Academic literature on the topic 'Protest song'
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Journal articles on the topic "Protest song"
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Wabyanga, Robert Kuloba. ""I Am Black and Beautiful": A Black African Reading of Song of Songs 1:5-7 as a Protest Song." Old Testament Essays 34, no. 2 (November 18, 2021): 1–22. http://dx.doi.org/10.17159/2312-3621/2021/v34n2a16.
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Adamo's article on Ebed-Melech's protest brings fresh insight into my earlier article on Song of Songs 1:5-7, prompting me to reread the text as a protest song (essay) against the racial stigmata that continue to bedevil black people in the world. The current article, using hermeneutics of appropriation, maintains the meaning of שְׁחוֹרָה as a black person, who in the Song of Songs protests against the racism, which transformed her status to that of a socioeconomic other. The study is informed by the contemporary and historical contexts of racial injustices and stigma suffered by Blacks for 'being' while Black. The essay investigates this question: In which ways does Adamo's reading of Jer 38:1-17 influence an African reading of Song 1:5-7 as a protest against racism? The article employs African Biblical Hermeneutics, as part of a creative and literary art in the protests against racism, to read the biblical text as our story-a divine story, which in the language of Adamo, has inherent divine power that can empower oppressed black people.
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Hunter, Jannie H. "The Song of Protest: Reassessing the Song of Songs." Journal for the Study of the Old Testament 25, no. 90 (September 2000): 109–24. http://dx.doi.org/10.1177/030908920002509008.
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MacKinnon, Richard. "Protest Song and Verse in Cape Breton Island." Ethnologies 30, no. 2 (February 16, 2009): 33–71. http://dx.doi.org/10.7202/019945ar.
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On Cape Breton Island, where coal mining and steel making were once an essential part of the region’s culture and economy, protest song and verse are found in abundance. This article explores some previously unexamined protest songs and verses of Cape Breton Island. The body of songs is culled largely from the Maritime Labour Herald, a newspaper of the 1920s that included both locally and internationally composed works. Some earlier folklorists ignored protest songs because their paradigms did not permit them to view these forms as authentic cultural expressions. Their approach raises complex issues of how authenticity is constructed and by whom. My intent is to show that a well-developed protest song tradition was alive and well, and played an important role in the labour struggles of the 1920s. Indeed, these vernacular materials were used for solidarity during times of upheaval and change in Cape Breton Island.
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Aronson, Greg, and Kiernan Box. "Song Translation Analysis as a Means for Intercultural Connectivity." Journal of Urban Society's Arts 8, no. 1 (June 9, 2021): 1–14. http://dx.doi.org/10.24821/jousa.v8i1.5444.
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In an increasingly interconnected and globalised world, the need for cross cultural understanding is greater than ever before. Exploring and analysing songs from different cultures can be an effective ‘entry point’ into learning about the nature of other peoples and societies lives and for developing a sense of ethnocultural empathy. Protest songs can provide a lens for intercultural analysis, especially for understanding minority or subcultural perspectives. Translating songs into different languages makes these works more accessible to a broader cross-section of people. We present translations of protest songs, two from Indonesian to English, and one from English to Indonesian. We discuss the respective importance of meaning and poetics in making song translations. Strict adherence to song rhymes is a challenge for translators and one which may impede meaning. The optimal approach depends on the format in which the translation is likely to be presented. Fluency in the target language, rather than the source language, is more helpful for successful translation. Finally, we make some recommendations about the usefulness of intercultural song (text) translation analysis and intercultural awareness.
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Pleshkov, Yevgenii S., and Elena V. Kharchenko. "ENGLISH SONG NAMES: PROTEST OR CALL FOR ACTION?" Theoretical and Applied Linguistics, no. 2 (2019): 139–49. http://dx.doi.org/10.22250/24107190_2019_5_2_139_149.
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The article focuses upon some aspects of the impact of English song names resulting from secondary nomination from the names of narcotic substances on young subjects. A large number and variety of song names of different genres encouraged us to introduce a special term «songonyms». As the research material, the name of the song LSD (performed by the rock band Hawkwind) has been chosen. It is difficult to clearly assume what effect song names have on the listener: whether they call for any actions, or, on the contrary, cause a protest and rejection. Therefore, in this study, it seemed important to verbalize the image of the LSD song name in the linguistic consciousness of young people and to reveal what implications this name carries - calling for actions or protest. By means of free associative experiment, according to the authors, individual meanings inserted by an individual into the song name are "revealed". The experiment has been conducted among 2-4-year students in one of the universities of Chelyabinsk. Through the making up of associative fields, it has been revealed that the song name LSD is perceived by young people not as calling for any actions, but as a protest element of rejection.
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Martinelli, Dario. "Popular music, social protest and their semiotic implications." New Sound, no. 42 (2013): 41–52. http://dx.doi.org/10.5937/newso1342041m.
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The goal of this article is to discuss the relationship between popular music (song writing, in particular) and issues of social protest, as portrayed in the various repertoires. The interface of the analysis is of a semiotic type, and the steps will follow a path that goes from problematizing the issue as such (with an emphasis on the current difficulties of identifying protest songs in terms of "genre"), to the definition of those stylistic elements pertaining to the context (in/for which these songs are written and/or played), the themes (as appearing from the lyrics) and the music itself (with the implication that the latter aspect is normally underrated in its significance, within such a process).
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Robb, David. "The mobilising of the German 1848 protest song tradition in the context of international twentieth-century folk revivals." Popular Music 35, no. 3 (September 14, 2016): 338–59. http://dx.doi.org/10.1017/s0261143016000532.
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AbstractThe rediscovery of democratic traditions of folk song in Germany after the Second World War was not just the counter-reaction of singers and academics to the misuse of German folk song by the Nazis. Such a shift to a more ‘progressive’ interpretation and promotion of folk tradition at that time was not distinct to Germany and had already taken place in other parts of the Western world. After firstly examining the relationship between folk song and national ideologies in the nineteenth century, this article will focus on the democratic ideological basis on which the 1848 revolutionary song tradition was reconstructed after the Third Reich. It will look at how the New Social Movements of West Germany and the folk scene of the GDR functioned in providing channels of transmission for this, and how in this process a collective cultural memory was created whereby lost songs – such as those of the 1848 Revolution – could be awakened from extinction. These processes will be illustrated by textual and musical adaptations of key 1848 songs such as ‘Badisches Wiegenlied’ (Baden Lullaby), ‘Das Blutgericht’ (The Blood Court) and ‘Trotz alledem’ (For all that) within the context of the West German folk movement and its counterpart in the GDR.
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Scandrett, Eurig, Mahmoud Soliman, and Penny Stone. "Cultural resistance in occupied Palestine and the use of creative international solidarity through song1." Journal of Arts & Communities 12, no. 1 (June 1, 2021): 41–56. http://dx.doi.org/10.1386/jaac_00022_1.
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Protest song has been an important component of grassroots political struggles, and the Palestinian resistance to Zionist settler-colonization is no exception. This article draws on original research with activists in the Palestinian popular resistance on the impact of song during the first intifada (1987 to 1993) and more recently in the opposition to the segregation wall and accelerated colonization of the West Bank. The significance of international solidarity to the Palestinian struggle is noted, and the role of protest song in international solidarity is explored. The activities of Edinburgh-based community choir San Ghanny in using song as an expression of solidarity with the Palestinian popular anti-colonial struggle is analysed. Protest song is a globally recognizable form, which can help to build connections with social movements in different parts of the world and in different periods of history, which is both rooted in individual places and struggles, and also transcends these at the level of global solidarity.
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Sokolon, Marlene K. "The Iliad: A Song of Political Protest*." New Political Science 30, no. 1 (February 18, 2008): 49–66. http://dx.doi.org/10.1080/07393140701877692.
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Clark, Brett, and Scott Borchert. "Pete Seeger, Musical Revolutionary." Monthly Review 66, no. 8 (January 5, 2015): 20. http://dx.doi.org/10.14452/mr-066-08-2015-01_5.
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In the late 1950s, Pete Seeger received a letter from his manager, Howie Richmond, begging him to write a new hit song. … [Richmond] believed that “protest songs” were not marketable. Seeger was angry—he had a new song in mind, with words from a poem that he had set to music, and he believed it was, in a deep and significant sense, a song of protest.…. The song, of course, was “Turn! Turn! Turn! (To Everything There Is a Season),” which continues to be performed and recorded by many artists, and most famously became a huge folk-rock hit for The Byrds. It was as though, despite himself, Seeger produced a hit song, even when commercial popularity was the furthest thing from his mind—an example of how inseparably his songwriting talents and political principles were bound together.<p class="mrlink">This article can also be found at the <a href="http://monthlyreview.org/index/volume-66-number-7" title="Vol. 66, No. 7: January 2015" target="_blank"><em>Monthly Review</em> website</a>, where most recent articles are published in full.</p><p class="mrpurchaselink"><a href="http://monthlyreview.org/index/volume-66-number-7" title="Vol. 66, No. 7: January 2015" target="_self">Click here to purchase a PDF version of this article at the <em>Monthly Review</em> website.</a></p>
Dissertations / Theses on the topic "Protest song"
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Galdino, Roberto Carlos. "A porta da saida : a poetica das canções de Torquato Neto." [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270028.
