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1
Wertz, Frederick J. "The Phenomenology of Sigmund Freud." Journal of Phenomenological Psychology 24, no. 2 (1993): 101–29. http://dx.doi.org/10.1163/156916293x00099.
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AbstractThe convergences in approach between Freud's psychoanalysis and Husserl's phenomenology are elaborated. These include philosophical roots in Brentano's teachings; the primacy of direct observation over construction and theory; a conviction about the irreducibility of mentality to nature; the project of a "pure" psychology; the bracketing of theories, preconceptions, and the natural attitude; the necessity of self-reflection and empathy; a relational theory of meaning; receptivity to human subjects as teachers; and the methodological value of fiction for scientific truth. It is argued that divergences between psychoanalytic and phenomenological theory have obscured profound agreement in the approach, subject matter, and methods of these two schools of psychology.
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Reitman, Nimrod. "“Ganz Unmusikalisch”: Freud’s Seconda Prattica." Comparative Literature 70, no. 4 (2018): 369–91. http://dx.doi.org/10.1215/00104124-7215451.
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Abstract The article reads Sigmund Freud and Claudio Monteverdi’s understanding of musicality, its affinity with rhetoric, and the way this relation informs their individual oeuvres. Both Monteverdi and Freud, each in his own way, were condemned to live with an aversion to musicality that strengthened their hermeneutics of psychic and discursive disturbance. Through the specific rhetorical figure of the musical lament found in psychoanalytical discourse, the article demonstrates the way dissonances implicate opera, the madrigal, and the talking-cure, making aporetic claims, especially in the face of Freud’s self-attestation—his resolute conviction that he was “ganz unmusikalisch”—which astonishingly matches Monteverdi’s own resistance to music.
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Borrmann, Ricardo. "Law and psychoanalysis: close intertwining between Hans Kelsen and Sigmund Freud." Revista Justiça do Direito 35, no. 1 (2021): 6–35. http://dx.doi.org/10.5335/rjd.v35i1.12543.
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This paper offers an original analysis of the interconnections between law and psychoanalysis through the personal and academic exchanges between Hans Kelsen (1881-1973) and Sigmund Freud (1856-1939). After a brief analysis of the similar cultural background of both scholars as Jews who grew up in fin-de-siècle Vienna, the text focuses on the personal encounters between them and subsequently analyzes Kelsen's reception of Freud's work in “The State-Concept and Social-Psychology” (Der Begriff des Staates und die Sozialpsychologie). Kelsen’s text was originally published in 1922 in Freud’s review, Imago, resulting from a conference he held at the Viennese Psychoanalytical Society. This paper analyzes the relevance of Freud’s theory to the construction of the Pure Theory of Law, especially regarding his concept of the state. Furthermore, it presents a new hypothesis for the subjective reasons behind Kelsen’s attraction to psychoanalysis, and for his admiration of Freud, which it tries to understand through the personal context of Kelsen’s life. Finally, it deals with the possible influence of Kelsen on Freud's work, especially with regards to the term "Super-Ego."
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Warda, Wahaj Unnisa. "The Great Mother: A Psychoanalytical Analysis of the Magna Mater In Two Novels." Advances in Social Sciences Research Journal 6, no. 11 (2019): 130–35. http://dx.doi.org/10.14738/assrj.611.7305.
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Sigmund Freud formulated the theory of “Oedipus Complex”, Erich Newmann came forth with “The Great Mother or the Magna Mater” based on Carl Jung’s Theory of the Archetype and the Mother Complex, which charts the mental processes of women’s psychological development. Two novels are analysed based on the given psychoanalytical theories the first a British novel “Sons and Lovers” by D.H. Lawrence and the other Australian “The Thorn Birds” by Colleen McCullough. Both novels have two brothers who become the focus of their mother’s attention and the overbearing mother’s control clashes with their identities, which results in death or fallout from society. The characters’ personal conflicts reveal encrypted truth.
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Kurbanovsky, Alexei Alexeyevich. "Freud, Tatlin, and the Tower: How Soviet Psychoanalysts Might Have Interpreted the Monument to the Third International." Slavic Review 67, no. 4 (2008): 892–906. http://dx.doi.org/10.2307/27653029.
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The first translations of Sigmund Freud's texts into Russian appeared in the early 1900s, and by the 1920s all important works were available; in Soviet Russia they stimulated wide discussion of various medical, pedagogical, and social problems as well as of developments in creative art. Alexei Kurbanovsky argues that “Freudianism” would have seemed very tempting to those early Soviet theorists who believed that they must appropriate the relevant discoveries of western psychology and adopt them for their own revolutionary ends: creating the “new communist man.” The application of Freudian techniques to the analysis of some classical Russian writers as well as painters is documented in writings from the 1920s by Ivan Ermakov; the artistic tendencies of the Russian avant-garde were quite often viewed as reflecting the latest achievements of science and technology. So aspiring Soviet critics might well have attempted psychoanalytical “readings“ of innovatory artifacts. Vladimir Tatlin stands as one of their possible model cases. Kurbanovsky argues that Tatlin's famous spiral tower could be psychoanalytically interpreted in reference to the Oedipal “refutation of father-figures.” Such an interpretation seems in tune with the general cultural climate where other phenomena (such as the October revolution) were seen as having a “hidden, Freudian aspect.” Examining the psychoanalytical underpinnings of the theory of Soviet avant-garde allows us to more fully appreciate its historical and cultural significance.
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Jaiswal, Deepali. "A Psychoanalysis of Female Characters in the Novels Heat and Dust and Inside the Haveli : Function of Mother Archetype in the Characters of the Narrator and Geeta." SMART MOVES JOURNAL IJELLH 9, no. 2 (2021): 72–81. http://dx.doi.org/10.24113/ijellh.v9i2.10907.
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The psychoanalysts enhance our understanding of our consciousness, the self and self-identity. Psychoanalytic theory plays an important role in the comprehension of the fundamental condition of selfhood. The self is not an unified entity in psychoanalytical terms. Human subject emerges as an outcrop of the unconscious desire. After Sigmund Freud, Carl Jung, a swiss psychologist is considered as an eminent contributor to psychoanalysis who theorized the concept of collective unconscious. The purpose of my study is to find out the presence of the collective unconscious and to analyse two female characters, The Narrator , from the novel Heat and Dust and Geeta from Inside the Haveli with the help of Jung's theory of collective unconscious and mother archetype. In this research paper several theoretical concepts of Carl Jung are used to analyse the female characters. Jung’s theories are applied during the analysis process such as personal conscious, collective conscious and archetypes. I would use qualitative method for the analysis of the characters of the Narrator and Geeta. I would use important dialogues and incidents for the data collection for the analysis of the characters. The psychoanalytic study of the Narrator and Geeta shows that they both have collective unconscious. I would study the function of mother archetype in the life of the Narrator and Geeta
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MeenaKumari, V., and P. Shelonitta. "Psychodynamic Study on the Works of Cecelia Ahern." Shanlax International Journal of English 8, no. 3 (2020): 60–64. http://dx.doi.org/10.34293/english.v8i3.3170.
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Sigmund Freud’s psychoanalytical theory originally developed in the late 19th and early 20th centuries, in which Freud throws light into the “personality” of a human being. He gives a tripartite structure that involves a conscious (superego), pre-conscious (ego), and super-conscious (the ‘id’). These concepts and their explanations form the fundamentals of the psychoanalytical theory. This thesis will focus on “Resistance and Repression,” which is one among the many theories of psychoanalysis established by Freud. ‘Repression’ or also referred to as ‘Suppression’ by later psychologists, is the process of deliberately pushing out a painful thought, memory or feeling out of consciousness and becoming unaware of its existence, to which ‘Resistance’ acts as a safety measure by the mind in not giving entrance to certain painful memories into the conscious. Thisphenomenon plays a major role in the psyche of an average person as a “defense mechanism” to escape the anxiety that is caused by certain unacceptable concepts to the conscious mind. This thesis brings into light the psyche of the protagonist of Cecelia Ahern’s novel “Postscript,” who, throughout their life, represses painful events of the past, thus altering their decisions in life to a great extent. This work focuses on the behavioral patterns of the characters in the selected novels of study and the corresponding psychological traits that give an in-depth understanding of repression and its corresponding theories and their role in human life.
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Cukljevic, Filip. "Wittgenstein's critique of Freud." Theoria, Beograd 60, no. 3 (2017): 75–91. http://dx.doi.org/10.2298/theo1703075c.
