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Books on the topic 'Psalm 117'

Author: Grafiati

Published: 4 June 2021

Last updated: 9 February 2022

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1

Oh, Eunmi. Telemann's Psalm 117, Laudate Jehovam omnes gentes, TWV 7: 25. Tempe, Arizona: Arizona State University, 2019.

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Bruckner, Anton. Psalm 112. Wien: Musikwissenschaftlicher Verlag, 1996.

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Bruckner, Anton. Psalm 114. Wien: Musikwissenschaftlicher Verlag, 1997.

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4

Ambrose. Homilies of Saint Ambrose on Psalm 118 (119). Dublin: Halcyon Press, 1998.

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5

Translated Hallelujahs: A linguistic and exegetical commentary on select Septuagint Psalms. Leuven: Peeters, 2011.

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6

Counsel from Psalm 119. Woodruff, SC: Timeless Texts, 1998.

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7

Psalm 119: A novel. London: Maia Press Ltd., 2008.

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8

Calvin, Jean. Sermons on Psalm 119. Audubon, N.J: Old Paths Publications, 1996.

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9

Bloch, Ernest. Deux psaumes: For voice and piano : Psaume 114 ; Psaume 137. Boca Raton, Fla: Masters Music Publications, 1995.

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10

Cloer, Eddie. Psalms 90-118. Searcy, AR: Resource Publications, 2013.

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11

Psalm 119: The exaltation of Torah. Winona Lake, Ind: Eisenbrauns, 1999.

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12

Psalm 119: Matrix, form, and setting. Washington, DC: Catholic Biblical Association of America, 1991.

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13

Lauterwasser, Helmut. Angst der Höllen und Friede der Seelen: Die Parallelvertonungen des 116. Psalms in Burckhard Grossmans Sammeldruck von 1623 in ihrem historischen Umfeld. Göttingen: Vandenhoeck & Ruprecht, 1999.

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14

Cunningham, Gene. Psalm 119: The diary of a captive. Conway, Ark. (P.O. Box 1359, Conway 72032): Ambassador Bible Church, 1992.

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15

Psalm 110 and the logic of Hebrews. London: Bloomsbury T & T Clark, 2015.

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16

The Psalms of the return: Book V, Psalms 107-150. Sheffield, England: Sheffield Academic Press, 1998.

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17

Teems, David. Discovering your spiritual center: The power of Psalm 119. Abilene, Tex: Leafwood Publishers, 2011.

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18

Ingraham, Margaret B. This holy alphabet: Lyric poems adapted from Psalm 119. Brewster, Mass: Paraclete Press, 2009.

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19

Ingraham, Margaret B. This holy alphabet: Lyric poems adapted from Psalm 119. Brewster, Mass: Paraclete Press, 2009.

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20

This holy alphabet: Lyric poems adapted from Psalm 119. Brewster, Mass: Paraclete Press, 2009.

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21

Ingraham, Margaret B. This holy alphabet: Lyric poems adapted from Psalm 119. Brewster, Mass: Paraclete Press, 2009.

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22

Mascarenhas, Theodore. The missionary function of Israel in Psalms 67, 96 and 117. Lanham, MD: University Press of America, 2005.

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23

Schröten, Jutta. Entstehung, Komposition und Wirkungsgeschichte des 118. Psalms. Weinheim: Beltz Athenäum, 1995.

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24

Enstsehung, Komposition und Wirkungsgeschichte des 118. Psalms. Weinheim: Beltz Athenaum, 1995.

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25

Torah as teacher: The exemplary Torah student in Psalm 119. Leiden: Brill, 2010.

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26

Geboren von der Morgenröte?: Psalm 110 in Tradition, Redaktion und Rezeption. Neukirchen-Vluyn: Neukirchener, 2008.

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27

Constructing and deconstructing power in Psalms 107-150. Atlanta: SBL Press, 2014.

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28

Die Grundparadigmen christlicher Schriftauslegung - im Spiegel der Auslegungsgeschichte von Psalm 110. Berlin: Lit, 2010.