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Orientadores: Luiz Carlos da Silva Dantas, Alexandre Soares CarneiroDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
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Resumo: Nosso estudo debruça-se por sobre as canções de Torquato Neto, anteriores a sua participação no Tropicalismo, que tem um perfil semelhante à canção engajada, de protesto, de meados da década de 1960, e durante seu envolvimento com o movimento, tomando-as como uma entrada para o questionamento dos discursos críticos estabelecidos sobre a sua poética. Procuramos estabelecer um diálogo entre a nossa escuta das canções e as leituras críticas que as tomam isoladamente, como texto poético apenas. De modo a questionar os dois pólos extremos em que é confinada sua poética: Ou o poeta é visto enquanto um artista de vanguarda continuador de uma certa tradição do novo, de inventividade e rigor construtivo; ou como romântico libertário radical, que por coerência com seu projeto poético-existencial, renuncia a vida
Abstract: Our study bends over Torquato Neto¿s songs, prior to his participation at the Tropicalism, which has a similar profile of the activist song, of protest, in the middle of the 1960s, and during his involvement with the movement, turning them into a beginning of questioning the established critical discourses about his poetry. We try to establish a dialogue between our listening to the songs and the critical readings which consider them separately, as a poetic text only. So that we can question the two opposite extremes in which his poetry is confined to: either the poet is seen as an avant-garde artist who continues a certain tradition again, of ingenuity and constructive rigidity, or as a romantic radical libertarian who, in accordance with his political-existential project, abandons his life
Mestrado
Literatura Brasileira
Mestre em Teoria e História Literária
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Rose, Mark. "Striking a discordant note : protest song and working-class political culture in Germany, 1844-1933." Thesis, University of Southampton, 2010. https://eprints.soton.ac.uk/367356/.
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This thesis examines the role played by protest song in the development of the political culture of Germany’s industrial working class between 1844 and 1933. Protest song was an integral component in the struggle of the German working class to achieve some measure of political and social equality in the nineteenth and early twentieth centuries. Throughout this period, the working class found itself subjected to varying levels of political repression by the German authorities, and in order to promote their political views, industrial workers used the medium of song to protest against injustice. The thesis seeks to determine the significance of protest song for the political development of the German industrial working class through an analysis of song lyrics. The study of working-class protest song lyrics has largely been the preserve of historians from the former German Democratic Republic, where scholarship was shaped by the unique political imperatives of history writing under the Communist regime. This thesis seeks to redress the historiographical imbalance that this approach engendered, arguing that protest song produced under the auspices of the Social Democrats was both a culturally valid and politically significant feature of German working-class political life, albeit one that offered a different ideological approach to that of the overtly revolutionary output of the Communist movement. Additionally this thesis will acknowledge that working-class song was not merely used as an instrument of protest, but also as a medium to communicate political ideology. Protest song was an integral part of the cultural capital of the working class milieu, creating a distinct canon upon which German industrial workers drew in a variety of political, social and cultural situations. This study will engage with this canon in order to establish how the cultural practice of singing endowed working-class protest songs with an intrinsic political significance.
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Chouana, Khaled. "Vers une redéfinition de la protest song ? Réflexions sur la chanson contestataire aux États-Unis : le cas de Bruce Springsteen et la reflective song." Thesis, Montpellier 3, 2018. http://www.theses.fr/2018MON30005/document.
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Ce travail constitue une réflexion sur la chanson contestataire contemporaine aux États-Unis à travers les chansons et l’engagement politique et social de Bruce Springsteen. Nous défendons la thèse que Springsteen renouvelle le genre de la protest song en s’adaptant à l’époque contemporaine. Pour ce faire, le chanteur adopte quatre stratégies artistiques. Elles consistent à chanter sur les gens ordinaires et leur quotidien, aborder le désenchantement et le désespoir des plus exclus, composer des chansons qui remplissent une fonction cathartique en ayant recours à l’imitation et enfin à militer dans la sphère politique et sociale en soutenant des candidats lors des élections présidentielles américaines tout en offrant des dons aux organisations caritatives qui aident les plus démunis. La thèse démontre que Springsteen arrive à se hisser au sommet du classement des meilleures ventes aux États-Unis et à travers le monde grâce à ces stratégies. Elles lui ont permis de mobiliser un public et d’avoir des millions de fans. Nous proposons d’appeler les chansons engagées de Springsteen des chansons méditatives (reflective songs). La chanson méditative de Springsteen est, sans doute, l’outil culturel de contestation le plus adapté à l’époque contemporaine où il est difficile pour un artiste engagé de protester efficacement du fait de la marchandisation de l’acte même de sa contestation. Il se peut que la reflective song de Bruce Springsteen ne change pas le monde, mais elle peut en revanche permettre aux gens de croire en un monde meilleur et donc de les dissuader de se révolterThis work is a study of contemporary protest song in the USA through the songs and social and political activism of Bruce Springsteen. It contends that Springsteen has been able to reexamine American protest songs and frame a new genre under the umbrella of rock music by adapting his music to the social and political context of contemporary America. The thesis that I defend shows that the reason behind the commercial success of Springsteen can be explained by the fact that he has adopted several artistic strategies which have brought him an audience composed of dedicated fans who admire him. I argue that Springsteen adopts four main strategies: firstly, singing about ordinary people and reporting their daily hardships; secondly, composing somber songs that deal with the despair of blue collars and marginalized Americans; thirdly, adopting mimesis (imitation) which has a cathartic effect on Springsteen’s audience; and finally, getting involved in social and political activism. The thesis contends that Springsteen is among the top selling rock singers in the USA and several other countries thanks to these four strategies. Springsteen has reinvented protest song as a genre and has become a reference in a world where everything is co-opted including the very act of rebellion. I, therefore, suggest a new term, reflective songs, to describe the songs of Bruce Springsteen when they reflect on the condition of the socially excluded instead of protesting pointlessly. Springsteen’s reflective song is undoubtedly the most relevant artistic medium to shed light on the most deprived people of contemporary America. Perhaps, the reflective song of Bruce Springsteen will not change the world, but at least it gives people a reason to hope for a better future
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Marchbanks, Jack R. "Pride and Protest in Letters and Song: Jazz Artists and Writers during the Civil RightsMovement, 1955-1965." Ohio University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1522929258105629.
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Sorroce, Danilo Sérgio. "A canção de protesto e o rock protesto: diálogos da democracia brasileira." Universidade Presbiteriana Mackenzie, 2015. http://tede.mackenzie.br/jspui/handle/tede/2357.
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Previous issue date: 2015-02-19Coordenação de Aperfeiçoamento de Pessoal de Nível Superior
During this study we focused our research on dialogues between the Protest Song of 1960s and 1970s, especially those occurred in certain works created by Gilberto Gil, Caetano Veloso and Chico Buarque de Holanda and a few songs produced by politicized and protest rock launched by bands from Brasilia such as Capital Inicial, Plebe Rude and Legião Urbana in the 1980s, contextualizing this cultural production within an important period in the recent history of Brazil. Through the theory developed by Bakhtin, we were confronted with dialogues between speakers and speeches, which allowed us to produce analysis of the characteristics and content of the dialogues between the "Old" Protest and the "New" Protest. The investigation allowed us to point out some similarities between the songs analyzed, and also enabled us to interpret them as articulating elements of the period in which they arose, which is evident in the performance of songs from both periods as a political tool of contestation.
No decorrer deste estudo, procuramos focar nossa investigação sobre os diálogos estabelecidos entre a Canção de Protesto dos anos 1960 e 1970, em especial, os ocorridos em determinadas obras criadas por Gilberto Gil, Caetano Veloso e Chico Buarque de Holanda e algumas canções produzidas pelo rock politizado e de protesto lançado pelas bandas de Brasília: Capital Inicial, Plebe Rude e Legião Urbana, nos anos 1980. Assim, pudemos contextualizar a produção cultural, dentro desse período importante da história recente do Brasil. Através da teoria desenvolvida por Bakhtin, foram confrontados os diálogos entre interlocutores e discursos, o que nos permitiu produzir análises acerca das características e conteúdos dos diálogos travados entre o Velho Protesto e o Novo Protesto. A pesquisa admitiu apontar algumas convergências entre as canções analisadas, bem como, também, possibilitou-nos interpretá-las como elementos articuladores do período em que surgiram que, por conseguinte, evidencia-nos a atuação das canções de ambos os períodos como instrumento político de contestação.
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Bohlman, Andrea Florence. "Activism and Music in Poland, 1978-1989." Thesis, Harvard University, 2012. http://dissertations.umi.com/gsas.harvard:10516.
