two decades with the York Theatre, in 1770 he published anonymously a relatively large volume of poetry (239 pages), with the title Poems, Consisting of Tales, Fables, Epigrams, &c. &c. By Nobody. His attribution of his poetry to Nobody was playful, but, in an irony of history, it has turned out to be prophetic. Despite the relative success of this volume — it went through three additional editions in his lifetime — and despite a surprising amount of
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19

Rennie, Bryan. "Religion and Art Behavior—A Theory and an Example: The Biblical Prophets as Postcolonial Street Theater." Journal for the Study of Religion, Nature and Culture 9, no. 3 (2015): 312–34. http://dx.doi.org/10.1558/jsrnc.v9i3.27054.

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20

Beacham, Richard C. "‘Brothers in Suffering and Joy’:the Appia–Craig Correspondence." New Theatre Quarterly 4, no. 15 (1988): 268–88. http://dx.doi.org/10.1017/s0266464x00002827.

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The names of Appia and Craig are often linked as prophets of the ‘new’ theatre – and as early as 1915 critics were beginning to stake invidious claims as to which was the dominant ‘influence’. In fact, they arrived by separate paths at artistic conclusions some of which were compatible – and some of which reflected their very different temperaments and sense of theatrical priorities. At last, in 1914, the two men met, and until a few years before Appia's death in 1928 conducted an intermittent but intimate correspondence, which has previously been unpublished. Richard C. Beacham, who teaches i
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Snir, Reuven. "The Emergence of Palestinian Professional Theatre After 1967: al-Balālīn's Self-Referential Play al-עAtma (The Darkness)". Theatre Survey 46, № 1 (2005): 5–29. http://dx.doi.org/10.1017/s0040557405000025.

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Palestine, as an Ottoman province, was distanced from the main Arab cultural activities of the nineteenth and the beginning of the twentieth centuries; no literature bearing distinctive marks of Palestinian national identity was to be found before the First World War. After the war there was some national cultural revival, but it was mainly poetry, not fiction or theatre, that was traditionally perceived as a possible national weapon against external threats. The national revival however also covered folklore and religious culture, both of which combined some semitheatrical dimensions—the shad
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Kerr, Rosalind. "How the Commedia dell’Arte Actress Revolutionized the Early Modern Italian Stage." Quaderni d'italianistica 36, no. 1 (2016): 115–37. http://dx.doi.org/10.33137/q.i..v36i1.26276.

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The first actresses who joined the previously all-male the commedia dell’Arte in the 1560s are credited with making it a commercial and artistic success. This article explores the evidence to document their multi-faceted contribution and influence on the birth of early modern European theatre. My article will use Tommaso Garzoni’s prophetic observations about certain early actresses to frame an inquiry into how their novel female presence changed the nature of theatrical representation to create a new more “realistic” medium. It will interpret the documents to reveal how they achieved celebrit
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23

Renard, John. "In The Mirror of Creation: A Muslim Mystic's View of the Individual in the Cosmos." Horizons 12, no. 2 (1985): 311–27. http://dx.doi.org/10.1017/s0360966900035015.

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AbstractIn the encyclopedic poetry of one of Islam's most prominent mystics, Jalāl ad-Dīn Rūmī (1207-73), one can discover a great deal about the main lines of classical Islamic cosmology and psychology. Conceiving of all of creation as a mirror with two sides, both of which have their reflective values, Rūmī describes both the macrocosm and the microcosm as theaters of divine revelation. In the end, one must come to know God's reflection in the intimacy of the solitary heart; but the cosmos will do for a start. Through his classic understandings of space, time, causality, the evolution of con
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Taxidou, Olga. "Puppets, Actors and Directors: Edward Gordon Craig and the Euopean Avant-garde." Miscelánea: A Journal of English and American Studies 20 (December 31, 1999): 73–84. https://doi.org/10.26754/ojs_misc/mj.199911236.

