Relevant bibliographies by topics / Prose narrative

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Prose narrative'

Author: Grafiati
Published: 4 June 2021
Last updated: 11 February 2022

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Journal articles on the topic "Prose narrative"

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Callaway, Charles B., and James C. Lester. "Narrative prose generation." Artificial Intelligence 139, no. 2 (August 2002): 213–52. http://dx.doi.org/10.1016/s0004-3702(02)00230-8.

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Francese, Joseph. "Staged Narratives/Narrative Stages: Essays on Italian Prose Narrative and Theatre." Italian Culture 37, no. 2 (July 3, 2019): 171–73. http://dx.doi.org/10.1080/01614622.2019.1683271.

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Lushnikova, G. I., and T. Yu Osadchaya. "Fragmentation of Modern Artistic Narrative (English-Language Prose)." Nauchnyi dialog, no. 6 (June 24, 2021): 225–39. http://dx.doi.org/10.24224/2227-1295-2021-6-225-239.

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The question of the role, forms and functions of fragmentation of modern artistic narra tive is considered. The results of the analy sis of the fragmentary narrative of the works of contemporary English-speaking authors (J. Barnes, D. Mitchell, M. Cunningham, I. Banks, J. Franzen, S. Faulks, J. Eugenides, A. Smith, J. McGregor and others) are presented. The relevance of the study is due to the fact that in the modern literature of the postmodernist direction, nonlinearity of narration, deliberate mixing of temporal, local, descriptive and other layers are becoming widespread, practically becoming the norm. The novelty of the research is seen in the fact that the fragmentation of a literary text is studied at different levels — compositional, content-thematic, plot, ideological-figurative, genre, narrative, chronotopic. It has been proved that the forms of implementation of fragmentariness are quite diverse: irregular division of the text, heterogeneity of themes and ideas, lack of linear development of the plot, combination of elements of different genres, the presence of internal polystylism, the use of different types of narration and narrator, violation of the unity of the chronotope. The analysis of specific material showed that the functions of a fragmentary narrative are determined by each specific context, the leading ones being the impact on the reader, the management of his attention, the placement of accents according to the writer's intention, the creation of the impression of authenticity and reliability.
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Pelevin, Mikhail. "The Beginnings of Pashto Narrative Prose." Iran and the Caucasus 21, no. 2 (June 21, 2017): 132–49. http://dx.doi.org/10.1163/1573384x-20170203.

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The article argues that the first specimens of Pashto original narratives in free prose are to be found in the historiographical compilation Tārīkh-i muraṣṣaʿ (1724) among the texts of the chronicles, diaries, and memoirs written by the Khaṯak tribal rulers Khūshḥāl Khān (d. 1689) and Afżal Khān (d. circa 1740/41). Over thirty fragments from these texts may be qualified as short stories for, being focused on particular events and episodes, they are distinguished by strikingly realistic manner of narration and well developed elements of detailing, descriptiveness and emotiveness. Richly illustrated with translations of selected excerpts from original Pashto texts the article summarises the stories’ subject-matters by grouping them into three main categories (wars, incidents, everyday life events) and discusses various aspects of the authors’ narration techniques, such as compression of time and space in kea moments of action, accentuated portrayal of characters, extensive use of direct speech with a range of stylistic timbres. The article proves that the stories of the Khaṯak chiefs may be viewed also as unique documents on the realities of the Pashtun tribal life in pre-modern times.
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Kolesnikoff, Nina. "Narrative Strategies of Russian Postmodern Prose." Russian Literature 53, no. 4 (May 2003): 401–10. http://dx.doi.org/10.1016/s0304-3479(03)00028-0.

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Morgan, Gareth. "Rhyme in Prose Narrative: A Precaution." Folklore 97, no. 2 (January 1986): 219–21. http://dx.doi.org/10.1080/0015587x.1986.9716383.

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Tickoo, Asha. "How to create a crisis." ITL - International Journal of Applied Linguistics 129-130 (January 1, 2000): 169–90. http://dx.doi.org/10.1075/itl.129-130.02tic.