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This dissertation presents a historical study of intersections between music and activism in Poland from the election of Cardinal Karol Wojtyła as Pope John Paul II in 1978 to Poland’s first democratic elections in 1989. Musical action in three cultural spheres shapes the project: (1) the political activism of musicians, (2) activists who turn to music as a political instrument, and (3) the musical ambitions of the communist authorities, the Polish United Workers’ Party. I critique the repercussions of politics in music as well as music’s significance for policy makers and dissidents, and I assume that neither course of influence is intrinsic or inevitable under state socialism. In doing so, I highlight the complex relationship between activist culture and music at the end of the Cold War. Throughout the decade, religious hymns, patriotic anthems, experimental music, and popular songs shared spaces in Polish society, projected analogous ambitions, reflected communal responses, and partook in debates about culture’s capacity to effect political action. The plurality of musical genres and music histories during the Cold War reflects the political tensions in the Polish opposition to state socialism. The diverse materials I investigate in this dissertation respond both to the tumultuous politics of the 1980s and to the ethnographic, historical, and analytical methods I employ to write music history. My thesis—that political activism offered politicians, activists, and musicians the opportunity for constructive creative action—provides a model for rethinking Cold War music history. I begin with an explanation of the Communist Party’s program for music and the practical means by which it carried out this vision through the decade. Two chapters examine specific historical moments: I critique the ways in which music has come to be associated with the August 1980 strikes that brought about the formation of Solidarity, the first independent trade union in the Eastern bloc, and map the sites of music making in the weeks after martial law’s imposition in December 1981. I explore the resonance of popular sacred hymns and plainchant for musicologists, composers, and members of the opposition through the final decade of the Cold War. The dissertation concludes by analyzing the unofficial musical discourse on independence, drawing out the concept’s resonance for artists invested in their own musical autonomy.Music
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Hyder, Thomas. "The Legacy of Civil Rights Protest Music: Sweet Honey in the Rock's "The Ballad of Harry T. Moore"." Master's thesis, University of Central Florida, 2012. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/5314.
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This study investigates the role music played in the Civil Rights Movement as a form of political protest. The first part of the studies analyzed how political protest music was used in the early part of the twentieth-century leading up to the Civil Rights Movement of the 1960s. An analysis of the role of music in African-American culture also provides a historical background to the music-making of the Civil Rights Movement. Specific musical forms such as topical ballads, freedom songs, and spirituals are examined. In addition, musical influences of African culture as well as religious influences on music-making during the Civil Rights Movement are also examined. The second section of the paper investigates the life and murder of NAACP organizer Harry T. Moore of Mims, Florida. Moore's life and death became the subject of a topical ballad, “The Ballad of Harry T. Moore”, composed in 2001 by musical group Sweet Honey In The Rock. An analysis of the song's, literary, political, and musical connections to the ideology and music of the Civil Rights Movement, as well as subject matter, gives evidence that places the song within the tradition of the musical protest activities of the Civil Rights Movement.M.A.
Masters
Music
Arts and Humanities
Music
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Gomes, Caio de Souza. "\"Quando um muro separa, uma ponte une\": conexões transnacionais na canção engajada na América Latina (anos 1960/70)." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-28062013-130124/.
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O objetivo desta pesquisa é analisar como, ao longo das décadas de 1960 e 70, artistas ligados à canção engajada conceberam projetos de integração da América Latina por meio da canção, e como esses projetos resultaram no estabelecimento de uma série de conexões transnacionais. Neste período, os impactos da Guerra Fria tiveram como consequência um contexto político fortemente polarizado, o que afetou diretamente o campo cultural e, especialmente, o campo artístico. As experiências políticas comuns favoreceram as trocas de ideias e a intensa circulação de artistas por todo o continente, permitindo o estabelecimento de uma série de contatos e diálogos. Utilizando como fonte principal a discografia dos mais destacados artistas de cada país, o objetivo á analisar essa história de conexões transnacionais na canção engajada latino-americana focalizando três fases distintas: a) a primeira, entre 1963 e 1966, momento de formação e consolidação dos movimentos de nueva canción no Cone Sul, em que o engajamento se manifestou fundamentalmente por meio da crítica social; b) a segunda, entre 1967 e 1969, marcada pelos impactos do I Encuentro de la Canción Protesta, realizado em Cuba, que resultou no destaque de dois temas importantes: a revolução e o anti-imperialismo; c) a terceira, que compreende a década de 1970, período marcado pela radicalização dos discursos políticos, pela intensificação das conexões e também pelas tentativas de inserção dos artistas brasileiros nos circuitos da canção engajada latino-americana.The objective of this research is to analyze the Latin America integration project conceived by the artists involved with the protest song in the 1960s and 1970s. In this period, the impact of Cold War resulted in a polarized debate that affected the cultural field, and especially the artistic field. The common political experiences favored the exchange of ideas and the intense movement of artists across the continent. Using the most prominent artists discography as source, the purpose is to analyze three moments of the history of \"transnational connections\" in the protest song in Latin American: a) the first, between 1963 and 1966, time of development and consolidation of nueva canción movement in the Southern Cone, when the engagement was manifested fundamentally by social criticism; b) the second, between 1967 and 1969, marked by the impact of the I Encuentro de la Canción Protesta held in Cuba, that highlighted two important themes: revolution and anti-imperialism; c) the third, which comprises the 1970s, a period marked by the radicalization of political discourse and by the intensification of connections. Especially in this third phase, I analyze the Brazilian artists efforts to integrate the circuits of Latin American protest song.
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Santos, Adna Nascimento Alves. "A compreensão de implícitos textuais nas canções de protesto social : uma alternativa na formação do leitor crítico." Universidade Federal de Sergipe, 2015. https://ri.ufs.br/handle/riufs/6446.
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Coordenação de Aperfeiçoamento de Pessoal de Nível SuperiorIt has become imperative in the current context of Brazilian public school the reading practices as an agenda of constant reflection and research for alternatives that can contribute to the development of the reading comprehension in various levels of middle school students, given the Saeb data and Prova Brasil (2014), whose large-scale assessments showed difficulties of the students to select implicit information, inferring the meaning of a word or expression, among others; there by, indicating, serious deviations of understanding and the appropriation of the writing production, in the act of reading. Based on this fact, the present report has as a guiding objective to promote the formation of a proficient and critical reader through the analysis of Brazilian social protest songs in activities of reading and understanding the implicit textual, enabling recognize them as situated discursive practices in daily life that can contribute to the formation of active citizens in society. Was taken as theoretical support the studies of textual linguistics, the sociocultural perspective; using the sociointeractional language design, subject and text for which the textual and discursive understanding can only be understood when it exceeds the limits of decoding linguistic elements and reaches the horizons of mobilization of the socio-historical and cultural knowledge and reconstruction of these within a communication situation in a given context. Therefore, we used a qualitative research, with the methodological approach by the application of didactics sequence in a 9th grade of elementary school, that used the song of social protest genre as mediator. Taking into account the proposal prepared for the research and what was executed, it is possible to say that the understanding of the text work from the songs analysis is configured as a positive and effective alternatives, as the students found new forms of meanings construction for the studied texts. The results obtained from this work fulfilled the ultimate goal of this trajectory that is becoming theoretical and practical support for the development of a concrete tool for socialization of experienced knowledge: the Pedagogical Section, whose main purpose is to share successful experiences with other Portuguese-speaking teachers in teaching and in the reading learning process.
Tornou-se imperativo, no atual contexto da escola pública brasileira, que as práticas de leitura sejam pauta de constante reflexão e da busca por alternativas que colaborem para o desenvolvimento da compreensão leitora dos alunos do ensino fundamental (EF), em vários níveis, haja vista os dados do Saeb e da Prova Brasil (2014), cujas avaliações em larga escala apontaram dificuldades dos discentes para selecionar informações implícitas, inferir o sentido de uma palavra ou expressão, entre outros; indicando, desse modo, os graves desvios de compreensão e apropriação da produção escrita, no ato de ler. Partindo dessa realidade, o presente relatório tem como objetivo norteador promover a formação de um leitor proficiente e crítico por meio da análise de canções brasileiras de protesto social em atividades de leitura e compreensão dos implícitos textuais, possibilitando reconhecê-las como práticas discursivas situadas no cotidiano que contribuem com a formação de cidadãos ativos na sociedade. Tomaram-se como aporte teórico os estudos da Linguística Textual, na perspectiva sociocultural; adotando-se a concepção sociointeracional de língua, de sujeito e de texto para a qual a compreensão textual e discursiva só pode ser entendida quando ultrapassa os limites da decodificação de elementos linguísticos e alcança os horizontes da mobilização dos saberes sociohistórico e cultural e da reconstrução destes no interior de uma situação de comunicação, num dado contexto. Para tanto, adotou-se a pesquisa de cunho qualitativo, tendo como caminho metodológico a aplicação de Sequência Didática em uma turma de 9º ano (EF), que utilizou a canção de protesto social como gênero textual mediador. Levando-se em conta a proposta elaborada para a pesquisa e o que foi executado, é possível dizer que o trabalho de compreensão do texto a partir da análise de canções configurou-se como uma alternativa positiva e eficiente, na medida em que os alunos descobriram novas formas de construção de sentidos para os textos estudados. Os resultados obtidos a partir desse trabalho atendem ao objetivo final dessa trajetória, que é a elaboração de um instrumento concreto de socialização dos conhecimentos teórico-práticos vivenciados: o Caderno Pedagógico, cujo principal propósito é compartilhar experiências exitosas, testadas no ensino e na aprendizagem da leitura, com outros professores de língua portuguesa.
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Tabti-Kouidri, Fatiha. "La chanson algérienne des années 1990, un vecteur de contestation et de diversité : langage, langues et enjeux socioculturels." Thesis, Paris 3, 2009. http://www.theses.fr/2009PA030014.
