Relevant bibliographies by topics / Prose poetry

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Prose poetry'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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Journal articles on the topic "Prose poetry"

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Chun Chun, Ivy Lai. "Literary stylistics: poetry and fictional prose." Journal of Language and Literature 5, no. 3 (August 30, 2014): 329–37. http://dx.doi.org/10.7813/jll.2014/5-3/56.

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Anderson, Charlotte, Gottfried Benn, Volkmar Sander, and Reinhard Paul Becker. "Prose, Essays, Poetry." Die Unterrichtspraxis / Teaching German 21, no. 2 (1988): 244. http://dx.doi.org/10.2307/3530308.

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Figge, Richard C., Heinrich Heine, Jost Hermand, and Robert C. Holub. "Poetry and Prose." Die Unterrichtspraxis / Teaching German 19, no. 2 (1986): 273. http://dx.doi.org/10.2307/3530724.

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Anderson, Charlotte, Rainer Maria Rilke, and Egon Schwarz. "Prose and Poetry." Die Unterrichtspraxis / Teaching German 21, no. 1 (1988): 145. http://dx.doi.org/10.2307/3530767.

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Fayek, Nevine. "Arabic Prose Poetry." Middle East Journal of Culture and Communication 15, no. 1-2 (June 15, 2022): 113–32. http://dx.doi.org/10.1163/18739865-01501011.

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Abstract This article attempts to outline the most significant linguistic and conceptual transformations brought about by the developing periodical press and the translation movement in Egypt toward the beginning of the twentieth century. Both these phenomena entailed the need for new writing practices, which in turn led to intense discussions about the form and status of the literary/poetic text. While poetry constitutes the core of this discussion, the most relevant conceptual transformation that shall be highlighted here is the unprecedented move to involve prose as an equal component or tool of expression into the debate on how to (re)define poetry.
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Latner, Joel. "Prose and Poetry." Gestalt Review 3, no. 4 (January 1, 1999): 348–50. http://dx.doi.org/10.2307/44394152.

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Victoria Chang. "Poetry and Prose." Journal of Asian American Studies 11, no. 2 (2008): 233–34. http://dx.doi.org/10.1353/jaas.0.0012.

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Leong, Russell. "Prose and Poetry." Journal of Asian American Studies 8, no. 2 (2005): 224–25. http://dx.doi.org/10.1353/jaas.2005.0040.

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Palumbo-Liu, David. "Prose and Poetry." Journal of Asian American Studies 9, no. 2 (2006): 206–7. http://dx.doi.org/10.1353/jaas.2006.0019.

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Chu, Patricia P. "Poetry and Prose." Journal of Asian American Studies 10, no. 2 (2007): 196–97. http://dx.doi.org/10.1353/jaas.2007.0012.

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Dissertations / Theses on the topic "Prose poetry"

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LeRud, Elizabeth. "Antagonistic Cooperation: Prose in American Poetry." Thesis, University of Oregon, 2017. http://hdl.handle.net/1794/22646.

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Poets and critics have long agreed that any perceived differences between poetry and prose are not essential to those modes: both are comprised of words, both may be arranged typographically in various ways—in lines, in paragraphs of sentences, or otherwise—and both draw freely from the complete range of literary styles and tools, like rhythm, sound patterning, focalization, figures, imagery, narration, or address. Yet still, in modern American literature, poetry and prose remain entrenched as a binary, one just as likely to be invoked as fact by writers and scholars as by casual readers. I argue that this binary is not only prevalent but also productive for modern notions of poetry, the root of many formal innovations of the past two centuries, like the prose poem and free verse. Further, for the poets considered in this study, the poetry/prose binary is generative precisely because it is flawed, offering an opportunity for an aesthetic critique. “Antagonistic Cooperation: Prose in American Poetry” uncovers a history of innovative writing that traverses the divide between poetry and prose, writing that critiques the poetry/prose binary by combining conventions of each. These texts reveal how poetry and prose are similar, but they also explore why they seem different and even have different effects. When these writers’ texts examine this binary, they do so not only for aesthetic reasons but also to question the social and political binaries of modern American life—like rich/poor, white/black, male/female, gay/straight, natural/artificial, even living/dead—and these convergences of prose and poetry are a textual “space” each writer creates for representing those explorations. Ultimately, these texts neither choose between poetry and prose nor do they homogenize the two, affirming instead the complex effects that even faulty distinctions may have had historically, and still have, on literature—as on life. By confronting differences without reducing or erasing them, these texts imagine ways to negotiate and overcome modes of ignorance, invisibility, and oppression that may result from these flawed yet powerful dichotomies.
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Muris-Prime, C. F. E. "Translation and the aesthetics of prose poetry." Thesis, University College London (University of London), 2015. http://discovery.ucl.ac.uk/1469277/.

