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Journal articles on the topic 'Przybyszewski, Stanislaw'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Fiałek, Marek. "Stanislaw Przybyszewski und der Schwarze-Ferkel-Kreis." Studia Germanica Posnaniensia, no. 32 (January 1, 2011): 159. http://dx.doi.org/10.14746/sgp.2011.32.13.

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2

Lubińska, Anna. "Stanisława Przybyszewskiego kontakty z polskimi wydawcami." Studia o Książce i Informacji (dawniej: Bibliotekoznawstwo) 36 (July 5, 2018): 125–49. http://dx.doi.org/10.19195/2300-7729.36.8.

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Stanisław Przybyszewski’s contacts with Polish publishersIn the article the author discusses the presence of the oeuvre of Stanisław Przybyszewski 1868–1927 on the Polish publishing market. Stanisław Przybyszewski is a representative of Polish modernism. At the turn of the 19th and 20th centuries as well the readers as the literary critics were very interested in his prose, poetic and dramatic creation. This article characterizes the publishing history of Przybyszewski’s literary works in Poland from his debut in 1892 to the end of his life in the light of the cooperating with Przybyszewski’s

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3

Fiałek, Marek. "August Strindberg und Stanislaw Przybyszewski. Zwei "Kometen" am Berliner Himmel des ausgehenden 19. Jahrhunderts." Studia Germanica Posnaniensia 27 (October 29, 2018): 91–105. http://dx.doi.org/10.14746/sgp.2002.27.06.

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4

Occheli, Vera. "Польская драматургия рубежа XIX–XX веков на сцене грузинского театра". Bibliotekarz Podlaski Ogólnopolskie Naukowe Pismo Bibliotekoznawcze i Bibliologiczne 51, № 2 (2021): 165–86. http://dx.doi.org/10.36770/bp.606.

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The article presents findings based on the materials of the Archives of the State Theatre Museum of Georgia and theatrical reviews published in the Georgian periodical press of the designated time. The obtained data allowed to draw a conclusion about the wide popularity of Polish drama on the stages of Tiflis and Kutaisi theatres. Polish drama attracted the audience not only with its high artistic skill, but also with the desire to get acquainted with the Polish theatre system, its ability to pose and solve important life problems. Plays by Stanislaw Przybyszewski, Jerzy Żuławski, Gabriela Zap

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5

Grajek, Marek. "Stanisław Przybyszewski’s messianism." Annales Universitatis Mariae Curie-Sklodowska, sectio FF, Philologia 33, no. 1 (2016): 151. http://dx.doi.org/10.17951/ff.2015.33.1.151.

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6

Grajek, Marek. "Stanisław Przybyszewski’s messianism." Annales Universitatis Mariae Curie-Sklodowska, sectio FF, Philologia 33 (May 31, 2016): 151. http://dx.doi.org/10.17951/ff.2015.33.151.

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7

Papiór, Jan. "Stanisław Przybyszewski als Vermittler europäischen Kulturgutes." Studia Germanica Posnaniensia 24 (October 29, 2018): 131–44. http://dx.doi.org/10.14746/sgp.1999.24.12.

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8

Auwärter, Thomas. "Stanisław Przybyszewski – ,,Der Geist des Bösen“? Zur künstlerischen Spiritualität eines Bohèmiens um 1900." Zeitschrift für Religions- und Geistesgeschichte 60, no. 2 (2008): 131–51. http://dx.doi.org/10.1163/157007308783876181.

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AbstractAs the embodiment of a border-crosser between science, literature, and occultism, the writer Stanisław Przybyszewski also represents the ambivalent consciousness of the avant-garde. Behind the facade of imperial Berlin, he opens up a world of wonder, demons and ecstasy. Without using a normative understanding of modernity, this article attempts to portray Przybyszewski as proof of the irreconcilable tensions between rationalism and irrationalism in the period around 1900. Central to this argumentation are his spiritual references, such as satanism and occultism.

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9

Baranow, Andrzej. "Stanisław Przybyszewski i Fiodor Dostojewski. Kontrasty i zbliżenia." Bibliotekarz Podlaski. Ogólnopolskie Naukowe Pismo Bibliotekoznawcze i Bibliologiczne 42, no. 1 (2019): 25–44. http://dx.doi.org/10.36770/bp.36.

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Temat „Dostojewski i literatura polska” nie został jeszcze gruntownie zanalizowany w badaniach literackich, zwłaszcza ze współ- czesnej perspektywy porównawczej. Niniejsze opracowanie ukazuje relacje między modernistyczną polską literaturą a dziełami rosyj- skiego pisarza, koncentrując się na dziedzictwie literackim Stanisława Przybyszewskiego. Polski pisarz był dogłębnie obeznany z głównymi utworami Fiodora Dostojewskiego, takimi jak Zbrodnia i kara, Idiota i Bracia Karamazow. Związek binarny można dostrzec między powieściami Dzieci Szatana i Biesy, które ujawniają szereg wspólnych tendencji

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10

PAPIÓR, JAN. "Stanisław Przybyszewski — Vermittler europäischer Moderne zwischen Ost und West." arcadia - International Journal for Literary Studies 24, no. 3 (1989): 271–83. http://dx.doi.org/10.1515/arca.1989.24.3.271.