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In this paper, I will examine esl learner attempts at a key component of narrative prose, its complication. The complication is the defining component of the four-part schematic structure of narrative (Labov 1981, labov & Waletzky 1967), because it introduces the crisis of the story. This is the most impassioned phase of the narrative and therefore one expects (following Labov) that the narrator is the least disposed to strive to uphold prestige norms, and adopted rules. It is ironical, then, that what is acknowledged to be effective development of the narrative crisis is highly convention-bound prose. I will describe the basic textual - semantic, informational, organisational and representational - conventions that govern the development of the narrative crisis. I will then take random samples from a body of 35 student narratives, written by Cantonese-speaking esl learners at a Hong Kong university, to illustrate the difficulties these learners face in conforming to these conventions. In a final section, I will discuss the pedagogical implications of this study.
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Veljkovic-Mekic, Jelena. "Interpretatation of narrative prose of Milorad Ciric." Pirotski zbornik, no. 40 (2015): 139–52. http://dx.doi.org/10.5937/pirotzbor1540139v.

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Mozetič, Uroš. "Narrative Perspective and Focalisation in Translating Fictional Narratives." ELOPE: English Language Overseas Perspectives and Enquiries 1, no. 1-2 (December 31, 2004): 209–23. http://dx.doi.org/10.4312/elope.1.1-2.209-223.

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The main objective of this paper is to present the complex processes of the shifting of narrative perspective (point-of-view) and focus in translating English prose texts into Slovene. For that purpose, a narratological discourse analysis of James Joyce’s story ‘Eveline’ (Dubliners) is introduced, drawing on K. M. van Leuven-Zwart’s comparative and descriptive model. The model, which has been expanded by three additional categories – narrative mode, narrative perspective, and focalisation –, brings to the forefront the cause-and-effect relationship between the micro- and macrostructural shifts on the one hand, and the shifts in narrative perspective and focalisation on the other. The results obtained show that the model is empirically verifiable and repeatable. This means that it can also be used with other integral translations, particularly if translation shifts are subtle enough and/or consistent with the translator’s dominant strategy and norm.
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Thi Thanh Nhi, Tran. "THE THEORETICAL CULTURAL FOUNDATION OFWARNING SIGNS IN VIETNAMESE MEDIEVAL NARRATIVE PROSE: A SURVEY." Journal of Science, Social Science 62, no. 5 (2017): 65–73. http://dx.doi.org/10.18173/2354-1067.2017-0034.

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Dissertations / Theses on the topic "Prose narrative"

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Dehghani, Fiona Elizabeth. "Dialogue in Middle Welsh narrative prose." Thesis, University of Cambridge, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.611611.

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Sagaert, Martine. "L'image de la mère dans la prose narrative." Paris 4, 1992. http://www.theses.fr/1992PA040187.

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La mère, plus que n'importe quel autre personnage, s'inscrit dans l'histoire, la micro histoire et l'histoire des mentalités. En ses évocations multiples, par sa récurrence même, c'est un personnage signifiant. En premier lieu, nous avons confronté l'image romanesque de la mère et sa représentation sociale, nous avons mis en regard la mère bourgeoise, la mère paysanne et la mère ouvrière, nous avons confronté la maternité légitime et la maternité illégitime, la libre maternité et la maternité obligatoire. Mais analyser le personnage de la mère, c'est étudier un cas romanesque, alchimie de représentations diverses qui participent du temporel et de l'intemporel, de l'inconscient collectif et de l'inconscient singulier. Nous avons étudié la déclinaison maternelle, de la mère en gloire à la vierge des sept douleurs, de la madone au bouc émissaire, jusqu'à ce que Colette nous conte l'histoire exemplaire de Sido jusqu’à ce que Cybèle, la déesse - mère, dispense la mort, jusqu'à ce que Mauriac enfante Genitrix, la mère mortifère qui condamne l'enfant roi. En second lieu, nous avons analysé plus spécialement le rapport mère écrivain avec quatre auteurs de la même génération : Charles-Louis Philippe (de condition populaire, aimé par sa mère), Paul Léautaud (né hors-mariage dans un ménage d'artistes et abandonné par sa mère), Marcel Proust et André Gide (tous deux de condition bourgeoise et choyés par leur mère). . .
The mother, more than any other character, is present in history, micro-history and the history of mentalities. Through its various evocations, in its very recurrence, she is a meaningful character. At first, we have confronted the romantic image of the mother with her social representation, we have focused on the middle class, the peasant and the working-class mothers, we have confronted legitimate and illegitimate motherhood, voluntary and compulsive motherhood. But analysing the mother character means concentrating on a romantic case, alchemy of numerous representations which participate in both the temporal and the timeless, the collective and the individual unconscious. We have studied the maternal declension from the glorious mother to the seven grieves blesses virgin, from the madonna to the scapegoat, until Colette tells us the story of Sido, until Cybele - the mother - goddess - dispenses death, until Mauriac gives birth to Genitrix, the mortiferous mother who condemns the king-child
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Sorbier-Rawls, Julie. "La musique dans la prose narrative moderniste espagnole." Thesis, Montpellier 3, 2010. http://www.theses.fr/2010MON30038/document.

