Academic literature on the topic 'Psychologial aspects of Carnival'

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Journal articles on the topic "Psychologial aspects of Carnival"

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Негрышев, Андрей, and Andrej Negryshev. "Virtual Online Reality: Towards the Problem of Categorical Features." Scientific Research and Development. Modern Communication Studies 7, no. 1 (2018): 12–17. http://dx.doi.org/10.12737/article_5a659c102b36e6.51333341.

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The article considers some methodological aspects of the concept of “virtual reality”, used in the research area of computer technologies and their interaction with the mental world of the individual. In the paper the virtual online reality is defined as the picture of the world presented in the totality of cognitive-semiotic tools on the web pages with informational and news content. The aim of this work is to describe the categorical features of the phenomenon. Theoretical background of the research consists of the works in the field of Internet linguistics and psychological virtualistics, u
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Kuzin, Vasiliy. "Art Education as a Model for Overcoming the Crisis in Higher Education." Ideas and Ideals 13, no. 1-1 (2021): 42–51. http://dx.doi.org/10.17212/2075-0862-2021-13.1.1-42-51.

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The article is devoted to the analysis of the existential crisis of the higher school teacher in modern Russia, diagnosed by professors P. A. Orekhovsky and V. I. Razumov in the article ‘Carnival Time: Russian Higher School and Science in the Postmodern Era’. Various aspects of the activity of a higher school teacher are considered: economic, social, and psychological. The author diagnoses the inflation of higher education in modern Russia. Due to inflation, there comes its obvious devaluation. At the same time, the development of digital technologies radically simplifies access to information
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Dujić, Lidija, Darijo Čerepinko, and Željka Bagarić. "Aspects of the Carnivalesque and the Performative in Public Discourse." Narodna umjetnost 61, no. 2 (2024): 93–105. https://doi.org/10.15176/vol61no25.

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This paper explores aspects of the carnivalesque and the performative in Croatian public discourse, considering them a form of communication, exchange of responses between the authorities and groups of citizens (associations, initiatives, trade unionists and opposition politicians). The language of delegated power and impenetrable imagery, on the one hand, and highly performative responses, on the other, paralyze communication, preoccupy the media with the illusion of conducting public dialogue and condemn such a format as immanently uncommunicative. From a broader perspective, the article not
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Zlotnikova, Tatiana S. "Philosophy and the Drama of Life: A Theater Experience of Understanding F.M. Dostoevsky." Observatory of Culture 18, no. 3 (2021): 228–39. http://dx.doi.org/10.25281/2072-3156-2021-18-3-228-239.

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The article aims at a multidimensional discussion of the little-explored topic of the dramatic content of the philosophical problems in the works of F.M. Dostoevsky (1821—1881). There is proved that it was this feature of creativity that made the writer, with his philosophy of life and sharp, dramatically effective plot and psychological collisions, the most desirable and very productive author for the Russian theater art.Polyphony, dialogism, combined with the features of the tragic genre, are the basis for numerous theatrical embodiments of novels and novellas by F.M. Dostoevsky. The intensi
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Salzbrunn, Monika. "The Twenty-First-Century Reinvention of Carnival Rituals in Paris and Cherbourg." Journal of Festive Studies 2, no. 1 (2020): 105–27. http://dx.doi.org/10.33823/jfs.2020.2.1.50.

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Carnival as a research object has been studied from a multiplicity of perspectives: folklore studies, European ethnology, social and cultural anthropology, history, sociology, etc. Each of these disciplines has enriched the literature by focusing on different aspects of the event, such as its participatory nature, its transformative potential (at an individual or collective level), and its political dimension broadly conceived. The present article reviews this scholarship and uses it to analyze the contemporary Parisian Carnival, which has tried to revive the nineteenth-century Promenade du Bo
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Petersen, Nils Holger. "Music Drama as a Christian Parable: Mozart’s Idomeneo." Religions 16, no. 1 (2025): 86. https://doi.org/10.3390/rel16010086.

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This article discusses Wolfgang Amadeus Mozart’s opera Idomeneo: Re di Creta (1781, to a text by Giambattista Varesco) as a Christian parable in the historical context of its genesis. Mozart’s Idomeneo is based on a short episode in François Fénelon’s Télémaque, but also on Antoine Danchet’s adaptation of this episode for the theater in his tragédie lyrique Idoménée (1712; set to music by André Campra). In important aspects, Mozart’s Idomeneo changed the narrative with a marked independence of Fénelon as well as Danchet. In recent scholarship, important new information has come to light concer
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Melnyk, Myroslava, Andrii Kasianenko, Olena Kapustianska, Mykola Krypchuk, and Volodymyr Fisher. "Humorous nature of carnival culture." Salud, Ciencia y Tecnología - Serie de Conferencias 3 (June 28, 2024): 1007. http://dx.doi.org/10.56294/sctconf20241007.