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11

Jocz, Artur. "Stanisław Przybyszewski’s and Tadeusz Miciński’s Literary-Philosophical Discovery of the Infernal Nature of the Internal World." Tekstualia 3, no. 50 (2019): 53–64. http://dx.doi.org/10.5604/01.3001.0013.3411.

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The article examines the intersection of literature with philosophy and religion as illustrated by the theme of the discovery of the infernal nature of the inner human world on the basis of selected texts by Stanisław Przybyszewski and Tadeusz Miciński. The two writers strive to explore not only a transcendent reality, but also an infernal one.

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12

Vandenborre, Katia. "Tracing Maurice Maeterlinck in Stanisław Przybyszewski’s Life and Works." Rocznik Komparatystyczny 8 (2017): 339–52. http://dx.doi.org/10.18276/rk.2017.8-16.

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13

Sobieraj, Tomasz. "O dynamice i opozycjach XIX-wiecznej kultury." Poznańskie Studia Polonistyczne. Seria Literacka, no. 40 (September 14, 2021): 279–92. http://dx.doi.org/10.14746/pspsl.2021.40.14.

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Sabina Brzozowska’s monograph consists of a coherent collection of comparative and historical and literary studies of various artistic and ideological aspects found in selected works of Polish and European modernism. The author focuses on the dramas by Stanisław Wyspiański, Stanisław Przybyszewski, Tadeusz Rittner, Tadeusz Miciński and on the prose by Wacław Berent, Miciński and Thomas Mann. The interpretations of the works included in the monograph show a common area of European nineteenth-century culture, especially of the modernist period. Brzozowska’s reading experience focused on uncoveri

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14

Kaźmierczyk, Zbigniew Marek. "Słowiańskie "Dzieci szatana" – profetyczna powieść Stanisława Przybyszewskiego." Acta Neophilologica 1, no. XXIII (2021): 195–214. http://dx.doi.org/10.31648/an.5575.

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This paper discusses the relation between Stanislaw Przybyszewski’s writings and the artistic manifesto Confiteor. It demonstrates that the novel Devil’s Children in the context of the dissertation Devil’s Synagogue implements the manifesto. The analysis of the works reveals the Manichaean deposits of spiritual archeology in Przybyszewski’s characters as Slavs. The analysis demonstrates that only the author is aware of the destructive nature of the radically anti-world theological, cosmological, anthropological, and eschatological dualism. The characters are masks of his subconscious which is

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15

Filipowicz, Halina, Jadwiga Kosicka, Daniel Gerould, Stanislawa Przybyszewska, and Boleslaw Taborski. "A Life of Solitude. Stanislawa Przybyszewska: A Biographical Study with Selected Letters." Slavic and East European Journal 34, no. 3 (1990): 395. http://dx.doi.org/10.2307/309090.

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16

Czerwinski, E. J., Jadwiga Kosicka, and Daniel Gerould. "A Life of Solitude: Stanisƚawa Przybyszewska: A Biographical Study with Selected Letters." World Literature Today 64, no. 4 (1990): 665. http://dx.doi.org/10.2307/40147012.

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17

Tymowski, A. W. "BOOK REVIEW: "A VOYAGE ON A BURNING SHIP": THE POLITICAL DRAMA OF STANISLAWA PRZYBYSZEWSKA." Theater 21, no. 1 and 2 (1990): 96–98. http://dx.doi.org/10.1215/01610775-21-1_and_2-96.

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18

Świerkosz, Monika. "W poszukiwaniu nowego spojrzenia. Proza Stanisławy Przybyszewskiej między awangardą a modernizmem wernakularnym." Pamiętnik Literacki 3 (2018): 35–50. http://dx.doi.org/10.18318/pl.2018.3.3.

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19

Wimmer, Ch. "Wie gut schrieb Stanislaw Przybyszewski deutsch?" Zeitschrift für Slawistik 36, no. 1 (1991). http://dx.doi.org/10.1524/slaw.1991.36.1.90.

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20

Matuszek, Gabriela. "„Das Muster eines Modeschriftstellers“. Stanislaw Przybyszewski in den Werken deutscher Autoren." Zeitschrift für Slawistik 37, no. 3 (1992). http://dx.doi.org/10.1524/slaw.1992.37.3.343.

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21

Košutić-Brozović, Nevenka. "Stanislav Przybyszewski i hrvatska moderna." Radovi. Razdio lingvističko-filološki 3, no. 2 (2018). http://dx.doi.org/10.15291/radoviling.2305.

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Nijedno razdoblje hrvatske književnosti ne pruža tako zanimljiv i raznovrstan materijal za komparativistička istraživanja kao hrvatska moderna. Barčeva definicija »Zaokret prema Evropi«1 sadrži u sebi sve osnovne ideje hrvatskih modernista — težnju da se ažurno prate glav- ne pojave u evropskom kulturnom životu, da se uspostave izravni do- diri, da se nadoknadi zaostajanje u našem književnom razvoju, da se uklone dotadašnja geografska i idejna ograničenja, da se ubuduće kre- ne ukorak s ostalim književnostima. Iako je moderna, za razliku od prethodnih razdoblja, prvenstveno orijentirana prema

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22

"Stanisław Przybyszewski: In and Out of Pop Culture." Zagadnienia Rodzajów Literackich 63, no. 3 (2020). http://dx.doi.org/10.26485/zrl/2020/63.3/6.

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