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Relevant bibliographies by topics / Psychoanalytical theory; Sigmund Freud

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Academic literature on the topic 'Psychoanalytical theory; Sigmund Freud'

Author: Grafiati

Published: 4 June 2021

Last updated: 8 February 2022

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Journal articles on the topic "Psychoanalytical theory; Sigmund Freud"

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Wertz, Frederick J. "The Phenomenology of Sigmund Freud." Journal of Phenomenological Psychology 24, no. 2 (1993): 101–29. http://dx.doi.org/10.1163/156916293x00099.

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AbstractThe convergences in approach between Freud's psychoanalysis and Husserl's phenomenology are elaborated. These include philosophical roots in Brentano's teachings; the primacy of direct observation over construction and theory; a conviction about the irreducibility of mentality to nature; the project of a "pure" psychology; the bracketing of theories, preconceptions, and the natural attitude; the necessity of self-reflection and empathy; a relational theory of meaning; receptivity to human subjects as teachers; and the methodological value of fiction for scientific truth. It is argued that divergences between psychoanalytic and phenomenological theory have obscured profound agreement in the approach, subject matter, and methods of these two schools of psychology.

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Reitman, Nimrod. "“Ganz Unmusikalisch”: Freud’s Seconda Prattica." Comparative Literature 70, no. 4 (December 1, 2018): 369–91. http://dx.doi.org/10.1215/00104124-7215451.

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Abstract The article reads Sigmund Freud and Claudio Monteverdi’s understanding of musicality, its affinity with rhetoric, and the way this relation informs their individual oeuvres. Both Monteverdi and Freud, each in his own way, were condemned to live with an aversion to musicality that strengthened their hermeneutics of psychic and discursive disturbance. Through the specific rhetorical figure of the musical lament found in psychoanalytical discourse, the article demonstrates the way dissonances implicate opera, the madrigal, and the talking-cure, making aporetic claims, especially in the face of Freud’s self-attestation—his resolute conviction that he was “ganz unmusikalisch”—which astonishingly matches Monteverdi’s own resistance to music.

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Borrmann, Ricardo. "Law and psychoanalysis: close intertwining between Hans Kelsen and Sigmund Freud." Revista Justiça do Direito 35, no. 1 (April 29, 2021): 6–35. http://dx.doi.org/10.5335/rjd.v35i1.12543.

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This paper offers an original analysis of the interconnections between law and psychoanalysis through the personal and academic exchanges between Hans Kelsen (1881-1973) and Sigmund Freud (1856-1939). After a brief analysis of the similar cultural background of both scholars as Jews who grew up in fin-de-siècle Vienna, the text focuses on the personal encounters between them and subsequently analyzes Kelsen's reception of Freud's work in “The State-Concept and Social-Psychology” (Der Begriff des Staates und die Sozialpsychologie). Kelsen’s text was originally published in 1922 in Freud’s review, Imago, resulting from a conference he held at the Viennese Psychoanalytical Society. This paper analyzes the relevance of Freud’s theory to the construction of the Pure Theory of Law, especially regarding his concept of the state. Furthermore, it presents a new hypothesis for the subjective reasons behind Kelsen’s attraction to psychoanalysis, and for his admiration of Freud, which it tries to understand through the personal context of Kelsen’s life. Finally, it deals with the possible influence of Kelsen on Freud's work, especially with regards to the term "Super-Ego."

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Warda, Wahaj Unnisa. "The Great Mother: A Psychoanalytical Analysis of the Magna Mater In Two Novels." Advances in Social Sciences Research Journal 6, no. 11 (November 17, 2019): 130–35. http://dx.doi.org/10.14738/assrj.611.7305.

