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Journal articles on the topic 'Prosaics'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

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1

Morson, Gary Saul. "Prosaics Evolving." Slavic and East European Journal 41, no. 1 (1997): 57. http://dx.doi.org/10.2307/309510.

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2

Morson, G. S. "The Prosaics of Process." Literary Imagination 2, no. 3 (2000): 377–88. http://dx.doi.org/10.1093/litimag/2.3.377.

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3

Rosenshield, Gary, Gary Saul Morson, and Caryl Emerson. "Mikhail Bakhtin: Creation of a Prosaics." Russian Review 52, no. 1 (1993): 102. http://dx.doi.org/10.2307/130869.

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4

Martin, Wallace, Gary Saul Morson, and Caryl Emerson. "Mikhail Bakhtin: Creation of a Prosaics." Comparative Literature 44, no. 4 (1992): 441. http://dx.doi.org/10.2307/1771558.

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5

Mbembe, A. "Prosaics of Servitude and Authoritarian Civilities." Public Culture 5, no. 1 (1992): 123–45. http://dx.doi.org/10.1215/08992363-5-1-123.

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6

Emerson, Caryl. "Prosaics and the Problem of Form." Slavic and East European Journal 41, no. 1 (1997): 16. http://dx.doi.org/10.2307/309508.

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7

Morson, Gary Saul. "Contingency and Freedom, Prosaics and Process." New Literary History 29, no. 4 (1998): 673–86. http://dx.doi.org/10.1353/nlh.1998.0044.

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8

Kivelson, Valerie, and Jonathan Shaheen. "Prosaic Witchcraft and Semiotic Totalitarianism: Muscovite Magic Reconsidered." Slavic Review 70, no. 1 (2011): 23–44. http://dx.doi.org/10.5612/slavicreview.70.1.0023.

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Studies of witchcraft belief and persecution in Russia have been profoundly, and to a significant degree mistakenly, shaped by European understandings of witchcraft as fundamentally demonic and integrally linked to the power of the devil. Gary Morson and Caryl Emerson's concepts of “prosaics” and “semiotic totalitarianism,” derived from their readings of M. M. Bakhtin, offer a productive way to set imported preconceptions aside and to comprehend the specificities of Muscovite witchcraft beliefs. Pre-Petrine ideas about witchcraft conformed to no uniform, overarching ideological or explanatory

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9

Leupin, Alexandre, Jeffrey Kittay, and Wlad Godzich. "The Emergence of Prose: An Essay in Prosaics." Comparative Literature 43, no. 3 (1991): 280. http://dx.doi.org/10.2307/1770662.

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10

Bernstein, Michael André. "Keeping the Conversation Going: Prosaics and Literary Theory." New Literary History 29, no. 4 (1998): 687–90. http://dx.doi.org/10.1353/nlh.1998.0034.

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11

Weiner, Adam. "The Prosaics of Catharsis in Aksenov’s Moscow Saga." Russian Review 57, no. 1 (1998): 87–103. http://dx.doi.org/10.1111/0036-0341.00008.

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12

Walker, Denis B. "Mikhail Bakhtin: Creation of a Prosaics (review)." Philosophy and Literature 16, no. 1 (1992): 180–81. http://dx.doi.org/10.1353/phl.1992.0074.

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13

Naiman, Eric. "Mikhail Bakhtin: Creation of a Prosaics (review)." MFS Modern Fiction Studies 38, no. 2 (1992): 531–34. http://dx.doi.org/10.1353/mfs.0.1065.

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14

Saito, Y. "Everyday Aesthetics: Prosaics, the Play of Culture and Social Identities." British Journal of Aesthetics 48, no. 4 (2008): 461–63. http://dx.doi.org/10.1093/aesthj/ayn037.

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15

Cavanagh, Clare. "The Forms of the Ordinary: Bakhtin, Prosaics and the Lyric." Slavic and East European Journal 41, no. 1 (1997): 40. http://dx.doi.org/10.2307/309509.