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The aim of this paper is to present the critique that Ludwig Wittgenstein directs to the psychoanalytic theory of Sigmund Freud, as well as to critically evaluate its successfulness. At the beginning I will review some of the main arguments that Wittgenstein offers against this theory. First I will consider the argument that calls into question the psychoanalytic ontology and according to which there are significant problems in its conceptualization. Then I will deal with the critique which holds that the psychoanalytic method is problematic, primarily because it is allegedly unscientific. After this I will show the third argument that attacks Freud?s assumption according to which phenomena such as dreams must have a certain essence. It will be shown that none of these arguments is entirely successful. Subsequently I will focus on the argument that is, according to some, the main Wittgenstein?s argument and according to which Freud makes a mistake by not distinguishing the concepts of cause and reason. I will claim that psychoanalysis can be defended from this objection likewise. In order to show this, I will refer to the interpretation of Freud?s teachings according to which the so-called subintentional explanations are used in psychoanalysis.
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Shakry, Omnia El. "Psychoanalysis and the Imaginary: Translating Freud in Postcolonial Egypt." Psychoanalysis and History 20, no. 3 (2018): 313–35. http://dx.doi.org/10.3366/pah.2018.0271.
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This article imagines psychoanalysis geopolitically by way of an exploratory foray into the oeuvre of Sami-Ali, the Arabic translator of Sigmund Freud's Three Essays on the Theory of Sexuality, author of a large body of original psychoanalytic writings, and translator of the poetry of Sufi masters. Taken together, his writings enable a critical rethinking of the role of the imaginary, the mechanisms of projection, and the epistemology of non-knowledge in the workings of the unconscious. Significantly, such a rethinking of key psychoanalytic concepts drew upon the Sufi metaphysics of the imagination of Ibn ʿArabi. Yet such theoretical work cannot be understood outside of its wider clinical context and the conditions of (im)possibility that structure psychoanalysis within the postcolony. Reconstituting Sami-Ali's early theoretical writings alongside his work with the long-forgotten figures he observed, incarcerated female prostitutes in 1950s Cairo, I argue that his clinical encounters constituted the ground of his theorization of the imaginary within the embodied subject. Attending to the work of translation inherent within psychoanalytic practice – whether from Sigmund Freud's own German writings into French or Arabic, or from clinical practice into theoretical discourse – helps us conceptualize psychoanalysis as taking place otherwise at the intersection of multiple epistemological and ethical traditions.
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Baga, Magdalena. "Dua Sisi Kepribadian Bertolak Belakang: Psikoanalisis Freudian dalam Novel Deviasi Karya Mira W." Ideas: Jurnal Pendidikan, Sosial, dan Budaya 7, no. 2 (2021): 87. http://dx.doi.org/10.32884/ideas.v7i2.364.
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Abstrak 
 Teori Psikoanalisis Freud bukan saja digunakan untuk terapi pada manusia, akan tetapi sering juga digunakan untuk menelaah karya sastra yang memuat masalah-masalah psikologis tokoh yang ada di dalam karya sastra. Sigmund Freud dikenal dengan teorinya mengenai lapisan kesadaran, dan ia sendiri mengujicobakan teorinya mengenai lapisan kesadaran ini ke dalam karya sastra. Tujuan penulisan ini adalah untuk menelaah tokoh yang mengalami penyimpangan secara kejiwaan dalam novel karya Mira W. yang berjudul Deviasi dengan menggunakan teori dan pendekatan psikoanalisis Freud dalam karya sastra. Hasil analisis memperlihatkan bahwa tokoh utama dalam novel ini mengalami masalah kejiwaan berat sehingga menderita Dissociative Identity Disorder(DID) atau Multiple Personality Disorder, yakni suatu kelainan kejiwaan yang mengakibatkan seseorang memiliki kepribadian ganda. Kelainan kejiwaan ini tidak muncul begitu saja, akan tetapi ada sebuah penyebab yang berasal dari masa kanak-kanak dan butuh rentangan waktu yang panjang untuk memperlihatkan bahwa seseorang telah menyimpang secara kejiwaan, atau tidak norma
 Abstract
 Freud’s Psychoanalytic Theory is not only used for therapy in humans, but often also used to examine literary works that contain psychological problems of characters inside literary works. Sigmund Freud was known for his theory of the layer of consciousness, and he tested his theory into literary work. The purpose of this paper is to examine the characters who experience psychiatric disorder in Mira W's novel entitled Deviasi using Freud's psychoanalytic theory and approach in literary works. The results of the analysis show that the main character in this novel suffered severe psychiatric problems and he had suffered of Dissociative Identity Disorder (DID) or Multiple Personality Disorder, a psychiatric disorder that results in a person having multiple personalities. This psychiatric disorder does not appear just in sudden, but there is a cause that originates from childhood and requires a long stretch of time to show that someone has psychological disorder or abnormally deviated.
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García, Luciano Nicolás. "Biologizing Psychoanalysis: Konstantin Gavrilov and Freudo–Pavlovism in Argentina (1942–1960)." Psychoanalysis and History 16, no. 2 (2014): 215–36. http://dx.doi.org/10.3366/pah.2014.0151.
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This paper examines the work of the Russian zoologist Konstantin Gavrilov (1908–82) in Argentina, in the light of a series of authors who tried to find connections between Sigmund Freud's and Ivan Pavlov's ideas. This theoretical effort is designated as Freudo–Pavlovism, and it intended to offer neurophysiological evidence to psychoanalytical thesis in order to build a holistic theory of the psyche. Freudo–Pavlovism is considered a possible extension of Freudian ideas within an evolutionary framework. Gavrilov's ideas on the compatibility of Freudian and Pavlovian theories are analysed, as well as the support given by Argentinian psychoanalysts and the criticism that his work received by communist psychiatrists.
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Waslam, Waslam. "KEPRIBADIAN DALAM TEKS SASTRA: SUATU TINJAUAN TEORI SIGMUND FREUD." Pujangga 1, no. 2 (2017): 17. http://dx.doi.org/10.47313/pujangga.v1i2.323.
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<p align="center"><strong>ABSTRAK</strong></p><p>Penelitian yang membahas tentang Kepribadian dalam Teks Sastra ini bertujuan mendeskripsikan psikoanalisis atau kepribadian yang melingkupi kehidupan mental dalam wadah alam bawah sadar, alam tidak sadar, alam sadar yang mencakup wilayah id, ego, superego, dan tafsir mimpi. Metode penelitian yang digunakan dalam penelitian ini, yaitu metode penelitian deskriptif kualitatif, yaitu mendeskripsikan atau menggambarkan tentang kepribadian dalam teks sastra. Analisis data yang dipakai mencakup kepribadian dalam teks sastra. Hasil yang diharapkan menerapkan teori kepribadian yang diungkapkan melalui tokoh-tokoh yang terdapat dalam teks sastra tersebut.</p><p><strong>Kata kunci: wilayah pemikiran, id, ego, superego, libido dan tafsir mimpi</strong></p><p><strong> </strong></p><p align="center"><strong><em>ABSTRACT</em></strong><strong><em></em></strong></p><p><em>The topics of this study is about the personality in literary text. The aim of this study is to describe the personality aspects in three levels of minds, namely preconscious, and conscious mind in the context of id, edo, superego, and the interpretation of dream. Research methods of this study is qualitative descriptive, the aim of this study is to describe the personality aspects in literary text. Data analysis consist of personality aspects in literary text. The result of this study is the description of personality aspects of characters in the literary text based on psychoanalytic theory.</em><em></em></p><p><strong><em> </em></strong></p><p><strong><em>Key word: levels of minds, id, ego, superego, libido, interpretation of dream</em></strong><strong><em></em></strong></p>
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Freitas, Verlaine. "Theodor Adorno and the Freudian Revisionism." Veritas (Porto Alegre) 63, no. 2 (2018): 780. http://dx.doi.org/10.15448/1984-6746.2018.2.30894.