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L’objet de ces recherches est d’étudier un moyen d’expression, de communication, de résistance, de mobilisation, de contestation, de revendication et d’affirmation identitaire, qui, dans une Algérie aux multiples facettes et aux diverses attaches où le substrat culturel est massivement investit par l’oralité, a constitué pour une grande partie de la population algérienne, durant les années 1990, un exutoire indispensable au maintient d’un équilibre individuel et collectif fortement compromis par un déferlement de violence sans précédent dans l’histoire de l’Algérie indépendante, une possibilité non négligeable d’affirmation de soi mais aussi et surtout une tribune d’où s’est élevé un discours populaire de substitution au discours dominant du pouvoir et celui dominateur des extrémistes religieux : la chanson. En effet, charriant les sentiments et les ressentiments d’une population prise en étau entre terrorisme et répression et dont la parole est exclue des circuits officiels, transgressant les interdits, réfutant l’uniformisation culturelle officiellement imposée en revendiquant une culture et une identité plurielles, les chansons algériennes des années 1990 se présentent comme un vecteur majeur de contestation et de diversité, un moyen de communication à part entière qu’il s’agit d’appréhender en le reliant à l’ensemble du système dont il participeThe object of those researches is to study in a country where the cultural substratum is massively invested by the oral character, a way of expression, of communication, of resistance, of mobilization, of contestation, of claiming and affirmation of their identity, that was constituted by a great part of the Algerian population, an indispensable outlet to the maintenance of an individual and collective equilibrium strongly compromised, but also and mostly a non negligible possibility of self affirmation : the song. In deed, carrying feelings and resentments of a population taken between terrorism and repression and whose speech is excluded of the official circuits, denouncing the violence of the religious extremism like the abuses and the deficiencies of the power in place, transgressing the interdicts and the taboos, claiming a plural culture and identity, the Algerian songs of the 1990 are a vector of contestation and diversity, a real way of communication that we have to apprehend by linking it to the whole system of which it participates
Books on the topic "Protest song"
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Delmas, Yves. Protest song: La chanson contestataire dans l'Amérique des sixties. Paris: Textuel, 2005.
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1962-, Robb David, ed. Protest song in East and West Germany since the 1960s. Rochester, N.Y: Camden House, 2007.
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Wagińska-Marzec, Maria. Protest-song w Republice Federalnej Niemec w okresie kontestacji młodzieżowej. Poznań: Instytut Zachodni, 1996.
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ill, Riley-Webb Charlotte, ed. Strange fruit: Billie Holiday and the power of a protest song. Minneapolis, MN: Millbrook Press, 2017.
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Pring-Mill, R. D. F. Gracias a la vida: The power and poetry of song. London: University of London, Dept. of Hispanic Studies, 1990.
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Story behind the protest song: A reference guide to the 50 songs that changed the 20th century. Westport, Conn: Greenwood Press, 2008.
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Halker, Clark D. For democracy, workers, and God: Labor song-poems and labor protest, 1865-95. Urbana: University of Illinois Press, 1991.
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Wei shen me yao zhan ling jie tou?: Cong tai yang hua, yu san, dao fan song Zhong yun dong. Xinbei Shi: Zuo an wen hua, 2019.
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Godoy, Carlos Mejía. Canto épico to the FSLN: Song cycle. [London]: Katabasis, 1989.
Find full textBook chapters on the topic "Protest song"
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Weimer, Walter B. "Rationalist Constructivism in Protest Song Rhetoric." In Palgrave Studies in Classical Liberalism, 169–98. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-94858-0_9.
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Goldman, Danielle. "A love Song as a Form of Protest." In The Routledge Companion to Dance Studies, 247–58. First Edition. | New York : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9781315306551-17.
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Moore, Robin. "Chapter Seven. Carlos Varela, Protest Song, and Cuban Music History." In My Havana, edited by Maria Carida Cumana, Karen Dubinsky, and Xenia Reloba de la Cruz, 93–100. Toronto: University of Toronto Press, 2014. http://dx.doi.org/10.3138/9781442668997-010.
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Msila, Vuyisile. "To Sing or not to Sing: The Protest Song in South Africa Today." In Social Memory as a Force for Social and Economic Transformation, 267–78. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003367369-22.
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Ayres, Jeffrey M. "Global Civil Society and International Protest: No Swan Song Yet for the State." In Global Civil Society and Its Limits, 25–42. London: Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9780230523715_2.
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Hermosilla, Matías. "Singing in Solidarity: The Latin American Protest Song Movement and the Vietnam War." In Palgrave Studies in the History of Social Movements, 391–422. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-81050-4_14.
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Gel'man, Vladimir. "Fathers, sons, and grandsons." In Cultural Forms of Protest in Russia, 19–32. Abingdon, Oxon; New York, NY: Routledge, 2018. |: Routledge, 2017. http://dx.doi.org/10.4324/9781315665610-2.
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Mushtaq, Samreen. "Songs and Slogans of Protest." In Muslim Women's Writing from across South and Southeast Asia, 57–69. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003248064-8.
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Nkoala, Sisanda. "Persuasion in Songs of Protest." In The Routledge Handbook of Language and Persuasion, 373–88. London: Routledge, 2022. http://dx.doi.org/10.4324/9780367823658-26.
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Martinelli, Dario. "Songs of Social Protest and Context." In Give Peace a Chant, 17–31. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-50538-1_2.
Full textConference papers on the topic "Protest song"
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Blom, Diana, Caroline van Niekerk, and Richard Muranda. ""Your silence can seriously damage someone's health": Getting Zimbabwe protest songs heard." In Situating Popular Musics, edited by Ed Montano and Carlo Nardi. International Association for the Study of Popular Music, 2012. http://dx.doi.org/10.5429/2225-0301.2011.07.
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Mondal, U. K., and J. K. Mandal. "A Novel Technique to Protect Piracy of Quality Songs through Amplitude Manipulation (PPAM)." In 2010 International Symposium on Electronic System Design (ISED 2010). IEEE, 2010. http://dx.doi.org/10.1109/ised.2010.54.
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Kaptsova, V. I. "NATIONAL SPECIFICITY OF LINGUISTIC REPRESENTATION OF PROTEST IN TEXTS OF RUSSIAN AND ENGLISH PUNK ROCK SONGS." In ACTUAL PROBLEMS OF LINGUISTICS AND LITERARY STUDIES. Publishing House of Tomsk State University, 2020. http://dx.doi.org/10.17223/978-5-94621-901-3-2020-35.
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Fontcuberta, J., R. M. de los Inocentes, N. Sala, M. Borrell, and J. Félez. "STUDY OF A SPANISH FAMILY WITH INHERITED PROTEIN S DEFICIENCY." In XIth International Congress on Thrombosis and Haemostasis. Schattauer GmbH, 1987. http://dx.doi.org/10.1055/s-0038-1644298.
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Protein S (PS) is a plasma glycoprotein that serves as a cofactor for activated protein C (PC) anticoagulant activity. Inherited PS deficiency has been found to be associated to thrombotic disease in several families. In the present study, we report on a Spanish family with type II PS deficiency.The propositus is a 40 year-old male that was referred to our center for study after having suffered from multiples thrombotic events since he was 20 year-old. After his first episode of deep vein thrombosis (DVT) he had 4 recurrences, three of them complicated with pulmonary embolism. It should be remarked that one of the episodes occured while the patient was under oral anticoagulant treatment. The basic screening of haemostasis and hepatic function were normal for a patient that was being treated with oral anticoagulants. Functional and antigenic levels of antithrombin III, protein C and plasminogen were also normal. When total and free protein S levels (method of Comp et al.) were measured using both an electroimmunoassay and an ELISA assay ,almost indetectable levels of free protein S (between 0 and 10%) and very low levels (20%) of total plasma PS, were found. These results were also confirmed by crossed-electriimnunophoretic studies.When the family of this patient was studied it was found that his two sons, aged 15 and 8 years, as well as one of his sisters, aged 35 years, and her daughter of 4 years, were also affected (free PS levels between 38-60% and total PS between 35 and 39%). All these members had been assymptomatic up to now and are not under oral anticoagulants.
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Ndimballan, Mustapha, and Banu Yücel. "Hayvanların Sağlıklı ve Doğal Gelişiminin Desteklenmesinde Yeni Bir Vizyon; Arı Ürünleri." In International Students Science Congress. Izmir International Guest Student Association, 2021. http://dx.doi.org/10.52460/issc.2021.052.