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29

Weiss, Abe. In the midst of Jerusalem (Psalms 116:19): Poems. Jerusalem: Hamaatik Press, 1987.

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30

Im Licht der Traditionen: Psalm LXVII und CXV : ein Entwicklungszusammenhang. Leiden: E.J. Brill, 1992.

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31

Langlais, Jean. Psalm 117: Praise the Lord All Ye Nations. Fred Bock Music Co Inc, 1998.

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32

Psalm 117, Auf, Lobet Den Herrn Alle Heiden: Kalmus Edition. Alfred Publishing Company, 1985.

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33

Exploring the Psalms Volume Four 107 - 119 (Exploring the Psalms, four 107 - 119). Loizeaux Brothers Neptune, NJ, 1987.

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34

Bruins, Cor. Psalm 119. Scripture Truth Publications, 2010.

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35

Psalm 113. Havoc Publishing, 2001.

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36

Freedman, David Noel. Psalm 119. Penn State University Press, 1999. http://dx.doi.org/10.1515/9781575065199.

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37

Salmo 119: Psalm 119. 3rd ed. Editorial Portavoz, 1997.

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38

Pstcd-Psalm 113. Broadman & Holman Publishers, 1995.

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39

Encourage Psalm 115. Bob Siemon Designs, 1995.

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40

Bulletin Psalm 107:28,30. Broadman & Holman Publishers, 1996.

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41

Bulletin Psalm 118:2. Broadman & Holman Publishers, 1997.

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42

Psalm 119:50 Bookmark. Antioch Publishing Company, 2002.

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43

Bridges, Charles. Exposition of Psalm 119. Lulu.com, 2019.

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44

Clegg, Ken. Thoughts on Psalm 119. The Open Bible Trust, 1996.

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45

Psalm 107: 23-31. Esher: Penmiel Press, 1987.

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46

Bridges, Charles. Exposition of Psalm 119. Bottom of the Hill Publishing, 2013.

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47

Calvin, Jean. Sermons on Psalm 119. Old Paths Publications, Incorporated, 1996.

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48

Psalm 119: Classic Library Edition with Psalm 23. Marilyn Hickey Ministries, 2000.

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49

Crowley, Lara M. “vntun’d, vnstrunge”. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198821861.003.0004.

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Chapter 4 engages Donne’s religious poetry. It reconsiders the authorship of “Psalm 137,” the only poem to appear in all seven seventeenth-century printed collections of his verse that is excluded from his current canon. Alexander B. Grosart attributed this scriptural verse translation to Francis Davison in 1872, based largely on style, and subsequent editors have followed his lead. This study reveals that material evidence points overwhelmingly toward Donne’s authorship, with only one scribe claiming Davison. The chapter also identifies topical, thematic, and verbal connections between this psalm translation and “Lamentations,” the one scriptural translation universally accepted as a Donne poem, as well as an echo of this particular “Psalm 137” in George Herbert’s “Denial.” Recognizing “Psalm 137” as a part of Donne’s canon alters our understanding of him as a verse translator in relation to his other divine poetry and prose.

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50

Image, Isabella. Hilary’s Commentary on Psalm 118. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198806646.003.0002.

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This chapter examines the textual background to Hilary’s commentary on Psalm 118. It is known from Jerome that this commentary was a loose translation of Origen’s commentary on Psalm 118, so three key texts derived from Origen’s work are compared: (a) Hilary’s own commentary; (b) Ambrose’s commentary on Ps. 118, also known to rely heavily on Origen; (c) the fragments of Origen’s text preserved in the Palestinian Catena. An example of the comparison is given in Appendix 2. Ambrose’s text is shown to be independent from Hilary’s. By comparing these texts, it can be shown that Hilary remains fairly close to his source in terms of arrangement and exegesis. However, he also corrects or omits any theology he feels is inappropriate, for example rejecting Origen’s apparent idea of souls falling into bodies.

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