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The purpose of the text is to present an interpretation of Theodor Adorno’s critical reading of authors considered revisionists of Sigmund Freud’s psychoanalytic theory, particularly Karen Horney. We discuss critically Adorno’s favorable positioning to the Freudian conception of the individual psychic nucleus in contrast to the hasty sociologization of psychoanalysis practiced by the revisionism of Karen Horney. In the final part we try to show how the Adornian perspective ends up by making, in his own way, the same mistake of a hasty sociologization of psychoanalysis he imputed to the revisionists and advocates an theoretical emphasis on the sociological realm that seems also problematic. ***Theodor Adorno e o revisionismo freudiano***O objetivo do texto é apresentar uma interpretação da leitura crítica de Theodor Adorno sobre autores considerados revisionistas da teoria psicanalítica de Sigmund Freud, particularmente Karen Horney. Discutimos criticamente o posicionamento favorável de Adorno à concepção freudiana do núcleo individual do psiquismo em contraste com a apressada sociologização da psicanálise praticada pelo revisionismo de Karen Horney. Ao final, porém, procuramos mostrar como a perspectiva adorniana termina por incorrer, a seu modo, no mesmo equívoco de sociologização apressada da psicanálise imputado por ele aos revisionistas, além de defender uma ênfase teórica no plano sociológico que nos parece também problemática.Palavras-chave: Theodor Adorno; Sigmund Freud; Karen Horney; Psicanálise
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Barboza Núñez, Esteban. "The Uncanny in the Themes of Evil, Transgression and the Double in Nathaniel Hawthorne's "Rappaccini's Daughter"." LETRAS, no. 40 (July 24, 2006): 33–47. http://dx.doi.org/10.15359/rl.2-40.2.
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El propósito de este artículo consiste en explorar los mecanismos y representaciones de lo siniestro en "La hija de Rappacci" de Nathaniel Hawthome como expresión del mal dentro de los límites del género gótico del siglo XIX; como expresión del tema del doble en tres personajes humanos y en uno no humano que aparecen en el cuento; y como expresión de trasgresión en el personaje principal, Giovanni Guasconte. El concepto de lo siniestro que se usará será el de la teoría psicoanalítica, siguiendo especialmente los aportes de Sigmund Freud y Jacques Lacan. The purpose of this artide is to explore the mechanisms and representations of the uncanny in Nathaniel Hawthome's "Rappaccini's Daughter" as an expression of evil within nineteenth century Gothic boundaries; as an expression of the theme of the double in three human characters and in one non-human component of Rappaccini's garden; and as an expression of transgression in Giovanni Guasconte, the main character. The concept of the uncanny to be used will be that of psychoanalytic theory, especially reliant on the contributions on the topic by Sigmund Freud and Jacques Lacan.
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Rodrigues, Larissa de Assis Pimenta. "Diálogos entre Teoria e Literatura: A escrita de Freud." Revista Discente Ofícios de Clio 3, no. 4 (2018): 27. http://dx.doi.org/10.15210/clio.v3i4.14116.
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Este artigo investiga as possibilidades de uma escrita da história com abordagem interdisciplinar, explorando a categoria de escrita cunhada por Sigmund Freud como “Ficção Teórica”. Esta modalidade de escrita é encontrada nos escritos de Freud principalmente ao relatar casos clínicos nos quais ele lançava mão de recursos literários para compor verdadeiros contos que articulavam ficção e teoria psicanalítica. Tal escrita suscita interpretações para além do que foi pretendido transmitir, como traços culturais ou aspectos subjetivos da época e dos indivíduos. Isto é, ela seria capaz de revelar elementos de um inconsciente coletivo, através de vocábulos usados, escolha de temas, valores morais, etc. Portanto, a ficção teórica não é uma nova forma de teorização, mas suscita interpretações e produz sentidos que seriam imprevistos pela teoria pura. Palavras-chave: Ficção teórica, literatura, psicanálise. AbstractThis article intends to investigate the the writing of History with an interdisciplinary approach, exploring the category of writing coined by Sigmund Freud as "Theoretical Fiction". This kind of writing is found in Freud's reports of his clinical cases, in which he used literary resources to compose true tales articulating fiction and psychoanalytic theory. This writing raises interpretations beyond what was intended to convey, such as cultural traits or subjective aspects from the periods and its individuals. That is, it would be able to reveal elements of a collective unconscious through used words, choice of themes, moral values, etc. Therefore, Theoretical Fiction is not a new form of theorizing but it raises interpretations and produces meanings that would be unforeseen by pure theory.Keywords: Theoretical Fiction, literature, psychoanalysis.
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Gray, Richard T. "Accounting for Pleasure: Sigmund Freud, Carl Menger, and the Economically Minded Human Being." PMLA/Publications of the Modern Language Association of America 127, no. 1 (2012): 122–30. http://dx.doi.org/10.1632/pmla.2012.127.1.122.
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There is a surprising coherence between the human self-understanding and worldview that underpin the theoretical program of the Austrian marginalist economist Carl Menger (1840–1921), first articulated in his 1871 Grundsätze der Volkswirthschaftslehre (Principles of Economics), and Sigmund Freud's psychoanalytic project. Both are grounded in a Hobbesian-Darwinian emphasis on monadic individuals guided by egoistic drives, self-interest, and a competitive struggle for individual advantage (Birken, Consuming Desire 1–39). Both, moreover, are steeped in a kind of Malthusian pessimism that invokes increasing scarcity of resources as the underlying cause of human existential anxiety and as the defining feature of human interactions with the “real” world of commodities (Riesman 3). For the Mengerian marginalist as for the Freudian psychoanalyst, the driving forces behind human life are existential need, the instinct for self-preservation and self-improvement, and the development of successful strategies for managing and satisfying needs.
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Suprihandani, Eny, and Thea Jacinda. "THE BORDERLINE PERSONALITY DISORDER OF ANTONY IN THE DRAMA ANTONY AND CLEOPATRABY WILLIAM SHAKESPEARE." Journal of English Language and Literature (JELL) 3, no. 01 (2018): 27–44. http://dx.doi.org/10.37110/jell.v3i01.34.
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Literature can be analyzed from many perspectives and point of views. By using psychoanalytic approach, this paper attempts to analyze one of the Shakespearean’s characters, Antony in the drama Antony and Cleopatra. The objective is to prove whether Antony truly suffers from Borderline Personality Disorder. Borderline Personality Disorder (BPD) is a personality disorder whose essential features are a pattern of marked impulsivity and instability of affects, interpersonal relationships, and self-image. Psychoanalysis theory is a theory developed by Sigmund Freud that enables to analyze whether a person suffers from a certain mental disease. Using those approaches, the characterization of Antony can be analyzed from his words, thoughts and other character’s opinion about him and then compared to the symptoms of Borderline Personality Disorder (BPD) and then found if they are matched. That Antony suffers from Borderline Personality Disorder can be finally proved.
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Gramantieri, Riccardo. "Re-emergence of the Death Instinct in Wilhelm Reich's Last Experiment." Psychoanalysis and History 18, no. 2 (2016): 203–20. http://dx.doi.org/10.3366/pah.2016.0189.
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In 1956 Wilhelm Reich published ‘Re-emergence of Freud's “Death Instinct” as “DOR” Energy’. The scientist reverted to psychoanalysis in what proved to be his last theoretical article, in which he reassessed the Freudian theory of the death drive, the very thesis he had rejected in the 1930s, and whose rejection had made him unpopular with the psychoanalytic movement. In that article, not only did Reich intend to pay homage to his old master Sigmund Freud, but also to partly revise his theories on the Eros-Thanatos instinct duality. After summarizing his own theories on the OR orgone life energy and its DOR negative equivalent, and continuing to claim that there was no clinical evidence to support the death instinct, Reich cautiously stated that Freud had had his legitimate reasons to classify that duality: the libido and the death instinct would actually be the psychological correlates of physical phenomena that he was able to observe both in the neurotics’ character armour and in the weather phenomena and climatic events affecting the environment.
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Helmita, Helmita, and Ayunanda Putri. "The Failure of Ambition To Be a Queen as Seen in Phillipa Gregory’s The Other Boleyn Girl." Jurnal Ilmiah Langue and Parole 1, no. 2 (2018): 65–71. http://dx.doi.org/10.36057/jilp.v1i2.162.
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The Other Boleyn Girl is a historical novel written by British author Philippa Gregory loosely based on the life of 16th century aristocrat Mary Boleyn (the sister of Anne Boleyn) of whom little is known. Inspired by Mary’s life story, Gregory depicts the annulment of one of the most significant royal marriages in English history and conveys the urgency of the need for a male heir to the throne.
 The writer took Anne Boleyn’s ambition to become a queen as a center of the thesis. Technique of collecting data of this analysis is by library research. It means that the writer applies the data which the writer takes from library and other written material from book store, internet or even motion picture.
 In analyzing this data, the writer uses psychological theories by Sigmund Freud. Sigmund Freud’s psychoanalytic theory of personality argues that human behavior is the result of the interactions among three component parts of the mind: the id, ego, and superego. This theory, known as Freud’s structural theory of personality, places great emphasis on the role of unconscious psychological conflicts in shaping behavior and personality.
