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Journal articles on the topic 'Psychologial aspects of Carnival'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2025

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1

Негрышев, Андрей, and Andrej Negryshev. "Virtual Online Reality: Towards the Problem of Categorical Features." Scientific Research and Development. Modern Communication Studies 7, no. 1 (2018): 12–17. http://dx.doi.org/10.12737/article_5a659c102b36e6.51333341.

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The article considers some methodological aspects of the concept of “virtual reality”, used in the research area of computer technologies and their interaction with the mental world of the individual. In the paper the virtual online reality is defined as the picture of the world presented in the totality of cognitive-semiotic tools on the web pages with informational and news content. The aim of this work is to describe the categorical features of the phenomenon. Theoretical background of the research consists of the works in the field of Internet linguistics and psychological virtualistics, u

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2

Kuzin, Vasiliy. "Art Education as a Model for Overcoming the Crisis in Higher Education." Ideas and Ideals 13, no. 1-1 (2021): 42–51. http://dx.doi.org/10.17212/2075-0862-2021-13.1.1-42-51.

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The article is devoted to the analysis of the existential crisis of the higher school teacher in modern Russia, diagnosed by professors P. A. Orekhovsky and V. I. Razumov in the article ‘Carnival Time: Russian Higher School and Science in the Postmodern Era’. Various aspects of the activity of a higher school teacher are considered: economic, social, and psychological. The author diagnoses the inflation of higher education in modern Russia. Due to inflation, there comes its obvious devaluation. At the same time, the development of digital technologies radically simplifies access to information

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Dujić, Lidija, Darijo Čerepinko, and Željka Bagarić. "Aspects of the Carnivalesque and the Performative in Public Discourse." Narodna umjetnost 61, no. 2 (2024): 93–105. https://doi.org/10.15176/vol61no25.

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This paper explores aspects of the carnivalesque and the performative in Croatian public discourse, considering them a form of communication, exchange of responses between the authorities and groups of citizens (associations, initiatives, trade unionists and opposition politicians). The language of delegated power and impenetrable imagery, on the one hand, and highly performative responses, on the other, paralyze communication, preoccupy the media with the illusion of conducting public dialogue and condemn such a format as immanently uncommunicative. From a broader perspective, the article not

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Zlotnikova, Tatiana S. "Philosophy and the Drama of Life: A Theater Experience of Understanding F.M. Dostoevsky." Observatory of Culture 18, no. 3 (2021): 228–39. http://dx.doi.org/10.25281/2072-3156-2021-18-3-228-239.

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The article aims at a multidimensional discussion of the little-explored topic of the dramatic content of the philosophical problems in the works of F.M. Dostoevsky (1821—1881). There is proved that it was this feature of creativity that made the writer, with his philosophy of life and sharp, dramatically effective plot and psychological collisions, the most desirable and very productive author for the Russian theater art.Polyphony, dialogism, combined with the features of the tragic genre, are the basis for numerous theatrical embodiments of novels and novellas by F.M. Dostoevsky. The intensi

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Salzbrunn, Monika. "The Twenty-First-Century Reinvention of Carnival Rituals in Paris and Cherbourg." Journal of Festive Studies 2, no. 1 (2020): 105–27. http://dx.doi.org/10.33823/jfs.2020.2.1.50.

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Carnival as a research object has been studied from a multiplicity of perspectives: folklore studies, European ethnology, social and cultural anthropology, history, sociology, etc. Each of these disciplines has enriched the literature by focusing on different aspects of the event, such as its participatory nature, its transformative potential (at an individual or collective level), and its political dimension broadly conceived. The present article reviews this scholarship and uses it to analyze the contemporary Parisian Carnival, which has tried to revive the nineteenth-century Promenade du Bo

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Petersen, Nils Holger. "Music Drama as a Christian Parable: Mozart’s Idomeneo." Religions 16, no. 1 (2025): 86. https://doi.org/10.3390/rel16010086.

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This article discusses Wolfgang Amadeus Mozart’s opera Idomeneo: Re di Creta (1781, to a text by Giambattista Varesco) as a Christian parable in the historical context of its genesis. Mozart’s Idomeneo is based on a short episode in François Fénelon’s Télémaque, but also on Antoine Danchet’s adaptation of this episode for the theater in his tragédie lyrique Idoménée (1712; set to music by André Campra). In important aspects, Mozart’s Idomeneo changed the narrative with a marked independence of Fénelon as well as Danchet. In recent scholarship, important new information has come to light concer

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Melnyk, Myroslava, Andrii Kasianenko, Olena Kapustianska, Mykola Krypchuk, and Volodymyr Fisher. "Humorous nature of carnival culture." Salud, Ciencia y Tecnología - Serie de Conferencias 3 (June 28, 2024): 1007. http://dx.doi.org/10.56294/sctconf20241007.

