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Journal articles on the topic 'Propylaea (Acropolis, Athens, Greece)'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

Papalexandrou, Nassos. "The Old Acropolis Museum, Athens, Greece: An Overdue Necrology." Journal of Modern Greek Studies 34, no. 1 (2016): 1–22. http://dx.doi.org/10.1353/mgs.2016.0002.

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Drinia, Hara, Fani Tripolitsiotou, Theodora Cheila, and George Zafeiropoulos. "The Geosites of the Sacred Rock of Acropolis (UNESCO World Heritage, Athens, Greece): Cultural and Geological Heritage Integrated." Geosciences 12, no. 9 (2022): 330. http://dx.doi.org/10.3390/geosciences12090330.

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Athens, the capital of Greece, is notable for its distinctive environment. Numerous archaeological and historical monuments contribute to the city’s cultural wealth. These cultural monuments should include geological monuments, which are part of Athens’ natural heritage. The Acropolis of Athens is one of the world’s most recognizable and admired monuments, renowned for its archaeological, historical, and touristic significance. The Acropolis Rock is also a spectacular geological heritage monument. This article is about the Acropolis monuments, which are of great geological interest in addition

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3

Polikreti, Kyriaki, and Yannis Maniatis. "Micromorphology, composition and origin of the orange patina on the marble surfaces of Propylaea (Acropolis, Athens)." Science of The Total Environment 308, no. 1-3 (2003): 111–19. http://dx.doi.org/10.1016/s0048-9697(02)00613-7.

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4

Tsingas, V. "Acropolis of Athens: Recording, Modeling and Visualising a Major Archaeological Site." International Journal of Heritage in the Digital Era 1, no. 2 (2012): 169–90. http://dx.doi.org/10.1260/2047-4970.1.2.169.

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This paper presents the project “Development of Geographic Information Systems at the Acropolis of Athens”, financed by the European Union and the Government of Greece. The Acropolis of Athens is one of the major archaeological sites world-wide included in the UNESCO World Heritage list. The project started in June 2007 and finished in May 2009. The paper presents the project's aims and gives a description of the deliverables and the specifications, as well as the project difficulties. It was a complex project including a wide range of works, from classical geodetic and photogrammetric works t

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Plantzos, Dimitris. "Behold the raking geison: the new Acropolis Museum and its context-free archaeologies." Antiquity 85, no. 328 (2011): 613–25. http://dx.doi.org/10.1017/s0003598x00068009.

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In December 1834 Athens became the capital city of the newly founded Hellenic Kingdom. King Otto, the Bavarian prince whose political and cultural initiative shaped much of what modern Greece is today, sought to design the new city inspired by the heavily idealised model of Classical Hellas (see Bastea 2000). The emerging capital was from the outset conceived as aheterotopiaof Hellenism, a Foucauldian 'other space' devoted to Western Classicism in view of the Classical ruins it preserved. The Acropolis became, naturally, the focal point of this effort. At the same time, however, and as Greek n

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Hamilakis, Yannis. "Museums of oblivion." Antiquity 85, no. 328 (2011): 625–29. http://dx.doi.org/10.1017/s0003598x00068010.

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The relationship between antiquity, archaeology and national imagination in Greece, the sacralisation of the Classical past, and the recasting of the Western Hellenism into an indigenous Hellenism have been extensively studied in the last 15 years or so (see e.g. Hamilakis 2007, 2009). In fact, Greece has proved a rich source of insights for other cases of nation-state heritage politics. The new Acropolis Museum project was bound to be shaped by the poetics of nationhood right from the start, given that its prime referent is the most sacred object of the Hellenic national imagination, the Acro

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Loupasakis, Constantinos, Paraskevas Tsangaratos, Theodoros Gatsios, Vasiliki Eleftheriou, Issaak Parcharidis, and Panteleimon Soupios. "Investigating the Stability of the Hill of the Acropolis of Athens, Greece, Using Fuzzy Logic and Remote Sensing Techniques." Remote Sensing 15, no. 4 (2023): 1067. http://dx.doi.org/10.3390/rs15041067.