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This essay reads the work of Edward Gordon Craig within the tradition of the European theatrical avant-garde. Though he is hailed as one of the "prophets" of twentieth-century theatre, Craig and his overall project are almost never read within their historical and ideological context. Rather than viewing his work as an exception within the mainly literary experiments in Anglophone modernist theatre, this essay proposes a reading that finds parallels between Craig and his European contemporaries. Craig's view of the "art of the theatre" as a distinct discursive practice and not as an extension
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Boborykina, Tatiana A. "Books in Mary Shelley’s Book Frankenstein; or, The Modern Prometheus as Markers for a Philosophical Message." Dostoevsky and World Culture. Philological journal, no. 2 (30) (2025): 222–70. https://doi.org/10.22455/2619-0311-2025-2-222-270.

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Mary Shelley’s book Frankenstein; or, The Modern Prometheus is a nexus for many books, appearing within it as allusions, quotes, and as physical artifacts. These books, in their various forms, are of major importance because they relate to the very essence of the story, serving as markers of its philosophical message. The first one of these is the title itself, which evokes the myth of Prometheus and its subsequent revisions. “Prometheus” is a whole enfilade of books, and a word/ symbol whose decoding may help reveal the main theme of Mary Shelley’s novel. The books that appear further on in t
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Jamaluddin, Aini Syahira, Aina Yasmin Mohd Amin, and Asri Karolina. "Exploring Muslims’ Parents Experiences in Utilizing Literature." Vol.4, Issue 1, June 2023 4, no. 1 (2023): 1–7. http://dx.doi.org/10.55862/asbjv4i1a003.

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This study attempted to investigate the experiences of parents in utilizing children's literature to support teaching and learning. The purpose of this study was to explore parents’ knowledge towards children’s literature and employed qualitative methods as the mode of inquiry. Semi-structured interviews were conducted with nine Muslim parents from various countries with the aims to investigate the literature’ preference for young children, the main source of literature and the methods used to teach literature. The three found themes translated to our research findings: fiction is the most pre
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Umme Aaimen, Dr. Anum Hameed, Maryam Ghazanfar та Muntaha Shahid. "Holy Prophet (ﷺ) as a Military Commander and War Strategist; A Historical Analysis". Social Science Review Archives 3, № 2 (2025): 1986–94. https://doi.org/10.70670/sra.v3i2.818.

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The history of the world has seen that whether it is peace or war, it requires distant arrangement and multidimensional strategies. Life of Holy Prophet (ﷺ) is a role model for entirety of humanity; not just believers or followers. In contemporary era, challenges of war and peace among nations have taken a front seat in the global theatre. In the midst of this chaos, one would naturally want to look out for ideals and ideologies promoting better practices and strategies than there are in present. The Seerah of Holy Prophet (ﷺ) offers us just that. Holy Prophet (ﷺ) maintained His (ﷺ) message of
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Haseman, Brad C., Meagan P. Crethar, Jan N. Phillips, and Paul J. Stafford. "Practising inspired leadership: the use of applied theatre "prophetical" in the Executive Leadership Development Program for Queensland Health." Australian Health Review 33, no. 3 (2009): 377. http://dx.doi.org/10.1071/ah090377.

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QUEENSLAND HEALTH as an organisation has been under a great deal of pressure in recent times. On 26 April 2005, the Queensland Government announced an independent review of Queensland Health?s administrative, workforce and performance management systems. The review was established in response to public concern over the safety and quality of the public health system following events that took place at Bundaberg Hospital, particularly the appointment and practices of Dr Jayant Patel. Associated with the Patel case were issues of bullying and intimidatory behaviour at the workplace. In response t
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Crawford, Michael James, та William Henry Dyke Facey. "ʿAbd Allāh Al Saʿūd and Muḥammad ʿAlī Pasha: The Theatre of Victory, the Prophet’s Treasures, and the Visiting Whig, Cairo 1818". Journal of Arabian Studies 7, № 1 (2017): 44–62. http://dx.doi.org/10.1080/21534764.2017.1304509.

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Syatori, Ahmad. "SPIRITUAL CIRCLE IN MURSHID AND PURE RELATION SURGERY." PUTIH: Jurnal Pengetahuan Tentang Ilmu dan Hikmah 3, no. 1 (2018): 59–97. http://dx.doi.org/10.51498/putih.v3i1.20.