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Sigmund Freud formulated the theory of “Oedipus Complex”, Erich Newmann came forth with “The Great Mother or the Magna Mater” based on Carl Jung’s Theory of the Archetype and the Mother Complex, which charts the mental processes of women’s psychological development. Two novels are analysed based on the given psychoanalytical theories the first a British novel “Sons and Lovers” by D.H. Lawrence and the other Australian “The Thorn Birds” by Colleen McCullough. Both novels have two brothers who become the focus of their mother’s attention and the overbearing mother’s control clashes with their identities, which results in death or fallout from society. The characters’ personal conflicts reveal encrypted truth.

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Kurbanovsky, Alexei Alexeyevich. "Freud, Tatlin, and the Tower: How Soviet Psychoanalysts Might Have Interpreted the Monument to the Third International." Slavic Review 67, no. 4 (2008): 892–906. http://dx.doi.org/10.2307/27653029.

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The first translations of Sigmund Freud's texts into Russian appeared in the early 1900s, and by the 1920s all important works were available; in Soviet Russia they stimulated wide discussion of various medical, pedagogical, and social problems as well as of developments in creative art. Alexei Kurbanovsky argues that “Freudianism” would have seemed very tempting to those early Soviet theorists who believed that they must appropriate the relevant discoveries of western psychology and adopt them for their own revolutionary ends: creating the “new communist man.” The application of Freudian techniques to the analysis of some classical Russian writers as well as painters is documented in writings from the 1920s by Ivan Ermakov; the artistic tendencies of the Russian avant-garde were quite often viewed as reflecting the latest achievements of science and technology. So aspiring Soviet critics might well have attempted psychoanalytical “readings“ of innovatory artifacts. Vladimir Tatlin stands as one of their possible model cases. Kurbanovsky argues that Tatlin's famous spiral tower could be psychoanalytically interpreted in reference to the Oedipal “refutation of father-figures.” Such an interpretation seems in tune with the general cultural climate where other phenomena (such as the October revolution) were seen as having a “hidden, Freudian aspect.” Examining the psychoanalytical underpinnings of the theory of Soviet avant-garde allows us to more fully appreciate its historical and cultural significance.

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Jaiswal, Deepali. "A Psychoanalysis of Female Characters in the Novels Heat and Dust and Inside the Haveli : Function of Mother Archetype in the Characters of the Narrator and Geeta." SMART MOVES JOURNAL IJELLH 9, no. 2 (February 27, 2021): 72–81. http://dx.doi.org/10.24113/ijellh.v9i2.10907.

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The psychoanalysts enhance our understanding of our consciousness, the self and self-identity. Psychoanalytic theory plays an important role in the comprehension of the fundamental condition of selfhood. The self is not an unified entity in psychoanalytical terms. Human subject emerges as an outcrop of the unconscious desire. After Sigmund Freud, Carl Jung, a swiss psychologist is considered as an eminent contributor to psychoanalysis who theorized the concept of collective unconscious. The purpose of my study is to find out the presence of the collective unconscious and to analyse two female characters, The Narrator , from the novel Heat and Dust and Geeta from Inside the Haveli with the help of Jung's theory of collective unconscious and mother archetype. In this research paper several theoretical concepts of Carl Jung are used to analyse the female characters. Jung’s theories are applied during the analysis process such as personal conscious, collective conscious and archetypes. I would use qualitative method for the analysis of the characters of the Narrator and Geeta. I would use important dialogues and incidents for the data collection for the analysis of the characters. The psychoanalytic study of the Narrator and Geeta shows that they both have collective unconscious. I would study the function of mother archetype in the life of the Narrator and Geeta

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MeenaKumari, V., and P. Shelonitta. "Psychodynamic Study on the Works of Cecelia Ahern." Shanlax International Journal of English 8, no. 3 (June 2, 2020): 60–64. http://dx.doi.org/10.34293/english.v8i3.3170.