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The main objective of this study was to investigate the stability of the Acropolis Hill, Greece, by developing a Rock Instability Model (RIM) based on fuzzy logic and remote sensing techniques. RIM aimed to identify locations on the rock formations of the Acropolis Hill that will potentially have instability issues due to the action of geomorphological factors, weathering and erosive processes. Six factors including lithology, slope angle, density of discontinuities, density of faults, density of surface runoff elements, and the orientation of the stratigraphy of the geological formations in r

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8

Lamprinou, Vasiliki, Maria Mammali, Efstathios A. Katsifas, Adriani I. Pantazidou, and Amalia D. Karagouni. "Phenotypic and Molecular Biological Characterization of Cyanobacteria from Marble Surfaces of Treated and Untreated Sites of Propylaea (Acropolis, Athens)." Geomicrobiology Journal 30, no. 4 (2013): 371–78. http://dx.doi.org/10.1080/01490451.2012.690021.

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9

Wick, David P. "It Seemed Like Such a Good Idea at the Time … - Expected and Unexpected Consequences when Athens & Other Major Greek City States Leveraged Philip V to Draw Rome into the Eastern Mediterranean." Athens Journal of History 9, no. 4 (2023): 299–310. http://dx.doi.org/10.30958/ajhis.9-4-1.

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The grand theme of the "liberation of Greece" is peculiar in the second and first centuries B.C. by being proclaimed more often by outsiders than by Greeks, and far more often by outsiders than by Athenians. The Athens that ultimately became wholly Roman after the disastrous hostage crisis provoked by Mithridatic forces on the Acropolis in the 80's started down that road by joining with a few other Greek city states to call in Roman aid against Philip V of Macedon in the 190's, and did so, arguably, believing it could leverage a projection of force by a war-weary Roman Republic to make itself

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10

Sisa, József. "Joseph Hoffer and the Study of Ancient Architecture." Journal of the Society of Architectural Historians 49, no. 4 (1990): 430–39. http://dx.doi.org/10.2307/990569.

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Joseph Hoffer, a Hungarian-born architect trained at the Polytechnikum of Vienna, worked in the newly independent Kingdom of Greece between 1833 and 1838. In Athens he surveyed with extraordinary accuracy the buildings of the Acropolis, which led to the discovery of one of the "refinements" of ancient architecture, the curvature of the horizontal parts of Greek temples. He published his findings in the Vienna Allgemeine Bauzeitung in 1838, but for some time his achievement was ignored. John Pennethorne, an English architect, claimed to have observed this same fact first, but he published it on

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11

Papageorgiou-Venetas, Alexander. "A future for Athens." Ekistics and The New Habitat 69, no. 415-417 (2002): 209–19. http://dx.doi.org/10.53910/26531313-e200269415-417338.

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The author, an architect and town planner, graduated from the Faculty of Architecture of the Athens Technical University, specialized in town planning in Paris, and obtained his Ph. D in urban design at the Technical University of West Berlin. After a ten-year period of practicing architecture in Athens where he conducted several studies for the Greek Tourism Organization (hotels), the Archaeological Service of Greece (landscaping of excavation areas) and private clients, he has been working mainly in Germany (Berlin and Munich) as well as in Greece as an urban designer in a wide scope of acti

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12

Showleh, T. "Water management in the Bronze Age: Greece and Anatolia." Water Supply 7, no. 1 (2007): 77–84. http://dx.doi.org/10.2166/ws.2007.009.

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While the water management systems of Minoan Crete are legendary, water management on the Greek mainland in the Mycenaean period also shows a high degree of technological sophistication. Projects considered in this paper include the draining of the Kopais Lake, generally agreed to be one of the greatest engineering achievements of early antiquity; the cistern at Mycenae with its corbelled access tunnel cut deep into the bedrock of the citadel; the twin springs at Tiryns, with their underground passageways approached through the massive ‘cyclopean’ walls; and the North Fountain on the Mycenaean

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13

Papamarinopoulos, S. P. "ATLANTIS IN SPAIN II." Bulletin of the Geological Society of Greece 43, no. 1 (2017): 108. http://dx.doi.org/10.12681/bgsg.11165.

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Plato, who lived in the 4th century B.C., wrote the dialogue Timaeos and Critias when he was 52 years old. In this he describes a catastrophe in Athens from an earthquake in the presence of excessive rain. He also describes several details, not visible in his century, in the Acropolis of Athens. These details are a spring and architectural details of buildings in which the warriors used to live. In Critias he mentions that the destruction of the spring was caused by an earthquake. The time of the catastrophe of Atlantis was not defined by him but it is implied that it occurred after the assaul

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Leopold, Matthias, Evey Gannaway, Jörg Völkel, et al. "Geophysical prospection of a bronze foundry on the southern slope of the acropolis at athens, Greece." Archaeological Prospection 18, no. 1 (2011): 27–41. http://dx.doi.org/10.1002/arp.402.