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La littérature moderniste est musicale par essence. Elle souhaite éveiller des sensations chez le lecteur : le recours à la musique, art suggestif par antonomase, crée l’allusion. Comment sertir la musique dans la littérature ? Stéphane Mallarmé propose de « précéder les effets de la musique en redéfinissant celle-ci ‘d’où elle point’ » . Si l’art musical est naturellement porté par le poème, qu’en est-il de la prose ? En Espagne, Ramón María del Valle-Inclán offre un exemple probant de prose musicale dans ses Sonatas. Est-ce là tout ? Le projet mallarméen n’a-t-il pas rencontré d’écho parmi d’autres prosateurs espagnols ? Certes, l’intention y est ; les histoires de la littérature le confirment mais ne s’y attardent pas. Notre travail est donc double : il s’agit d’abord de retrouver des œuvres en prose modernistes espagnoles puis de les analyser par le prisme musical pour voir comment est saisi ce projet de fusion des arts. L'étude révèle que la musique de la prose, parfois imperceptible, raffine les sensations et sensibilise le lecteur à l’élégance, au rythme ou au phrasé d’un syntagme. En somme, la musique intérieure devient une propédeutique à l’ineffable. En creux de ce projet se dessine le rôle du poète dans la société. Celui-ci se présente comme un prêtre des temps modernes. Pourtant, le mythe auquel il tente de souscrire semble désincarné : sensible aux réalités de son époque, en quête d’un public féru de naturalisme, l’écrivain espagnol ne s’engage pas pleinement. Sa prose, hésitante, est souvent mièvre : cela explique qu’elle soit passée inaperçue aux yeux de l’histoire
Modernist literature is by essence musical. It is meant to arouse the reader’s senses: the use of music, a suggestive art by excellence, creates the allusion. How can one insert music in literature? Stéphane Mallarmé suggests to precede the effects of music by redefining it from its origin. If the art of music is naturally expressed through a poem, how about through prose? In Spain, Ramón María del Valle-Inclán offers a prime example of musical prose in his Sonatas. Is this all that can be expected? Has there been no other echo of Mallarmé’s project in Spanish prose? Certainly the intention to do so exists; histories of literature confirm this intention but nothing more. Our work is going to be twofold: first we need to find Spanish modernist prose works, and then analyze these works through the prism of music in order to understand how the fusion of these arts (music and prose) is realized. The analysis reveals that the music of the prose, sometimes imperceptible, sharpens the senses and makes the reader more sensitive to the elegance, to the rhythm and the phrasing of a syntagm. In other words, the inner music paves the way to the ineffable. The poet’s role in society is described within this project. He presents himself as a modern times priest. Yet the myth to which he tries to subscribe lacks substance: sensitive to the realities of his time, in search of an audience keen on naturalism, the Spanish writer is not fully implicated. His prose is hesitant, often corny: this explains why it has passed unnoticed in history
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Smadja, Stéphanie. "La «nouvelle prose française » : étude sur la prose narrative au début des années 1920." Paris 4, 2006. http://www.theses.fr/2006PA040148.

