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1

The world doesn't end: Prose poems. Harcourt Brace Jovanovich, 1989.

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2

Norton, John. The light at the end of the bog. Black Star Series, 1992.

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3

Moscow to the end of the line. Northwestern University Press, 1994.

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4

Moscow to the end of the line. Northwestern University Press, 1992.

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5

Las ideas estéticas de César Vallejo: Estudio de sus textos en prosa reflexiva, desde 1915 hasta 1937. Fondo Editorial del Pedagógico San Marcos, 2005.

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6

Roumette, Julien. Les poèmes en prose. Ellipses, 2001.

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7

Ferguson, Gus. Light verse at the end of the tunnel: Poems, prose & drawings. David Philip Publishers, 1996.

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8

Cookshaw, Marlene. Coupling. Outlaw Editions, 1994.

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9

Mario, Benedetti. Vivir adrede. Alfaguara, 2008.

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10

Peterson, Nadezhda L. Subversive imaginations: Fantastic prose and the end of Soviet literature, 1970s-1990s. Westview Press, 1997.

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11

Beds & consenting dreamers. Oolichan Books, 1994.

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12

Hansen, Jan Oskar. End of a voyage: A sailor's home is a tranquil bay : collective poetry & prose. Water Forest Press, 2007.

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13

Amour et passe amour: Lancelot-Guenièvre, Tristan-Yseut dans le Lancelot en prose et le Tristan en prose : étude comparative. Publications de l'université de Provence, 2007.

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14

Diamant-Berger, Francis. Les Personnes âgées: Pour une prise en charge globale. Masson, 2000.

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15

Baumgartner, Emmanuèle. La harpe et l'épée: Tradition et renouvellement dans le Tristan en prose. SEDES, 1990.

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16

Ménard, Philippe. De Chrétien de Troyes au Tristan en prose: Études sur les romans de la Table ronde. Libr. Droz, 1999.

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17

Shifting perspectives: East German autobiographical narratives before and after the end of the GDR. Camden House, 2007.

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18

Williams, Lorna V. The representation of slavery in Cuban fiction. University of Missouri Press, 1994.

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19

Marguerite, Kopiec, ed. Cultiver la collaboration: Un outil pour les leaders pédagogiques. Éditions de la Chenelière, 2002.

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20

1939-, Roulston Helen, ed. The winding road to West Egg: The artistic development of F. Scott Fitzgerald. Bucknell University Press, 1994.

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21

Prise en charge du surpoids et de l'obésité de l'enfant et de l'adolescent: L'expérience de l'Institut St-Pierre de Palavas. Editions Espaces, 2004.

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22

Chauvel, Alain-Michel. Résoudre un problème: Méthode et outils pour une meilleure qualité. Dunod, 1992.

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23

Les recettes Dukan: Mon régime en 350 recettes. Flammarion, 2011.

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24

Les recettes Dukan: Mon re gime en 350 recettes. J'ai lu, 2008.

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25

Old French narrative cycles: Heroism between ethics and morality. D.S. Brewer, 2010.

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26

Fantacci, Silvia, ed. Ruggero Jacobbi. Firenze University Press, 2008. http://dx.doi.org/10.36253/978-88-8453-688-4.

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"Ah, if only I were not so alive and so crowded with things, what a book I would write […] but there's so little time […]. There's lots of time to map them out, that's true, but it's not enough." This is the voice of the protagonist of Convalescenza, one of the stories in this book that – thanks to the painstaking editorial attention of Silvia Fantacci – presents the prose written by Ruggero Jacobbi starting from his precocious youth through to the Sixties. The nine sections, recording fragments of memories, vestiges of mystery and bitter solitude, meander between cinema and theatre, revoke the faces of the war, recall the figures of writers and friends, suggest new approaches to reading. The evocation of Brazil, where Jacobbi spent the most important fifteen years of his life, is not lacking: a country "so big as to drive you crazy" with its magical rites, its rhythm, its culture (the music of Villa-Lobos, Vinícius de Morais and Dorival Caymmi and the poetry of his friend Murilo Mendes). The meticulous notes and the appendix at the end of the book illustrate the history of each text and offer a reconstruction of the projects for novels and stories that were left unfinished and have now finally been transferred from the mind and desk of the writer into book form.
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27

Austin, Gregory N. End Times Prose and Poetry. Gregory N. Austin, 2012.

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28

1947-, Jaramillo Agudelo Darío, Granada Nancy ill, and González Torres Henry ill, eds. Antología de lecturas amenas. Panamericana Editorial, 1998.

