Relevant bibliographies by topics / Prove in opera

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  1. Dissertations / Theses

Academic literature on the topic 'Prove in opera'

Author: Grafiati
Published: 10 March 2023

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Dissertations / Theses on the topic "Prove in opera"

1

NONNATO, ALICE. "Prestazione d'opera intellettuale e onere della prova dell'inadempimento." Doctoral thesis, Università degli studi di Ferrara, 2014. http://hdl.handle.net/11392/2388929.

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The intellectual performance of professional consists in an activity carried out with full autonomy and discretion on a subject - the professional - in respect of his client - a creditor of intellectual performance - and it's a topic that always turns on the legal debates , both with reference to the nature and characteristics of the performance, both with reference to the contractual liability in the event of non-fulfillment of the obligation. This type of performance has always been the subject of a debate on the legal doctrine focus on the legal classification and is the center of the "cla
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2

Dittmann, Gudrun. "Oper zwischen Anpassung und Integrität : zu den Uraufführungen zeitgenössischer deutscher Opern am Leipziger Neuen Theater im NS-Staat /." Essen Verl. Die Blaue Eule, 2005. http://deposit.ddb.de/cgi-bin/dokserv?id=2694968&prov=M&dok_var=1&dok_ext=htm.

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3

Clausius, Katharina Anne Crawford. "Opera after poetry : Enlightenment 'dramma per musica' amid the arts." Thesis, University of Cambridge, 2017. https://www.repository.cam.ac.uk/handle/1810/267190.

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With its bold combination of epic style and vernacular prose, François Fénelon’s Les Aventures de Télémaque (1699) created a stir that preoccupied the literary, theatrical, musical, and art world throughout the eighteenth century. My dissertation places the novel at the centre of a crucial exchange between the French revisionist movement – with its mandate to redefine neoclassical theatre – and Italian dramma per musica in the second half of the eighteenth century. While littérateurs like Antoine Houdar de la Motte and Voltaire argued publicly over the theoretical viability of prose tragedy on
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4

Gribenski, Michel. "Le chant de la prose dans l'opéra (France, Italie, Allemagne), 1659-1902 : élements de poétique, d'esthétique et d'histoire du goût." Thesis, Paris 4, 2008. http://www.theses.fr/2008PA040197.

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Si l’opéra sur un livret en prose ne se manifeste publiquement en Europe qu’au tournant des XIXe et XXe siècles, dans les domaines russe, puis français, enfin allemand et tchèque, des essais de chant de prose et des réflexions sur ses conditions de possibilités sont cependant intervenus, en France, dès le XVIIIe siècle. Envisagée comme forme verbale apériodique, la prose peut ainsi être considérée comme étant au fondement du genre de l’opéra. D’une part, en effet, dans la tragédie lyrique et auparavant dans l’opéra italien, des vers mêlés apériodiques sont d’emblée associés à un chant lui auss
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Plank, Christiane. "Die melodramatische Szene in der Oper des 19. Jahrhunderts : eine musikdramatische Ausdrucksform /." München : Utz, 2005. http://deposit.ddb.de/cgi-bin/dokserv?id=2613156&prov=M&dok_var=1&dok_ext=htm.

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Toussaint, Ulrike. "Studien zu den Opern Werner Egks /." Mainz : Are-Ed, 2005. http://deposit.ddb.de/cgi-bin/dokserv?id=2670369&prov=M&dokv̲ar=1&doke̲xt=htm.

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7

Mesly, Olivier. "Voyage au coeur de la prédation entre vendeurs et acheteurs : une nouvelle théorie en vente et marketing." Thèse, Université de Sherbrooke, 2010. http://savoirs.usherbrooke.ca/handle/11143/371.

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There is an inherent tension between a seller and a buyer as their relationship progresses towards closing the deal.The salesperson fears that the buyer wastes his time, which he could otherwise spend towards real potential buyers.The buyer questions the sincerity of the salesperson. Both evaluate the amount of trust and cooperation they should invest in the relationship. It is possible, after all, that the salesperson wants to take advantage of every weakness he detects in the buyer in order to guarantee the sale, and it is equally possible that the buyer tries to fool the salesperson, with f
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8

Kienzle, Ulrike. "... dass wissend würde die Welt! Religion und Philosophie in Richard Wagners Musikdramen." Würzburg Königshausen und Neumann, 2005. http://deposit.ddb.de/cgi-bin/dokserv?id=2643325&prov=M&dok_var=1&dok_ext=htm.

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9

Schmidt, Alexander. "Co-Opera - Kooperationen mit Leben füllen : ein multiperspektivischer Blick auf die Entwicklung von Unternehmenskooperationen innerhalb von Clustern und Netzwerken /." Heidelberg : Carl-Auer-Verl, 2007. http://deposit.d-nb.de/cgi-bin/dokserv?id=2929955&prov=M&dok_var=1&dok_ext=htm.

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10

Homann, Rainer. "Die Partitur als Regiebuch." Osnabrück epOs Music, 2005. http://deposit.ddb.de/cgi-bin/dokserv?id=2678019&prov=M&dok_var=1&dok_ext=htm.

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