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In this journal contains a description of the explanation of the relationship (relationship) between someone who plays himself as a teacher spiritual guide (Murshid) with other people who act as followers (Disciples). The second role is certainly not a role in the theater or soap opera shows that we watch on television, but it is a concrete manifestation on the real stage of life. In the tradition sosial urf social-attraction there are life phenomena that are very unique and interesting to study and examine in depth. Because in this phenomenon there is a mirror of human life, which between one
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Ivanytska, Yana. "Viktoriia Lukianets: Ascending Opera Olympus (Collaboration with Luciano Pavarotti, Placido Domingo, Jose Carreras)." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 6, no. 1 (2023): 89–99. https://doi.org/10.31866/2616-7581.6.1.2023.277890.

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The purpose of the research is to highlight the creative achievements of Ukrainian opera singer Viktoriia Lukianets in collaboration with three prominent contemporary tenors: Luciano Pavarotti, Jose Carreras, and Placido Domingo (the latter both as a singer and conductor). Research methodology. In the course of searching and analyzing the relevant literature, historical, textual, and source research methods were used. The work continued with not only printed articles, but also with the singer’s personal archive (posters, programs, booklets, diaries, letters, autographs), a
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Md. Yousoff, Rohani. "Principles of Unity in Noordin Hassan's "1400"." Malay Literature 29, no. 2 (2016): 183–206. http://dx.doi.org/10.37052/ml.29(2)no4.

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Man’s responsibilities extend from himself to the people around him, the community and the environment. This article will identify such responsibilities based on al-Faruqi’s principles of unity to further ascertain Islamic elements either through the decisions and actions of the characters featured in the play “1400” by Noordin Hassan, especially through its main character, Dolah. The intention ( niyah ) of Dolah when he decides and acts based on his weaknesses which include jealousy and greed. But at last Dolah becomes conscious of the error of his ways which then leads him away from evil to
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Podosokorsky, Nikolay N. "The Religious Element of the Myth of Napoleon in the Novel Crime and Punishment: The Image of “Napoleon-Prophet” and the Mystic Sects of Russian Schismatics, Worshippers of Napoleon." Dostoevsky and World Culture. Philological journal, no. 2 (2022): 89–143. http://dx.doi.org/10.22455/2619-0311-2022-2-89-143.

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The article is dedicated to the presence of the Napoleonic myth in Dostoevsky’s novel Crime and Punishment (1866) through its religious aspect, namely the historical and cultural mergence of Napoleon and Mohammed and the worship of Napoleon among the mystic sects of Russian schismatics in the first half of the 19th century. The formation of a lasting perception of Napoleon Bonaparte as the new “prophet”, “Mohammed of the West” — which can be found in Stendhal, Alexandre Dumas, Honoré de Balzac, and others — is here traced, as well as the way Napoleon used religion and art for political aims du
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بن محمد الحارثي, عبدالرحمن, та سارة عبدالله عسيري. "إسهاماتُ المرأة العربية في صدر الإسلام وتطبيقاتها التربوية". AL-HIKMAH: INTERNATIONAL JOURNAL OF ISLAMIC STUDIES AND HUMAN SCIENCES 5, № 5 (2022): 249–79. http://dx.doi.org/10.46722/hikmah.v5i5.309.

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ملخص
 هدفت الدراسة الحالية الى التعرف اسهامات المرأة العربية الاجتماعية والسياسية والاقتصادية في صدر الإسلام والتطبيقات التربوية لهذه الاسهامات، ولتحقيق أهداف البحث استخدمت الباحثة المنهج الاستنباطي وتوصلت الى أن نظرة الإسلام للمرأة منبثقةٌ من نظرة الإسلام للإنسان المكرَّم، فلا تمايُز ولا اختلاف، وأحكام الشريعة تقرر فيها المساواة وتحقيق العدالة، ولا تخصيص لأحدٍ إلا بمُخصِّص؛ لأن الشريعة شاملة متكاملة، وأن المرأة المسلمة كان لها دورٌ فعَّالٌ في المجتمع، والمشاركة في مجالات الحياة الاقتصادية والسياسية والاجتماعية كافة، فاستغلت وقتها بما يعود عليها بالنفع عليها وعلى أسرتها، للمرأة المسلمة دو
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35

Mazer, Cary M. "Prophet of the New Drama: William Archer and the Ibsen Campaign. By Thomas Postlewait. (Contributions in Drama and Theatre Studies, no. 20). Westport, CT: Greenwood Press, 1986. Pp. xx + 190. $37.50. - William Archer on Ibsen: The Major Essays, 1889–1919. Edited by Thomas Postlewait. (Contributions in Drama and Theatre Studies, no. 13). Westport, CT: Greenwood Press, 1984. Pp. 323. £35." Theatre Research International 12, no. 2 (1987): 174–77. http://dx.doi.org/10.1017/s0307883300013535.

