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Books on the topic 'Psalm setting'

Author: Grafiati

Published: 4 June 2021

Last updated: 7 February 2022

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Consult the top 16 books for your research on the topic 'Psalm setting.'

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1

Psalm 119: Matrix, form, and setting. Washington, DC: Catholic Biblical Association of America, 1991.

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2

Schoening, Dale A. Sing the Psalms: Metrical psalm settings based on the Common lectionary. Lima, Ohio: Fairway Press, 1988.

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3

Bell, John L. Psalms of patience, protest and praise: Twenty-four new psalm settings. Chicago: GIA Publications, 1993.

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4

Shapey, Ralph. Psalm I: For soprano, oboe, and piano. Bryn Mawr, PA: T. Presser, 1993.

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5

(Editor), Richard Charteris, ed. Laudate Pueri: Psalm Setting for Soprano and Orchestra. P R B Productions, 1998.

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6

Bach, Johann Christian. Domine Ad Adjuvandum: Psalm Setting for Soprano, Satb Chorus and Orchestra. P R B Productions, 1998.

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7

Lewis, Jayne Elizabeth. The Eighteenth-Century Psalm. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199935338.013.150.

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Integral to both Anglican liturgy and nonconformist devotional practice in the eighteenth century, the “Englished” Psalm supplied a common currency between competing but increasingly compatible confessional groups. The Psalms also turn up everywhere in emergent, nonreligious literary genres. In both settings, the Psalms calibrated signature speech acts of imprecation, petition, and praise with lexical praxes that a commercialized print culture made not only possible and common but visible and adjustable by individual writers and readers. A novel experimental culture of the English Psalms held unprecedented potential to turn class, credal, and historical division into unity but also posed uniquely “modern” perils. While the Psalms could now be experienced directly as sources of freedom and pleasure available to a wide range of Christian readers and writers, they also potentially transferred the experience of pleasure from a many-personed God to printed English words.

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8

Clarke, Rebecca. He That Dwelleth in the Secret Place of the Most High: A Setting of Psalm 91 for Unaccompanied Mixed Choir (Ssaattbb) with Soloists (Saatb) (Oxford Sacred Music). Oxford University Press, 2003.

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9

Howard, Julie. Sing for Joy: Psalm Settings for God's Children. Health Policy Advisory Center, 1991.

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10

Sing for Joy: Psalm Settings for God's Children: Accompaniment Book. Health Policy Advisory Center, 1992.

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11

Larson, Lloyd. Psalms, Hymns and Spiritual Songs: Distinctive Settings for the Church Pianist. Lorenz Publishing Company, 2007.

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12

Bjella, Richard. The Art of Successful Programming. Edited by Frank Abrahams and Paul D. Head. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199373369.013.16.

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It seems that many concert programs are presented without enough concern for the overall flow, purpose, and direction of the choral performance itself. Often, many wonderful selections are included, but rarely do they truly work together in tandem or with enough significant diversity and color changes to warrant the audiences complete attention. Several unique models for programming at all levels are discussed. Questions are raised concerning choral programming tendencies (from Psalm choral settings to mixed meter music to Carmina Burana) and how the building of varied repertoires and unorthodox pairings can assist true success. In this age of diminishing crowds, fiscal resources, and rehearsal time, our ability to creatively weave the material to capture our singers and our audiences at the same time is extremely critical. Finally, we touch upon engaging the audience from the moment the ensemble takes the stage until the final ovation.

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13

FitzGerald, Brian. The Scholastic Exegesis of Prophecy. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198808244.003.0003.

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This chapter traces developments within the tradition of scholastic biblical exegesis that arose in the twelfth century. Focusing on the Psalms, a locus classicus for discussions of non-apocalyptic prophetic knowledge, the chapter examines the commentaries of Parisian masters Gilbert of Poitiers and Peter Lombard and then compares some thirteenth-century works by members of the Dominican Order. It emphasizes two important developments. First, exegetes paid a great deal of attention to the ‘literary’ qualities of prophetic language, trying to assess what made that language sacred. Secondly, the rise of professional exegetes in an academic setting led them to appropriate the sacred authority of the interpreted texts. Relying on the principle that inspired texts required inspired interpreters, these professionals began promoting themselves as possessors of contemporary prophetic authority.

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14

I Cried to the Lord: A Study of the Psalms of Solomon's Historical Background and Social Setting (Supplements to the Journal for the Study of Judaism). Brill Academic Publishers, 2004.

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15

McCarthy, Kerry. Tallis. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190635213.001.0001.

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The composer Thomas Tallis (ca. 1505–November 1585) lived and worked through much of the turbulent Tudor period in England. Unlike many of his contemporaries, he did not just react to radical change: he thrived on it. He helped invent new musical styles to meet the demands of the English Reformation. He revived and reimagined older musical forms for a new era. Fewer than a hundred of his works have survived, but they are incredibly diverse, from miniature settings of psalms and hymns to a monumental forty-voice motet. In this new biography, author Kerry McCarthy traces Tallis’s long career from his youthful appointment at Dover Priory to his years as a senior member of the Chapel Royal. Each chapter is focused on an original document of his life or his music. The book also takes readers on a guided journey down the Thames to the palaces, castles, and houses where Tallis made music for the four monarchs he served. It ends with reflections on Tallis’s will, his epitaph (whose complete text McCarthy has recently rediscovered), and other postmortem remembrances that give us a glimpse of his significant place in the sixteenth-century musical world. A companion website illustrates the book with a broad selection of sound samples from Tallis’s works.

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16

Rivera-Gomez, Carmen. Undated Productivity Planner for Christians Psalms 90 12: Increase Productivity and Dive Daily into Scripture, Daily to Do List, Daily Prayer List, Daily Meal Plan, Daily and Monthly Habit Tracker, Goal Setting and Vision Board. Independently Published, 2020.

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