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Despite the widespread use of humour in carnivals, research in this area is limited. Therefore, this research seeks to address this gap and uncover the humorous nature of carnivals from a scientific perspective. The purpose of this research is to conduct a scientific analysis of the humorous nature of carnival culture, to clarify its origins and impact on society. The following methods were used to achieve the research purpose: observation, interviews, questionnaires, statistical method, and content analysis method. The research established that carnival is a significant mechanism for expressi
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Tretyakov, Vitaly T. "Pleasure before business. About the carnival code of modern television communication." Neophilology, no. 4 (2023): 855–64. http://dx.doi.org/10.20310/2587-6953-2023-9-4-855-864.

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Media sphere carnivalization today is becoming not only one of the key signs of the development of modern media, but also a phenomenon that describes the most essential features of media. This is most clearly manifested in audiovisual media in general and television in particular. Based on the method of content analysis, the historical-functional method, as well as taking into account the theory of carnival proposed by M.M. Bakhtin, examined various aspects of the manifestation of carnival in modern screen media. The obvious presence of such essential qualities of carnival as equality (democra
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Churchill, Nancy. "Dignifying Carnival: The Politics of Heritage Recognition in Puebla, Mexico." International Journal of Cultural Property 13, no. 1 (2006): 1–24. http://dx.doi.org/10.1017/s0940739106060012.

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This article problematizes the process of heritage declaration using ethnographic research on the working class carnival produced each year in the historic city center of Puebla, México. The author explores the ways in which the intersection of cultural and political practice in this case has not only called into question the authenticity of certain aspects of this local tradition, but have instead converted them into points of contention among carnival producers.
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Kurochkin, Оlexander. "European Carnival: traditions and nowadays." Current issues of social sciences and history of medicine 30, no. 2 (2021): 73–77. http://dx.doi.org/10.24061/2411-6181.2.2021.272.

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The problems of functioning of carnival traditions in the countries of Western Europe are examined in the given article. The ancient holidays of Dionysius and Saturnalia are the genetic ancestors, these were the periods when golden age seemed to be approaching the earth – the kingdom of universal equality and freedom. The carnival became a mass folk holiday with street processions, games, and theatrical performances in masks in the Middle Ages due to the development of European self-governing cities and the formation of the bourgeois class. Carnival theory is a field of active scientific discu
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Dissertations / Theses on the topic "Psychologial aspects of Carnival"

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Antinora, Sarah Hill. "Frank Zappa and Mikhail Bakhtin: Rabelais's carnival made contemporary." CSUSB ScholarWorks, 2008. https://scholarworks.lib.csusb.edu/etd-project/141.

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For this project, the author uses Bakhtin's theory of carnival to illuminate Zappa's sound and rhetoric. The author hopes that by using this theoretical lens allows audiences to understand Zappa's choices in subject matter. Those who can see his work as satire and understand the use of carnivalesque techniques in challenging authority see the genius in his work.
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Machisa, Patience. "Multiple stakeholders’ perceptions of the impacts of a carnival in Cape Town." Thesis, Cape Peninsula University of Technology, 2018. http://hdl.handle.net/20.500.11838/2750.

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Thesis (MTech (Tourism and Hospitality Management))--Cape Peninsula University of Technology, 2018.<br>Carnival events have become significant factors in tourism development and marketing initiatives of most destinations. The developments, in threefold, economic, socio-cultural and environmental experienced by host communities of tourism attractions and resorts result in the emergence of carnival events as critical destination products. The current research found that the selected stakeholders, particularly residents, businesses and event attendees’ perceptions are often overlooked although th
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Van, der Wal Ernst. "The floating city : carnival, Cape Town and the queering of space." Thesis, Stellenbosch : University of Stellenbosch, 2009. http://hdl.handle.net/10019.1/2614.

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Thesis (MA (VA)(Visual Arts))--University of Stellenbosch, 2009.<br>In this thesis I examine the phenomenon of carnival for its corporeal and spatial expressions of fluid identity formations. The visual constitution of multiple gay/queer identities during carnival is commonly regarded as transgressive of the normative order that is ideologically and physically imbedded in the structure of city. I suggest, however, that the various local performances of homosexuality that are mobilised during the Cape Town Pride Parade can be interpreted as simultaneous reinforcements and contestations of
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Cheung, Wai-man, and 張惠敏. "Psychosocial responses of women and men to in-vitro fertilization." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/B31972834.