 The result show that although it’s good to have ambition to drive someone to reach their goal to succeed but ambition without limit could destroy everything and everyone around you. And it even could destroy yourself too.
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Anggraeni, Kemala Putri, and Maria Johana Ari Widayanti. "Ethical Dilemmas as Seen Through the Major Characters Reflected in "The Danish Girl" Movie Screenplay Written by Lucinda Coxon." Rainbow: Journal of Literature, Linguistics and Cultural Studies 8, no. 2 (2019): 75–84. http://dx.doi.org/10.15294/rainbow.v8i2.34826.
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An ethical dilemma is an interesting topic to discuss since it always occurs to us in our daily lives whether we realise it or not. The study is aimed to explain the ethical dilemmas of the major characters in The Danish Girl movie screenplay by Lucinda Coxon. This study used psychoanalytic theory of the tripartite model theory by Sigmund Freud and employed qualitative method. The result was the ethical dilemmas of the major characters occurred before they made a decision in their actions. This study revealed that the ethical dilemma happened to them because they needed to think about the impact of their actions on other people or themselves. It could prevent them from doing or saying inappropriate things which could hurt someone's feelings or harm themselves. Another result in this study was that the ethical dilemmas that happened to the major characters mostly represent ego more than the other two parts of psyche. They could control what they wanted to say or do since they thought about the possible things that could happen to each choice before they made the decision.
 Keywords: Characters, Ethical Dilemma, Movie Screenplay, Psychoanalytic Theory, The Danish Girl
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Solanke, Stephen O. "A Fete of Lamentations." Matatu 49, no. 1 (2017): 72–95. http://dx.doi.org/10.1163/18757421-04901005.
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The Nigerian political milieu has, for more than five decades since independence, been bedevilled by adventurist civilian and military leaders, coups d’ état, and a seemingly ‘docile’ citizenry (who receive the ‘fallout’ of bad governance). This political landscape saw a handful of democratic governments (two overthrown by putsch). These leadership swaps have resulted in no major changes in the socio-political and economic lives of the led. In his poem collection Songs of Odamolugbe, Ademola Dasylva explores imagery, realistic symbolism, and revolutionary poetry to paint, recall, and re-live various past and present debilitating national issues engendered by groups and personalities. This essay draws on Sigmund Freud’s psychoanalytical theory of the unconscious. Freud distinguishes between psychoanalysis as i) a method for investigating unconscious mental processes and ii) a method for treating neurotic disorders. There is the subtle examination of the mental workings of the leadership and the led in and towards governance. This essay seeks to explore how Dasylva exposes leaders’ mental flaws, egoistic behaviour, and wrongly placed ‘patriotism’ and seeks redeeming positives in his poetry of social protest and resistance. The poetry rejects the cerebral, laissez-faire ‘sit-down-look’ attitude of the people, encouraging instead a different type of analytical and active ‘patriotism’ imbued with the fresh spirit of ‘Naija’. The essay affirms that there should be full and positive participation in the polity and development of the country by both the leaders and the led.
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Chanter, Tina. "Abjection and the Constitutive Nature of Difference: Class Mourning in Margaret's Museum and Legitimating Myths of Innocence in Casablanca." Hypatia 21, no. 3 (2006): 86–106. http://dx.doi.org/10.1111/j.1527-2001.2006.tb01115.x.
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This essay examines the connections between ignorance and abjection. Chanter relates Julia Kristeva's notion of abjection to the mechanisms of division found in feminist theory, race theory, film theory, and cultural theory. The neglect of the co-constitutive relationships among such categories as gender, race, and class produces abjection. If those categories are treated as separate parts of a persons identity that merely interlock or intermesh, they are rendered invisible and unknowable even in the very discourses about them. Race thus becomes gender's unthought other, just as gender becomes the excluded other of race. Via an exploration of Margaret's Museum and Casablanca, the author shows why the various sexual, racial, and nationalist dynamics of the two films cannot be reduced to class or commodity fetishism, following Karl Marx, or psychoanalytic fetishism, following Sigmund Freud and Jacques Lacan. Whether they are crystallized in Marxist or Lacanian terms, fetishistic currencies of exchange are haunted by an imaginary populated by unthought, abject figures. Ejected from the systems of exchange consecrated as symbolic, fragmented, dislocated, diseased body parts inform and constitute meaning.
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Proctor, Hannah. "‘A Country Beyond the Pleasure Principle’: Alexander Luria, Death Drive and Dialectic in Soviet Russia, 1917–1930." Psychoanalysis and History 18, no. 2 (2016): 155–82. http://dx.doi.org/10.3366/pah.2016.0187.
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Alexander Luria played a prominent role in the psychoanalytic community that flourished briefly in Soviet Russia in the decade following the 1917 October Revolution. In 1925 he co-wrote an introduction to Sigmund Freud's Beyond the Pleasure Principle with Lev Vygotsky, which argued that the conservatism of the instincts that Freud described might be overcome through the kind of radical social transformation then taking place in Russia. In attempting to bypass the backward looking aspects of Freud's theory, however, Luria and Vygotsky also did away with the tension between Eros and the death drive; precisely the element of Freud's essay they praised for being ‘dialectical’. This article theoretically unpicks Luria and Vygotsky's critique of psychoanalysis. It concludes by considering their optimistic ideological argument against the death drive with Luria's contemporaneous psychological research findings, proposing that Freud's ostensibly conservative theory may not have been as antithetical to revolutionary goals as Luria and Vygotsky assumed.
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Kotnik, Vlado. "Thinking the Interview: On the Epistemology of an Intersubjective Field Method (Part II)." Monitor ISH 17, no. 2 (2015): 133–69. http://dx.doi.org/10.33700/1580-7118.17.2.133-169(2015).
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The paper continues the article “Thinking the Interview: On the Epistemology of an Intersubjective Field Method (Part I)”, which focuses on the constant adaptability, changeability and interchangeability of the subject and object positions which are practised by researcher and informant in an interview. In order to understand better the fluid, flexible and circumstantial construction of this particular interpersonal relationship within an interview situation, the paper continues with presenting five further perspectives, based on well-established theories of some important thinkers in the field of social sciences and humanities, which may be helpful in reflecting on the positions, roles, investments, and doings of both protagonists within an interview situation: discursive perspective, underpinned by the theory of power and authority (Michel Foucault); psychoanalytic perspective, centred around the theory of the unconscious (Sigmund Freud); ethnographic perspective, capped by the theory of reflexivity (Pierre Bourdieu); mnemonic perspective, grounded on the theory of memory (Maurice Halbwachs); dramaturgical perspective, supported by the theory of interaction (Erving Goffman). The abovementioned perspectives can be helpful in planning and organising field work, as well as in collecting and interpreting the qualitative empirical data obtained by interviews.
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Okvuran, Ayse. "What is and what is not art psychology?" New Trends and Issues Proceedings on Humanities and Social Sciences 5, no. 6 (2018): 114–17. http://dx.doi.org/10.18844/prosoc.v5i6.3847.
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Similar to other scientific disciplines, art psychology, beginning at the end of the 19th century until the present day, can also be considered a science. The ancient concepts of mimesis and catharsis, for example, are extremely important and have been used in art psychology extensively. The emotions, thoughts, dreams and emotional fulfillment created by the artist are shared by the recipient of the artwork. Based on psychoanalytic theory, Sigmund Freud was able to explain Leonardo and Dostoevsky through their works and personalities. In this study, the content of art psychology, psychology theories on which art psychology is based and psychological processes related to artist-art work-recipient were investigated. In this research, a descriptive research model was used and the related resources and approaches were aimed to be determined. In the study, based on the existing sources an attempt was made to answer the question of what the field of art psychology is and is not.Keywords: Art psychology, psychology theories.
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Więckiewicz, Agnieszka. "Między wyobraźnią romantyczną a literacką moderną. Georg Groddeck w lustrze psychoanalizy." Schulz/Forum, no. 13 (October 28, 2019): 144–54. http://dx.doi.org/10.26881/sf.2019.13.11.