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Fedorak, Dar’ia. "Hildegard of Bingen’s musical work in the aspect of the phenomenon of author’s style." Aspects of Historical Musicology 19, no. 19 (2020): 312–30. http://dx.doi.org/10.34064/khnum2-19.18.

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Statement of the problem. Today national musicology is beginning to actively show interest in the study of Western European medieval monody. However, there is still no scientific information about the unique personality of the Middle Ages – Hildegard of Bingen and her musical creativity – in particular about the liturgical drama «Ordo virtutum», although there are some musicology methods for analyzing this music. The relevance of this study is due to the filling of this gap. Taking in account that a musical work of the 11–12th centuries is usually considered only within the context of the “his
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Misra, Arup Sankar, та Raveendran C. "রবীন্দ্রনাথ ঠাকুর: ভারতীয় নাটকের পথ-প্রদর্শক". Thespian Magazine, 9 травня 2013, 29–33. https://doi.org/10.63698/thespian.v1.1.chgd7047.

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Hutton, Rodney R. "Magic or Street-Theater? The Power of the Prophetic Word." Zeitschrift für die Alttestamentliche Wissenschaft 107, no. 2 (1995). http://dx.doi.org/10.1515/zatw.1995.107.2.247.

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C., Raveendran. "Rabindranath Tagore: The Prophet of Indian Theatre." Thespian Magazine, May 9, 2013, 22–28. https://doi.org/10.63698/thespian.v1.1.qyfd3012.

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40

Eastwood, Frances. "Performative Print: A Printing Anomaly in The Coblers Prophesie." Early Theatre 26, no. 2 (2023). http://dx.doi.org/10.12745/et.26.2.5267.

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Signature F2r of The Coblers Prophesie (1594) by Robert Wilson brings the reader to an abrupt halt – it contains a page-stopping stage direction in gargantuan type. This article examines whether the outsized print was a botched job by the printer Thomas Scarlet or an intentional ploy to engage the reader. The anomaly suggests that printers exercised agency in textual production and collaborated in the creative impact of printed material. Play-texts exist at the intersection of print and performance, and this case study poses larger questions about the complex relationship between the theatre a
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Abeer Bint Abdul Aziz bin Nasser Al - Dharman. "The effectiveness of theatrical teaching in the development of concepts of intellectual security in the curriculum of Sunnah students in the intermediate stage in Riyadh: فاعلية التدريس الممسرح في تنمية مفاهيم الأمن الفكري في مقرر الحديث لدى طالبات المرحلة المتوسطة بمدينة الرياض". مجلة العلوم التربوية و النفسية 1, № 4 (2017). http://dx.doi.org/10.26389/ajsrp.a100417.

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The study aimed to demonstrate the effectiveness of theatrical teaching in the development of the concepts of intellectual security in the Curriculum of the Prophet's biography among the students of the intermediate stage in Riyadh city. In order to achieve the objectives of the study, the two methods (descriptive based on content analysis and experimented with quasi-experimental design) During the course content of modern middle school, and a test of the concepts of intellectual security, and prepared two manuals: one for the teacher, the other for the student. After the verification of the v
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Panasiuk, Mariia. ""Blue-Haired Antichrists and the Cult of Castration: Kai Anderson, Cyber-Incels, and the Theater of Masculine Failure (2016–2025)"." Le "Pilier Noir" Philosophique, June 2, 2025. https://doi.org/10.5281/zenodo.15578077.