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Cette étude vise à mettre en valeur le renouvellement de la prose littéraire dans les romans et les nouvelles des années 1920, à partir d’un double questionnement : comment définir la prose ? Qu’est-ce qu’un style « moderne », en prose dans les années 1920 ? Le cheminement proposé part de l’imaginaire de la prose pour aboutir aux pratiques d’écriture. Mes recherches contribuent ainsi à l’élaboration d’une histoire de la prose littéraire intégrant les apports récents de la linguistique. La première partie analyse l’invention de la catégorie esthétique de la prose littéraire à partir de 1850, le rôle des revues et des maisons d’édition dans la structuration du champ, enfin la dimension institutionnelle de l’histoire de la prose. La seconde partie évoque les débats sur la notion de style en prose narrative, les deux principales tendances stylistiques et la définition d’un style moderne, fondée sur des critères syntaxiques. Enfin, la troisième partie étudie certains phénomènes caractéristiques (la tendance vers un style substantif, la discontinuité) et leur cristallisation à travers le renouvellement des techniques de restitution du discours intérieur
The aim oh this study is to put forward the renewal of literary prose in novels and short stories in the nineteen-twenties. The starting point is a double question : how to define prose? What is a “modern” style in prose during the nineteen-twenties? The proposed work starts from prose’s imaginary axis and then explores writing practices. Integrating recent linguistic findings, my research thus contributes hereby to the elaboration of a history of literary prose. The first part analyses the invention of the aesthetic category literary prose from eighteen-fifty, the role of periodicals and publishing houses in the structuring of the field, as well as the institutional aspect of the history of prose. The second part deals with the notion of style in literary prose as well as with the two principal stylistic tendencies and the definition of a modern style founded on syntactic criterions. Last but not least, the third part studies some typical phenomenas (tendency toward a nominal style, discontinuity) and their fixation throughout the renewal of restitution techniques of the internal discourse
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Mehta, Divya. "Expressive states : the gendered nation as literary text and narrative." Thesis, University of Sussex, 2016. http://sro.sussex.ac.uk/id/eprint/59793/.

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Goller, Mirjam. "Gestaltetes Verstummen : Nicht-Sprechen als narrative Konstituente in der russischen Prosa der frühen Moderne /." Frankfurt : P. Lang, 2003. http://catalogue.bnf.fr/ark:/12148/cb392639770.

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Bagros, Cyril. "La représentation de l'espace dans la prose narrative surréaliste." Paris 3, 2000. http://www.theses.fr/2000PA030132.

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Peuple d'analogies, de dissemblances et de ressemblances, le recit surrealiste suggere un ordre dont la cle se derobe sans cesse. Il fait beaucoup plus, en cela, qu'exploiter le pouvoir d'engendrement autotelique du langage sur le seul espace de la page, ou qu'exprimer l'arbitraire d'une subjectivite indifferente au "reel". Au lendemain de la guerre, l'espace qu'il ouvre, en une reaction violentecontre le systeme de representation du monde homologue par le roman du xixeme siecle, est un champ d'interference, peuple de tensions, de terreurs et de desirs, de "negociations", ou ne se joue rien moins qu'un autre mode d'articulation entre le moi et le monde. Entre la profondeur organique du corps et l'organisation de ses habitats, entre le lieu et son organisation narrative, l'etendue et sa reticulation au sein d'un reseau rhetorique, le monde en soi et son esthetisation par et pour un regard, sont ici redecouverts les << grands schemes imaginatifs moteurs >> qui sont a l'oeuvre dans toute representation spatiale. Avec une liberte de langage qui ne bouleverse les canons de la representation litteraire que pour raviver ses principes, le surrealisme restitue a ces derniers toute leur puissance creatrice, et les emploie dans une magie.
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Tomioka, Tatsuaki. "State of affairs dynamics in prose fiction." Thesis, University of Edinburgh, 1995. http://hdl.handle.net/1842/7523.

