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1

Herr, Ulrich. Die deutschen Generale: Sowie Kriegsministerien und Generalstäbe von 1871 bis 1914 : Uniformierung und Ausrüstung. Verl. Militaria, 2012.

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2

Millotat, Christian O. E. Das preussisch-deutsche Generalstabssystem: Wurzeln, Entwicklung, Fortwirken. Vdf, Hochschulverlag an der ETH Zürich, 2000.

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3

Clemente, Steven E. For King and Kaiser!: The making of the Prussian Army officer, 1860-1914. Greenwood Press, 1992.

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4

Jaun, Rudolf. Preussen vor Augen: Das schweizerische Offizierskorps im militärischen und gesellschaftlichen Wandel des Fin de siècle. Chronos, 1999.

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5

Hans-Joachim, Behr, ed. Karl Freiherr von Müffling: Offizier, Kartograph, Politiker (1775-1851) : Lebenserinnerungen und kleinere Schriften. Böhlau, 2003.

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6

Nowak, Holger. Die Schlacht bei Jena und Auerstedt am 14. Oktober 1806. Städtische Museen Jena, 1994.

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7

Müffling, Friedrich Karl Ferdinand, Freiherr von. The memoirs of Baron von Müffling: A Prussian officer in the Napoleonic Wars. Greenhill Books, 1997.

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8

Schallenberg, Josef. Die Relais der norddeutschen Feldpost im Deutsch-Französischen Kriege 1870-1871 und während der Besatzungszeit bis 1873. J. Schallenberg, 1998.

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9

Hamm, Walter. Die verdienstlichen Handlungen der Ärzte während der jüngsten Kriegszeit betreffend: Einsatz u. Auszeichnungen bayerischer Ärzte im Feldzug 1866. Institut für Bayerische Ordenskunde, 1997.

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10

Verhaegen, Paul. Quelques observations et réflexions sur l'histoire militaire: En partant de deux événements peu connus, la bataille d'Auerstaedt du mardi 14 octobre 1806 et de la marche, en 1870, de la IIIème armée allemande, depuis le combat de Wissembourg, le jeudi 4 août, jusqu'à la bataille de Sedan, le jeudi 1er septembre. P. Verhaegen, 1991.

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11

Lindeman, Christina K. The Art of Anna Dorothea Therbusch (1721–1782). Amsterdam University Press, 2024. https://doi.org/10.5117/9789463721486.

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The Art of Anna Dorothea Therbusch (1721–1782) is the first English-language monograph on this exceptional German artist that critically examines Therbusch’s artworks and career as a history and mythological painter, portraitist, and maker of synthetic pigments within the German and international milieu that both condemned and celebrated her accomplishments. Adding to the excellent scholarship on French, British, Italian, and Swiss eighteenth-century women painters, this book showcases the social and cultural practices of court cultures beyond France, with a focus on German-speaking Europe and
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12

Böhme, Albert. Wenn doch dies Elend ein Ende hätte: Ein Briefwechsel aus dem Deutsch-Französischen Krieg 1870/71. Böhlau, 1999.

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13

Das preussische "Offizierskorps" im 18. Jahrhundert: Analyse der Sozialstruktur einer Funktionselite. Lit, 1999.

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14

Dupuy, Trevor Nevitt. A genius for war: The German army and general staff, 1807-1945. Military Book Club, 2002.

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15

History of the German army. Military Press, 1985.

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16

Clemente, Steven E. For King and Kaiser!: The Making of the Prussian Army Officer, 1860-1914. ABC-CLIO, LLC, 1992.

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17

Hofschroer, Peter. 1815, The Waterloo Campaign: The German Victory : From Waterloo to the Fall of Napoleon. Greenhill Books, 1999.

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18

Johansen, Anja. Soldiers As Police: The French And Prussian Armies And The Policing Of Popular Protest 1889-1914. Ashgate Publishing, 2005.

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19

Soldiers As Police: The French and Prussian Armies and the Policing of Popular Protest, 1889�914. Taylor & Francis Group, 2017.

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20

Soldiers As Police: The French and Prussian Armies and the Policing of Popular Protest, 1889-1914. Taylor & Francis Group, 2017.

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21

Soldiers As Police: The French and Prussian Armies and the Policing of Popular Protest, 1889-1914. Taylor & Francis Group, 2017.

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22

Muffling, Friedrich Karl Ferdinand, and Baron Carl Von Muffling. The Memoirs of Baron Von Muffling: A Prussian Officer in the Napoleonic Wars (Napoleonic Library). Greenhill Books, 1997.

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23

May, Theodor. On the Prussian Infantry. Amber Books Ltd, 2012.

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24

Die deutschen Soldaten im Krieg von 1870/71: Eine Darstellung der Situation und der Erfahrungen der deutschen Soldaten im deutsch-französischen Krieg. Lang, 1995.

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25

Fontane, Theodor, and Ritchie Robertson. Effi Briest. Translated by Mike Mitchell. Oxford University Press, 2015. http://dx.doi.org/10.1093/owc/9780199675647.001.0001.

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‘I loathe what I did, but what I loathe even more is your virtue.’ Seventeen-year-old Effi Briest is steered by her parents into marriage with an ambitious bureaucrat, twenty years her senior. He takes her from her home to a remote provincial town on the Baltic coast of Prussia where she is isolated, bored, and prey to superstitious fears. She drifts into a half-hearted affair with a manipulative, womanizing officer, which ends when her husband is transferred to Berlin. Years later, events are triggered that will have profound consequences for Effi and her family. Effi Briest (1895) is recogni
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26

First Reich: Inside the German Army During the War With France 1870-71. Brassey's Inc, 2002.

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27

The Complete Blue Max A Chronological Record Of The Holders Of The Pour Le Merite Prussias Highest Military Order From 1740 To 1918. Pen & Sword Books Ltd, 2013.

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28

Die Wehrmacht: Feindbilder, Vernichtungskrieg, Legenden. S. Fischer Verlag GmbH, 2005.

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29

Wette, Wolfram. Die Wehrmacht: Feindbilder, Vernichtungskrieg, Legenden. S. Fischer, 2002.

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30

Mennel, Barbara. Mädchen in Uniform. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781839024207.

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Leontine Sagan’s Mädchen in Uniform (1931) is a groundbreaking German film that showcases women’s agency and desire behind and in front of the camera. Adapted from Christa Winsloe’s lesbian play, the story follows Manuela, an orphan in a boarding school for impoverished Prussian nobility. When she declares her love with her female teacher, the oppressive principal punishes her, leading to a desperate suicide attempt. Barbara Mennel’s compelling study firmly establishes Mädchen in the Weimar cinema canon. Mennel contextualises the film in 1920s theories of sexuality and the conventions of moder
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31

Oleskiewicz, Mary, ed. Bach Perspectives, Volume 11. University of Illinois Press, 2017. http://dx.doi.org/10.5622/illinois/9780252041488.001.0001.

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This volume investigates topics surrounding Johann Sebastian Bach and his five musically gifted sons. Robert Marshall takes on a deeply psychological perspective by examining how each of the Bach sons personally dealt with Sebastian’s imposing legacy. Mary Oleskiewicz investigates the Bach family’s connections to historical keyboard instruments and musical venues at the Prussian court of Frederick “the Great.” David Schulenberg argues that Emanuel Bach’s most significant contribution to European music is the large and diverse body of keyboard music he composed for harpsichord, fortepiano, orga
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