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Sigmund Freud’s psychoanalytical theory originally developed in the late 19th and early 20th centuries, in which Freud throws light into the “personality” of a human being. He gives a tripartite structure that involves a conscious (superego), pre-conscious (ego), and super-conscious (the ‘id’). These concepts and their explanations form the fundamentals of the psychoanalytical theory. This thesis will focus on “Resistance and Repression,” which is one among the many theories of psychoanalysis established by Freud. ‘Repression’ or also referred to as ‘Suppression’ by later psychologists, is the process of deliberately pushing out a painful thought, memory or feeling out of consciousness and becoming unaware of its existence, to which ‘Resistance’ acts as a safety measure by the mind in not giving entrance to certain painful memories into the conscious. Thisphenomenon plays a major role in the psyche of an average person as a “defense mechanism” to escape the anxiety that is caused by certain unacceptable concepts to the conscious mind. This thesis brings into light the psyche of the protagonist of Cecelia Ahern’s novel “Postscript,” who, throughout their life, represses painful events of the past, thus altering their decisions in life to a great extent. This work focuses on the behavioral patterns of the characters in the selected novels of study and the corresponding psychological traits that give an in-depth understanding of repression and its corresponding theories and their role in human life.

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Cukljevic, Filip. "Wittgenstein's critique of Freud." Theoria, Beograd 60, no. 3 (2017): 75–91. http://dx.doi.org/10.2298/theo1703075c.

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The aim of this paper is to present the critique that Ludwig Wittgenstein directs to the psychoanalytic theory of Sigmund Freud, as well as to critically evaluate its successfulness. At the beginning I will review some of the main arguments that Wittgenstein offers against this theory. First I will consider the argument that calls into question the psychoanalytic ontology and according to which there are significant problems in its conceptualization. Then I will deal with the critique which holds that the psychoanalytic method is problematic, primarily because it is allegedly unscientific. After this I will show the third argument that attacks Freud?s assumption according to which phenomena such as dreams must have a certain essence. It will be shown that none of these arguments is entirely successful. Subsequently I will focus on the argument that is, according to some, the main Wittgenstein?s argument and according to which Freud makes a mistake by not distinguishing the concepts of cause and reason. I will claim that psychoanalysis can be defended from this objection likewise. In order to show this, I will refer to the interpretation of Freud?s teachings according to which the so-called subintentional explanations are used in psychoanalysis.

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Shakry, Omnia El. "Psychoanalysis and the Imaginary: Translating Freud in Postcolonial Egypt." Psychoanalysis and History 20, no. 3 (December 2018): 313–35. http://dx.doi.org/10.3366/pah.2018.0271.

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This article imagines psychoanalysis geopolitically by way of an exploratory foray into the oeuvre of Sami-Ali, the Arabic translator of Sigmund Freud's Three Essays on the Theory of Sexuality, author of a large body of original psychoanalytic writings, and translator of the poetry of Sufi masters. Taken together, his writings enable a critical rethinking of the role of the imaginary, the mechanisms of projection, and the epistemology of non-knowledge in the workings of the unconscious. Significantly, such a rethinking of key psychoanalytic concepts drew upon the Sufi metaphysics of the imagination of Ibn ʿArabi. Yet such theoretical work cannot be understood outside of its wider clinical context and the conditions of (im)possibility that structure psychoanalysis within the postcolony. Reconstituting Sami-Ali's early theoretical writings alongside his work with the long-forgotten figures he observed, incarcerated female prostitutes in 1950s Cairo, I argue that his clinical encounters constituted the ground of his theorization of the imaginary within the embodied subject. Attending to the work of translation inherent within psychoanalytic practice – whether from Sigmund Freud's own German writings into French or Arabic, or from clinical practice into theoretical discourse – helps us conceptualize psychoanalysis as taking place otherwise at the intersection of multiple epistemological and ethical traditions.

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Baga, Magdalena. "Dua Sisi Kepribadian Bertolak Belakang: Psikoanalisis Freudian dalam Novel Deviasi Karya Mira W." Ideas: Jurnal Pendidikan, Sosial, dan Budaya 7, no. 2 (June 4, 2021): 87. http://dx.doi.org/10.32884/ideas.v7i2.364.