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This thesis is a linguistic/ontological inquiry into narrative dynamics. Particular attention is drawn to elucidating the mechanism for recognising story events as one reads narrative discourse. The overall discussion is a criticism of formal approaches to narrative dynamics which tend to make observations on the assumption that there is a fixed relation between language form and meaning (e.g. the distinction between events and non-events in narrative circumstances). As two possible factors responsible for preventing formal analysts from taking an elastic view of story-event structure in narrative, I point out overly metalinguistic and metatemporal attitudes held by many narrative poeiticians, grammarians and formal semanticists. The recognition of narrative dynamics is primarily concerned with our concept of time, so that this thesis focuses a good deal of attention on explicating how time can be conceptualised in narrative. The basic component of the argument, therefore, is made up of ontological observations concerning time, event, and change, which are mainly made in Chapters 3 and 5. This thesis concludes that overly metalinguistic and metatemporal approaches to narrative dynamics tend to be fallacious, and that it is the commonsensical view that counts in the recognition of the event structure in narrative discourse. A hypothetical stance I adopt in constructing a narrative theory is the viewpoint of the ordinary reader of narrative fiction who is not formally trained, and therefore, does not necessarily respond to narrative texts in a highly metalinguistic or metatemporal way. The importance of assuming the ordinary reader's viewpoint for the proper recognition of the story-event structure of narrative is referred to in many different respects throughout the thesis.
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Kappes, Michel. "Images d'hommes dans la prose narrative d'Ingeborg Bachmann (1926-1973)." Paris 3, 1993. http://www.theses.fr/1993PA030002.

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La "logique d'amour" - l'homme comme bien-aime, amant, chevalier, dieu -, et la "logique de mort" - l'homme comme sadique, assassin, meurtrier collectif. Puis : l'entrecroisement de ces deux logiques : la question du "masochisme", et la perspective de la metamorphose
The "logic of love"; - the man as a beloved, lover, knight, god -, and the "logic of death", - the man as a sadist, murderer, collective murderer. Then the combination of these two logics : the question of "masochism", and the perspective of metamorphosis
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Park, Ilhyung. "Objects in Samuel Beckett's prose works : possessions, inventories, gifts." Thesis, University of Sussex, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.341071.

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Books on the topic "Prose narrative"

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Amigoni, David. The English novel and prose narrative. Edinburgh: Edinburgh University Press, 2000.

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Civil, Pierre. La prose narrative du siècle d'or espagnol. Paris: Dunod, 1997.

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Padula, Vincenzo. Prose narrative, morali, satiriche, pensieri, cronache, elogi funebri. Roma [etc.]: Laterza, 1997.

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McAllister, Daniel. Narrative deviation in the prose of Ciaran Carson. [S.l: The Author], 2003.

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Narrative crossings: Theory and pragmatics of prose fiction. Baltimore: Johns Hopkins University Press, 1987.

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Kahle, Peter V. T. Shakespeare's A midsummer night's dream: A prose narrative. Seattle, Wash: Seventy Fourth Street Productions, 1997.

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La nouvelle prose française: Étude sur la prose narrative au début des années 1920. Pessac: Presses universitaires de Bordeaux, 2013.

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Hoffman, Greg H. Narrative structure in the later prose of Jurij Trifonov. Ann Arbor: University Microfilms International, 1993.

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Fujii, James A. Complicit fictions: The subject in the modern Japanese prose narrative. Berkeley: University of California Press, 1993.

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Speculative identities: Contemporary Italian women's narrative. Leeds, U.K: Northern Universities Press, 2000.

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Book chapters on the topic "Prose narrative"

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Kibrik, Andrej A. "Anaphora in Russian Narrative Prose." In Typological Studies in Language, 255. Amsterdam: John Benjamins Publishing Company, 1996. http://dx.doi.org/10.1075/tsl.33.09kib.

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Thorne, Sara. "The language of literature — narrative prose." In Mastering Advanced English Language, 283–306. London: Macmillan Education UK, 1997. http://dx.doi.org/10.1007/978-1-349-13645-2_13.