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Translation is generally understood as the transformation of text from one language into another. But translation is also a dialogue between two languages, between two versions of a text, and between author and translator. Such dialogue involves thought on language, its usage and potential, and on literary creation itself. Poetry also involves attention to, and experimentation with, language and contains a constant analysis of its own expression. This dissertation examines this coincidence of translation and poetry and seeks to explore how translation, both in theory and in practice, illuminates the understanding of a key development in modern French poetry: the prose poem. It analyses the relationship between the practice of translation and thought on translation, and the development of the new poetic form which is prose poetry. It concentrates on the aesthetics of Baudelaire, Mallarmé and Rimbaud, and shows that in each case an intensely self-reflexive poetics is driven by an engagement with translation. Divided into two parts, the dissertation first considers each poet’s differing relation to translation. It shows that translation enabled Baudelaire to develop his own style, that it shaped Mallarmé’s relationship with common language, and that it sits at the heart of Rimbaud’s poetic ethics. The second part concentrates on the specific issues of the prose poem in relation to translation, and demonstrates that the form distils fundamental issues in translation and is in turn shaped by them. The prose poem oscillates between two literary forms, and is itself a form in translation, engaging with its different versions. Baudelaire’s, Mallarmé’s and Rimbaud’s poetic experiments in prose echo and reflect each other. The prose poem and its generation in translation provide a critical space where the three-way dialogue between these defining figures of modernism may be heard and examined.
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Kaverud, Kristina. "The poetry and prose of David Gascoyne." Thesis, Boston University, 2001. https://hdl.handle.net/2144/27685.

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Boston University. University Professors Program Senior theses.
PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.
2031-01-02
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Cogar, Jessica L. "Pearl Anthology: Prose Poems." Ohio University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1492689133782808.

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Sedlak, Emma Adams. "Origin stories and contemporary epistles in American prose poetry." Thesis, University of Edinburgh, 2015. http://hdl.handle.net/1842/26043.

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My poetry portfolio is 75 pages long, and consists of single poems as well as two series. The first series includes the ‘Good Work’ poems, which explore different ideas of ‘good work’ based on characters’ occupations, preoccupations and mental perspectives. The second series is the ‘Makar’ poems, depicting an imagined world in which the poet is a guardian angel or guiding force. The style of my poetry varies from lyric to prose poetry, with a few language-focused abstract poems, and more formal styles, like a villanelle. Dreaming and waking are two themes that reflect aspects of reality and perception. Much of my portfolio is rooted in reflections of identity: Identity in terms of work, and the story we tell to the world about what we do; identity in terms of inter-personal relationships and how those connections form who we become; identity in terms of memory, and the story of who we have been; and identity in terms of the stories we tell ourselves about who we think we are. And if none of those stories align, what kind of fragmented self-identity does that reveal? The narrative poems often use different characters and personas in order to enact these lenses of identity. Even with only a few epistles in the collection, my poetry has been influenced by the epistolary ideas of separation and reunion (as critic Altman describes them: ‘bridge’ and ‘distance’). Similarly, the prose poems often riff on the unification and distancing of various themes, in a mediation of together- and apart-ness. I have used letters and diary-entries as addresses to the audience, and also as invitations for the reader to access the poem through different points of entry. My academic thesis focuses on the utilisation of epistles in contemporary American prose poetry. It is 26,000 words, and is divided into three sections: focused on Epistles: Poems by Mark Jarman; Letters to Kelly Clarkson by Julia Bloch, and The Desires of Letters by Linda Brown; and Dear Editor: Poems by Amy Newman. Why are we still writing poems as letters when we don’t habitually write letters for personal correspondence anymore? The poem-as-letter, or epistle, offers the ability to craft complex relationships within the reader/author, writer/recipient, and open/closed dynamics of intimacy in literature. The criticism is framed within the methodology of reader-response theory, and draws upon examples of epistles in history and literature to connect and establish themes.
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Hansen, Egon. "Emotional processes : engendered by poetry and prose reading." Doctoral thesis, Stockholms universitet, Psykologiska institutionen, 1986. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-81529.