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Abstrak Teori Psikoanalisis Freud bukan saja digunakan untuk terapi pada manusia, akan tetapi sering juga digunakan untuk menelaah karya sastra yang memuat masalah-masalah psikologis tokoh yang ada di dalam karya sastra. Sigmund Freud dikenal dengan teorinya mengenai lapisan kesadaran, dan ia sendiri mengujicobakan teorinya mengenai lapisan kesadaran ini ke dalam karya sastra. Tujuan penulisan ini adalah untuk menelaah tokoh yang mengalami penyimpangan secara kejiwaan dalam novel karya Mira W. yang berjudul Deviasi dengan menggunakan teori dan pendekatan psikoanalisis Freud dalam karya sastra. Hasil analisis memperlihatkan bahwa tokoh utama dalam novel ini mengalami masalah kejiwaan berat sehingga menderita Dissociative Identity Disorder(DID) atau Multiple Personality Disorder, yakni suatu kelainan kejiwaan yang mengakibatkan seseorang memiliki kepribadian ganda. Kelainan kejiwaan ini tidak muncul begitu saja, akan tetapi ada sebuah penyebab yang berasal dari masa kanak-kanak dan butuh rentangan waktu yang panjang untuk memperlihatkan bahwa seseorang telah menyimpang secara kejiwaan, atau tidak norma Abstract Freud’s Psychoanalytic Theory is not only used for therapy in humans, but often also used to examine literary works that contain psychological problems of characters inside literary works. Sigmund Freud was known for his theory of the layer of consciousness, and he tested his theory into literary work. The purpose of this paper is to examine the characters who experience psychiatric disorder in Mira W's novel entitled Deviasi using Freud's psychoanalytic theory and approach in literary works. The results of the analysis show that the main character in this novel suffered severe psychiatric problems and he had suffered of Dissociative Identity Disorder (DID) or Multiple Personality Disorder, a psychiatric disorder that results in a person having multiple personalities. This psychiatric disorder does not appear just in sudden, but there is a cause that originates from childhood and requires a long stretch of time to show that someone has psychological disorder or abnormally deviated.

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Dissertations / Theses on the topic "Psychoanalytical theory; Sigmund Freud"

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Hall, Katharina Annemarie. "'Hast du ein GedaÌˆchtnis?' : memory and the representation of the past in the early narratives of GuÌˆnter Grass." Thesis, University of Southampton, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.245049.

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Spolander, Rebecca. "The Fear of Mrs. Bates : The Use of Psychoanalytical Aspects, Anticipation and Retrospection in Robert Bloch’s Psycho." Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-70901.

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This essay focuses on psychoanalytical notions in Robert Bloch’s novel Psycho. The theoretical framework is based on Sigmund Freud’s theory of psychoanalysis. Slavoj Žižek’s idea that the house serves as a symbol of Freud’s concept of the Super-Ego, Ego and Id is presented and further developed. Moreover, it is exemplified how the idea of repression as a defense mechanism can be traced in the novel. It is then explained that repression is used as a tool for making the reader feel sympathy for Norman Bates. In addition, Wolfgang Iser’s reception theory is used to explain how Bloch uses gaps and pre-intentions in order to create anticipation and retrospection in the reader to produce suspense and horror. The intention is to prove that the attention to the psychological issues is what makes the monster of the novel more sympathetic and recognizable to us as readers. Thus, the result is that we position ourselves closer to the monster, which leaves us wondering if we could, due to our shared psychology, be monsters as well.

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Csillag, Michele Cukiert. "Uma contribuição à Questão do Corpo em Psicanálise: Freud, Reich e Lacan\"." Universidade de São Paulo, 2000. http://www.teses.usp.br/teses/disponiveis/47/47133/tde-21032014-102357/.

