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Journal articles on the topic 'Psychoanalysis and art'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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1

Kolar, D., and M. Kolar. "Psychoanalysis, Philosophy and Literature- Intersection of Science and Art." European Psychiatry 66, S1 (March 2023): S973. http://dx.doi.org/10.1192/j.eurpsy.2023.2069.

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IntroductionPhilosophy and psychoanalysis have mutually influenced each other in many ways. Ancient Greek philosophers, Socrates and Plato were frequently cited by Freud in his works and the origins of certain psychoanalytic concepts can be found in their works. The philosophical works of Kant, Schopenhauer, Nietzsche, Heidegger, Husserl, Sartre and many others had a significant impact on the development of psychoanalytic ideas. The intersection of philosophy and literature was best depicted in Simone de Beauvoir’s concept of the metaphysical novel.ObjectivesThe goal of this presentation is to

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2

Silberschatz, George. "The Art of Psychoanalysis and the Psychoanalysis of Art." Contemporary Psychology: A Journal of Reviews 34, no. 4 (April 1989): 392–93. http://dx.doi.org/10.1037/027923.

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3

Chessick, Richard D. "Psychoanalytic Peregrinations II: Psychoanalysis as Science and Art." Journal of the American Academy of Psychoanalysis 30, no. 2 (June 2002): 259–76. http://dx.doi.org/10.1521/jaap.30.2.259.21960.

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4

Mandelli de Marsillac, Ana Lúcia. "Communication disorder: contemporary art and psychoanalysis." Communication & Methods, no. 1 (June 27, 2019): 91–97. http://dx.doi.org/10.35951/v1i1.6.

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This revision seeks to analyze the methodological intersections of contemporary art and psychoanalysis, by considering the value attributed to communication disorders by both fields. I will analyze elements of "In the Face of time: History of art and anachronism of Images" (2000), by Didi-Huberman. In addition, I will single out two texts that are crucial to the psychoanalytic method: "The Uncanny” (1919), by Freud and "Function and field of speech and Language" (1953), by Lacan. The concept of the uncanny is central to this approach, since it reveals the proximity between strangeness and fami

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5

Adams, Laurie Schneider. "Art and Psychoanalysis." Journal of Aesthetics and Art Criticism 52, no. 4 (1994): 485. http://dx.doi.org/10.2307/432043.

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6

Ren, Zhengjia, Maranda Yee Tak Sze, Wenhua Yan, Xinyue Shu, Zhongyao Xie, and Robert M. Gordon. "Future research from China on distance psychoanalytic training and treatment." Psychoanalysis and Psychotherapy in China 4, no. 1 (June 1, 2021): 49–58. http://dx.doi.org/10.33212/ppc.v4n1.2021.49.

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We present three recent research projects from China on distance psychoanalytic training and treatment. The first study explored how the internet could influence the process of psychoanalysis in three ways. First, choosing to accept online psychoanalysis is itself meaningful to the patients. Second, the internet connection itself can also be an organic component of the psychoanalysis. Third, the patients could see the real-time images of themselves during the online psychoanalysis, which could influence the analytic process. The second study found that psychoanalysis provides an important supp

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7

Collins, Bradley I., John E. Gedo, and Ellen Handler Spitz. "Psychoanalysis and Art History." Art Journal 49, no. 2 (1990): 182. http://dx.doi.org/10.2307/777199.

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8

Taylor, Sue. "Art History and Psychoanalysis." Journal of the American Psychoanalytic Association 52, no. 4 (December 2004): 1303–4. http://dx.doi.org/10.1177/00030651030520040103.

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9

Ogden, Thomas H. "This art of psychoanalysis." International Journal of Psychoanalysis 85, no. 4 (August 2004): 857–77. http://dx.doi.org/10.1516/d6r2-9ngf-yfj2-5qk3.

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10

Collins, Bradley. "Psychoanalysis and Art History." Art Journal 49, no. 2 (June 1990): 182–86. http://dx.doi.org/10.1080/00043249.1990.10792685.

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11

Janik, Allan S., and Jacques Le Rider. "Psychoanalysis: Science, Literature, Art?" Austriaca 21, no. 1 (1985): 35–39. http://dx.doi.org/10.3406/austr.1985.4163.

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12

Biancoli, Romano. "Radical Humanism in Psychoanalysis or Psychoanalysis as Art." Contemporary Psychoanalysis 28, no. 4 (October 1992): 695–731. http://dx.doi.org/10.1080/00107530.1992.10746784.