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Despite the widespread use of humour in carnivals, research in this area is limited. Therefore, this research seeks to address this gap and uncover the humorous nature of carnivals from a scientific perspective. The purpose of this research is to conduct a scientific analysis of the humorous nature of carnival culture, to clarify its origins and impact on society. The following methods were used to achieve the research purpose: observation, interviews, questionnaires, statistical method, and content analysis method. The research established that carnival is a significant mechanism for expressi

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Tretyakov, Vitaly T. "Pleasure before business. About the carnival code of modern television communication." Neophilology, no. 4 (2023): 855–64. http://dx.doi.org/10.20310/2587-6953-2023-9-4-855-864.

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Media sphere carnivalization today is becoming not only one of the key signs of the development of modern media, but also a phenomenon that describes the most essential features of media. This is most clearly manifested in audiovisual media in general and television in particular. Based on the method of content analysis, the historical-functional method, as well as taking into account the theory of carnival proposed by M.M. Bakhtin, examined various aspects of the manifestation of carnival in modern screen media. The obvious presence of such essential qualities of carnival as equality (democra

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Churchill, Nancy. "Dignifying Carnival: The Politics of Heritage Recognition in Puebla, Mexico." International Journal of Cultural Property 13, no. 1 (2006): 1–24. http://dx.doi.org/10.1017/s0940739106060012.

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This article problematizes the process of heritage declaration using ethnographic research on the working class carnival produced each year in the historic city center of Puebla, México. The author explores the ways in which the intersection of cultural and political practice in this case has not only called into question the authenticity of certain aspects of this local tradition, but have instead converted them into points of contention among carnival producers.

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Kurochkin, Оlexander. "European Carnival: traditions and nowadays." Current issues of social sciences and history of medicine 30, no. 2 (2021): 73–77. http://dx.doi.org/10.24061/2411-6181.2.2021.272.

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The problems of functioning of carnival traditions in the countries of Western Europe are examined in the given article. The ancient holidays of Dionysius and Saturnalia are the genetic ancestors, these were the periods when golden age seemed to be approaching the earth – the kingdom of universal equality and freedom. The carnival became a mass folk holiday with street processions, games, and theatrical performances in masks in the Middle Ages due to the development of European self-governing cities and the formation of the bourgeois class. Carnival theory is a field of active scientific discu

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Koroleva, A. A. "Review of The Songs of the Cádiz Carnival during the Second Republic." Concept: philosophy, religion, culture 5, no. 3 (2021): 193–96. http://dx.doi.org/10.24833/2541-8831-2021-3-19-193-196.

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Looking into affective topics such as historical memories often starts with a very personal story. It was not the case with Santiago Morello, whose curiosity inspired him to research social history and historical memories of Cádiz. Thus he managed to remain objective when answering a simple WHY question. Moreno grew up in Spanish Andalusia and had a first-hand experience of what education is like when there is no consensus on local history — important topics tend to be avoided. As a researcher, Santiago Moreno took a special interest in the repressed participants of the carnival and the prohib

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Amar Prawijo, Muhammad Fatihuddin, Fahmi Uyunirrizqi, et al. "Optimalisasi Strategi Keberhasilan Pemberdayaan Desa Melalui Kegiatan Kirab Budaya dalam Peringatan Haul Simbah Wali Hasan bin Abu Hamid di Desa Magersari Kecamatan Patebon Kabupaten Kendal." Transformasi Masyarakat : Jurnal Inovasi Sosial dan Pengabdian 1, no. 4 (2024): 54–61. https://doi.org/10.62383/transformasi.v1i4.657.

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Village empowerment in the Simbah Wali Hasan bin Abu Hamid cultural carnival and haul event in Magersari Village is one way of empowering the community in the aspects of participation, preserving traditions and strengthening community values. The cultural carnival is an effort to preserve traditions by integrating religious and local cultural aspects. Haul Simbah Wali Hasan bin Abu Hamid in Magersari Village, which is an annual commemoration of the death of this spiritual figure, is held every year on 24-25 Muharram, with this year being the 40th anniversary. On the first day, the event began

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Scott, Joanne, and Ross Laurie. "Celebrating Her First Half-Century: Queensland's Jubilee Carnival." Queensland Review 16, no. 2 (2009): 43–56. http://dx.doi.org/10.1017/s1321816600005109.