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15

Kechris, Dimitris. "History, Subjectivity, and the Public Sphere in Greece: The Essay-films of Tonia Marketaki and Eva Stefani." Acta Academiae Artium Vilnensis, no. 115 (November 24, 2023): 33–49. https://doi.org/10.37522/aaav.115.2024.268.

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The paper contextualizes and reflects on the essay-films John and the Street (1967) and Acropolis (2001) by prominent Greek filmmakers Tonia Marketaki (1942–1994) and Eva Stefani (b. 1964), respectively. Created at different moments in modern Greek history, the two films nonetheless address the tension between history and personal experience in the public sphere, especially as this tension marks the urban context of Athens. The analysis explores how the two films challenge hegemonic national narratives while tracing “subterranean” alternative subjectivities. It emphasizes the aesthetic practic

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16

Uskoković, Sandra. "Hegemony of the Antiquity’ Heritage: Sharing a Common Past?" Ars Adriatica 12 (December 30, 2022): 131–46. http://dx.doi.org/10.15291/aa.4078.

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While focusing on Greece and North Macedonia, I will argue that the hegemony of authorized heritage discourse reveals the dominance of Hellenophilia, which has been continuously reinforced since the nineteenth century by archaeological discoveries of the ancient Greeks. The heritage narratives around the Warrior Hero statue in Skopje (2011) and the New Acropolis Museum in Athens (2009) glorify the ancient past and exclude other historical periods and cultural/ethnic influences, which creates a pregnant imaginary for Eurocentrism, while the hegemony of heritage sites is being harnessed for poli

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17

Van Rookhuijzen, J. Z. "The Turkish harem in the Karyatid Temple and antagonistic narratives on the Athenian Acropolis." Opuscula. Annual of the Swedish Institutes at Athens and Rome 14 (November 1, 2021): 341–62. http://dx.doi.org/10.30549/opathrom-14-16.

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According to received history, the Karyatid Temple on the Acropolis of Athens (commonly known as the “Erechtheion”) was, in the city’s first Ottoman period (1456–1687), converted into a Turkish harem. In this article, I investigate the story by scrutinizing sources from this period. I argue that the notion of the harem, although historically suspect, found fertile ground in an orientalist worldview that has been prevalent among western visitors and scholars. I propose that the tale may have been inspired by the temple’s conspicuous Karyatid statues. I close by considering the story of the hare

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18

Kapetanakis, Dimitrios, Elena Georgopoulou, Sevastianos Mirasgedis, and Yannis Sarafidis. "Weather Preferences for Urban Tourism: An Empirical Study in the Greek Capital of Athens, Greece." Atmosphere 13, no. 2 (2022): 282. http://dx.doi.org/10.3390/atmos13020282.

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Several climate indices have been developed to analyze the relationship between climatic variables and tourist comfort at different destinations, although, none of the indices applied so far in cities have been informed by empirical data collected exclusively at urban tourist destinations. The present paper aims to cover this gap by developing an “Urban Climate Comfort Index” (UCCI) that integrates critical climate variables for urban tourism and is informed by empirical data from an in-situ survey conducted in southern Europe, namely, in close proximity to the Acropolis Museum in Athens, Gree

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19

Skivalou, Maria, and Eleni Filippidi. "Chinese tourism: Development and prospects for Greece." Tourism and Hospitality Research 17, no. 3 (2015): 325–35. http://dx.doi.org/10.1177/1467358415610372.

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China has been, and still is, by far the fastest growing tourism source market in the world. Chinese outbound travel has seen a rapid increase because Chinese authorities have not only implemented policies which facilitate the Chinese outbound tourism but also, the rising standards of living in China have expanded the demand for overseas tourism. The objective of this study is to examine the development of Chinese tourism in Greece, identify the motivation factors of Chinese tourists who visit Greece, determine the destination attributes of Greece which attract them and discover their activity

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20

Zalewski, Cezary. "Pielgrzym i panteista. Henryk Sienkiewicz w Atenach." Wielogłos, no. 3 (57) (2023): 43–66. http://dx.doi.org/10.4467/2084395xwi.23.019.18555.