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Fiorini, Jessica. "Light Suite." ScholarWorks@UNO, 2008. http://scholarworks.uno.edu/td/871.

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Light Suite is a collection of the work I produced during my enrollment in the University of New Orleans Low Residency M.F.A. program. The writing, format and length styles reflect my experimentation with my craft. It also provides insight as to what my "poetic voice" is. Light Suite attempts to entwine personal experience with engaged observation and occasional flights of fantasy. The following poems illustrate my attempt at diversifying personal, poetic style. There are travel, prose, and accidental meaning poems. There are poems that feature personal narrative and collaboration. All of my works do share one characteristic and that is the close relationship with visual representation of an oral experience. I employ white space, line breaks, line length, assonance and consonance to create works that are as close to my speaking voice as possible.
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Villarreal, Evert. "Recovering Carl Sandburg: politics, prose, and poetry after 1920." Diss., Texas A&M University, 2006. http://hdl.handle.net/1969.1/4167.

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Chapter I of this study is an attempt to articulate and understand the factors that have contributed to Carl Sandburg's declining trajectory, which has led to a reputation that has diminished significantly in the twentieth century. I note that from the outset of his long career of publication - running from 1904 to 1963 - Sandburg was a literary outsider despite (and sometimes because of) his great public popularity though he enjoyed a national reputation from the early 1920s onward. Chapter II clarifies how Carl Sandburg, in various ways, was attempting to re-invent or re-construct American literature. Indeed, beginning in 1922, a very complex creative imagination - one not seen before - began to manifest itself in Sandburg's works. As a result, readers begin to see how Sandburg's view of the role of the writer was shifting - from one of a radical political poet into one of a writer who experimented with several genres. Chapter III examines the two separately published biographies of Abraham Lincoln - Abraham Lincoln: The Prairie Years (1926) and Abraham Lincoln: The War Years (1939) - and reveals how Sandburg incorporates a new perspective that was radically different from the Lincoln biographies that preceded it. Chapter IV turns to Sandburg's celebration of the theme of "the People." The chapter explores four works - The American Songbag (1927), Good Morning, America (1928), The People, Yes (1936), and Remembrance Rock (1948). These works, like all of his previous works, are an effort to make life possible to the common man. Finally, Chapter V reminds readers of Sandburg's stature as witness to the labor problem - perhaps the most significant problem of the twentieth century. I argue that the only way to recover Sandburg correctly is to assess the political ideology present in each of his published works.
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Herbert, W. N. "Continuity in the poetry and prose of Hugh MacDiarmid." Thesis, University of Oxford, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.314959.

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Cameron, Audrey. "Reacreatin' Scotland : the poetry and prose of Hugh MacDiarmid." Thesis, University of Aberdeen, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.483981.