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16

Segal, Eyal. "Prosaics and Other Provocations: Empathy, Open Time, and the Novel." Poetics Today 36, no. 4 (2015): 561–64. http://dx.doi.org/10.1215/03335372-3455147.

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17

Thornton, William H. "Cross‐cultural prosaics: Renegotiating the postmodern/postcolonial gap in cultural studies." Prose Studies 20, no. 2 (1997): 108–24. http://dx.doi.org/10.1080/01440359708586616.

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18

Lipset, David. "Tobacco, Good and Bad: Prosaics of Marijuana in a Sepik Society." Oceania 76, no. 3 (2006): 245–57. http://dx.doi.org/10.1002/j.1834-4461.2006.tb03054.x.

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19

Gould, Rebecca. "Aleksandre Qazbegi’s Mountaineer Prosaics: The Anticolonial Vernacular on Georgian–Chechen Borderlands." Ab Imperio 2014, no. 1 (2014): 361–90. http://dx.doi.org/10.1353/imp.2014.0012.

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20

Thornton, William H. "Cultural prosaics as counterdiscourse: A direction for cultural studies after Bakhtin." Prose Studies 17, no. 2 (1994): 74–97. http://dx.doi.org/10.1080/01440359408586523.

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21

Frawley, William J. ": The Emergence of Prose: An Essay in Prosaics . Wlad Godzich, Jeffrey Kittay." American Anthropologist 90, no. 3 (1988): 739–40. http://dx.doi.org/10.1525/aa.1988.90.3.02a00720.

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22

GRACYK, THEODORE. "Everyday Aesthetics: Prosaics, the Play of Culture and Social Identitiesby mandoki, katya." Journal of Aesthetics and Art Criticism 66, no. 4 (2008): 422–24. http://dx.doi.org/10.1111/j.1540-6245.2008.00321_12.x.

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23

Murphy, John W. "Gary Saul Morson and Caryl Emerson, Mikhal Bakhtin: Creation of a Prosaics." Studies in East European Thought 50, no. 2 (1998): 161–63. http://dx.doi.org/10.1023/a:1017950018431.

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24

Pramling, Niklas, and Ingrid Pramling Samuelsson. "The prosaics of figurative language in preschool: some observations and suggestions for research." Early Child Development and Care 179, no. 3 (2009): 329–38. http://dx.doi.org/10.1080/03004430601088130.

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25

Pramling, Niklas, and Ingrid Pramling Samuelsson. "The prosaics of figurative language in preschool: some observations and suggestions for research." Early Child Development and Care 177, no. 6-7 (2007): 707–17. http://dx.doi.org/10.1080/03004430701377508.

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26

Bethea, David M. "Bakhtinian Prosaics versus Lotmanian "Poetic Thinking": The Code and Its Relation to Literary Biography." Slavic and East European Journal 41, no. 1 (1997): 1. http://dx.doi.org/10.2307/309507.

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27

Levell, Nicky. "The poetics and prosaics of making exhibition: a personal reflection on the Centenary Gallery." Antropologia Portuguesa 18 (2001): 151–94. http://dx.doi.org/10.14195/2182-7982_18_8.

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28

Corballis, Tim. "Review: Katya Mandoki, Everyday Aesthetics: Prosaics, the Play of Culture and Social Identities (Aldershot: Ashgate, 2007)." Thesis Eleven 95, no. 1 (2008): 147–49. http://dx.doi.org/10.1177/07255136080950011302.

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29

Mandoki, Katya. "The status of aesthetics today." SAJ - Serbian Architectural Journal 7, no. 2 (2015): 57–66. http://dx.doi.org/10.5937/saj1501057m.

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In this paper I argue for the possibility of expanding the field of aesthetics not only beyond art and beauty but also beyond everyday aesthetics (or prosaics) centered in human sensibility. This implies considering sensibility or aesthesis in all live beings to understand the vastness of bio-aesthetics. Part of this query is zoo-aesthetics. We have such growing evidence, enriched day by day, that animals are capable of creating, recreating, imitating, enjoying, exhibiting and expressing sensibility or aesthetic taste in various forms that it is harder to deny the more we record and witness th

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30

Barry Born, Theo. "Proactive state geographies: Geocoded intelligence in London’s ‘suburban shanty towns’." Environment and Planning D: Society and Space 39, no. 4 (2021): 609–26. http://dx.doi.org/10.1177/02637758211030925.