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Son yıllarda, doğal ürünlerle beslenme bilincindeki artış, arı ürünlerinin popülaritesini giderek arttırmaktadır. Dünyada, arı ürünlerinin gıda, tarım ve hayvancılıkta kullanımı için çeşitli çalışmalar yapılmaktadır. Bununla birlikte, gelişmekte olan ülkelerde, hayvansal protein sağlamak için kümes hayvanlarına ve hayvansal ürünlere talep artmaktadır. Hayvan yeminde kullanılan antibiyotikler konusundaki endişeler sebebi ile 2006 yılında Avrupa Birliği tarafından antibiyotiklerin ve büyüme destekleyicilerin kaldırılmasına karar verilmiş ve diğer doğal yem katkı maddelerinin kullanımına önem verilmiştir. Bu nedenle araştırmacılar, hayvan sektöründeki büyüme, yem kullanımı, et kalitesi ve bağışıklık sistemine etkileri bakımından büyük öneme sahip doğal ürünler bulma konusunda büyük çaba sarf etmişlerdir. Geçtiğimiz son on yıllık dönemde, hayvanların performansını ve bağışıklığını arttırmak için antibiyotiklerin yerine doğal ürünlerin kullanımı teşvik edilmiştir. Arı ürünlerinin üretiminde, işlenmesinde, pazarlanmasında ve kullanım aşamalarında arı ürünlerinin güvenilirliği sadece beslenme açısından değil, aynı zamanda daha sık olarak belirtilen Apiterapi (arı ürünlerinin sağlığın korunmasında ve tedavisinde kullanılması) uygulamalarında da son yıllarda önem kazanmıştır. Doğal beslenme bilincinin giderek artması, doğal ürün tüketimine yönelimin artmasına neden olmuştur. Bal, propolis, arı poleni, arı zehiri, arı sütü ve apilarnil, beslenmenin yanı sıra çeşitli hastalıkların tedavisinde ve önlenmesinde de etkili bir şekilde kullanılmaktadır. Bu çalışmada, hayvancılık sektöründe kullanılan arı ürünlerinin fonksiyonel özellikleri, hayvan beslemede kullanımı, biyo-yararlılığı, dikkat edilmesi gereken hususlar, hayvanların sağlıklı gelişimi için sağlayacağı potansiyel vizyon ve arı ürünleri üzerine yapılmış olan bilimsel çalışmalar tartışılmıştır.
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Wilson, Jani. "Rōpū Whānau: A whakawhiti kōrero research methodology." In LINK 2022. Tuwhera Open Access, 2022. http://dx.doi.org/10.24135/link2022.v3i1.181.
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Kapahaka is not simply the song and dance of Aotearoa’s Indigenous people. Deeply steeped in mātauranga Māori, kapahaka is a way of simultaneously exemplifying Māori histories, the present, and the future; meanwhile it is a community-focused cultural practice, methodology, and pedagogy. Contemporary kapahaka – both competitive and for entertainment – fosters, develops, validates, and celebrates the Māori world, the language, and our ‘ways’: arguably the fundamental building blocks of Māori ‘popular culture’. The research project Kia Rite! Kapahaka for Screens, from which this presentation is a tiny proportion, will focus on the influence and impact of screen production on the art’s ebbs and flows, and the conflicts between maintaining ‘traditions’ and exploring innovation in and towards the future. Over the last century, the kapahaka art-form has evolved exponentially, and as the wider project will explore, in large part as a response to the advancement of screen technologies. An important strand in Kia Rite! will investigate the kapahaka audience. It employs a refined iteration of Rōpū Whānau, a focus group methodology where closely linked relations will be asked to respond to archival through to contemporary kapahaka footage as a generational screen audience study. Exploring responses to screened kapahaka in this way revisits a whakawhiti kōrero-based audience study method designed to reflect and embody the fundamental whakataukī ‘he aha te kai o ngā rangatira? He kōrero’ (what is the food of chiefs? It is talk.) Rōpū Whānau was developed to move beyond the ‘safety in numbers’ focus group methodology to more of a ‘safety within the whānau’ format. By inviting participants from the same family, a duty to protect the under 18s and inherently control researcher behaviours provides an extra layer of a kind of ‘Māori ethics’. This critical presentation brings forward the fundamental elements of Rōpū Whānau and unpacks how it has been used in various research projects in the past. This is to plot the way forward for Indigenous community-led research methodologies, and encourages the consideration of Indigenous research approaches.
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Boztunç, Aslıhan, Helin Atan, Zümrüt Açıkgöz, and Figen Kırkpınar. "Etlik Piliçlerin Beslenmesinde Performansın İyileştirilmesine Yönelik Uygulamalar." In 6th International Students Science Congress. Izmir International Guest Student Association, 2022. http://dx.doi.org/10.52460/issc.2022.007.
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Hayvansal üretim içerisinde kanatlı kümes hayvanları endüstriyel üretime uygunlukları, yüksek verim düzeyleri ve daha iyi yemden yararlanma kabiliyetlerinden dolayı insan beslenmesinde değerli ve ucuz hayvansal protein kaynaklarının (yumurta ve et) teminine olanak sağlamaktadır. Bu bağlamda gerek yumurta tavukçuluğu gerekse etlik piliç yetiştiriciliği gıda güvencesi açısından üzerinde önemle durulan sektörlerin başında gelmektedir. Nitekim, dünyada ve ülkemizde son 50 yılda tavukçuluk sektöründe verim performansı önemli düzeyde iyileşmeler göstermiş, dolayısıyla piliç eti ve yumurta üretimi ile tüketimi hızla artmıştır. Gerek yumurta tavukçuluğunda gerekse etlik piliç yetiştiriciliğinde yaşanan bu değişimler ise yüksek verimli hatların geliştirilmesinin yanı sıra optimum bakım-besleme- sağlık koruma programlarının uygulanması, yem teknolojisindeki gelişmeler ve büyümeyi teşvik edici biyoteknolojik ürünlerin (yem katkı maddeleri) yaygın kullanılması ile ilişkilidir. Günümüzde, konvansiyonel etlik piliç üretiminde 5-6 haftada 3,3-4,7 kg yem ile 2,1-2,8 kg canlı ağırlığa ulaşılabilmektedir. Etlik piliçlerde kesim yaşının giderek kısalması nedeniyle toplam ömrün yaklaşık %45’ini oluşturan embriyonik dönem ve çıkış sonrası ilk 7-10 gün performans ve sağlık açısından kritik periyotlar olarak nitelendirilmektedir. Bahsedilen bu dönemlerde civcivlerin ileri yaşlardaki performans, refah ve sağlığını etkileyen önemli fizyolojik ve metabolik değişiklikler oluşur ve böylece sindirim, bağışıklık ve termoregülasyon sistemleri olgunlaşır, birbiri ile entegre olur. Ayrıca, etlik piliçlerin üretim dönemi boyunca sabit ve dengeli bağırsak mikroflorasına sahip olması da optimum yemden yararlanma ve maksimum büyüme hızı için büyük önem taşımaktadır. Bu bildiri kapsamında kritik periyotlarda önerilen in ovo besleme, civciv maması, ön-başlatma yemi kullanımı ve üretim dönemi boyunca bağırsak sağlığının korunmasında etkili bazı yem katkı maddeleri (probiyotik, prebiyotik, simbiyotik, enzim, organik asit, bitkisel ürünler) hakkında bilgi verilecektir.
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Fortunato, Pedro Neves, Hilton Mariano da Silva Júnior, Rosana Carandina Maffeis, and Caroline Moraes Tapajós Bolzani. "Creutzfeldt-Jakob disease Heidenhain variant: case report with progressive cognitive decline recorded by videos." In XIII Congresso Paulista de Neurologia. Zeppelini Editorial e Comunicação, 2021. http://dx.doi.org/10.5327/1516-3180.282.
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Context: Creutzfeldt-Jakob disease (CJD) is a rapidly progressive neurodegenerative disease. Heidenhain’s variant has isolated visual symptoms that persist even without any cognitive decline for a few weeks. Objective: To report a case of the Heidenhain variant of the CJD with evolution documented. Methods: Case report:A 67-year-old woman was admitted to the emergency room with a report of “seizures and dementia for 1 month”. It all started in August 2020 with a decrease in visual acuity. The son started to record the evolution of the disease in vídeos on his mobile phone. It got worse, with an inability to reach objects and optical apraxia,psychomotor slowing, abnormal repetition of acts and impairment of judgment. MRI of the brain (normal) and EEG was performed, with diffuse slowing of the base activity. It evolved with intermittent myoclonus and abulia. Extensive investigation for encephalitis: normal. Treatment with acyclovir and pulsetherapy with methylprednisolone were performed. Results: new brain MRI: restricted area following the diffusion and T2 / FLAIR hypersignal exclusively cortical involving both posterior hemispheres. Also new EEG: generalized periodic discharges. The 14-3-3 protein was detected in her CSF.The patient died 4 months after the onset of the condition due to infectious complications. Conclusions: The Heidenhain variant of CJD should be considered a differential diagnosis in all patients who have isolated visual complaints, especially if associated with cognitive complaints. The video recording of the patient allows a detailed analysis of the clinical picture and becomes an important diagnostic complementation tool.
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Rueda Forero, Pascual, and Samuel Alberto Jaimes. "Estado del arte en la valoración de la propiedad industrial en Santander con el método de la lógica difuza." In INNODOCT 2019. Valencia: Universitat Politècnica de València, 2019. http://dx.doi.org/10.4995/inn2019.2019.10079.
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La propiedad industrial en Colombia es regida por la superintendencia de industria y comercio (sic), la cual defiende y protege las invenciones con aplicación técnica como patentes, modelos de utilidad, diseños industriales entre otros, busca incrementar la productividad de los sectores económicos mediante la gestión de la innovación y la transferencia de tecnología. Actualmente, los creadores de tecnología no tienen un método de como valorar estos productos intangibles, el objetivo de la investigación es proponer un estado del arte de la propiedad industrial en el departamento de Santander mediante la metodología de la lógica difusa. La metodología pretende valorar la propiedad industrial con la teoría de los conjuntos difusos donde las variables se encuentran en el intervalo [0,1], es decir, las variables pueden tomar condiciones intermedias a diferencia de la lógica clásica. Actualmente, Santander tiene una población de 2´061.079 habitantes que están ubicados en 83 municipos, el número de empresas inscritas en Santander para el año actual fue de 78.299 y para el municipio de Bucaramanga se registraron 63.372, mostrando un crecimiento del 17% en los últimos cinco años con respecto a la propiedad industrial. El método empleado en la investigación es el enfoque mixto (cualitativo y cuantitativo), el primero parte desde la perspectiva del investigador (deductivo) y el segundo desde la perspectiva de los investigados (inductivo). En el mercado se conocen varios métodos de valoración de los activos intangibles tales son: métodos cuantitativos, enfoque de mercado, enfoque de costos, y enfoque de ingresos. Con la metodología propuesta se busca que el innovador obtenga una herramienta eficaz para medir su valor de su invención o logre una buena gestión de la propiedad intelectual con el fin de lograr efectividad en las decisiones estratégicas y facilitar el posicionamiento de la gestión tecnológica y la obtención de fondos o créditos bancarios.