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This thesis explores the major stages of MacDiarmid's work, examining MacDiarmid's relationship with Scotland through his prose, poetry, and political activities. The introduction looks at the history of critical responses to MacDiarmid's work and explores the ways in which MacDiarmid's work has found itself at the centre of Scottish literary studies while it sits at the margins of the wider literary canon. It suggests that it is necessary to look again at the ways in which MacDiarmid engaged with the idea of Scotland throughout his career. Chapters Two, Three, and Four focus on the early period of his work (to Drunk Man). Chapter Two traces the development of his commitment to Scots and suggests that Drunk Man uncovers many of the contradictions which underlie 'A Theory of Scots Letter'. Chapter Three looks more specifically at the ways in which MacDiarmid images Scotland through his early work, focusing on the contrast between his commitment to an ideal Scotland and rejection of contemporary reality. Chapter Four explores the relationship between politics and literature in his early work and points to the ways in which the tensions of his later work are rooted in this early period. Chapters Five, Six and Seven move onto his middle period (from Cenrastus to Stony Limits). Chapter Five examines the ways in which the linguistic approach of this key phase comes out of his early work and looks forward to his final experimentations. Chapter Six explores his reinvention of an ideal Scotland in the Gaelic idea. Chapter Seven reads the political poems of the early thirties as an attempt to resolve the tensions between politics and poetry. The thesis concludes with a survey of his final poems and reveals the ways in which they combine his linguistic, cultural, and political aims in a vision of impossible desire.
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Books on the topic "Prose poetry"

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Jean, Balmer, ed. Poetry & prose. San Diego, Calif: Aegis, 1990.

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Longfellow, Henry Wadsworth. Poetry and prose. New York: Library of America, 2000.

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Monson, Jane, ed. British Prose Poetry. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-77863-1.

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Vincent, Moleta, ed. Poetry and prose. Bridgetown, W. A: Æolian Press, 2004.

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Shevchenko, Taras. Selections: Poetry, prose. Kiev: Dnipro Publishers, 1988.

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Glancy, Diane. Offering: Poetry & Prose. Duluth, USA: Holy Cow! Press, 1988.

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Whitman, Walt. Poetry and prose. New York: Library of America, 1996.

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Hopkins, Gerard Manley. Poetry and prose. London: J.M. Dent, 1998.

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Brecht, Bertolt. Poetry and prose. New York, NY: Continuum, 2004.

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Wordsworth, William. Selected poetry and prose. London: Routledge, 1989.

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Book chapters on the topic "Prose poetry"

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Sutton-Spence, Rachel, and Michiko Kaneko. "Prose and Poetry." In Introducing Sign Language Literature, 117–28. London: Macmillan Education UK, 2016. http://dx.doi.org/10.1007/978-1-349-93179-8_11.

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Williams, Athol. "Prose and poetry." In The Contested Idea of South Africa, 153–68. London: Routledge, 2021. http://dx.doi.org/10.4324/9780429340857-9.

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Goldman, Jane. "‘I Grow More & More Poetic’: Virginia Woolf and Prose Poetry." In British Prose Poetry, 91–115. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-77863-1_6.

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Ravinthiran, Vidyan. "T.S. Eliot’s Prose (Poetry)." In British Prose Poetry, 133–47. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-77863-1_8.

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Sullam, Simon Levis. "From Poetry to Prose." In Giuseppe Mazzini and the Origins of Fascism, 31–47. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137514592_3.

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Etter, Carrie. "The Prose Poem." In The Portable Poetry Workshop, 71–75. London: Macmillan Education UK, 2017. http://dx.doi.org/10.1057/978-1-137-60596-2_10.

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Fowler, Roger. "Heroic Poetry." In Old English Prose and Verse, 51–81. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003273226-7.

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Monson, Jane. "Correction to: British Prose Poetry." In British Prose Poetry, E1—E2. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-77863-1_21.

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Monson, Jane. "Introduction." In British Prose Poetry, 1–16. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-77863-1_1.

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Wall, Alan. "Questioning the Prose Poem: Thoughts on Geoffrey Hill’s Mercian Hymns." In British Prose Poetry, 167–76. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-77863-1_10.