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The aim of the present paper is to introduce the theory of a German physician and so-called “wild psychoanalyst” Georg Groddeck. During World War I, after contacting Sigmund Freud, Groddeck has started to develop his own psychoanalytic theory in his scientific as well as literary writings. In 1923 he published a novel entitled The Book of the It (Das Buch vom Es), in which he discussed and reinterpreted Freud’s theory. By introducing the category of the “It” (das Es), Groddeck aimed to elaborate on Freud’s concept of the unconscious, which he considered too restricted and reduced to what the Viennese psychoanalyst defined as the conscious and the preconscious. The author points out to the importance of the discussion between Freud and Groddeck, which began as early as in 1917 in their letters. The publication of The Book of the It coincide with Freud’s treatise The Ego and the Id (Das Ich und das Es) written the same year. The author analyzes the similarities as well as the differences between Freud’s and Groddeck’s concepts of the It (das Es). Groddeck’s theory is presented in the light of German philosophical and literary tradition. The paper addresses the problem of Groddeck modernist writing strategies, such as combining psychoanalysis with literature and with different life-writing genres which are seen as his way to create a new language in the scientific discourse of his time. The author emphasizes the importance of two main categories in Groddeck’s writings, which have animated his entire theory. One is imagination, deeply rooted in romanticism, the other is self-analysis related to the modernist understanding of autobiography. While imagination represents Groddeck’s general doubt in the objectivity of science, especially in a linear progress in medicine, self-analysis is linked to his conviction that every discourse – not only literary, but also philosophical or psychoanalytic, has an autobiographical, hence also intimate dimension.
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Puspito, Agus Hadi, and Agnes Widyaningrum. "EGO DEFENSE MECHANISM OF THE MAIN CHARACTER IN "FIGHT CLUB" NOVEL (1996) PSYCHOANALYTIC STUDY." Dinamika Bahasa dan Budaya 15, no. 1 (2020): 1–6. http://dx.doi.org/10.35315/bb.v15i1.7889.
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This research paper analyzed the ego defense mechanism by Sigmund Freud that are found in the main character of “Fight Club“ novel. The author of novel is Chuck Palahniuk in 1996. This research applied qualitative study, and the data are derived from the novel. The researcher focuses on causes of defense mechanism, the ego defense mechanism that the main character experienced and the effect that the main character got. The researcher found that anxiety is the cause why defense mechanism of the main character can active. The main character also applied ego defense mechanism namely displacement and reaction formation. And the effect for the main character is he becomes more bravely and easier to accept the reality.
 The ego defense mechanism is an unconscious psychological process that helps a person overcome anxiety due to a stressful internal or external environment. The defense mechanism finds its origin in Freud's structural theory of mind, which divides the human mind into three parts: id, ego, and superego. The interaction of the ego and superego gives rise to morality, guilty, and a conscience.
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Katz, Maya Balakirsky. "An Occupational Neurosis: A Psychoanalytic Case History of a Rabbi." AJS Review 34, no. 1 (2010): 1–31. http://dx.doi.org/10.1017/s0364009410000280.
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In consultation with Sigmund Freud, the Viennese psychoanalyst Wilhelm Stekel (1868–1940) treated the first Jewish cleric known to undergo analysis, in 1903. According to the case history, published in 1908, a forty-two-year-old rabbi suffered from aBerufsneurose, an occupational neurosis associated with the pressures of his career. Stekel's case history forms an indelible portrait of a religious patient who submitted himself to the highly experimental treatment of psychoanalysis in the early years of the discipline. However, scholars never integrated the rabbi's case into the social history of psychoanalysis, more as a consequence of Freud's professional disparagement of Stekel than of the case history's original reception. Psychoanalytic historiography has largely dismissed Stekel's legacy, resulting in a lack of serious scholarly consideration of his prodigious publications compared to the attention paid to the work of some of Freud's other disciples. Stekel's most recent biographers, however, credit him as the “unsung populariser of psychoanalysis,” and claim that he is due for reconsideration. But in his published case history of the rabbi, Stekel also warrants introduction to the field of Jewish studies, not only because of the literary treatment of the rabbinical profession by a secular Jewish psychoanalyst, but also because the rabbi incorporated aspects of that experience into his own intellectual framework after treatment.
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Farley, Lisa. "‘Operation Pied Piper’: A Psychoanalytic Narrative of Authority in a Time of War." Psychoanalysis and History 14, no. 1 (2012): 29–52. http://dx.doi.org/10.3366/pah.2012.0098.
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The evacuation of British children during World War II is read alongside the legend of the ‘Pied Piper’ after which the mass migration was officially named. While virtually every British account of World War II makes mention of the evacuation, most are silent on the question of its ominous title: ‘Operation Pied Piper’. This paper traces the legend's key theme – on influencing and being influenced – as it surfaces in the writing of one child analyst and one social worker charged with the responsibility of leading a family of five hostels for British youth. At a time when Hitler's deadly regime reached unprecedented heights across the Channel, the legend of the ‘Pied Piper’ becomes a highly suggestive metaphor for thinking about D. W. Winnicott and Clare Britton's writing on what authority could mean in the face of leadership gone terribly wrong. Quite another, profoundly intimate loss of leadership haunts their words as well: Sigmund Freud, in exile from Hitler's Europe and leader of the psychoanalytic movement, died in London just weeks after the first wave of Blitz evacuations. It is in this context that Winnicott and Britton articulated a theory of authority that could address the losses of history without at the same time demanding the loss of the mind.
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Bohleber, Werner. "The Restoration of Psychoanalysis in Germany After 1945: Some Focal Points in the Development of Clinical Theory." Psychoanalysis and History 4, no. 1 (2002): 5–20. http://dx.doi.org/10.3366/pah.2002.4.1.5.
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After 1945, the development in psychoanalysis in Germany was initially dominated by the programme that had begun at the Göring Institute of integrating the schools of depth-psychology. The connection to philosophical anthropology led to a polemic against a form of psychoanalysis based on the natural sciences. The return of psychoanalysis as it was taught in the International Psychoanalytical Association and the advance of ego psychology put an end to this development. The hermeneutic debate of the 1960s was an impetus for fruitful further developments in ego psychology (‘scenic understanding’) as well as in object relations psychology and the related treatment technique. The debate over the severe pathologies at the end of the 1970s did not bring forth much in the way of independent contributions. The ruptures in this development of psychoanalysis in Germany are interpreted against the background of the coming to terms with National Socialism and the Holocaust. Nach 1945 beherrschte zunächst das im Göring Institut begonnene Programm der synoptischen Verbindung der tiefenpsychologischen Schulen die Entwicklung der Psychoanalyse in Deutschland. Die Verbindung mit der philosophischen Anthropologie und deren scharfer Gegensätzlichkeit zwischen Natur und Geist führte zu einer Polemik gegen die naturwissenschaftliche Psychoanalyse. Die Rückkehr der Psychoanalyse Sigmund Freuds und das Einströmen der Ich-Psychologie beendete diese Entwicklung. Angestoßen durch die Hermeneutik-Debatte der sechziger Jahre kam es zu fruchtbaren Weiterentwicklungen der Ich-Psychologie (‘szenisches Verstehen’) sowie der Objektbeziehungspsychologie und damit verbunden der Behandlungstechnik. Zu der Debatte um die schweren Pathologien Ende der siebziger Jahre entstanden keine eigenständigen Beiträge mehr. Die Brüche in dieser Entwicklung der Psychoanalyse in Deutschland werden auf dem Hintergrund der Auseinandersetzung mit Nationalsozialismus und Holocaust interpretiert. Scham, Schuld, Idealisierung sowie die Diffusion der Generationsgrenzen bildeten ein untergründiges Spannungsfeld.
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Soletskyy, Oleksandr Markiian. "Emblematic Mechanisms and Psychoanalysis." Language and Psychoanalysis 8, no. 2 (2019): 4–29. http://dx.doi.org/10.7565/landp.v8i2.1602.
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In the paper the parallels between the emblematic “mechanisms” of signification and the psychoanalytic theory of Sigmund Freud as well as Carl Gustav Jung have been studied. The Austrian psychiatrist has discovered template schemes that become a visual delineation, the blueprint for developing his scientific vocabulary, methodology, classification of psycho-emotional behavioral types in mythological plots. The Eros and Thanatos images handling, the exploitation of mythical tales about Oedipus and Electra, Prometheus, Narcissus, and many other ones to specify the behavioral complexes denote the presence of “emblematic methodology” in the formation of psychoanalytic conceptions and categories. His interpretations of famous mythological plots are boiled down to emblematic reduction.