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Barton, Simon. "Textual Gestures: Iconic Text and Narrative." In Visual Devices in Contemporary Prose Fiction, 68–91. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/9781137467362_3.

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Ross, D. Pennell. "The role of displacement in narrative prose." In New Studies in Latin Linguistics, 453. Amsterdam: John Benjamins Publishing Company, 1990. http://dx.doi.org/10.1075/slcs.21.33ros.

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Rudinsky, Norma L. "National Antiheroes: Symbolism and Narrative Voice as Coded National Identity in Ol’ga Feldeková’s Veverica." In Modern Slovak Prose, 205–14. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-11288-3_18.

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Görner, Rüdiger. "Conflicting Narratives: Notes on the Compositional Nature of Poems in Prose." In Narrative(s) in Conflict, edited by Wolfgang Müller-Funk and Clemens Ruthner, 41–52. Berlin, Boston: De Gruyter, 2017. http://dx.doi.org/10.1515/9783110556858-005.

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Barton, Simon. "Graphic Storytelling and Visual Narrative: Images in Prose Fiction." In Visual Devices in Contemporary Prose Fiction, 92–122. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/9781137467362_4.

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Whalen, Zach, Chris Foss, and Jonathan W. Gray. "Introduction: From Feats of Clay to Narrative Prose/thesis." In Disability in Comic Books and Graphic Narratives, 1–13. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/9781137501110_1.

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Fitzpatrick, Esther, and Molly Mullen. "Writing Innovative Narratives to Capture the Complexity of Lived Experience: Poetry, Scriptwriting and Prose." In Innovations in Narrative and Metaphor, 73–93. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-6114-2_6.

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Marvin, Julia. "Narrative, Lineage, and Succession in the Anglo-Norman Prose Brut Chronicle." In Medieval Texts and Cultures of Northern Europe, 205–20. Turnhout: Brepols Publishers, 2008. http://dx.doi.org/10.1484/m.tcne-eb.3.2006.

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Conference papers on the topic "Prose narrative"

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Lushnikova, G. I. "Specific Feachers Of Narrative In Modern American Prose." In X International Conference “Word, Utterance, Text: Cognitive, Pragmatic and Cultural Aspects”. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.08.106.

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Reggiani, Christelle. "Les discours directs libres dans la prose narrative de Stendhal." In 2ème Congrès Mondial de Linguistique Française. Les Ulis, France: EDP Sciences, 2010. http://dx.doi.org/10.1051/cmlf/2010040.

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Dean, Aaron, Pasi Lautala, and David Nelson. "Effectiveness of Using SHRP2 Naturalistic Driving Study Data to Analyze Driver Behavior at Highway-Rail Grade Crossings." In 2017 Joint Rail Conference. American Society of Mechanical Engineers, 2017. http://dx.doi.org/10.1115/jrc2017-2288.

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Highway-rail grade crossing (crossing) collisions and fatalities have been in decline, but a recent ‘plateau’ has caused the Federal Railroad Administration (FRA) to concentrate on decreasing further casualties. The Michigan Tech Rail Transportation Program has been selected to perform a large-scale study that will utilize the SHRP2 Naturalistic Driving Study (NDS) data to analyze how various crossing warning devices affect driver behavior and whether there are clear differences between the effectiveness of the warning devices. The main results of this study are the development of a coding scheme for a visual narrative, used to validate machine vision head tracking data, and an improved baseline for the head tracking data using bivariate probability density. Head tracking data from the NDS and its correlation with coded narratives are vital to analyze driver behavior as they traverse crossings. This paper also presents preliminary results for the comparative analysis of the head tracking data from an initial test sample. Future work will extend the analysis to a larger data set, and ensure that use of the head tracking data is a viable tool for the ongoing behavior analysis work. Based on preliminary results from testing of the first data set, it is expected there will be significant positive correlation in future samples and the machine vision head tracking will prove consistent enough for use in the large scale behavioral study.
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Tekeliova, Dominika. "FOLK NARRATIVES IN SLOVAKIA. FRANTISEK SUJANSKY AS A COLLECTOR OF FOLK PROSE." In 4th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS Proceedings. STEF92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/62/s28.086.