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Conference papers on the topic "Prose poetry"

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St. Quinton, John G. "Semantic Category Analysis of Poetry and Prose." In 2011 IEEE 10th International Conference on Cybernetic Intelligent Systems (CIS). IEEE, 2011. http://dx.doi.org/10.1109/cis.2011.6169136.

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Şəmsi qızı Məmmədova, Xumar. "Nakhchivan literary atmosphere and literary translation." In OF THE V INTERNATIONAL SCIENTIFIC RESEARCH CONFERENCE. https://aem.az/, 2021. http://dx.doi.org/10.36719/2663-4619/2021/02/03.

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The presented article discusses the issues of Nakhchivan literary environment and literary translation. It is noted that translation is a creation in itself, and the activities of representatives of the Nakhchivan literary environment in this area are exemplary. In general, during the independence period, some experience was gained in the literary environment of Nakhchivan, translations from German, English and French by our poets and writers Hamid Arzulu, Shirmammad Gulubeyli, Shamil Zaman who is famous as poet, prose-writer and translator were delivered to readers in the form of books and works were published in the press. The examples presented in the article once again prove the perfection of the writers' translation activities, their translations from German, English and French provide the Azerbaijani reader with full information about the society, people and their life of these peoples. Key words: Nakhchivan, literary atmosphere, literary translation, prose, poetry
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Linardaki, Christina, and Marie Lavrentiadou. "Representations of Refugees, Traffickers and Local People in Greek Literature during the European Migrant Crisis (2014-1018)." In GLOCAL Conference on Mediterranean and European Linguistic Anthropology Linguistic Anthropology 2022. The GLOCAL Unit, SOAS University of London, 2023. http://dx.doi.org/10.47298/comela22.5-6.

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This paper investigates Greek literature (prose and poetry), written, in its bulk, during the years of the European migrant crisis (2014-2018) to uncover ways in which refugees, traffickers, and locals are presented. Following a literature review and the presentation of methodology, prose is observed, drawing on social representations theory, and a theoretical framework of social exclusion. We analyse poetry through a critical discourse analysis (CDA) (Gee 2011), while also considering social language, situated meaning, intertextuality, figured worlds, and Discourses. The approach employed assists in the eliciting of social perspectives from the sample, as reflected in writers’ or poets’ views. These views may be hyperbolic, but nonetheless echo the opinion of at least part of the Greek population.
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Nord, Lennart, Anita Kruckenberg, and Gunnar Fant. "Some timing studies of prose, poetry and music." In First European Conference on Speech Communication and Technology (Eurospeech 1989). ISCA: ISCA, 1989. http://dx.doi.org/10.21437/eurospeech.1989-326.

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Doumit, Sarjoun, Nagendra Marupaka, and Ali A. Minai. "Thinking in prose and poetry: A semantic neural model." In 2013 International Joint Conference on Neural Networks (IJCNN 2013 - Dallas). IEEE, 2013. http://dx.doi.org/10.1109/ijcnn.2013.6706932.

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Gopidi, Amitha, and Aniket Alam. "Computational Analysis of the Historical Changes in Poetry and Prose." In Proceedings of the 1st International Workshop on Computational Approaches to Historical Language Change. Stroudsburg, PA, USA: Association for Computational Linguistics, 2019. http://dx.doi.org/10.18653/v1/w19-4702.

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Marti, Roland. "Константин Преславски и неговото творчество в контекста на старобългарската писменост: изкуството на акростиха." In Учителното евангелие на Константин Преславски и южнославянските преводи на хомилетични текстове (IX-XIII в.): филологически и интердисциплинарни ракурси / Constantine of Preslav’s Uchitel’noe Evangelie and the South Slavonic Homiletic Texts (9th-13th century): Philological and Interdisciplinary Aspects. Institute of Balkan Studies and Centre of Thracology – Bulgarian Academy of Sciences, 2024. http://dx.doi.org/10.62761/491.sb37.01.