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This article draws on an ethnographic approach to concrete institutional practices and machine learning algorithms to analyse emergent proactive state geographies in London’s suburbs. The article assesses predictive modelling in housing enforcement in respect of the government of migrant housing precarity in the interstices of rentier and racial capitalism. The article develops two central contentions concerning these proactive state geographies. First, relations between geopolitics, the racialisation of urban space and algorithms need to be situated in relation to institutional state prosaics

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31

Sánchez Jiménez, Antonio. "La musa casera: poesía de circunstancias y estética bajobarroca en el «Ramillete poético de las discretas flores» (1706) de José Tafalla Negrete." Cuadernos de Estudios del Siglo XVIII, no. 25 (October 25, 2017): 219. http://dx.doi.org/10.17811/cesxviii.25.2015.219-235.

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RESUMENAl estudiar los textos preliminares del Ramillete poético de las discretas flores (1706) de José Tafalla y Negrete comprobamos la ambigua reacción de los editores ante la posición de la poesía en la sociedad del Bajo Barroco. El «discreteo», actitud relajada, tono oral e incluso prosaico de esta poesía fue consecuencia de su nuevo papel en la sociedad, en la que servía para promover la interacción en reuniones informales. El Ramillete representa esas características estéticas del Bajo Barroco (prosaísmo, oralidad, predominio de la circunstancia, tono y temática distendidos), pero los pr

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32

Kudo, H., J. Liu, E. J. R. Jansen, et al. "Identification of proSAAS Homologs in Lower Vertebrates: Conservation of Hydrophobic Helices and Convertase-Inhibiting Sequences." Endocrinology 150, no. 3 (2008): 1393–99. http://dx.doi.org/10.1210/en.2008-1301.

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The prohormone convertases (PCs) 1/3 and 2 accomplish the major proteolytic cleavage events in neuroendocrine tissues; each of these convertases has a small associated binding protein that inhibits convertase action in the secretory pathway. The proSAAS protein binds to PC1/3, whereas the 7B2 protein binds to PC2. However, both convertase-binding proteins are more widely expressed than their cognate enzymes, suggesting that they may perform other functions as well. All known mammalian proSAASs are over 85% conserved; thus, identifying functionally important segments has been impossible. Here,

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33

Brown, Dr Robert. "Prosaic Desires." Journal of Philosophy: A Cross-Disciplinary Inquiry 6, no. 13 (2010): 66–67. http://dx.doi.org/10.5840/jphilnepal201061331.

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34

Hernandez, Alex Eric. "Prosaic Suffering." Representations 138, no. 1 (2017): 118–41. http://dx.doi.org/10.1525/rep.2017.138.1.118.

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This essay looks to bourgeois tragedy’s use of prose in the mid-eighteenth century as an episode in the histories of realism and emotion, arguing that the emergence of prosaic suffering on the period’s tragic stage helps to imagine modern forms of affliction. Taking Edward Moore’s 1753 drama The Gamester as emblematic of this shift, and situating the text in its performative and aesthetic contexts, I trace the “emotional practices” that navigated a range of confessedly “ordinary” feelings by evoking, engaging, and testing them across page and stage. Performing its grief with troubling immediac

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35

Clutton-Brock, Juliet. "Prosaic poetics." Nature 401, no. 6750 (1999): 214. http://dx.doi.org/10.1038/45681.

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36

Stevenson, Kenneth. "Beyond the Prosaic." Theology 102, no. 806 (1999): 145. http://dx.doi.org/10.1177/0040571x9910200231.

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37

CLARKE, LEE, and CHARLES PERROW. "Prosaic Organizational Failure." American Behavioral Scientist 39, no. 8 (1996): 1040–56. http://dx.doi.org/10.1177/0002764296039008008.