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McLeod, B., R. Sassetti, E. Cole, and P. Scott. "LONG TERM, FREQUENT PLASMA EXCHANGE DONATION OF CRYOPRECIPITATE." In XIth International Congress on Thrombosis and Haemostasis. Schattauer GmbH, 1987. http://dx.doi.org/10.1055/s-0038-1644024.
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In plasma exchange donation (PED), several liters of fresh plasma are removed fran a donor with a pheresis instrument as a source of cryoprecipitate, and replaced with autologous cryoprecipitate-supernatant from the previous donation. Repetitive PED can produce large quantities of factor VIII from individual donors over time, with a favorable impact on donor exposure for factor VIII recipients. To clarify the implications for donor safety, we report our experience with several donors who have undergone multiple PEDs. Detailed observations are presented for one donor who has undergone PED 101 times between 5/83 and 1/87, and has provided all the factor VIII needed by his son (now age 14) with severe hemophilia A during this period. Exchange volume was gradually increased while donation frequency was gradually decreased. There were 23 exchanges of 2 L, 52 of 2.5 L, and 26 of 3 L for a total of 254 L plasma exchanged. Desmopressin (20 meg tV) was given before 45 more recent donations to augment factor VIII yield. A total of 343,274 IU factor VIII have been collected; the mean (±SD) yield from a 3 L, desmopressin- stimulated PED is 5598 ± 899 IU. The donor has remained in good health; he has noted no adverse effects fran any PED, and none have been found in laboratory monitoring. Prior to the 100th donation the following were within normal limits: CBC,platelet count, urinalysis, SMA-18, protein electrophoresis, IgG, IgA, IgM, hemolytic complement, C3, C4, fibronectin, prothrombin time, partial thromboplastin time, thranbin time, factor VIII:C (140%), factor VIII:Ag (134%), von Willebrand factor (86%) and fibrinogen (215 mg/dL). In another family, the father has donated 40 times since 1981 and the paternal grandmother has donated 31 times since 1984 with no untoward effects detected in clinical or laboratory monitoring. They have supported two moderately affected patients now ages 7 and 9. Extensive experience with these donors suggests that repeated PED is safe, and that a highly motivated donor can sometimes provide single donor support, even for a severe hemophiliac.
Reports on the topic "Protest song"
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Manhiça, Anésio, Alex Shankland, Kátia Taela, Euclides Gonçalves, Catija Maivasse, and Mariz Tadros. Alternative Expressions of Citizen Voices: The Protest Song and Popular Engagements with the Mozambican State. Institute of Development Studies (IDS), November 2020. http://dx.doi.org/10.19088/ids.2020.001.
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This study examines Mozambican popular music to investigate three questions: Are notions of empowerment and accountability present in popular music in Mozambique? If so, what can these existing notions of empowerment and accountability reveal about relations between citizens and state institutions in general and about citizen-led social and political action in particular? In what ways is popular music used to support citizen mobilisation in Mozambique? The discussion is based on an analysis of 46 protest songs, interviews with musicians, music producers and event promoters as well as field interviews and observations among audiences at selected popular music concerts and public workshops in Maputo city. Secondary data were drawn from radio broadcasts, digital media, and social networks. The songs analysed were widely played in the past two decades (1998–2018), a period in which three different presidents led the country. Our focus is on the protest song, conceived as those musical products that are concerned with public affairs, particularly public policy and how it affects citizens’ social, political and economic life, and the relationship between citizens and the state.
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Durán Toledo, Diego. El hambre, la protesta social y la gobernabilidad. Universidad Autónoma de Chile, July 2020. http://dx.doi.org/10.32457/20.500.12728/9044202013.
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Las protestas que se han sucedido durante los últimos días, son la representación más gráfica de una ciudadanía que inclusive arriesgando su propia vida en el contexto no solo de crisis sanitaria, sino que en medio de un estado de excepción constitucional, ha salido a las calles para demostrar su descontento con las medidas de salvataje propuestas por el ejecutivo y ejercer mediante la movilización popular una medida de presión ante el parlamento en medio de la discusión del retiro de fondos previsionales durante el estado de catástrofe.
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Weller, Joel, Harris Lewin, Micha Ron, and George Wiggans. Detection and Mapping of Genes Affecting Traits of Economic Importance in Dairy Cattle with the Aid of Molecular Genetic Markers. United States Department of Agriculture, December 1995. http://dx.doi.org/10.32747/1995.7613024.bard.
Full textAbstract:
Forty-seven poly-TG microsatellites were developed at the U of IL, and 11 genetic markers were developed at ARO, nine of which were poly-AGC microsatellites. Markers were typed on the reference families of CSIRO, Australia; GRANADA, Texas; and IRRF, Illinois, for chromosome assignment and linkage mapping. Nine North American al organizations contributed semen to the Dairy Bull DNA Repository (DBDR), which currently has 65,743 units from 3366 bulls. Semen was obtained for 31 out of 35 grandsires. Semen of 28 and 23 sons of two Israeli bulls was also collected. Eighteen grandsires were genotyped for 75 microsatellites. One thousand, three hundred and sixty-two sons with evaluation from 17 families were genotyped for 24 markers. Eleven thousand, six hundred and twenty sons genotypes were determined, of which 8,802 were informative. The genotype data was matched to the bulls' daughter yield deviations (DYD) for seven traits; milk, fat, and protein production; fat and protein percent; somatic cell concentration (SCS); and productive herd life. Seven loci had significant effects at p<0.05, but only two loci, TGLA263 and MGTG7, had significant effects at p<0.01, and the effect of TGLA263 on fat percentage was significant at p<0.0001. There was at least one significant effect for each of the seven traits analyzed.
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Lara, Juan. El derecho a la propiedad privada. Instituto de Libertad Económica, 2022. http://dx.doi.org/10.53095/13582007.
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¿Por qué es importante el derecho a la propiedad privada? ¿Qué relación tiene la propiedad privada con la libertad económica y la economía de libre mercado? ¿Por qué la propiedad privada se relaciona con la eficiencia económica y la innovación? ¿Cómo se protege la propiedad privada en Puerto Rico y Estados Unidos? ¿Cuáles son los límites de la propiedad privada?
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Weller, Joel, Harris Lewin, Micha Ron, George Wiggans, and Paul VanRaden. A Systematic Genome Search for Genes Affecting Economic Traits Dairy Cattle with the Aid of Genetic Markers. United States Department of Agriculture, April 1999. http://dx.doi.org/10.32747/1999.7695836.bard.
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The objectives were to continue collection of semen for the US dairy bull DNA repository, to conduct a systematic search of the Holstein genome for economically significant economic trait loci (ETL), to develop and refine statistical techniques for the analysis of the data generated, and to confirm significant effects by genotyping daughters i Israel and additional US sons. One-thousand-seventy-six sons of eight US grandsires were genotyped for 174 microsatellites located on all 29 autosomes. ETL were detected for milk production traits on seven chromosomes. ETL for milk and fat yield and fat and protein percentage on BTA3 was mapped to between the markers BL41 and TGLA263. The 95% confidence interval for the ETL affecting fat percentage on BTA14 localized this ETL between the contromere and chromosome position 11 cM. This ETL was verified in the Israeli cattle population by genotyping an independent sample of cows from seven families. The radiation hybrid data for the centromeric region of BTA14 is defined by a single linkage group. Order of Type I genes within this region, CYC-FADK-TG-SQLE, is conserved between human and cattle. Thus, HSA8, the human homologue of BTA14, can be used to identify candidate genes for the ETL.
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Weller, Joel I., Derek M. Bickhart, Micha Ron, Eyal Seroussi, George Liu, and George R. Wiggans. Determination of actual polymorphisms responsible for economic trait variation in dairy cattle. United States Department of Agriculture, January 2015. http://dx.doi.org/10.32747/2015.7600017.bard.