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Este trabalho investiga a questão do corpo em Psicanálise tendo como referência a obra de três dos autores fundamentais para o pensamento psicanalítico, quais sejam: Freud, Reich e Lacan. Estuda o problema do corpo percorrendo inicialmente a obra de Sigmund Freud, tendo em vista a forma como seu pensamento se distancia do campo da Medicina e do corpo biológico, articulando uma noção de corpo específica ao campo psicanalítico a partir de conceitos como inconsciente, sexualidade e pulsão (Trieb). Nesse contexto, focaliza a forma como ele funda uma nova disciplina e uma nova prática, na qual a intervenção se faz por meio da palavra. Aborda a obra de Wilhelm Reich, verificando como seu pensamento surge inicialmente a partir das idéias e conceitos freudianos. Focaliza a especificidade da noção de corpo e a forma como ele funda uma teoria e uma técnica ativa de intervenção na clínica, que se distinguem em vários pontos do método freudiano clássico. Examina as perspectivas teórico-clínicas estabelecidas por Jacques Lacan a partir da sua releitura do texto freudiano e da ênfase sobre a linguagem. Analisa como a nova conceituação do inconsciente freudiano, (estruturado como linguagem) e a introdução do conjunto terminológico e conceitual Real, Simbólico e Imaginário permitem repensar o campo psicanalítico e a problemática do corpo em Psicanálise. Destaca a especificidade da proposta teórico-clínica de cada um dos três autores, verificando como, das diferentes concepções sobre o corpo, decorrem formas distintas de abordá-lo na clínica.
This work examines the issue of the body in Psychoanalysis with refeence to the works of three fundamental authors of psychoanalytical thought: Freud, Reich and Lacan. It studies the problem o f the body, initially based on the works of Sigmund Freud, considering the way his thought distances itself from the medical field and the biological body, articulating a notion of body specific to the field of psychoanalysis, taking into account concepts such as unconsciousness, sexuality and instinct (Trieb). In this context, it focuses on the way he establishes a new discipline and a new practice, in which the intervention is made trough the word. It covers the work of Wilhelm Reich, verifying how his thought initially appears from Freudian ideas and concepts. It focuses specifically on the notion of body and the way he establishes a theory and active technique of intervention in the clinic, that distinguishes itself in many aspects of the classic Freudian method. It examines the perspectives of clinical-theory established by Jacques Lacan, from his rereading of the Freudian text and the emphasis on the language. It analyses how the new conception of Freudian unconsciousness (structured as a language) and the introduction of the terminological and conceptual group, Real, Symbolic and Imaginary allows a rethinking of the psychoanalytical field and of the problem of the body in Psychoanalysis. What stands out is the specific nature of each of the three authors clinical-theory proposal checking how the different body conceptions result in distinct methods of dealing with them at the clinic.

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Mendonça, Ricardo Alexandre Coimbra de. "A escuta e a defesa na psicanalise." [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/279167.

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Orientador: Oswaldo Giacoia Junior
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
Made available in DSpace on 2018-08-10T07:06:51Z (GMT). No. of bitstreams: 1 Mendonca_RicardoAlexandreCoimbrade_M.pdf: 820205 bytes, checksum: 0787a7fe53440b8d16e09511264f3e53 (MD5) Previous issue date: 2006
Resumo: Este trabalho tem o objetivo de caracterizar a escuta psicanalítica à luz da teoria da defesa, exposta por Freud de modo inaugural no seu artigo As neuropsicoses de defesa. Tenta-se mostrar, a partir de um exemplo de intervenção clínica junto a um caso de fobia, em que medida a prática de escuta em psicanálise se articula com a problemática da falsa conexão, problemática que se insere nos quadros teóricos da hipótese da defesa
Abstract: The purpose of this paper is to characterize the psychoanalytic hearing under the light of the theory of defense, primarily exposed by Freud in his article "The neuropsychoses of defense". Here the idea is to show, from an example of clinical intervention on a phobia case, to what extent the psychoanalytic hearing practice articulates itself to the problematic of the false connection, which is related to the theoretical scope of the defense hypothesis
Mestrado
Filosofia
Mestre em Filosofia

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Kovacevic, Filip. "Liberating Oedipus? : psychoanalysis as critical theory /." free to MU campus, to others for purchase, 2002. http://wwwlib.umi.com/cr/mo/fullcit?p3074417.