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Artykuł jest analizą epistolografii Henryka Sienkiewicza powstałą w trakcie jego pobytu w Grecji (w 1886 roku). Podstawową kategorią interpretacyjną jest figura pielgrzyma, która wykorzystana zostaje w dwóch modalnościach: (1) jako scalający i porządkujący projekt autobiograficzny i (2) jako opis konkretnej wędrówki do miejsca świętego (tu: Akropolu). W pierwszym wypadku podróż do Grecji będzie próbą powrotu do siebie samego z okresu studiów filologicznych; w drugim – odprawieniem prywatnego rytuału na ruinach świątyń. Drugi aspekt zostanie poddany wnikliwej analizie pod kątem: (a) wrażeń, (b)

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21

Dr., Manita Kaur Virdi. "WESTERN POLITICAL THINKER: PLATO (AN ANALYTICAL STUDY)." International Journal of Advance and Applied Research 2, no. 20 (2022): 31–33. https://doi.org/10.5281/zenodo.7049313.

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<em>Abstract:</em> <em>Political thought developed as a branch of philosophy in quest of the ideals of political community and the best way administer it. Organized states appeared first in the form of Greek cities. Greece naturally is entitled to the credit of the first authors of the political ideas. Political thought is of great importance. Political thought developed as a branch of philosophy in quest of the ideals of political community and the best way administer it. Organized states appeared first in the form of Greek cities. In the history of political thought Plato is outstanding Gree

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22

MONNIN, VICTOR. "THE DINOTHERIUM AND THE ACROPOLIS: ALBERT GAUDRY’S RECONSTRUCTION OF THE EXTINCT FAUNA OF ATTICA AND THE MAKING OF GREECE INTO A EUROPEAN STATE (1850s–1860s)." Earth Sciences History 43, no. 2 (2024): 248–55. http://dx.doi.org/10.17704/1944-6187-43.2.248.

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ABSTRACT Between 1862 and 1867, Albert Gaudry (1824–1908) published Animaux fossiles et géologie de l’Attique, a seminal work describing and depicting the rich collection of mammalian fossils that he assembled during his scientific expeditions in Attica, Greece. This paper will focus on how Gaudry’s collection and reconstruction of the extinct fauna of Attica articulated itself with geopolitical, cultural, and economic concerns regarding the newly independent Greek state and its place within Europe. Since the Greek War of independence against the Ottomans between the 1820s and 1830s, European

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23

Brinia, Vasiliki, Paraskevi Psoni, and Eleni-Konstantina Ntantasiou. "How to Instill Cultural Values in the New Generation through Cultural Promenades and Ancient Drama: A Field Research." Sustainability 11, no. 6 (2019): 1758. http://dx.doi.org/10.3390/su11061758.

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The present study investigates whether experiential learning through cultural promenades and ancient Greek drama can constitute an effective method of instilling cultural values in the new generation. For this reason, field research was conducted in the broader area of Acropolis in Athens, Greece. Qualitative research through in-depth interviews followed, in order to record 42 student teachers’ perceptions after their own experiential contact with the method of cultural promenades. This research method with teacher candidates during their vocational training as future teachers is of great impo

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24

Loukaki, Argyro. "Ancient Logos as Influence on Urban Planner Constantinos A. Doxiadis." Actual Problems of Theory and History of Art 14 (October 11, 2024): 590–600. https://doi.org/10.18688/aa2414-8-49.

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The famous Greek architect and urban planner Konstantinos Doxiadis (1913–1975) was a 20th century spatial scientist with great vision and important contribution to spatial planning on various scales throughout the globe. Indicatively, in the 1960s he was the lead architect of Islamabad, the new capital of Pakistan. Gifted with sharp intelligence and with superb strategic talent, Doxiadis mobilized state-of-the-art technology to design new cities and whole areas, but also to contribute imaginatively to the advancement of knowledge during a period of postwar and postcolonial restructuring and of

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Papamarinopoulos, S. P. "ATLANTIS IN SPAIN III." Bulletin of the Geological Society of Greece 43, no. 1 (2017): 118. http://dx.doi.org/10.12681/bgsg.11166.

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Plato three times in his text mentioned that the Atlantean events occurred 9000 years before Solon’s 6th century B.C. but once he also mentioned 8000 years for the same events. Taking into account the number of the Athenian Kings and the mean span of their successive generations which is more or less 30 years who governed Athens before the 12th century B.C., it is concluded that all of them together span a 350 year period which of course has nothing to do with the 10th millennium claimed by Plato. These Kings together with Theseus the first King of Athens correspond in the 2ed millennium B.C.

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26

Ólafsdóttir, Ragnheiður. "BROGEDE REJSEBILLEDER (MOTLEY IMAGES OF TRAVEL) BY ELISABETH JERICHAU-BAUMANN, “EGYPT 1870”." Victorian Literature and Culture 38, no. 1 (2010): 267–84. http://dx.doi.org/10.1017/s1060150309990441.