 Carl Gustav Jung frequently selected symbolic notations as his research targets, which were a denotative space for expressing internal mental receptions and historic constellations of cultural axiology. In his writings we see the intention to assemble the concepts of image (iconic) and socio-cultural idea (conventional) into a sole compound that syncretically denote unity of meaning. Such an arrangement of iconic-conventional interdetermination is often significative elbowroom in Jung the decoding of which may allow to discern complex mental reflections. Notwithstanding the fact that he considers a symbol to be the standard unit of cognitive-cultural experience “conservation”, its functional semantics definition is fulfilled in emblematic patterns. This emblematic-cognitive form is not only a method of determining the initial images-ideas of the unconscious, “the mythological figures” of inner conflicts, typical experience of generations, but also the principle of justification and expression of his theory conceptual foundation. To a certain extent, it is an element of the Swiss psychologist’s scientific thinking style and language.
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Kotnik, Vlado. "Thinking the Interview: On the Epistemology of an Intersubjective Field Method (Part I)." Monitor ISH 16, no. 2 (2014): 7–44. http://dx.doi.org/10.33700/1580-7118.16.2.7-44(2014).
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The paper presents the complex issue of understanding and conducting an interview as the predominant form of empirical qualitative research. The epistemology of this particular intersubjective field method is viewed from an interdisciplinary perspective, despite the assumption that the interview method as a means of collecting data and information has been brought to the most differentiated uses and sophisticated reflections by the anthropological science. The red thread of the text’s argument is the constant adaptability, changeability and interchangeability of the subject and object positions which are established by researcher and informant in an interview. For an easier grasp of the fluid, flexible and circumstantial construction of the particular interpersonal relationship within an interview situation, the author proposes eight perspectives, based on well-established theories of some important thinkers in the field of the social sciences and humanities, which may be helpful in reflecting on the positions, roles, investments, and doings of the two protagonists within an interview situation: performative perspective, derived from the theory of speech acts (John L. Austin); polyphonic perspective, based on the theory of enunciation (Oswald Ducrot); interpellational perspective, developed on the basis of the theory of ideology (Louis Althusser); discursive perspective, underpinned by the theory of power and authority (Michel Foucault); psychoanalytic perspective, centred around the theory of the unconscious (Sigmund Freud); ethnographic perspective, capped by the theory of reflexivity (Pierre Bourdieu); mnemonic perspective, grounded on the theory of memory (Maurice Halbwachs); dramaturgical perspective, supported by the theory of interaction (Erving Goffman). Whether the interview is taken as a research method, a special social encounter or a series of tasks to be performed by interviewer and interviewee, it is clear that each and every interview is a unique event of specific human contact and communication.
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Widiastiti, Wuri, Dian Maya Kurnia, and Sufil Lailiyah. "The Psychoanalytic Analysis of Low Self-Esteem on the Movie The Ron Clark Story." PIONEER: Journal of Language and Literature 11, no. 2 (2019): 90. http://dx.doi.org/10.36841/pioneer.v11i2.483.
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Low self-esteem is unworthy feeling because of less attention, love, affection and trust. The impact of low self-esteem could make negative feeling. It is not only to their own life, but also to their surrounding society. Low self-esteem can also be triggered by mistakes that came from parents, family, society and also teacher. The worst effect of low self-esteem in adolescence is on their academic score. They will get bad score because they do not have self confidence to do the assignment or try new experiences. This research purposed to find the low self-esteem, the factor of low self-esteem and the problem solving which is found in the action, gesture and utterance of main characters in the movie The Ron Clark Story. This research used descriptive qualitative research, because the researcher described the data that portray of low self-esteem. The researcher analyzed the data by using psychoanalytic analysis approach from Sigmund Freud. The data was analyzed by describing the low self-esteem in the movie The Ron Clark Story based on Tyson’s theory and the problem solving from Lachmann and Ron Clark’s theory. The researcher found 40 data of low self-esteem that showed in the movie The Ron Clark Story. The dominant factor was the academic challenges without caregiver’s support. The problem solving based on the movie The Ron Clark Story were classified into eight components. The most important component was implementing the class’s rules, followed by giving an appreciation, attention, care, trust, motivation, and help when they get difficulties, making innovation teaching method (especially for the teacher). Cooperation between parents and teachers are very important for the growth of the self-esteem and worthy to get the best potential of children’s life.
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Wardhani, Komang Triyas, Silvia Damayanti, and Renny Anggraeny. "Narcissitic Personality Disorder Pada Tokoh Elena Dalam Komik Tomodachi Gokko Karya Momochi Reiko." Jurnal SAKURA : Sastra, Bahasa, Kebudayaan dan Pranata Jepang 2, no. 1 (2020): 35. http://dx.doi.org/10.24843/js.2020.v02.i01.p04.
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The tittle of this research “Narcissitic Personality Disorder at Character Elena Figure in comic Tomodachi Gokko by Momochi Reiko”. The aims of this research are to described NPD Characteristic, the reasons of NPD in character Elena, impact of NPD to Elena and other characters in comic Tomodachi Gokko by Momochi Reiko.The theories that have been used are Wellek and Warren’s literature and psychology theory (2016), Sigmund Freud Narcissism theory (1914), Gunderson’s Narcissitic Personality Disorder (1994), Lajos Egri’s Three Dimensions of Characterrization (1946) and Marcel Danesi’s semiotic theory (2011). 
 Based on the result, Elena is an early adulthood’s girl who experiences with Narcissistic Personality Disorder. Characteristic of NPD in Elena based on Gunderson, dkk, namely (1) has a grandiose of self-importance and is often envious of others, (2)is preoccupied with fantasies of unlimited success, power, brilliance, beauty, or ideal love. (3) believes that he or she is “special” and unique and can only be understood by, or should associate with, other special or high status people, (4) requires excessive admiration, (5) has a sense of entitlement, (6) is interpersonally exploitative, takes advantage of other to achieve his or her own ends, (7) lacks empathy, and (8) shows arrogant, haughty behaviors or attitudes. The Reason behind Elena’s NPD condition was triggered by her mother, as a child she was often got curse word. The impact of NPD to Elena were 1) difficulted for her to distinguish between good and bad deeds and she almost lost her own life, and she move to the new school. The impact Elena’s NPD to other people around her were 2) she doing bullying, damaging, and traping for personal gain. 
 Keywords : psychology literature, Narcissistic Personality Disorders, Psychoanalytic
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Silveira Jr., Potiguara Mendes da. "Teoria, conhecimento e pragmática da comunicação: o paradigma pulsional." Revista Observatório 1, no. 2 (2015): 136. http://dx.doi.org/10.20873/uft.2447-4266.2015v1n2p136.