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Sniker, Breno Herman. "Excedente de significação na clínica psicanalítica: articulações entre o pensamento de Emmanuel Lévinas e a psicanálise." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/47/47132/tde-14122009-090609/.

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O presente trabalho articula o pensamento de Emmanuel Lévinas e a clínica psicanalítica. Para tal articulação, o autor serve-se do conceito de inspiração, tomando o pensamento de Lévinas como um conhecimento tácito e subsidiário a psicanálise. Ao colocar o pensamento de Lévinas nessa posição, várias questões podem ser formuladas à clínica psicanalítica. Sobretudo, questões relacionadas às dimensões éticas, seja naquilo que se refere à posição do analista frente ao analisando, seja na sua posição frente às construções teóricas. Para encaminhar tais questões, o autor se servirá de alguns textos freudianos, dentre eles, Construções em Análise, Estudos sobre Histeria e Projeto para uma psicologia científica, ora para exemplificar tais questões, ora para contrastar o pensamento de Freud ao pensamento de Lévinas.
This paper articulates the thought of Emmanuel Lévinas and psychoanalytic clinic. For this joint, the author makes use of the concept of inspiration, taking the thought of Lévinas as a tacit and alternative knowledge to psychoanalysis. By putting the thought of Lévinas in this position, several questions may be made to the psychoanalytic clinic. Above all, questions related to the ethical dimensions, some concerns the position of the analyst in relation to analyzing, others about the position of analyst in relation to theoretical constructions. To forward these questions, the author will use some Freudian texts, among them, Constructions in Analysis, Studies on Hysteria and Project for a scientific psychology, sometimes to illustrate these questions, sometimes to contrast the ideas of Freud to the thought of Lévinas.

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Woods, Katherine. "Witchcraft plays 1587-1635 : a psychoanalytical approach." Thesis, Loughborough University, 2013. https://dspace.lboro.ac.uk/2134/12317.

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This thesis comprises detailed readings of nine early-modern plays featuring female witches in an attempt to recover an understanding of how they were represented on the early-modern stage and what they meant to their first audiences. Drawing on twentieth-century theories of subjectivity, it offers an avenue for the explanation of moments of misogyny in the plays and identifies an unconscious communal anxiety which was revealed and perpetuated by the stage representation of the witch. Although we cannot fully recapture the experience of an audience of 400 years ago, this study attempts to do so in order to place the plays in the context of anxieties detectable in the period. By reading the plays in reference to theatrical conditions, this thesis identifies moments when the drama enlisted the subjectivity of the audience and the witch was constructed as uncanny. Such an approach contributes to the debate on the ages of actors performing certain female characters and suggests potential staging approaches for future performances.

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Wong, Ching-wa. "On Freud's theory of the unconscious /." Hong Kong : University of Hong Kong, 1997. http://sunzi.lib.hku.hk/hkuto/record.jsp?B18404431.

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Gouws, Andries Stefanus. "Psychoanalysis and the other : an essay on Freud's metapsychology, hermeneutics and theory of sexuality /." Utrecht : Universiteit voor Humanistiek, 1998. http://catalogue.bnf.fr/ark:/12148/cb37111955q.

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Th. Ph. D.--Utrecht--Universiteit voor Humanistiek, 1998.
Mention parallèle de titre ou de responsabilité : Psychoanalyse, de ander en het andere : een verhandeling over Freud's metapsychologie, hermeneutiek en theorie van de seksualiteit. Contient un résumé en néerlandais. Bibliogr. p. 350-358. Index.

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Emmer, Granqvist Linus. "The Animal Within : A Psychoanalytical Perspective on Shape-Shifting." Thesis, Stockholms universitet, Engelska institutionen, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-59480.