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38

Brown, James Robert. "Latour’s Prosaic Science." Canadian Journal of Philosophy 21, no. 2 (1991): 245–61. http://dx.doi.org/10.1080/00455091.1991.10717245.

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The most embarrassing thing about ‘facts’ is the etymology of the word. The Latin facere means to make or construct. Bruno Latour, like so many other anti-realists who revel in the word’s history, thinks facts are made by us: they are a social construction. The view acquires some plausibility in Laboratory Life: The Social Construction of Scientific Facts (hereafter LL) which Latour co-authored with Steve Woolgar.1 This work, first published a decade ago, has become a classic in the sociology of science literature. It is in the form of field notes by an ‘anthropologist in the lab.’ This may se

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39

Painter, Joe. "Prosaic geographies of stateness." Political Geography 25, no. 7 (2006): 752–74. http://dx.doi.org/10.1016/j.polgeo.2006.07.004.

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40

Frow, John. "Introduction: The Prosaic Imaginary." Novel 50, no. 1 (2017): 1–7. http://dx.doi.org/10.1215/00295132-3854235.

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41

Wright, Thomas. "Canaletto's poetic-prosaic art." Lancet 385, no. 9984 (2015): 2244. http://dx.doi.org/10.1016/s0140-6736(15)61053-4.

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42

Stein, Michael. "Sociology and the Prosaic." Sociological Inquiry 61, no. 4 (1991): 421–33. http://dx.doi.org/10.1111/j.1475-682x.1991.tb00171.x.

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43

Recke, Renate. "Prosaisk trossamfund?" Norsk filosofisk tidsskrift 41, no. 04 (2006): 309–22. http://dx.doi.org/10.18261/issn1504-2901-2006-04-05.

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44

Hicks, Deborah. "Learning as a Prosaic Act." Mind, Culture, and Activity 3, no. 2 (1996): 102–18. http://dx.doi.org/10.1207/s15327884mca0302_3.

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45

Fleischer, Cathy. "Composing Teacher-Research: A Prosaic History." College Composition and Communication 48, no. 2 (1997): 306. http://dx.doi.org/10.2307/358683.

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46

Hey, J. D., and E. C. Horsfield. "Some further pitfalls of prosaic precession." European Journal of Physics 26, no. 5 (2005): 803–8. http://dx.doi.org/10.1088/0143-0807/26/5/012.

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47

Grace, Helen. "Everyday Australia: An etho-prosaic photography." History of Photography 23, no. 2 (1999): 123–28. http://dx.doi.org/10.1080/03087298.1999.10443811.

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48

Maciel, Emílio Carlos Roscoe. "O tempo conjurado: sobre “Para mascar com chiclets”, de João Cabral de Melo Neto / Conjured Time: On João Cabral de Melo Neto’s “Para mascar com chiclets”." O Eixo e a Roda: Revista de Literatura Brasileira 29, no. 4 (2020): 12. http://dx.doi.org/10.17851/2358-9787.29.4.12-32.

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Resumo: Leitura de “Para mascar com chiclets”, de João Cabral de Melo Neto (1998), este ensaio explora as complexidades sintáticas e figurativas do poema, tomando como ponto de partida as tensões entre a aposta anti-ilusionista da poesia moderna e as intimações antropomórficas e alucinatórias da tradição lírica ocidental. Ato contínuo, ao destacar a sutil trama de interrupções que atravessa os versos, tenta-se mostrar como, neste poema, o senso de uma clivagem insuperável separando homem e tempo se dá ver menos como enunciado explícito do que como uma estranha solução de compromisso entre resi

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49

Zimovets, Natalya. "Evaluation of the translator’s mastery of a prosaic text translation." Journal of Language and Literature 5, no. 3 (2014): 322–28. http://dx.doi.org/10.7813/jll.2014/5-3/55.

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50

González Enríquez, Carmen. "Universidades y think tanks, una comparación prosaica." Revista Española de Sociología 27, no. 2 (2018): 325–31. http://dx.doi.org/10.22325/fes/res.2018.26.

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