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29

Norton, John. Light at the End of the Bog. Black Star Series, 1989.

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30

Norton, John. Light at the End of the Bog. Small Pr Distribution, 1989.

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31

End of the World: Poetry and Prose. Karolinum Press, 2020.

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32

Hutchinson, G. O. Rhythmic Prose in Plutarch’s Lives. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198821717.003.0002.

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From this chapter the book goes more deeply into one productive and central author: Plutarch. The basis for the book is a scansion of all of Plutarch’s Lives, not just the end of sentences but every small phrase: 2,297 pages, almost 100,000 phrases. For the other half of Plutarch’s work, the philosophical and related writings, the end of every sentence has been scanned. There thus exists a much more abundant body of material for the consideration of Plutarch than for any other Greek author. It is possible to advance from scansion into interpretation. With many detailed examples, and with the help of ancient comments, a connection is indicated between rhythm and emphasis, or attention; thus a rhythmic close draws attention to the words that create it. This can be independently confirmed from context, word-order, etc., and is demonstrated on a large scale in the book as a whole.
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33

Mason, Emma. Green Grace and the End of Time, 1885–1894. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198723691.003.0005.

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The final chapter of the book focuses on Rossetti’s development of her ecological reading of grace into a loving eschatology. With reference to her late prose writings, and her popular cycle of poems, Verses (1893), the chapter outlines her reading of John’s vision in Revelation, not as one of destruction, but as a promise that God would enter into creation in order to renew it from within. For Rossetti, God’s re-entry was driven by a prevenient and green grace through which creation’s diversity is gathered dynamically into his being. The conclusion to the chapter argues that Rossetti’s ecological reading of Revelation is dependent on a theology of kenōsis and weakness, one in which the human and nonhuman are gentled into a preparatory anticipation of the Second Advent. Rossetti’s end of time is one renewed into eternity through tenderness, kindness, and love, the repeated touchstones of her poetry and prose.
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34

Simic, Charles. The World Doesn't End. Harvest Books, 1989.

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35

Weems. Rolling Through Armageddon: Poetry and Prose for the End of the World. Independently Published, 2020.

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36

Peterson, Nadya L. Subversive Imaginations: Fantastic Prose and the End of Soviet Literature, 1970S-1990s. Westview Pr (Short Disc), 1997.

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37

Roger, Rosen, and Sevastiades Patra McSharry, eds. End of empire: 15 new works from the 15 republics of the former Soviet Union. Rosen Pub. Group, 1994.

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38

(Editor), Roger Rosen, and Patra McSharry Sevastiades (Editor), eds. End of Empire: 15 New Works from the 15 Republics of the Former Soviet Union (Icarus World Issues). Rosen Pub Group, 1994.

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39

Downie, Alan. Epilogue: The English Novel at the End of the 1760s. Edited by Alan Downie. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199566747.013.36.

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This chapter analyzes the market for the English novel at the end of the 1760s. As far as British fiction is concerned, there were peaks and troughs during the 1760s rather than a steady upward curve, but by the end of the century getting on for 100 new novels were appearing annually in contrast to the forty listed for the year 1770. What was being offered to the reading public during the period were ‘Probable Feign’d Stories’ satisfying the most basic requirements of what Ian Watt called ‘formal realism’, a development in which Henry Fielding played an influential role. The chapter shows that, at the end of the 1760s, the British novel was patently flourishing, thanks in large part to the publishing of several innovative forms of prose fiction such as the Gothic and the sentimental novel.
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40

Downie, Alan. Epilogue: The English Novel at the End of the 1820s. Edited by Alan Downie. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199566747.013.37.

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This chapter evaluates the market for the English novel at the end of the 1820s. It considers the dramatic increase in prices of novels in the later 1820s, as well as the emergence of the ‘triple-decker’ as the publishers’ preferred format for prose fiction and the single-volume arrangement as the principal format for cheap reprints. It also discusses the contribution of Sir Walter Scott to the growing market for novels and explores trends such as authors and publishers taking advantage of the commercial aspects of the novel-publishing business; the inclusion of the words ‘tale’ or ‘tales’ in many more titles than the word ‘novel’; the publication of fiction in serial form; and the appearance of new-style journals in the mould of Blackwood’s Edinburgh Magazine. The chapter argues that the decade of the 1820s was a turning-point in the process which it calls the making of the English novel.
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41

Laroche-Rogez, E. Soins infirmiers, prise en charge et approches conceptuelles du vieillissement. 2001.