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Parte-se do estado da arte feito por Muniz Sodré (2012a) sobre a abordagem acadêmica do campo comunicacional e a dificuldade para defini-lo em seu aspecto "científico". No intuito de prospectar além dos paradigmas identificados por Sodré (o sociológico, dos efeitos; e o semiótico, dos códigos), propõe-se o paradigma pulsional que orienta a Transformática, teoria psicanalítica da comunicação.PALAVRAS-CHAVE: Teorias da comunicação; Conhecimento; Psicanálise. ABSTRACTAccording to the state of the art - made by Muniz Sodré (2012a) - of the academic approach of the communication field, there is a great difficulty in defining this field as "scientific". In order to examine beyond the two paradigms depicted by Sodré (sociological and semiotic) this paper exposes the "drive (Freud: Trieb) paradigm" which is the basis of Transformatics, the psychoanalytical theory of communication.KEYWORDS: Communication theories; Knowledge; Psychoanalysis. RESUMENSe inicia con el estado de la técnica hecha por Muniz Sodré (2012a) en el enfoque académico del campo de la comunicación y la dificultad de definirla en su aspecto "científico". Con el fin de perspectiva más allá de los paradigmas identificados por Sodre (la sociológicos, los efectos y los semióticos, códigos), se propone paradigma instintivo que guía Transformática, la teoría psicoanalítica de la comunicación. PALABRAS CLAVE: Teorías de la Comunicación; conocimiento; Psicoanálisis. ReferênciasALONSO, Aristides. Aspectos do verbo Haver e seu uso na Nova Psicanálise. TranZ: Revista dos Estudos Transitivos do Contemporâneo, v. 5, 2010. Acessar:http://www.tranz.org.br/5_edicao/TranZ10-Aristides-VerboHaver-RevMD.pdfCUSA, Nicolau de. [1514] Deus é visto para lá da coincidência dos contraditórios e o seu ver é ser. In: A visão de Deus. Lisboa: Gulbenkian, 1988. p. 168-171FREUD, S. [1930] Mal-estar na Civilização. ESB, vol. XXI. Rio de Janeiro: Imago, 1976. p. 73-171______. [1927] O Futuro de uma Ilusão. ESB, vol. XXI. Rio de Janeiro: Imago, 1976. p. 11-71______. [1925] As resistências à psicanálise. In: Sigmund Freud: Obras completas, volume 16. São Paulo: Cia. Das Letras, 2011. p. 252-266. Trad.: Paulo César de Souza______. [1923] "Psicanálise" e "Teoria da libido". In: Sigmund Freud: Obras completas, volume 15. São Paulo: Cia. Das Letras, 2011. p. 273-308. Trad.: Paulo César de Souza______. [1921] Psicologia de Grupo e Análise do Eu. ESB, vol. XVIII. Rio de Janeiro: Imago, 1976. p. 87-179______. [1920] Além do princípio de prazer. ESB, vol. XVIII. Rio de Janeiro: Imago, 1976. p. 13-85HILST, Hilda. O caderno Rosa de Lori Lamby. São Paulo: Massao Ohno, 1990.MAGNO, MD. [2009] Clownagens. Rio de Janeiro: NovaMente, 2012. Cf. trecho, A presença do Revirão, publicado em TranZ: Revista dos Estudos Transitivos do Contemporâneo, v. 4, 2009. Acessar:http://www.tranz.org.br/4_edicao/artigos/MD%20Magno_APresencaDoRevirao.pdf______. [2008] AdRem: Gnômica ou MetaPsicologia do Conhecimento. Rio de Janeiro: NovaMente, 2014.______. [2005] Clavis universalis: da cura em psicanálise: revisão da clínica. Rio de Janeiro: NovaMente, 2007.______. [2000/2001] Revirão 2000/2001: "Arte da Fuga" e Clínica da Razão Prática". Rio de Janeiro: NovaMente, 2003.______. [1998] Introdução à transformática. Rio de Janeiro: NovaMente, 2004.______. [1996] "Psychopathia sexualis". Santa Maria: Editora UFSM, 2000.______. [1994] Velut luna: a Clínica Geral da Nova Psicanálise. Rio de Janeiro: NovaMente, 2008.______. [1993] A Natureza do vínculo. Rio de Janeiro: Imago, 1994.______. [1982] A Música. Rio de Janeiro: Aoutra, 1986.MONTARDO, sandra Portella; PASSERINO, Liliana Maria. Estudo dos blogs a partir da netnografia: possibilidades e limitações. Novas Tecnologia na Educação. Revista Novas Tecnologias de Informação, Porto Alegre, v. 4, n. 2., 2006. http://www.cinted.ufrgs.br/renote/dez2006/artigosrenote/25065.pdfRECUERO, Raquel. Estratégias de personalização e sites de redes sociais: um estudo de caso de apropriação do Fotolog.com. In: Comunicação, mídia e consumo. ESPM. São Paulo, vol.5, n. 12, p. 35-56, mar. 2008.REIS, Vanessa Alkmin. Websites pró-ana e mia: redes sociais e suas transformações. Disertação de Mestrado apresentada ao PPGCOM/UFJF e aprovada em 2009.SILVEIRA Jr., Potiguara Mendes da; REIS, Vanessa Alkmin. Vínculos no ciberespaço: websites pró anorexia e bulimia. Revista FAMECOS, Porto Alegre, nº 39, agosto de 2009, p. 91-97. Disponível em: http://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/viewFile/5847/4241SILVEIRA Jr., Potiguara Mendes da. Um fato midiático: o pornoerotismo do "Caderno Rosa". In: LAHNI, Cláudia Regina; PINHEIRO, Marta de Araújo (orgs.). Sociedade e comunicação: perspectivas contemporâneas. Rio de Janeiro: Mauad, 2008. p. 141-155. Também disponível em: http://www.tranz.org.br/pdf_2/potiguara_cadernorosa.pdf______. (org.). "O pornoerotismo do "Caderno Rosa": um pequeno dossiê". COMUM, vol. 13, n° 28, jan-dez 2007. O artigo inclui textos dos alunos de graduação: Clarice Fernandes, Érica Cristina Procópio Campos, Flávia Vilela e Iara Marques do Nascimento.______. Artificialismo total. Ensaios de transformática. Comunicação e psicanálise. Rio de Janeiro: NovaMente, 2006.SODRÉ, Muniz. Comunicação: um campo em apuros teóricos. MATRIZes. São Paulo: ano 5, n. 2, jan./jun. 2012, p. 11-27.Disponível em: http://www.matrizes.usp.br/index.php/matrizes/article/view/336/pdf ______. Sobre a episteme comunicacional. MATRIZes. São Paulo: ano 1, n. 1, out. 2007, p. 15-26. Disponível em: http://www.matrizes.usp.br/index.php/matrizes/article/view/38/61 Disponível em:Url: http://opendepot.org/2688/ Abrir em (para melhor visualização em dispositivos móveis - Formato Flipbooks):Issuu / Calameo
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Sigusch, Volkmar. "The Sexologist Albert Moll – between Sigmund Freud and Magnus Hirschfeld." Medical History 56, no. 2 (2012): 184–200. http://dx.doi.org/10.1017/mdh.2011.32.
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AbstractAlbert Moll was one of the most influential sexologists during the first three decades of the twentieth century. In contrast to his rivals Sigmund Freud and Magnus Hirschfeld, his achievements have not yet been recognised adequately. The author gives a comparative account of the work of these three protagonists. This shows that Moll formed some ideas which are regarded as psychoanalytical today before Freud, and that he, in contrast to Hirschfeld, was able to reflect critically on contemporary discourses, such as the debates on racial improvement through eugenics. As scientific theories, Freud’s psychoanalysis represented the unconscious, fantasy, experience and latency, while Moll’s sexology represented consciousness, ontological reality, behaviour and manifestation. Moll’s major disagreement with Hirschfeld’s sexology was his advocacy of apolitical and impartial science, whereas Hirschfeld’s aim was to achieve sexual reforms politically. Added to these differences were strong personal animosities. Freud called Moll a ‘beast’ and ‘pettifogger’; and Moll complained about Hirschfeld’s ‘problematic’ character. When Hirschfeld escaped the Nazi terror and went to Paris, Moll denounced him in order to prevent him rebuilding a new existence in exile.
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Reed, Isaac Ariail. "Sigmund Freud and Social Theory Manqué." Society 57, no. 3 (2020): 281–86. http://dx.doi.org/10.1007/s12115-020-00480-9.
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Gharib, Mohammad Hosein, and Ahmad Gholi. "Psychoanalytical Analysis of Gerald’s Three Coverts to Perpetrate Violence in D.H. Lawrence’s Women in Love." Journal of Language Teaching and Research 7, no. 6 (2016): 1117. http://dx.doi.org/10.17507/jltr.0706.08.
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D. H. Lawrence is well known for creating psychologically deep characters. Since contemporaneous with Sigmund Freud, he has been familiar with his groundbreaking theories about unconscious mind. Moreover, he utilizes them for creating his characters in his novels. For instance in his Women in Love, Freud’s impact on him is striking. Freud holds that human beings are primitive by nature and their primitive attitudes can emerge anytime. In this regard, this paper aims to draw on Freud’s idea of unconsciousness to analyze Gerald, one of main characters in the novel in question. To do so, it will primarily focus on his violence. According to Freud, human beings aspire for the violence in their unconsciousness; nonetheless, they cannot answer their psychological need easily because of social norms. However, from the view point of Freud, there are some coverts through which people can meet/justify their urge for violence. Thus, the present study endeavors to bring into light these coverts by focusing on the life of Gerald in D.H. Lawrence’s Women in Love.
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Waldinger, Ernst. "My Uncle Sigmund Freud [1941]." World Literature Today 63, no. 2 (1989): 194. http://dx.doi.org/10.2307/40144811.
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Loewenberg, Peter. "Lucian and Sigmund Freud." American Imago 61, no. 1 (2004): 89–99. http://dx.doi.org/10.1353/aim.2004.0015.
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Rodríguez, Federico. "Freud’s Chows. On transcendental stupidity : a case study." Revista de Filosofia Aurora 26, no. 39 (2014): 799. http://dx.doi.org/10.7213/aurora.26.039.ao05.