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In OCS studies Constantine of Preslav was for a long time known as a translator/compilator of prose texts above all and as the author of the Alphabet Prayer, but today his hymnology attracts more attention. This is due to several acrostics containing his name, rediscovered and published by scholars only recently. A full-fledged appreciation of his work demands bringing together the analyses of his prose and his hymnology. In addition it is necessary to add his acrostics as texts in their own right. This is attempted in the article on the basis of G. Popov’s research, special attention being paid to the two acrostics that actually form poetic texts, written in the tradition of Byzantine dodecasyllable poetry.
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Xu, Xingwu. "BAI JUYI AND MID-TANG CONFUCIAN REFORMATION." In 10th International Conference "Issues of Far Eastern Literatures (IFEL 2022)". St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063770.08.

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It is widely believed in the academic circles that the the cardinal drive behind Confucianism’s revival during Mid-Tang’s cultural transformation was the “Ancient-Style Prose Movement” led by Han Yu. Meanwhile, the “New Yuefu Movement” advocated by Bai Juyi is also and expansion of this very “Ancient-Style Prose Movement”. If we re-examine Bai Juyi’s propositions concerning poetry and his own verses, we can find that he highly praised the radition of Confucian poetical education and imitated this canon in his works. Combining studies over Confucian Classics and literature, Bai Juyi reinvented the Confucian theory of human nature and emotion. His emphasis on “Yi Lei” (rhetoric rules and types of poetry) and “Shi Shi” (current affairs) as well as expressions of social and cultural sentiments in poetry, enriched the connotation of “Liu Yi” (Six Formations) in studies over The Book of Songs. And his thoughts do bear the characteristics of Mid- Tang Confucianism Reform.
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Antofi, Eugenia Simona, and Carmen Oprit-Maftei. "EXPLORING POETICAL PECULIARITIES OF ANA BLANDIANA�S INTERVIEWS." In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/s28.07.

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The present paper is part of a broader research project, which aims at investigating the interviews given by Ana Blandiana, who is one of the most influential contemporary Romanian poets and a well-known dissident of the dictatorial regime of the 1970s and 1980s. These interviews were collected between 2019 and 2020 and subsequently grouped into three main categories, related to poetry, prose and essays. The resulting material was published in a volume entitled �Cartea cu delfini� (The book with dolphins) in 2021. Ana Blandiana�s interviews take the form of an autobiography, which enables the poet to share her memories and thoughts on the world we live in. These dialogues of literary interest are of the utmost importance as they reveal the poet�s personality and disclose her emotions and views related to a writing career of more than 60 years. The theoretical and methodological perspectives included in this research are related to the literary interview, which uses the techniques of storytelling and reveals insights into the interlocutor�s life, work and experiences. In addition, the research also reviews the theories of the literary discourse, with a strong focus on the linguistic beauty and poetic language of Ana Blandiana. The novelty of this study lies in investigating the particularities of her literary interviews.
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Antofi, Eugenia Simona, and Carmen Oprit-Maftei. "EXPLORING POETICAL PECULIARITIES OF ANA BLANDIANA�S INTERVIEWS." In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/s10.07.

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The present paper is part of a broader research project, which aims at investigating the interviews given by Ana Blandiana, who is one of the most influential contemporary Romanian poets and a well-known dissident of the dictatorial regime of the 1970s and 1980s. These interviews were collected between 2019 and 2020 and subsequently grouped into three main categories, related to poetry, prose and essays. The resulting material was published in a volume entitled �Cartea cu delfini� (The book with dolphins) in 2021. Ana Blandiana�s interviews take the form of an autobiography, which enables the poet to share her memories and thoughts on the world we live in. These dialogues of literary interest are of the utmost importance as they reveal the poet�s personality and disclose her emotions and views related to a writing career of more than 60 years. The theoretical and methodological perspectives included in this research are related to the literary interview, which uses the techniques of storytelling and reveals insights into the interlocutor�s life, work and experiences. In addition, the research also reviews the theories of the literary discourse, with a strong focus on the linguistic beauty and poetic language of Ana Blandiana. The novelty of this study lies in investigating the particularities of her literary interviews.
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