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As seen from cultural history, shape-shifting is a very widespread literary motif, which suggests that it has high inspirational power and general appeal. Shape-shifting has not been critically examined in the detail it merits: it is mostly examined as a part of other theories. Examination of Freud‟s psychological theories and modern literature such as Dracula, Harry Potter and the Prisoner of Azkaban and The White Wolf of the Hartz Mountains shows strong connections between the power of this motif and repressed animal instincts – an animal within. This connection usually manifests symbolically rather than as an actual representation of an unearthing of repressed material. There are connections to religious beliefs and a wish to be more than human which raises questions about what is implied by changing into an animal – less than human – shape. The relation between shape-shifting and repression causes an uncanny atmosphere about the motif, something which is used extensively in The White Wolf of the Hartz Mountains and Dracula. There is also evidence suggesting the possibility that psychosis and neurosis might manifest as a sort of mental shape-shifting. In literature this can be seen in the were-wolf Lupin in Harry Potter and the Prisoner of Azkaban and the Berserkers of the Norse. Examination of the Boggart and Lupin of Harry Potter and the Prisoner of Azkaban and of the Norse berserkers show that the empowerment of shape-shifting mostly lies in control. All of this considered, and with the lack of critical examination in mind, shape-shifting seems severely underestimated and under-examined.

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Books on the topic "Psychoanalytical theory; Sigmund Freud"

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Sigmund Freud and his critique of religion. Philadelphia: Fortress Press, 1988.

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Richard, Stevens. Sigmund Freud: Examining the essence of his contribution. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2008.

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The language of psycho-analysis. London: Karnac and the Institute of Psycho-Analysis, 1988.

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Making Freud more Freudian. London: Karnac, 2010.

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My analysis with Freud. Northvale, N.J: Aronson, 1994.

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The early years of life: Psychoanalytical development theory according to Freud, Klein, and Bion. London: Karnac, 2011.

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Freud evaluated: The completed arc. Cambridge, Mass: MIT Press, 1997.

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Macmillan, Malcolm. Freud evaluated: The completed arc. Amsterdam: North-Holland, 1991.

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Freud and man's soul. Harmondsworth: Penguin Books, 1991.

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Freud and man's soul. London: Fontana, 1985.

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Book chapters on the topic "Psychoanalytical theory; Sigmund Freud"

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Colledge, Ray. "Sigmund Freud." In Mastering Counselling Theory, 11–26. London: Macmillan Education UK, 2002. http://dx.doi.org/10.1007/978-0-230-62957-8_2.

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Emerling, Jae. "Sigmund Freud." In Theory for Art History, 17–25. Second edition. | London; New York: Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9780203113899-2.

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Stevens, Richard. "Theory of Neurosis." In Sigmund Freud, 56–61. London: Macmillan Education UK, 2008. http://dx.doi.org/10.1007/978-1-137-08164-3_6.

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Noland, Richard W. "Freud, Sigmund." In Encyclopedia of Contemporary Literary Theory, edited by Irena Makaryk, 320–24. Toronto: University of Toronto Press, 1993. http://dx.doi.org/10.3138/9781442674417-098.

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Starkstein, Sergio. "Sigmund Freud and the Psychoanalytical Concept of Fear and Anxiety." In A Conceptual and Therapeutic Analysis of Fear, 231–57. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-78349-9_8.

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Mitroff, Ian I., and Ralph H. Kilmann. "Wrestling with the Inner Demons of Contemporary Life: A Brief Overview of Psychoanalytic Thought." In The Psychodynamics of Enlightened Leadership, 1–11. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-71764-3_1.

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AbstractWe begin our examination of Enlightened Leadership by exploring a number of Psychoanalytically based theories, in particular with regard to what they have to teach us about the human condition. Thus, we briefly examine some of the key concepts and ideas of Melanie Klein, Sigmund Freud, Donald Winnicott, Eric Berne, and John Bowlby. One of the major benefits is that they illuminate important aspects of the Coronavirus that are difficult to ascertain otherwise. For one, each provides a different take on the enormous stress we are experiencing as a result of the Virus. They also reinforce the absolute necessity of following the dictates of reputable scientific experts and science itself if we are to stand any hope at all in dealing with the Virus.