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Queensland's Jubilee Carnival of 1909 was, according to Australia's Governor-General, Lord Dudley, ‘the principal and most prominent feature in the series of festivities by which the people of Queensland are seeking to celebrate the jubilee of their existence’. Indeed, with the exception of the Carnival, the ‘series of festivities’ was rather lack-lustre, offering relatively little of substance to excite the attention of contemporaries or of later commentators. Offering a distraction from the political instability of the era – between 1907 and 1909, voters had gone to the state polls three tim

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14

Mudrak, Maryna. "Polemical Literature and Carnival Culture: Aspects of (not) an Intersection." NaUKMA Research Papers. Literary Studies 3 (September 2, 2022): 8–18. http://dx.doi.org/10.18523/2618-0537.2022.3.8-18.

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Elements of culture of popular laughter (Mikhail Bakhtin) in the “Knyzhka” of the Ukrainian polemicist were the object of study in the works of Ivan Franko and Mykhailo Hrushevsky. Researchers have not yet distinguished between the concepts of humorous, ironic, and satirical. The third chapter of the “Knyzhka” is called by the Ukrainian historian the forerunner of Ukrainian comedy due to its humorous elements and simple language. However, Hrushevsky calls the descriptions of the image of a layman either ridicule or humor.Carnival elements are closely related to the nature of the genre. Polemic

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15

Mamani Daza, Lolo Juan, Sixto Jhon Arapa Villanueva, Miguel Cespedes Carpio, and Cecilia Alejandra Alarcon Vilca. "The carnival of Achoma – Caylloma." Universidad Ciencia y Tecnología 25, no. 111 (2021): 40–48. http://dx.doi.org/10.47460/uct.v25i111.514.

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In this paper a tour of the Achoma Carnival is made, the most notable aspects of the carnival are described and the spiritual and cultural essence that enriches these festivals is reflected. Its people, its colors and its music combine to fill the atmosphere of magic that links culture, history and art with the present. This work also describes the elements that make carnival possible and their influence on the citizens of Achona and tourists who participate in the festivities. A detailed bibliographic review is carried out and the value of the culture and traditions of Peru is highlighted, sp

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16

Kasperski, Edward. "Black humour, comicality, parody." Tekstualia 4, no. 39 (2014): 5–30. http://dx.doi.org/10.5604/01.3001.0013.4485.

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The article is an attempt to present the category of black humour in reference to comicality and parody. The fi rst part encompasses a description of its theoretical aspects such as André Breton’s concept of black humour as well as studies by Freud, Kierkegaard, Schopenhauer, Bergson and Beatrix Müller-Kampel. Additionally, Mikhail Bakhtin’s concepts of the carnival and the grotesque are addressed. The second part focuses on an exemplary employment of black humour: Sławomir Mrożek’s dark parody of Adam Mickiewicz’s Dziady II.

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Kłagisz, Mateusz M. P. "A Supplementary Contribution to Research on Iranian Kuse, Turkish Köse and Their Slavic Zoomorphic Counterparts." DABIR 11, no. 1-2 (2024): 18–67. https://doi.org/10.1163/29497833-20230024.

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Abstract This article examines ritualistic performances in pre-modern Iranian, Turkish, and Slavic agrarian-pastoral communities, focusing on a fertility myth centered around a suffering, dying, and resurrecting deity. Grounded in animistic worldviews, this myth establishes intricate connections between humans and the cosmos, guiding ritual behaviors to ensure agricultural fertility and cosmic harmony. The analysis explores symbolic transformations across these folk traditions, addressing interpretative challenges through cultural and comparative studies. The study delves into various ritual a

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18

Chernova, N. V. ""Do You Like Street Singing?": Raskolnikov Condemned by the Choir of the People." Russkaya literatura 3 (2020): 68–74. http://dx.doi.org/10.31860/0131-6095-2020-3-68-74.

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The article deals with one of the aspects of the novel "Crime and Punishment", where the voice of the people and literary pochvennichestvo are decisive features of the author’s strategy in relation to the criminal protagonist. Beginning with his very fi rst arrival to Sennaya Square after the crime, the voice of the people in its two hypostases, religious-ethical and carnival-square, condemns him and at the same time supports him in his search for an outcome («join the people again»), chartering his way to resurrection.