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42

Michez, Edwige, Frédérique Lacour, and Elisabeth Laroche-Rogez. Soins infirmiers, prise en charge et approches conceptuelles du viellissement. Flammarion Médecine, 2001.

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43

Prise en soin du patient Alzheimer en institution. Masson, 2006.

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44

Tennant, Neil. Transitivity of Deducibility. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198777892.003.0006.

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We reformulate M, I, and C in our preferred format: parallelized elimination rules whose major premises have no proof-work above them. An effective binary operation [ , ] of reduction is recursively defined on proofs. It secures Cut-Elimination for each of M, I, C, and Classical Core Logic. The common form is: If proof P uses premises X to prove A and proof P′ uses A with other premises Y to prove B, then [P,P′] uses premises in X,Y to prove [either ⊥ or] B. Cut-Elimination for the orthodox systems omits the last bit of bracketed material; while Cut-Elimination for the two core systems includes it. So the core systems can enjoy epistemic gains that the orthodox systems cannot. We end by showing how to extract from any intuitionistic proof a core proof of a result at least as strong; and how to do the same with any classical proof.
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45

Green, Steven J., ed. Text and Translation. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198789017.003.0002.

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This section contains a Latin text of the poem based on the editions of Baehrens and Vollmer (1911) and Enk (1918): no independent assessment of the manuscripts has taken place. It also contains a new English prose translation of the poem—the first published English translation since that of Duff and Duff in the 1934 Loeb edition, Minor Latin Poets—which seeks in particular to represent more faithfully the poem’s extensive use of anthropomorphic expression. The translation is accompanied by notes that provide brief comment on thematic and interpretive issues, and offer reflections on Grattius’ skill as a poet, a particularly underrated topic.
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46

Rigal, Alexandre. Habitudes en mouvement. MetisPresses, 2020. http://dx.doi.org/10.37866/0563722.

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Aujourd’hui, en Europe plus qu’ailleurs, les habitudes de déplacement se transforment au rythme de la prise de conscience environnementale. Les réseaux de transports en commun se développent et les adeptes des mobilités douces se multiplient. Pourtant les automobilistes demeurent majoritaires. Bien que l’urgence climatique requière un changement radical de nos modes de vie, certaines habitudes restent profondément ancrées dans les usages, et c’est notamment le cas de la voiture. De nombreux témoignages montrent néanmoins qu’un changement pas à pas vers des pratiques plus durables est possible et se révèle souvent épanouissant. Cet ouvrage, issu d’une riche enquête de terrain, nous appelle à repenser nos habitudes dans un juste équilibre entre préférences personnelles et intérêt commun, et amorce une théorie de la prise et de la perte d’habitude à l’échelle individuelle, tout en proposant des solutions concrètes.
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47

Surdam, David George. Stability (1954–57). University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037139.003.0006.

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This chapter marks a period of stability and growth for the NBA during the mid-1950s. With the NBA down to eight teams, owners still faced inadequate revenues, although their continued efforts to improve and innovate would eventually lead to the NBA's stabilization. They also continued to grapple with the unattractive aspect of the league's end games, where fouling and rough play were still the tactics of choice. How to reduce the primitive aspects of the game remained a difficult problem, but it was one with an elegant solution—the twenty-four-second shot clock helped transform the pro game into something quite distinct from other basketball games and would eventually prove popular and enduring. In addition, the owners also needed to assess whether television would prove beneficial for the NBA.
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48

Dying in Character: Memoirs on the End of Life. University of Massachusetts Press, 2013.

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49

Dickie, Simon. Novels of the 1750s. Edited by Alan Downie. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199566747.013.028.

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This essay offers a detailed overview of the full range of prose fiction produced in Britain in the 1750s. Beyond the handful of familiar canonical texts, this decade produced more than 200 now-forgotten novels, across an unexpected variety of genres. Recent expansions of the canon—most notably the feminist recovery project—still ignore most of these texts. Looked at seriously, they perturb some major preconceptions about mid-century fiction, including the importance of mimetic realism, the predominance of sentimentalism, and assumptions about the genre’s didactic functions. These questions come together, at the end of the essay, in a detailed discussion of episodic comic fiction that appeared in the wake of Fielding’s Tom Jones.
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50

La poesie en prose française du xviie siecle a nosjours. histoire d'un genre. Honore Champion, 2001.

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