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This text explores the problem of transcendental stupidity in Sigmund Freud, Gilles Deleuze and Jacques Derrida’s works, seeking to combine it with (1) the paradoxical figure of Oedipus (the original complex) in psychoanalytical and philosophical tradition and (2) the symptomatic situation of some important animals (wolf and dog, symbols of wild and domestic life [i.e.: Freud’s Wolfs, Freud’s Chow-Chows]) in analyses and therapies. The case of the Man of the Wolves (der Wolfmann), the case of Mr. Sergei K. Pankejeff described in Aus der Geschichte einer infantilen Neurose, a fundamental dream in contemporary culture history, would be the point of departure.
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Jens, Walter, and Niklas Bornhause. "Sigmund Freud - Retrato de un escritor." Revista chilena de literatura, no. 103 (May 2021): 43–62. http://dx.doi.org/10.4067/s0718-22952021000100043.
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Jevremović, Petar. "Sigmund Freud and Martin Pappenheim." History of Psychiatry 31, no. 1 (2019): 83–92. http://dx.doi.org/10.1177/0957154x19884284.
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During World War I, Martin Pappenheim, as a young doctor in the field of neurology and psychiatry, studied various possible consequences of war traumas, perhaps as part of a wider project of the Austro-Hungarian monarchy’s army. He visited military hospitals, sanatoriums and prisons, and between February and June 1916, while residing in Terezin, he had several opportunities to talk with Gavrilo Princip, who was imprisoned there. Princip was a young Bosnian Serb who had assassinated Archduke Franz Ferdinand of Austria and his wife, Sophie, in Sarajevo on 28 June 1914. There is written evidence of Pappenheim’s conversations with Princip; they were first published in Vienna 1926. My article is concerned with the possibility of Pappenheim’s influence on the later development of Freud’s theory.
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Morawska, Kamila. "Man and image in Gaston Bachelard’s thought: Between antagonism and unity." Studia Philosophica Wratislaviensia 15, no. 4 (2021): 49–66. http://dx.doi.org/10.19195/1895-8001.15.4.3.
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The aim of this article is to present the concept of man and image in Gaston Bachelard’s thought. Following the path of the antagonism of concept and image (Gilbert Durand), psychoanalytical (Sigmund Freud, Carl Gustav Jung) and hermeneutic (Leszek Brogowski) interpretations, the author presents her own interpretation of Bachelardism based on anthropological reflection (Hans Belting, Jean-Jacques Wunenburger, Max Scheler, Helmuth Plessner, Arnold Gehlen), asking about the strictly human world and its “being-in-the-world”. Its reading is based on the dynamism and the linkage between reason and imagination in the presentation of the world (Arthur Schopenhauer), which is expressed in the broadest sense in the formula of the “illustrating self”.
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SILJAK, ANA. "SIGMUND FREUD, SUBLIMATION, AND THE RUSSIAN SILVER AGE." Modern Intellectual History 15, no. 2 (2017): 443–70. http://dx.doi.org/10.1017/s1479244317000105.
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Freud's most sustained account of the power of sexual sublimation to fuel scientific and artistic genius is found in hisLeonardo da Vinci and a Memory of His Childhood, published in 1910. This article argues that Freud chose Leonardo as the perfect example of sublimation because of his close reading of the then quite popular historical novelLeonardo da Vinci, written by a poet and author of the Russian Silver Age, Dmitrii Merezhkovskii. The central point of Freud's theory of sublimation, that sexuality is at the root of human knowledge and creativity, is developed by Merezhkovskii, but from the religious-philosophical perspective of Silver Age symbolism. Freudian sublimation, as a psychological theory, was developed in dialogue with a Russian religious understanding of Eros and its power. Freud essentially rewrote Merezhkovskii's story of Leonardo, reducing Merezhkovskii's philosophy of Eros to the more “scientifically” grounded theory of sexual sublimation.
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Shobana, H., and L. Salini. "Kurunthogai Leader and Sigmund Freud’s Theory." Shanlax International Journal of Tamil Research 5, no. 4 (2021): 38–42. http://dx.doi.org/10.34293/tamil.v5i4.3869.
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All the ancient Tamil poets of the ancient time were intrigued by the nature of the world without compromising on it. They were amazed at the beauty of the world. Instead of distorting the nature of the world in a way that suited their mental state, they enjoyed expanding and explaining their memory to suit their knowledge through the beauty of the worldly nature. Thus it is the Sangam literatures that add pride to Tamil literature. One of those descriptions is that the hero of Kurunthogai and it explains his feelings. The mental unity of the lovers is the lifeblood of the Agathinai. If the stolen norm of stolen lovers is marriage, it is called morality. (C. Maheswari, Society in Paripathal, pp. 4, 5). Thus, this review article reveals how songs that highlight the leader’s psychology have been incorporated and explored into the psychological theory of psychologist Sigmund Freud.
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Hobson, J. Allan. "The ghost of Sigmund Freud haunts Mark Solms's dream theory." Behavioral and Brain Sciences 23, no. 6 (2000): 951–52. http://dx.doi.org/10.1017/s0140525x00494021.
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Recent neuropsychological data indicating that an absence of dreaming follows lesions of frontal subcortical white matter have been interpreted by Solms as supportive of Freud's wish-fulfillment, disguise-censorship dream theory. The purpose of this commentary is to call attention to Solms's commitment to Freud and to challenge and contrast his specific arguments with the simpler and more complete tenets of the activation-synthesis hypothesis.[Hobson et al.; Nielsen; Solms]
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Sinal, Aysin. "How Psychoanalytic Process’s Work: Considering the Relation between Traditional Theory and Contemporary Scientific Theory and Techniques." Mediterranean Journal of Social Sciences 11, no. 5 (2020): 1. http://dx.doi.org/10.36941/mjss-2020-0049.
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The main aim of this article is to try and demonstrate the difficulties and obstacles involved during the process of psychoanalytical therapy, mainly a case conceptualization by taking both traditional Psychoanalytical theory and contemporary scientific findings into consideration. By looking at the traditional theory of psychoanalysis, it is palpable that interpretation and the study of the human mind will eventually deem the issue of subjectivity undeniable, as you will see from the reference section, of those used; essential materials from the International Journal of psychoanalysis, introductory lectures of Freud, and studies of hysteria and also for the contemporary reference, lecture notes of Wilma Bucci (2009). This article will focus mainly on resistance, and what then is the cure? Freud described the notion of an analytic cure in ‘Introductory Lectures on Psycho-Analysis’. Through this method, psychoanalysis sets itself up as the ‘talking cure’ and communication, its weapon. Any process of communication which does not have the aim of providing a cure isn’t in the strict sense of the word, psychoanalysis. According to Freud, the ego is the source for three types of resistance while the super-ego and the Id is responsible for each other. This article has no methodology since all the information used is based on theoretical information obtained from reliable sources and all references have been included accordingly. According to Wilma, the contemporary psychoanalytic process differs. Due to the nature of this article, the conclusion is the fact that further research is required to observe how exactly theory relates to technique and therapy becomes more effective.
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Muallim, Aisyiyah Hanif. "THE DEVELOPMENT OF CHILDREN’S PERSONALITIES IN WILLIAM GOLDING’S LORD OF THE FLIES." Al-Mishbah: Jurnal Ilmu Dakwah dan Komunikasi 16, no. 2 (2020): 200. http://dx.doi.org/10.24239/al-mishbah.vol16.iss2.186.
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The aims of the study were to reveal the cause of personality development on children’s characters and to elaborate the exertion in eradicating poverty reflects from the novel Lord of the Flies. This study employed descriptive qualitative study with psychoanalytical approach initiated by Sigmund Freud focused on literature as the reflection of real life. The primary data in this study were collected from the novel “Lord of the Flies” by William Golding (1954). The secondary data were taken from the library, internet, and journals, theses, and articles. The research result indicates that the personalities of the children are developed based on the anxiety and defense mechanism as part of psychoanalysis. Other finding is about the reflection of poverty eradication shows in the story. The children’s efforts in getting rescued and hunting could be the reflection of escape from poverty.
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Abid Rasheed, Samer, and Ahmed Ghazi Mohaisen. "Shakespeare’s King Lear: A Modern Psychoanalytical." Al-Adab Journal 1, no. 127 (2018): 49–56. http://dx.doi.org/10.31973/aj.v1i127.200.
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In undertaking a psychoanalytical approach to King Lear, this paper treads in the footsteps of Freud in his ‘The Theme of the Three Caskets.’ Clearly early Jacobean society was very different from our own; expectations of patriarchy and the place of daughters was only partly covered by the image of the now dead Virgin Queen Elizabeth. One theory alone will not be enough to explain the complexities of the text and modern ideas such as historicism and feminism are also shown to bring new insights, even though they are insights the playwright themselves may not have understood.