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I departed hospitable Athens on the first of February, the city of Pallas Athena glowing in the evening sun. My Greek Palace-servant Spiro had taken me to Piraeus in a Vienna-cart, where my numerous belongings were stored. It was the last minute to still be able to reach the ship, and steam could already be seen as we came closer to Piraeus. I am not the most punctual person, but when it is really necessary I can be on time. This time, however, it was a close call. Instead of being able to pack my own things, like other people of my standing, with my own hands or with my servants’, two of the

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27

Tsounis, Lambros, and Gregory Tsounis. "The birds of the archaeological sites of the Acropolis area (Athens, Greece)." Urban Ecosystems 28, no. 2 (2025). https://doi.org/10.1007/s11252-025-01690-x.

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28

Fjeld, Torgeir, and Stefan Chazbijewicz. "Stefan Chazbijewicz." Inscriptions 2, no. 1 (2019). http://dx.doi.org/10.59391/inscriptions.v2i1.30.

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Filmmaker, poet and visual artist Stefan Chazbijewicz seeks to establish a mystic space in his artwork, a domain of salvaged reality, or, as he puts it, a semiotic representation of what we are after salvation. Here we present three of Chazbijewicz' recent visual artworks together with a text that introduces his approach. The three images, “apres-nous,” “Greece, Athens,” and “The Question of Acropolis” are all recent works, employing a variety of techniques and references to collectively suggest a path, a series of perspectives, and an aesthetic programme.

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29

Beresford, James M. "Museum of Light: The New Acropolis Museum and the Campaign to Repatriate the Elgin Marbles." Architecture_MPS, March 1, 2015. http://dx.doi.org/10.14324/111.444.amps.2015v7i1.001.

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It is almost half-a-dozen years since the New Acropolis Museum in Athens was inaugurated in June 2009, following a gestation period of over three decades. Before, during and after the construction of the building, the importance of natural light was frequently emphasised by the Museum’s Swiss-French architect, Bernard Tschumi, as well as many Greek government officials, archaeologists, and other heritage professionals. The manner in which the same bright sunlight illuminates both the Parthenon and the temple’s decorative sculptures which are now on display in the Museum, is also routinely refe

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30

Rasmussen, Kaare Lund, Bodil Bundgaard Rasmussen, Thomas Delbey, Ilaria Bonaduce, Frank Kjeldsen, and Vladimir Gorshkov. "Analyses of the brown stain on the Parthenon Centaur head in Denmark." Heritage Science 12, no. 1 (2024). http://dx.doi.org/10.1186/s40494-023-01126-9.

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AbstractIn 1688 two sculptural fragments, a head of bearded man and a head of an unbearded youth, arrived in Copenhagen, sent from Athens as a gift to King Christian 5. They were placed in the Royal Kunstkammer, their provenance given as the Temple of Artemis in Ephesos, one of the Seven Wonders of the World. Almost a hundred and fifty years later, in the early 1820’s they were noticed and studied by two scholars independently visiting the Kunstkammer. However, both concluded that the two heads belonged to one of the metopes decorating the south side of the Parthenon temple on the Acropolis in

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31

Chaniotis, Angelo. "Sanctuaries between Materiality and Mentality." Sanctuaires et paysages. La (re)découverte des lieux de culte en Méditerranée centrale et orientale, 2025, 436–45. https://doi.org/10.47245/sanctuaires-paysages.art.19.

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Sanctuaries have occupied a primary position in archaeological research from the beginning of systematic excavations in the late 19th century and have attracted the interest and the imagination of early travelers and antiquarians1. It is not a coincidence that in the 19th century, all the major archaeological schools in Greece focused on the excavation of sanctuaries. The Athens Archaeological Society conducted excavations on the Acropolis, in Eleusis, and in Epidauros; the École Française in Delos and Delphi; the German Archaeological Institute in the Heraion of Samos and in Olympia; and thei

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Maria, Roussou, and Katifori Akrivi. "Flow, Staging, Wayfinding, Personalization: Evaluating User Experience with Mobile Museum Narratives." June 11, 2018. https://doi.org/10.5281/zenodo.3544392.

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A multitude of challenges comes into play when attempting to design (and evaluate) an interactive digital storytelling experience for use by visitors in a museum. This paper reports on the evaluation of the prototype mobile-based storytelling “guides” designed, developed and deployed as part of a research project at the Acropolis Museum in Athens, Greece. Experiences designed for different visitor profiles were evaluated several times throughout the iterative design process, in a number of on-site studies, and with more than 180 museum visitors of all ages (with this paper reportin

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