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Marshall, Sandra Gonzalez. "The childbearing beliefs and practices of pregnant Mexican-American adolescents living in Southwest border regions." Thesis, The University of Arizona, 1987. http://hdl.handle.net/10150/276643.

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The purpose of this study was to investigate the relationship among different levels of acculturation on the childbearing beliefs and practices of pregnant Mexican American adolescents living in Southwest border regions. A descriptive correlational design was used in this study. Three instruments were used to collect data. A total of 73 pregnant Mexican American adolescents participated in the study. The Laredo sample and the Tucson sample were identified as true bicultural samples. The El Paso group was identified as a Mexican-oriented bicultural sample. All geographical areas had an equal ac
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Dube, Liketso. "Exploration of Ndebele carnival literature posted on Facebook walls and how it provides an escape route from censorship in Zimbabwe." Thesis, 2020. http://hdl.handle.net/10500/27415.

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This thesis is an exploration of tabooed literary creations that it terms carnival literature. To achieve the objective of establishing the effectiveness of posting material on Facebook walls of the selected group and individual accounts to escape censorship, the thesis compared traditional graffiti, particularly latrinalia, to ‗cyber‘ graffiti (social media) with Facebook as a case study. Lev Vygotsky‘s Activity Theory helped the study link graffiti, vulgarities, humour and Facebook to the Ndebele society‘s response to tabooing of carnival literature. The thesis argued that participating in
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Books on the topic "Psychologial aspects of Carnival"

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Doherty, Deborah. Health effects of family violence. --. National Clearinghouse on Family Violence, 2003.

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Arnett, Jeffrey Jensen. Debating emerging adulthood: Stage or process. Oxford University Press, 2011.

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Engell, Karin. "Dreh' dich Baiana ... in den Farben meines Herzens!": Karneval in Brasilien : ein Spiegel politischer Kultur. Leske + Budrich, 1994.

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Grant, L. Trevor. Trinival: Carnival of the gods. Yacos Pub., 2008.

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Achten, Udo. Jacques Tillys Narrenfreiheit: Provokation und Phantasie im Düsseldorfer Rosenmontagszug. Klartext, 2007.

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Pauvert, Dominique. La religion carnavalesque. Las Edicions dau Chamin de Sent Jaume, 2012.

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1798-1886, Rautenstrauchowa Łucja, ed. Struktura w antystrukturze: Szkice o karnawale i teatrze. Wydawnictwa Uniwersytetu Warszawskiego, 2013.

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Bärtsch, Albert. Sarganserländer Holzmasken: Fasnachtsbrauchtum. Sarganserländer Verlag, 1990.

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Bärtsch, Albert. Holzmasken: Fasnachts- und Maskenbrauchtum in der Schweiz, in Süddeutschland, und Österreich. AT Verlag, 1993.

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Apeh, Columba. Sociology of tourism, carnival and processional arts in Nigeria. University of Calabar Press, 2017.

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Book chapters on the topic "Psychologial aspects of Carnival"

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Lushchyk, Mariya. "PROBLEMS AND PROSPECTS OF THE DEVELOPMENT OF CARNIVAL TOURISM IN UKRAINE." In Scientific space in the conditions of global transformations of the modern world. Publishing House “Baltija Publishing”, 2022. http://dx.doi.org/10.30525/978-9934-26-255-5-3.

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The development of carnival tourism is constantly gaining momentum, because domestic and foreign consumers are no longer interested in visiting familiar sights or a traditional beach vacation devoid of vivid impressions. Therefore, the appearance and development of carnival tourism services on the international market led to an increase in demand among consumers for this rather new direction in the specified industry. At the same time, carnival research is still at an early stage of development, and needs more detailed study by tourism operators and tourism researchers.The object of the study
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"1 Carnival and Simulacra in Reinaldo Arenas’s El color del verano." In Dialogic Aspects in the Cuban Novel of the 1990s. Boydell and Brewer, 2014. http://dx.doi.org/10.1515/9781782042341-002.

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Sampath, Niels. "Mas’ Identity: Tourism and Global and Local Aspects of Trinidad Carnival." In Tourists and Tourism. Routledge, 2021. http://dx.doi.org/10.4324/9781003136002-9.

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MacLeod, Catriona. "Performing and Parading Gender in Guyane’s Carnival." In Locating Guyane. Liverpool University Press, 2018. http://dx.doi.org/10.3828/liverpool/9781786941114.003.0011.