Full textAbstract:
The project’s general objectives were to determine specific polymorphisms at the DNA level responsible for observed quantitative trait loci (QTLs) and to estimate their effects, frequencies, and selection potential in the Holstein dairy cattle breed. The specific objectives were to (1) localize the causative polymorphisms to small chromosomal segments based on analysis of 52 U.S. Holstein bulls each with at least 100 sons with high-reliability genetic evaluations using the a posteriori granddaughter design; (2) sequence the complete genomes of at least 40 of those bulls to 20 coverage; (3) determine causative polymorphisms based on concordance between the bulls’ genotypes for specific polymorphisms and their status for a QTL; (4) validate putative quantitative trait variants by genotyping a sample of Israeli Holstein cows; and (5) perform gene expression analysis using statistical methodologies, including determination of signatures of selection, based on somatic cells of cows that are homozygous for contrasting quantitative trait variants; and (6) analyze genes with putative quantitative trait variants using data mining techniques. Current methods for genomic evaluation are based on population-wide linkage disequilibrium between markers and actual alleles that affect traits of interest. Those methods have approximately doubled the rate of genetic gain for most traits in the U.S. Holstein population. With determination of causative polymorphisms, increasing the accuracy of genomic evaluations should be possible by including those genotypes as fixed effects in the analysis models. Determination of causative polymorphisms should also yield useful information on gene function and genetic architecture of complex traits. Concordance between QTL genotype as determined by the a posteriori granddaughter design and marker genotype was determined for 30 trait-by-chromosomal segment effects that are segregating in the U.S. Holstein population; a probability of <10²⁰ was used to accept the null hypothesis that no segregating gene within the chromosomal segment was affecting the trait. Genotypes for 83 grandsires and 17,217 sons were determined by either complete sequence or imputation for 3,148,506 polymorphisms across the entire genome. Variant sites were identified from previous studies (such as the 1000 Bull Genomes Project) and from DNA sequencing of bulls unique to this project, which is one of the largest marker variant surveys conducted for the Holstein breed of cattle. Effects for stature on chromosome 11, daughter pregnancy rate on chromosome 18, and protein percentage on chromosome 20 met 3 criteria: (1) complete or nearly complete concordance, (2) nominal significance of the polymorphism effect after correction for all other polymorphisms, and (3) marker coefficient of determination >40% of total multiple-regression coefficient of determination for the 30 polymorphisms with highest concordance. The missense polymorphism Phe279Tyr in GHR at 31,909,478 base pairs on chromosome 20 was confirmed as the causative mutation for fat and protein concentration. For effect on fat percentage, 12 additional missensepolymorphisms on chromosome 14 were found that had nearly complete concordance with the suggested causative polymorphism (missense mutation Ala232Glu in DGAT1). The markers used in routine U.S. genomic evaluations were increased from 60,000 to 80,000 by adding markers for known QTLs and markers detected in BARD and other research projects. Objectives 1 and 2 were completely accomplished, and objective 3 was partially accomplished. Because no new clear-cut causative polymorphisms were discovered, objectives 4 through 6 were not completed.
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Del Pozo, Claudia May, Ana Victoria Martín del Campo Alcocer, and Mariana Róo Rubí. Aprendizaje en línea seguro: políticas y gobernanza para la protección de datos de los estudiantes en América Latina. Inter-American Development Bank, September 2021. http://dx.doi.org/10.18235/0003675.
Full textAbstract:
Desde principios de 2020 y hasta la fecha de publicación de este reporte, algunas de las escuelas donde estudian más de 168 millones de niños y niñas del mundo llevan más de un año entero cerradas debido a la pandemia del Covid-19. Como respuesta de emergencia, millones de estudiantes, docentes y directores tuvieron que migrar de manera masiva a plataformas digitales para no interrumpir su aprendizaje y enseñanza. Aún cuando el uso de la tecnología es fundamental para la educación en momentos de distanciamiento social, y su importancia sólo seguirá creciendo en el futuro, el uso de estas plataformas pone a los niños y las niñas en un estado de vulnerabilidad si los datos que se recolectan y guardan de ellos y ellas no son gestionados de manera que protejan su privacidad y seguridad. Es importante que los países de Latinoamérica impulsen una gobernanza de datos de sistemas educativos centrada en los derechos de los estudiantes. Esta gobernanza requeriría un conjunto de iniciativas y procedimientos que prescriban la manera correcta de recopilar, mantener, utilizar y distribuir los datos sensibles, concretamente la información personal de estudiantes y docentes. Este reporte busca servir como insumo para que las Secretarías y Ministerios de Educación de la región sigan desarrollando políticas, procedimientos y responsabilidades que proporcionen claridad en torno a los datos de los estudiantes, preparando el camino para que la información proteja los derechos de privacidad, confidencialidad y seguridad del estudiante.
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Casseb, Marcia, Umberto Bonomo, Thaise Gambarra, Salma Abraham, and Osvaldo Cristaldo. El Patrimonio Vivo del Centro Histórico de Asunción: CHA mbaetee oikovéva gueteri. Banco Interamericano de Desarrollo, October 2022. http://dx.doi.org/10.18235/0004548.
Full textAbstract:
Esta publicación recopila y visibiliza un trabajo de larga trayectoria realizado en el marco del Programa Patrimonio Vivo en Asunción del Paraguay y desarrollado por la mesa interinstitucional de trabajo conformado por el equipo técnico del Banco Interamericano de Desarrollo (BID) y representantes de las instituciones locales (Ministerio Urbanismo Vivienda y Hábitat; Secretaria Nacional de Cultura; Secretaria Nacional de Turismo y Municipalidad de Asunción). Patrimonio Vivo es un programa de carácter multisectorial liderado por el BID con apoyo del Gobierno de España, orientado a impulsar la conservación y puesta en valor del patrimonio urbano material e inmaterial como catalizador para el progreso económico, ambiental y social, y como medio para fortalecer la identidad cultural y el desarrollo urbano sostenible de las ciudades de América Latina y el Caribe. El libro Patrimonio Vivo del CHA contiene parte de la información desarrollada durante el programa y se basa en los contenidos del registro oficial del patrimonio y la información levantada a partir de los talleres participativos desarrollados durante la fase inicial y diagnostica con la participaron gestores culturales, académicos y de la sociedad civil. El material de aprendizaje presenta qué y cuáles son los patrimonios identificados en el Centro Histórico de Asunción (CHA) y alrededores. Juntos revisaremos cómo está y cómo se protege el patrimonio cultural y natural; y finalmente presentaremos las principales estrategias para potenciar las riquezas patrimoniales del CHA. Este libro es una invitación a entender el patrimonio como una oportunidad para recuperar y poner en valor la riqueza y diversidad cultural y natural existente en el CHA, así como la urgencia en construir estrategias para potenciar su salvaguarda.
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Asegurando los derechos sobre las tierras comunitarias: Prioridades y oportunidades para progresar hacia los objetivos climáticos y de desarrollo sostenible. Rights and Resources Initiative, October 2017. http://dx.doi.org/10.53892/vnib5422.
Full textAbstract:
Contar con unos derechos sobre la tierra y los recursos que sean seguros y estén reconocidos legalmente es fundamental para el avance de la paz, la prosperidad y la sostenibilidad mundial. Desde el desarrollo de las culturas humanas hasta la materialización de la democracia, la seguridad de la tenencia constituye la base de la sociedad humana y de nuestra relación con el entorno natural. En la actualidad, la inseguridad de los derechos de tenencia amenaza el bienestar y los medios de subsistencia de un tercio de la población mundial y, con ello, el futuro de nuestro planeta. Como guardianes históricos de las tierras y los bosques del planeta, los pueblos indígenas, las comunidades locales y las mujeres del medio rural juegan un papel fundamental en la gestión y el uso sostenible de sistemas de recursos naturales de importancia mundial. En efecto, al proteger sus derechos se protege el derecho de todas las personas a vivir en un mundo más justo, próspero y verde. Por desgracia, hasta la fecha los Gobiernos han sido lentos a la hora de reconocer y asegurar los derechos colectivos sobre la tierra y los recursos de las comunidades rurales. Como resultado, a pesar de que los pueblos indígenas y las comunidades locales son los propietarios y administradores consuetudinarios de más del 50 % de las tierras del planeta, legalmente solo poseen un 10 %. A fin de eliminar la pobreza, impedir la proliferación de conflictos sociales y políticos y garantizar el avance hacia unos objetivos globales en materia de clima, conservación y desarrollo, se requiere una actuación urgente que corrija esta injusticia de primer orden. Por suerte, el mundo nunca ha estado en mejores condiciones de cerrar esta brecha.
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Artemisa: En defensa del medio ambiente. Universidad Militar Nueva Granada, May 2022. http://dx.doi.org/10.18359/docinst.6281.