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<strong>I. Introduction: The Resurrection of Kai in a Post-Trumpian Landscape</strong> Eight years after the premiere of&nbsp;<em>American Horror Story: Cult</em>&nbsp;(Murphy, 2017), its protagonist Kai Anderson reemerges not merely as a television character, but as a prophetic meme of the wounded masculine psyche in a chronically online, postlibidinal America. 2025 finds itself not only in the thick of Trump&rsquo;s return but submerged in a vast pool of online radicalization, forum-driven masculinity crises, sexual-political impotence, and emo-blue-haired cultic aesthetics. Kai &mdash; once
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Syukur, Agus, and Ratna Puspita. "Kecerdasan Kinestetik Dalam Perspektif Islam." Tadarus Tarbawy : Jurnal Kajian Islam dan Pendidikan 6, no. 1 (2024). https://doi.org/10.31000/jkip.v6i1.11376.

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This research is driven by multiple factors, including the presence of a societal belief that students' intelligence can only be measured in specific subjects and accomplishments, despite the fact that intelligence is diverse. Additionally, there is an imbalance in assessing the three domains of cognition, emotion, and physical movement. Therefore, it is recommended to use authentic assessment as a balanced approach to evaluating learning in these domains. Furthermore, there is a lack of awareness within the Muslim community about the importance of physical movement intelligence, which actuall
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Haupt, Adam. "Mix En Meng It Op: Emile YX?'s Alternative Race and Language Politics in South African Hip-Hop." M/C Journal 20, no. 1 (2017). http://dx.doi.org/10.5204/mcj.1202.

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This paper explores South African hip-hop activist Emile YX?'s work to suggest that he presents an alternative take on mainstream US and South African hip-hop. While it is arguable that a great deal of mainstream hip-hop is commercially co-opted, it is clear that a significant amount of US hip-hop (by Angel Haze or Talib Kweli, for example) and hip-hop beyond the US (by Positive Black Soul, Godessa, Black Noise or Prophets of da City, for example) present alternatives to its co-option. Emile YX? pushes for an alternative to mainstream hip-hop's aesthetics and politics. Foregoing what Prophets
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Cocker, Emma. "From Passivity to Potentiality: The Communitas of Stillness." M/C Journal 12, no. 1 (2009). http://dx.doi.org/10.5204/mcj.119.

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Drawing on my recent experience of working in collaboration with the artist-led project, Open City, I want to explore the potential of an active and resistant - rather than passive and acquiescent – form of stillness that can be activated strategically within a performance-based practice. The article examines how stillness and other forms of non-productive or non-teleological activity might contribute towards the production of a radically dissenting – yet affirmative – model of contemporary subjectivity. It will investigate how the performance of stillness within an artistic practice could off
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Geoghegan, Hilary. "“If you can walk down the street and recognise the difference between cast iron and wrought iron, the world is altogether a better place”: Being Enthusiastic about Industrial Archaeology." M/C Journal 12, no. 2 (2009). http://dx.doi.org/10.5204/mcj.140.

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Introduction: Technology EnthusiasmEnthusiasts are people who have a passion, keenness, dedication or zeal for a particular activity or hobby. Today, there are enthusiasts for almost everything, from genealogy, costume dramas, and country houses, to metal detectors, coin collecting, and archaeology. But to be described as an enthusiast is not necessarily a compliment. Historically, the term “enthusiasm” was first used in England in the early seventeenth century to describe “religious or prophetic frenzy among the ancient Greeks” (Hanks, n.p.). This frenzy was ascribed to being possessed by spi
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Hopkins, Lekkie. "Articulating Everyday Catastrophes: Reflections on the Research Literacies of Lorri Neilsen." M/C Journal 16, no. 1 (2013). http://dx.doi.org/10.5204/mcj.602.

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Lorri Neilsen, whose feature article appears in this edition of M/C Journal, is Professor of Education at Mount Saint Vincent University in Halifax, Nova Scotia, Canada. Neilsen has been teaching and researching in literacy studies for more than four decades. She is internationally recognised as a poet and as an arts-based research methodologist specialising in lyric inquiry. In the latter half of this last decade she was appointed for a five year term to be the Poet Laureate for Nova Scotia. As an academic, she has published widely under the name of Lorri Neilsen; as a poet, she uses Lorri Ne
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