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Guyane's carnival constitutes one of the most popular and publicised elements of the territory’s cultural identity. The carnival is home to several established ‘characters’ who represent different symbolic roles or incarnate various aspects of the territory’s history. This chapter will focus on two figures whose costumes and behaviours appear intended to challenge the traditional gender roles which still dominate everyday life in Guyane: the cross-dressing male (the travesti) who takes part regularly in street parades, and the female-incarnated Touloulou of the carnival’s masked balls. This ch
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Roett, Riordan. "Brazilian Culture and Society." In Brazil. Oxford University Press, 2016. http://dx.doi.org/10.1093/wentk/9780190224523.003.0010.

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Brazil has a vibrant national culture. It ranges from the passionate commitment of the average Brazilian to “their” soccer team to the bossa nova, an imaginative film industry, and Carnival. These colorful and fascinating aspects of life in Brazil are as important as government changes,...
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Davenport, Tony. "Comic tales." In Medieval Narrative an Introduction. Oxford University PressOxford, 2004. http://dx.doi.org/10.1093/oso/9780199258390.003.0005.

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Abstract Modern discussion of medieval comedy tends to focus on Mikhail Bakhtin’s theories of the carnivalesque, expressed in several of his writings but particularly in his study of Rabelais. Bakhtin describes medieval men as existing simultaneously in two lives, the official and the carnival life: ‘Two aspects of the world, the serious and laughing aspect, coexisted in their consciousness.’1 Because he sets up a constant opposition between the carnival spirit and the world of gloom and seriousness (which naturally includes the teachings of the medieval church) Bakhtin identifies comedy as ex
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Frankel, Noralee. "Strip Around the World." In Stripping Gypsy. Oxford University PressNew York, NY, 2009. http://dx.doi.org/10.1093/oso/9780195368031.003.0016.

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Abstract Sweden’s nude bathing surprised Gypsy. “I guess I’m more easily shocked than the average person,” she told a local interviewer, who thought she was joking. Ten-year-old Erik surpassed his mother’s punch line by adding, “The YMCA or the YWCA is the only place you can do that in America.” Aspects of the European trip challenged Gypsy, but most audiences reacted favorably to the old routines. Throughout Europe, Gypsy created a variation of her carnival show. Four women, usually recruited from the host country, in fishnet stockings and strategically placed sequins sauntered onstage with a
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Conference papers on the topic "Psychologial aspects of Carnival"

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Tavares, Tatiana. "Carnival Land: An creative consideration of sequential storytelling to discuss cultural dislocation." In LINK 2023. Tuwhera Open Access, 2023. http://dx.doi.org/10.24135/link2022.v4i1.196.

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This presentation will outline the practice-led research project Carnival Land, a picture book that weaves together sequential storytelling and illustration to discuss cultural dislocation. Based on my experiences as an immigrant from Brazil to New Zealand, it provides a narrative in metaphors and a creative orchestration of photomontage, bilinguality, and theatricised multi-page spreads. The story tells of the trials and eventual transformation of a young girl in a foreign land, where aspirations appear as costumes in an annual Carnival parade. Several theoretical frameworks significantly inf
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Milivoievici, Viviana. "Fașancul in the Danube Gorge – the celebration of the masks – a tradition that will not be lost." In Conferință științifică internațională "FILOLOGIA MODERNĂ: REALIZĂRI ŞI PERSPECTIVE ÎN CONTEXT EUROPEAN" cu genericul G. Călinescu. 125 ani de la naştere, Ediţia a 18-a. “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2024. http://dx.doi.org/10.52505/filomod.2024.18.23.

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It can be said that folklore represents an “arch over time”, a bridge, an indestructible link between what was and what will remain as a legacy to posterity. That is why, in the present work, we analyze a tradition specific to the area of the Danube Gorge – Fășancul/ Fărșangul – a celebration of masks, known in folklore as “carnival”. It has a wide sphere of circulation, both on the northern bank of the Danube Gorge, and in Serbia, in localities on the southern bank of the river. This tradition – the “masked procession” – has the role of satirizing certain bad aspects of human life and, just l
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Barbosa, Diego. "Careta, who are you? Aspects of the carnivalesque in African Brazilian manifestations as strategies of subversion and resistance." In LINK 2023. Tuwhera Open Access, 2023. http://dx.doi.org/10.24135/link2022.v4i1.197.

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The element of nonconformity in opposition to the authoritarianism of the official culture present in European folk carnival festivities traveled with European colonisers to the Americas, where they were met by diverse African and Indigenous traditions, giving birth to new forms of manifestation in the melting pot of cultures collateral to colonialism. Existing under a colonial system willing to suppress any subversive or marginal aspects, diasporic Black culture made use of carnivalesque modes of representation to temporarily subvert the authority of the official institutions, having the resi
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