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13

Stavovy, Tania. "The evolution of psychoanalytic thought: a brief view through the lens of Western art and history: Freud and beyond." Australasian Psychiatry 25, no. 3 (February 7, 2017): 239–42. http://dx.doi.org/10.1177/1039856217690281.

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Objective: The aim of this paper is to explore the diversity and progress in psychoanalysis and psychotherapy post-Sigmund Freud from the perspective of Western art. Since 1900 the shift from one-person psychology to the more contemporary two-person psychology is reflected in the creativity of artists, particularly in their depiction of the mother–infant relationship. Conclusion: An alternative perspective in understanding the evolution of Man’s nature can be drawn from a discourse between art, history and psychoanalytic thought. Using art as evidence that reflects concurrent changes in psycho

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14

Mazin, V. "Some Scenes of Intersection Between Psychoanalysis and Opera." Versus 3, no. 1 (October 26, 2023): 6–22. http://dx.doi.org/10.58186/2782-3660-2023-3-1-6-22.

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The article theorizes the intellectual intersections of psychoanalysis and opera. First, it analyses Sigmund Freud’s ambivalent relationship to music in general and to opera in particular. The principal reason for Freud’s conscious rejection of music’s influence becomes the impossibility of conceptualizing pleasure. One of the first to bring together musicological and psychoanalytic discourses was Max Graf, who was not only a friend of Gustav Mahler and Arnold Schoenberg but also a member of the very first psychoanalytic circle of friends that gathered at Freud’s home. Max Graf’s article, in w

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15

Catasús, Natalie. "Mimicking Seas and Malefic Mirrors in Suzanne Césaire." Small Axe: A Caribbean Journal of Criticism 26, no. 3 (November 1, 2022): 52–66. http://dx.doi.org/10.1215/07990537-10211850.

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While scholarship on Suzanne Césaire has illuminated the critical role of ecopoetics in her writing, the strong psychoanalytic resonances that underpin her theory of Caribbean aesthetics and identity remain underexplored. This essay suggests that these resonances must be read alongside her reflections on aesthetics—specifically, the relationship between art and nature—in order to elucidate a fuller picture of Césaire’s ecopoetic theory of Caribbean subject formation. The author examines Césaire’s writing on art and civilization within the context of her explicit engagement with surrealism and

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16

Ryde, Julia. "Dancing with the unconscious: the art of psychoanalysis and the psychoanalysis of art." Psychodynamic Practice 20, no. 3 (May 28, 2014): 294–97. http://dx.doi.org/10.1080/14753634.2014.916849.

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17

Poirson-Dechonne, Marion. "Cinéma, théâtre et psychanalyse : la question de l’acte et sa représentation." Studia Universitatis Babeş-Bolyai Dramatica 66, no. 1 (March 30, 2021): 29–48. http://dx.doi.org/10.24193/subbdrama.2021.1.02.

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"Cinema, Theatre and Psychoanalysis: the Problem of Parapraxis and its Representation. At the intersection of the performing arts and psychoanalysis emerges the notion of act. This polysemic term has various meanings: missed act, agieren, psychoanalytic act, acting out, act of creation. If Freud and Lacan have theorized the notion of act, cinema and theater strive to represent its many facets. Today, Freud’s method of analyzing dream images has paved the way for figural analysis for the 7th art, focusing on exploring the incomplete dimension of some of his images. From La marquise d’O to the M

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18

Haywood, Kirsten. "Failures of Form: Ideology and the Death Drive in the Work of Adrian Stokes." Psychoanalysis and History 18, no. 2 (July 2016): 183–201. http://dx.doi.org/10.3366/pah.2016.0188.

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On his return from Italy in 1929, the art writer Adrian Stokes went into psychoanalysis with Melanie Klein, to confront a depression ‘intent on frustrating and destroying him’. This paper looks at the strange, hybrid text that psychoanalysis gave rise to: an account of Hyde Park as the place where meaning itself was being generated, and destroyed. In particular, it looks at Stokes's preoccupation with waste and remainders, and the failed attempts of industrial capitalism's ‘mechanical restitutions’, to put them to rights. In giving an account of his own destructive thought process during these

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19

Williams, Meg Harris. "PSYCHOANALYSIS AS AN ART FORM." British Journal of Psychotherapy 25, no. 3 (August 2009): 381–92. http://dx.doi.org/10.1111/j.1752-0118.2009.01132.x.

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20

Meyer, Laura. "Book Review: Psychoanalysis and Art." Journal of the American Psychoanalytic Association 54, no. 3 (September 2006): 1015–21. http://dx.doi.org/10.1177/00030651060540030101.