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Schiller, Britt-Marie. "Sigmund Freud, Carl Jung, and the Genesis of Psychotherapy." In Contemporary Theory and Practice in Counseling and Psychotherapy, 29–57. 2455 Teller Road, Thousand Oaks California 91320: SAGE Publications, Inc, 2016. http://dx.doi.org/10.4135/9781071800386.n2.

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Yovell, Yoram. "Drive and Love: Revisiting Freud’s Drive Theory." In A Neuro-Psychoanalytical Dialogue for Bridging Freud and the Neurosciences, 127–36. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-17605-5_8.

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Weigel, Sigrid. "Embodiment in Simulation Theory and Cultural Science, with Remarks on the Coding-Problem of Neuroscience." In A Neuro-Psychoanalytical Dialogue for Bridging Freud and the Neurosciences, 47–71. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-17605-5_4.

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Weigel, Sigrid. "Beyond the Death Drive: Freud’s Engagement with Cell Biology and the Reconceptualization of His Drive Theory." In A Neuro-Psychoanalytical Dialogue for Bridging Freud and the Neurosciences, 109–25. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-17605-5_7.

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Conference papers on the topic "Psychoanalytical theory; Sigmund Freud"

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Aglieri Rinella, Tiziano. "Le Corbusier’s uncanny interiors." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.708.

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Abstract: The reception of Le Corbusier’s early buildings in Paris provoked an astonishing sensation of shock and estrangement in the public of the time. This troubling sensation of wonder is still alive today, after almost a century from their construction, and it is particularly vivid in some of the interiors, as we can notice from the photographic documentation of the time. Sigmund Freud, in his book “The interpretation of dreams”, underlined the direct relation existing between the interior of the human psyche and the interior of the house a subject lives in. He defined the interior of each man’s home as a sort of “diagnostic box” of the human mind, able to disclose the psyche of the individual, expressing his dreams, desires and obsessions. In his purist houses, Le Corbusier seems to have imposed his overwhelming personality on the clients, somehow expressing his own idealistic dream of the city of the future and foreseeing the visionary scenarios of a modernist utopia. This paper’s goal is to present a psychoanalytic reading of Le Corbusier’s buildings of the time, analyzing a number of significant examples in order to identify their uncanny effects, disclosing the hidden relations between cause and effect, and decoding the related composing technics used in the interior design. Resumen: La recepción de los primeros edificios de Le Corbusier en París provocó una sensación asombrosa de shock y extrañamiento en el público de la época. Esta sensación inquietante de asombro sigue vivo hasta hoy, después de casi un siglo de su construcción, y es particularmente viva en algunos interiores, como podemos observar en la documentación fotográfica de la época. Sigmund Freud, en su libro "La interpretación de los sueños", subrayó la relación directa existente entre el interior de la psique humana y el interior de la casa donde un sujeto vive. Él definió el interior de la casa de cada hombre como una especie de "caja diagnóstica"de la mente humana, capaz de revelar la psique del individuo, expresando sus sueños, deseos y obsesiones. En sus casas puristas, Le Corbusier parece haber impuesto su personalidad arrolladora en los clientes, expresando de alguna manera su propio sueño idealista de la ciudad del futuro y previendo los escenarios visionarios de una utopía modernista. El objetivo de este trabajo es de presentar una lectura psicoanalítica de los edificios de Le Corbusier de la época, analizando una serie de ejemplos significativos con el fin de identificar sus efectos extraños, revelar las relaciones ocultas entre causa y efecto, y decodificando las relativas técnicas compositivas utilizadas en el diseño de los interiores. Keywords: Le Corbusier; Interiors; Architecture; Uncanny; Freud; Surrealism. Palabras clave: Le Corbusier; Interiores; Arquitectura; Perturbador; Freud; Surrealismo DOI: http://dx.doi.org/10.4995/LC2015.2015.708

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