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Biloria, Nimish. "Smart Cities: A Socio-Technical Perspective." In International Conference on the 4th Game Set and Match (GSM4Q-2019). Qatar University Press, 2019. http://dx.doi.org/10.29117/gsm4q.2019.0020.

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This research paper elaborates upon the concept of Smart Cities and the evolution of the term itself throughout history in order to outline the emergence of two distinct schools of thought: technocentric and humancentric, which have shaped smart cities. The paper also categorizes smart cities based on these two perspectives and outlines the operational tactics associated with them. After discussing and summarizing the pros and cons of both perspectives, the viewpoint of a socio-technical system-based model for conceptualizing and re-thinking the smart city narrative is presented. This People, Activity, Context and Technology (PACT) based socio-technical ecosystem model and the manner in which it can overcome the shortcomings of the technocentric and the humancentric modes of thinking is thus presented as a way to understand the city and as a laboratory for initiating an ecology of informed smart innovations.
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Shargay, Cathleen, Anil Singh, Tim Munsterman, and Les Antalffy. "Coke Drum Design and Fabrication Issues." In ASME 2010 Pressure Vessels and Piping Division/K-PVP Conference. ASMEDC, 2010. http://dx.doi.org/10.1115/pvp2010-25765.

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There are numerous design, materials and fabrication issues which significantly affect the cost, reliability and life of coke drums. Primarily in a pros and cons narrative, this paper discusses many of these critical decisions. It first outlines the potential damage mechanisms resulting from coke drum operation, which are primarily thermal fatigue and bulging and also embrittlement, sulfidation and erosion. Delayed Coking operation is described along with the ever present desire by owners to shorten cycle times to maximize unit throughput. Some examples of the decisions include the choices of alloys for base metals, cladding, and weld overlay, and the desire to maximize postweld heat treatment (PWHT) cycles while maintaining Minimum Design Metal Temperature (MDMT) toughness requirements to permit multiple future drum weld repairs. Design issues are reviewed such as uniform versus stepped thickness wall designs, and preferential placement of shell/cone plates to their optimum locations in relation to their individual thicknesses and yield strengths. Skirts also have options in attachment designs, thicknesses and the use of keyholes. The discussion of these and numerous other issues will hopefully assist the industry in the current development of a technical standard on coke drums being done by the American Petroleum Institute (API).
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7

Abdullah, Md Abu Shahid. "“Indeed, the King has a Cunt! What a Wonder!”: Sex, Eroticism and Language in One Thousand and One Nights." In GLOCAL Conference on Asian Linguistic Anthropology 2019. The GLOCAL Unit, SOAS University of London, 2019. http://dx.doi.org/10.47298/cala2019.1-1.

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One Thousand and One Nights, which can be traced back to as early as the 9th century, is probably the greatest introduction to Arabic culture through literature. This colossal and diverse book has drawn the attention of scholars, researchers and students to classic Arabic literature as well as influenced many prominent authors and filmmakers. It is not just a book of careless and unconnected stories but rather a piece of esteemed literature which has been read and analysed in many countries all over the world. However, it is also true that this book has been criticised for its sexual promiscuity and degraded portrayal of women. The aim of the presentation is to prove that underneath the clumsy and seemingly funny structures of One Thousand and One Nights, there is a description of overflowing sexuality. Through the sexualised or erotic description of female bodies, the book gives agency to women but at the same time depicts them derogatively, and thus fulfils the naked desire of the then patriarchal society. The presentation will highlight how sexual promiscuity or fathomless female sexual craving is portrayed through figurative and grammatical language, which objectifies the female characters but at the same time enables them to be playful with the male characters, and thus motivates them to become more powerful than the males. Finally. the presentation will focus on language or narrative as an act of survival from the perspectives of the female characters, which is most evident in the case of Scheherazade who saved not only her life but also lives of countless maidens by her mesmerizing storytelling talent.
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