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21

Kafka, John S. "Transitions in Art and Psychoanalysis." American Imago 74, no. 3 (2017): 391–96. http://dx.doi.org/10.1353/aim.2017.0024.

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22

Jurist, Elliot L. "Art and emotion in psychoanalysis." International Journal of Psychoanalysis 87, no. 5 (October 2006): 1315–34. http://dx.doi.org/10.1516/d0eb-y9hh-wy58-cnwl.

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23

Palombo, Stanley R. "Tools, Works of Art, Psychoanalysis." Journal of the American Academy of Psychoanalysis and Dynamic Psychiatry 33, no. 1 (March 2005): 215–24. http://dx.doi.org/10.1521/jaap.33.1.215.65871.

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24

Sayers, Janet. "Against Reason? Art and Psychoanalysis." History & Philosophy of Psychology 7, no. 1 (2005): 62–69. http://dx.doi.org/10.53841/bpshpp.2005.7.1.62.

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In this article I demonstrate, with examples from art and psychoanalysis, ways in which (a) Freud replaced directed with non-directed free association reasoning, and (b) post-Freudians, notably Merleau-Ponty and Bion, drew attention to the inter-subjective factors involved in bringing this form of reasoning into being.

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25

Cox, Olga. "Saussure and psychoanalytic feminism — a made match." Irish Journal of Psychological Medicine 6, no. 2 (September 1989): 100–102. http://dx.doi.org/10.1017/s0790966700015391.

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AbstractOver the past thirty years Lacanian psychoanalysis, by mapping psychoanalytic concepts onto the terminology of modern linguistics has seemed to radically alter the former, and to a large extent has done so. However, Lacan's insistence that we are formed by, and enmeshed in, language, occults an opposite truth; one that is evidenced by the history of politics and of art, and although psychoanalysis has traditionally remained rigidly apolitical, concentrating on the private and familial rather than the public sphere, it can hardly avoid, even in this sphere, a confrontation with the poli

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26

Frayze‐Pereira, João A. "Psychoanalysis, science, and art: Aesthetics in the making of a psychoanalyst." International Journal of Psychoanalysis 88, no. 2 (April 2007): 489–505. http://dx.doi.org/10.1516/m700-723v-55hu-3740.

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27

Wexler, Joan. "Book Review: Dancing with the Unconscious: The Art of Psychoanalysis and the Psychoanalysis of Art." Journal of the American Psychoanalytic Association 62, no. 1 (February 2014): 173–79. http://dx.doi.org/10.1177/0003065114522128.

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28

Castelloe, Molly. "Danielle Knafo: Dancing with the Unconscious: The Art of Psychoanalysis and the Psychoanalysis of Art." American Journal of Psychoanalysis 74, no. 2 (June 2014): 209–11. http://dx.doi.org/10.1057/ajp.2014.7.

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29

MAVRODIEV, Stoil. "PSYCHOANALYSIS OF BULGARIAN LITERATURE: A HISTORICAL PERSPECTIVE." Ezikov Svyat volume 22 issue 2, ezs.swu.v22i2 (May 30, 2024): 111–21. http://dx.doi.org/10.37708/ezs.swu.bg.v22i2.12.

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The article is devoted to the development of the psychoanalytic movement in Bulgaria between the 1920s and the 1940s, when it reached its apogee. After this period, the communist regime came to power in Bulgaria and it banned all philosophical currents other than Marxist-Leninist philosophy. Psychoanalysis was also banned and it was declared to be a “bourgeois and unscientific doctrine”. The meta-analysis of the work of the Bulgarian Freudians makes it possible to distinguish the following main problem areas in which they worked: philosophical and methodological issues of psychoanalysis; the t

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30

Shcherbina, Yu I. "Appeal to the Work of F. M. Dostoevsky by Russian Emigration in Chekhia: A. L. Bem and the Psychoanalytic Method of Interpreting a Work of Art." Philosophical Letters. Russian and European Dialogue 3, no. 4 (December 2020): 146–57. http://dx.doi.org/10.17323/2658-5413-2020-3-4-146-157.