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Estamos ante una encrucijada global de proporciones nunca vistas. El planeta se calienta más rápido de lo esperado y enfrentamos condiciones climáticas cada vez más extremas, lo que pone en riesgo la sostenibilidad de la vida humana en el mediano y largo plazo. El nivel de los océanos está aumentando, los arrecifes de coral están muriendo, las especies se están extinguiendo, los glaciares se están derritiendo y las condiciones climáticas extremas se hacen cada vez más frecuentes con intensas olas de calor, inundaciones, huracanes, incendios y/o sequías. Para hacer frente a esta compleja situación, todos, personas e instituciones en los ámbitos nacional, regional y global, tenemos que hacer nuestra parte para evitar llegar a un punto de no retorno. Aunque Colombia solo genera el 0,6 % de los gases de efecto invernadero (GEI), es uno de los veinte países más amenazados por la crisis climática. Nuestro país alberga el 50 % de los páramos del mundo y es catalogado como una potencia en agua, biodiversidad y ambiente, aloja alrededor del 10 % de la fauna y flora del mundo, teniendo por ello un rol central en los esfuerzos globales que se realizan para mitigar los efectos del cambio climático. También es reconocido por ser el segundo país con más alta presencia en biodiversidad en la tierra, goza de dos océanos, cinco vertientes hidrográficas, ríos, lagunas y ciénagas, siendo de esta manera el agua un recurso fundamental para el desarrollo de las generaciones futuras. El país cuenta con grandes extensiones de páramos, los cuales son la fuente del 70 % de agua dulce en nuestro país y comparte al sur de nuestras fronteras con la Amazonía, considerada la selva tropical más extensa del planeta y el pulmón del mundo. Una porción representativa de ese 10 % del total de la biodiversidad mundial que tiene nuestro país, se encuentra dentro del Sistema Nacional de Áreas Protegidas (SINAP), del que hace parte el Sistema de Parques Nacionales Naturales y las Reservas Forestales (más de 17 millones de hectáreas), una fuente importante de bienes y servicios ecosistémicos, entre los cuales, el suministro del recurso hídrico incluye más del 62 % de los nacimientos de los acuíferos nacionales y abastece a casi un 80 % de la población colombiana. Así mismo, protege lagunas y ciénagas que contienen el 20 % de los recursos hídricos que abastecen la generación de energía eléctrica del país. En estas áreas protegidas se conservan muestras representativas de los ecosistemas naturales marinos y continentales, los cuales, además de albergar un gran número de especies de fauna y flora, contribuyen a la regulación del clima y protegen las cuencas hidrográficas. Es así como por su especial importancia ecológica, los Parques Nacionales Naturales tienen la función de conservar, proteger y salvaguardar sus ecosistemas de especial valor por medio del Estado y de los particulares. Esta gran riqueza ambiental del país está siendo amenazada por el uso indebido de los recursos naturales, lo que genera un acelerado deterioro de los ecosistemas, alterando su funcionalidad y poniendo en riesgo la biodiversidad. Esta problemática se ha convertido en un reto de primer orden para el Estado colombiano, sus autoridades ambientales y la sociedad en general. El Sector Defensa no ha sido ajeno a esta realidad, por lo que en el marco definido por la ley, la Presidencia de la República y el Ministerio de Ambiente y Desarrollo Sostenible, ha reconocido el potencial desestabilizador de las afectaciones causadas por las diversas actividades ilícitas de los Grupos Armados Organizados (GAO), los Grupos Delincuenciales Organizados (GDO) y ciudadanos que hacen un uso indebido de los recursos naturales. Fenómenos como la siembra de cultivos ilícitos, la extracción ilícita de minerales, la tala indiscriminada, la ganadería extensiva, el acaparamiento de tierras, la pesca ilegal, la contaminación, el vertimiento de sustancias peligrosas y el tráfico ilegal de flora y fauna, han debilitado los ecosistemas nacionales. Estas actividades ilegales afectan los recursos hídricos del país, los suelos, los páramos y la atmósfera, produciendo efectos negativos que generan deforestación, pérdida de hábitats, extinción de especies, la destrucción de fuentes de agua, el deterioro de las tierras de cultivos e impactos negativos en las reservas forestales y las áreas que integran el Sistema Nacional de Áreas Protegidas (SINAP). La degradación ambiental que hemos visto no solo es utilizada por las organizaciones criminales para obtener recursos que les permiten sostener su accionar delictivo en diversas zonas del país, más grave aún, se constituye en un atentado directo contra el porvenir de las generaciones futuras. Es por ello que el Sector Defensa ha reconocido el agua, la biodiversidad y el medio ambiente como activos estratégicos de interés nacional, con un carácter principal y prevalente, buscando apoyar con sus capacidades a las autoridades ambientales del país, con el fin de realizar acciones cada vez más eficaces contra las organizaciones criminales responsables del deterioro ambiental. Es en ese contexto surge la idea de este libro, que busca presentar la problemática que se enfrenta y visibilizar las acciones realizadas por el Sector Defensa en coordinación con las autoridades ambientales, con el fin de apoyar la defensa de estos activos estratégicos, así como prevenir los daños futuros a los mismos, en aras de trabajar en la protección de los recursos naturales, bajo una visión multidimensional de la seguridad. El Ministerio de Defensa (MDN) ha sido consciente de los desafíos climáticos a los que se enfrenta, no solo el Sector, sino el territorio nacional, en cuanto a los impactos cada vez mayores derivados de las condiciones meteorológicas extremas y la explotación de los recursos. Por ello, el Sector ha trabajado para alinearse con la Política Nacional de Cambio Climático, los compromisos del país ante la Contribución Nacionalmente Determinada (NDC), el cumplimiento del CONPES 4021 de diciembre de 2020 para el Control de la Deforestación y la Gestión Sostenible de Bosques, para así aportar con acciones de adaptación, mitigación y gestión del riesgo ante el cambio climático y variabilidad climática mediante del Plan de Gestión de Cambio Climático del Sector Defensa (PIGCCSD). Este libro reúne los principales resultados del Sector Defensa en materia de protección del medio ambiente y resalta la articulación de las políticas, así como de la operativización de las mismas por parte de las Fuerzas Militares y la Policía Nacional, por la protección de los recursos naturales de la Nación, una responsabilidad que ha quedado claramente plasmada en la “Estrategia Artemisa”, que es un esfuerzo permanente, sostenido, conjunto, coordinado, e interinstitucional que permitirá proteger y defender el agua, la biodiversidad y el medio ambiente como activos estratégicos de la Nación, a partir de la lucha contra la deforestación, sus causas directas o subyacentes y contrarrestar los efectos del cambio climático, como también la lucha contra la explotación ilícita de minerales, contra los cultivos ilícitos que afectan el medio ambiente y el conjunto de actividades de control y vigilancia que apoya nuestra Fuerza Pública para la defensa de los recursos naturales. Trabajando de forma articulada con la Fiscalía, el Ministerio de Medio Ambiente y Desarrollo Sostenible, el Instituto de Hidrología, Meteorología y Estudios Ambientales (Ideam), y la Unidad de Parques Nacionales Naturales, en diversas zonas del país, la Estrategia Artemisa ha permitido brindar apoyo a las autoridades ambientales y administrativas, para preservar y defender el agua, la biodiversidad y el medio ambiente en las áreas de reserva forestal, áreas protegidas y 59 Parques Nacionales Naturales. Mediante la Directiva Permanente 008 del 22 de marzo de 2022, el MDN institucionalizó e impartió lineamientos e instrucciones al Comando General de las Fueras Militares, la Dirección General de la Policía Nacional y la Unidad de Gestión General del MDN, con el propósito de implementar medidas, desplegar operaciones, actividades de apoyo y gestión ambiental, para la implementación de la Estrategia Artemisa. De esta forma y bajo un enfoque sostenido, conjunto, coordinado, interinstitucional y multilateral, se trabajará para incluir dentro de la doctrina militar y policial las acciones relacionadas con la protección del agua, la diversidad y el medio ambiente, al tiempo que se concentrarán los esfuerzos de inteligencia en la identificación del modus operandi de las organizaciones criminales que afectan el medio ambiente, desarrollando operaciones contra los GAO y los GDO que atentan contra el medio ambiente. Desde el 2019 a la fecha se han realizado diecisiete (17) operaciones sobre las áreas de los Parques Nacionales Naturales, especialmente en las regiones de la Amazonía y la Orinoquía, como son los Parques Nacionales Naturales (PNN) Serranía de Chiribiquete, PNN La Paya, PNN Tinigua, PNN Picachos, PNN Sierra de La Macarena, la Zona de Reserva Forestal de la Amazonía y la Reserva Natural Nukak. Se han dispuesto, para esta campaña, 22.300 hombres de la Fuerza Pública, que, desde sus respectivas unidades militares y policiales resguardan las áreas protegidas del territorio nacional. Estas unidades incluyen: 10 batallones de alta montaña (páramos), una brigada contra el narcotráfico, una brigada contra la minería ilegal, unidades de guardacostas, infantería de marina y efectivos de la Policía Nacional. El Sector Defensa es consciente de que a futuro será fundamental continuar fortaleciendo las capacidades de la Fuerza Pública para, en el marco de sus competencias, continuar apoyando a las autoridades ambientales, entes territoriales y a la comunidad en la defensa y preservación del agua, la biodiversidad y el medio ambiente como activos estratégicos de la Nación. Será fundamental profundizar la disrupción del delito de la explotación ilícita de minerales, mediante el desmantelamiento de las economías ilícitas que se lucran de ella y de la afectación de la cadena criminal. En igual medida, será vital apoyar la recuperación de los ecosistemas más afectados por las actividades ilegales, por medio de actividades de restauración de áreas, del trabajo articulado con las comunidades, la construcción y mantenimiento de viveros forestales y el fortalecimiento a las investigaciones científicas lideradas desde la Armada Nacional y la Dirección General Marítima para la protección de los océanos, el recurso hídrico y sus ecosistemas. De esta forma será posible continuar trabajando en la reducción de los riesgos que se ciernen sobre los ecosistemas del país y disminuir los índices de deforestación, y tras la búsqueda de soluciones que contribuyan a la reducción y mitigación de los GEI. Esta estrategia que ha puesto en marcha el Sector Defensa y que es recogido en esta obra, presenta los aportes sectoriales del trabajo interinstitucional que se han venido realizando en los últimos años, siendo un ejemplo de la forma en la que se pueden sumar esfuerzos para contribuir a la superación de la encrucijada global que nos afecta a todos y que debe ser enfrentada con un esfuerzo común.