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The article is devoted to the conversion around works of F. M. Dostoevsky which took place among Czech intellectuals, among whom there were a lot of immigrants from Russia. In this context, the example of Alfred Ludwigovich Bem is indicative. The article reveals main reasons for the interest in Dostoevsky in Czechoslovakia. An important role in the study of Dostoevsky was played by the so-called ‘Russian action of aid’ and ‘Russian trace’ left by the exiles in Prague. In this regard, A. L. Bem is interesting not only as a researcher who devoted many works to Dostoevsky’s work but also as one o

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31

Duren, Brian, Leo Bersani, and Ned Lukacher. "The Freudian Body: Psychoanalysis and Art." SubStance 17, no. 3 (1988): 60. http://dx.doi.org/10.2307/3684927.

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32

Hopkins, Boone J. "Art and Politics: Psychoanalysis, Ideology, Theatre." Ecumenica 1, no. 1 (January 1, 2008): 91–92. http://dx.doi.org/10.5325/ecumenica.1.1.0091.

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33

Morra, Joanne. "On Use: Art Education and Psychoanalysis." Journal of Visual Culture 16, no. 1 (April 2017): 56–73. http://dx.doi.org/10.1177/1470412917700766.

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In this article, the author uses a key moment in Michael Fried’s essay ‘Art and Objecthood’ – Fried’s reference to Tony Smith’s car ride on the unfinished New Jersey Turnpike with his Masters of Fine Art students – to think about the possibilities offered to art education by psychoanalysis. In considering Smith’s experience and Fried’s interpretation of it as instances of both pedagogy and Winnicottian ‘use’, the author allows this analogy to echo and expand throughout three different pedagogical moments in which she has put ‘Art and Objecthood’ to use within her teaching, and back through to

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34

Caldwell, Lesley. "Image and Process: Psychoanalysis or Art?" British Journal of Psychotherapy 30, no. 3 (July 28, 2014): 337–48. http://dx.doi.org/10.1111/bjp.12098.

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35

Parment, Ulla-Britt, Bengt Collén, Jan Henriksson, Mona Serenius, and Viveca Wessel. "Editorial: Psychoanalysis Meets Art and Architecture." International Forum of Psychoanalysis 9, no. 1-2 (January 2000): 3–4. http://dx.doi.org/10.1080/080370600300055797.

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36

Blum, Harold P. "Psychoanalysis and Art, Freud and Leonardo." Journal of the American Psychoanalytic Association 49, no. 4 (August 2001): 1409–25. http://dx.doi.org/10.1177/00030651010490040501.

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37

Collins, Bradley. "Dancing with the Unconscious: the Art of Psychoanalysis and The Psychoanalysis of Art. by Danielle Knafo." Psychoanalytic Quarterly 82, no. 3 (July 2013): 771–79. http://dx.doi.org/10.1002/j.2167-4086.2013.00057.x.

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38

Sheiko, V., and E. Trubaieva. "Mediation component of psychoanalysis in the evolution of culture and the formation of culturology as a science." Culture of Ukraine, no. 76 (June 29, 2022): 39–49. http://dx.doi.org/10.31516/2410-5325.076.04.

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The purpose of the article is to highlight the mediating role of psychoanalysis in the processes of evolution of culture and art and the formation of culturology as a new and young scientific field. The main attention is paid to the mediating role of psychoanalysis in the development of the cultural and artistic field and the formation of personality. The methodology of this scientific research is culturological principles and research methods. It is the culturological methodology that has convincingly proved the mediating role of psychoanalysis in the civilizational development of cultu

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39

Restuccia, Frances L. "Kristeva's Severed Head in Iraq: Antoon’s The Corpse Washer." Journal of French and Francophone Philosophy 26, no. 2 (December 7, 2018): 56–68. http://dx.doi.org/10.5195/jffp.2018.858.

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This paper offers a Kristevan reading of Antoon's The Corpse Washer. Although this text focuses specifically on Arab/Muslim culture, which cannot be translated into a racial category, this reading is meant to show the pertinence of Kristevan psychoanalytic theory in a non-Western context. One might go about linking such psychoanalytic work on non-Western writing to “race” in two ways. Insofar as The Corpse Washer demonstrates the validity of Kristevan psychoanalytic theory for non-Western art/artists, it implies the universality of that theory, despite ethnicity, race, religion, etc. Or if we

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40

Dedić, Nikola. "On Yugoslav Poststructuralism: Introduction to “Art, Society/Text”." ARTMargins 5, no. 3 (October 2016): 93–101. http://dx.doi.org/10.1162/artm_a_00160.

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“Umetnost, družba/tekst” was an editorial published in the Slovenian journal Problemi-Razprave (Problems-Debates) in 1975. The journal was the central outlet of the so-called Slovenian Lacanian school and as such the most important place for the reception of French anti-humanist philosophy in the former Yugoslavia. The concept of the journal was based on interpreting French post-structuralism in the spirit of the Tel Quel magazine, anti-humanist Marxism in the spirit of Louis Althusser, theoretical psychoanalysis in the spirit of Jacques Lacan and his followers, as well as on a special blend o

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41

Choi, Young-Tae. "Psychoanalytic Implications in Western Modern Culture - Focusing on Freud and Lacan Theory -." Korea Association of World History and Culture 61 (December 30, 2021): 317–40. http://dx.doi.org/10.32961/jwhc.2021.12.61.317.

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The purpose of this study is to understand Western modern culture in various ways and in depth by looking into the psychoanalytic meaning implied in Western modern culture. A number of new phenomena have appeared in Western modern culture, and I want to investigate these phenomena from a psychoanalytic point of view, especially from the perspective of obsessive compulsive disorder and hysteria. In other words, in politics, absolutism maintains the order of the king through centralization of power, calculus and coordinates of time and space in science, and seizing space through perspective in a

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42

Lima, Ana Carolina Barbieri, Bianca Lopes Schulter, and Francisco de Assis Lima Filho. "A psicanálise: entre a arte e a clinica." Revista Científica Faesa 17, no. 1 (June 15, 2021): 49–64. http://dx.doi.org/10.5008/1809.7367.186.

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No meio da Psicanálise e da arte, circundam pontos que podem conversar entre si. No decorrer deste artigo, será visto um pouco sobre a história da arte e dos artistas, com enfoque no escritor Leon Tolstoi, no qual será percebido um pensamento análogo entre Freud e Tolstoi. Mais adiante, aparecerão noções da arte nas obras psicanalíticas de Freud e Lacan. Por final, em implicações da arte para a Psicanálise ficarão perceptíveis aproximações entre tais campos do saber. Sendo assim, em essência, este presente ensaio bibliográfico em sua totalidade pretende atualizar os referenciais teóricos, técn

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43

Peña, Saul K., and Ana‐María Rizzuto. "Psychoanalysis and art: A psychoanalytic view of the life and work of Cézanne." International Journal of Psychoanalysis 83, no. 3 (June 2002): 678–81. http://dx.doi.org/10.1516/33p4-v22j-4g8b-x884.

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44

Carey, Faye. "Freud's Art: Psychoanalysis Retold - By Janet Sayers." British Journal of Psychotherapy 25, no. 3 (August 2009): 393–98. http://dx.doi.org/10.1111/j.1752-0118.2009.01133_1.x.

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45

Townsend, Patricia. "Creativity and Destructiveness in Art and Psychoanalysis." British Journal of Psychotherapy 31, no. 1 (January 19, 2015): 120–31. http://dx.doi.org/10.1111/bjp.12123.

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46

Rivera, Tania. "Ethics, Psychoanalysis and Postmodern Art in Brazil." Third Text 26, no. 1 (January 2012): 53–63. http://dx.doi.org/10.1080/09528822.2012.641218.

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47

Vojtíšková, Lenka. "Dissolved politics and artistic imagination. On Kristeva's revolution and revolt." Aesthetic Investigations 5, no. 2 (January 31, 2023): 145–58. http://dx.doi.org/10.58519/aesthinv.v5i2.12845.

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In her work, Julia Kristeva uses two disparate concepts: revolution and revolt. In this article we will try to outline these concepts as different approaches to the relations between power, art and psychoanalysis. By placing the concepts of revolt and revolution in dialogue with each other, and by pointing out that the dialogue departs from the notion of experience, we will attempt to reconstruct the important contribution that Kristeva's work offers. Her perspective reveals that artistic expression is linked to a specific kind of politics (dissolved politics). Kristeva's view of literary and

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48

Sohn, Jihyun. "‘Looking’ Images as Psychoanalysis and Socially Engaged Art." Society for Art Education of Korea 65 (February 10, 2018): 143–60. http://dx.doi.org/10.25297/aer.2017.65.143.

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49

Sohn, Jihyun. "ʻLookingʼ Images as Psychoanalysis and Socially Engaged Art". Society for Art Education of Korea 65 (10 лютого 2018): 143–60. http://dx.doi.org/10.25297/aer.2018.65.143.

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50

Cundy, Linda. "Art, creativity, and psychoanalysis: Perspectives from analyst-artists." Psychodynamic Practice 24, no. 4 (July 4, 2018): 395–400. http://dx.doi.org/10.1080/14753634.2018.1485050.

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