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Kosareva, A. A. "Harlequinade Grotesque in D. H. Lawrence’s Novel ‘Lady Chatterley’s Lover’." Nauchnyi dialog 12, no. 6 (2023): 228–44. http://dx.doi.org/10.24224/2227-1295-2023-12-6-228-244.

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The article is devoted to the interpretation of D. H. Lawrence’s novel ‘Lady Chatterley’s Lover’. The basis for reading the novel in a carnival key is provided by both the facts of Lawrence’s biography and the presence of carnival interpretations in his other works in recent decades. The study of the harlequinade imagery in the novel makes it possible to characterize the ‘Lawrentinian’ harlequinade grotesque and its role in reflecting the writer’s worldview. Through the analysis of the characters, the author establishes similarities between Mellors, Connie, and Clifford with Harlequin, Columbi

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Tucker, Stephanie. "A Diptych of Comedy and Carnival: Alan Ayckbourn’s House & Garden." New Theatre Quarterly 22, no. 2 (2006): 155–80. http://dx.doi.org/10.1017/s0266464x06000388.

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This article examines Alan Ayckbourn’s two linked plays, House & Garden, in the context of an entire career exploring the limits and boundaries of theatrical conventions. As the driving force and artistic director of the Stephen Joseph Theatre, a complex which houses two theatres – a proscenium stage and a theatre-in-the-round – the playwright/director has a flexible, state-of-the-art laboratory in which to experiment with theatrical elements which have always fascinated him. In House & Garden, Ayckbourn stretches stage boundaries in unprecedented ways by writing two plays to be perfor

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Akun, Akun. "HEAVENLY TEARS � EARTHLY LOSS: DIFFERENT WAYS OF COPING WITH LIFE LOSS IN TEARS IN HEAVEN, CIRCUS, AND SINCE I LOST YOU." Celt: A Journal of Culture, English Language Teaching & Literature 14, no. 1 (2014): 1. http://dx.doi.org/10.24167/celt.v14i1.53.

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This is a qualitative study of three pop songs rooted from the same tragic event of Eric Clapton?s son Conor who fell from the 53rd floor of his spouse?s New York apartment in March 1991. Two songs are from Clapton himself i.e. Tears in Heaven and Circus and one song from his friend Phil Collins entitled Since I Lost You. The goal of this study is to elaborate the attitude of the author through the study of formal aspects of the song such as rhyme, rhythm, tone and picth and also the metaphorical expressions in their wording. This is a library research of the three songs using a comparative te

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Rusin, Anna. "Heitor Villa-Lobos i Darius Milhaud – w kręgu fascynacji twórczych, postaw i osobowości." Kwartalnik Młodych Muzykologów UJ, no. 48 (1) (December 30, 2021): 5–30. http://dx.doi.org/10.4467/23537094kmmuj.21.001.13638.

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Heitor Villa-Lobos and Darius Milhaud: towards fascinations, musical approaches and personalities The article aims to examine the circumstances of Milhaud and Villa-Lobos’s encounter, who are the significant figures of 20th century French and Brazilian avant-garde. The analysis of the principle aspects of youthful inspirations, musical approaches and personalities as per Mieczysław Tomaszewski’s concept of the integral interpretation, presents the impact of cultural milieux on artists’ aesthetics, together with their apparent fascination with Carnival. Additionally, the study highlights a conn

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Guerra, Paula, and Henrique Grimaldi Figueredo. "Civilizational dissent at late 1990’s: body, fashion and club cultures in contemporary society." IASPM Journal 12, no. 1 (2023): 126–48. http://dx.doi.org/10.5429/2079-3871(2022)v12i1.9en.

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British fashion of the 1990s manifests a fin-de-siècle social anxiety. Facing a systemic crisis of culture, some designers embodied the sociological concepts of risk and carnivalization in their creations. This attitude is reflected in the emergence of themes such as the wasted look and abject aesthetics, epistemological solutions arising from a legacy of grunge experiences. Based on a documental approach, materialized in media and art works, to some British fashion shows of the 1990s, we will discuss in this article several aspects of the relationships between body, risk, carnival and fashion

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Petrilli, Susan. "Visualizing Theatrical and Novelistic Discourse with Bakhtin." International Journal of Semiotics and Visual Rhetoric 3, no. 1 (2019): 12–31. http://dx.doi.org/10.4018/ijsvr.2019010102.

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A constant vision in Mikhail Bakhtin's works: polyphonic dialogue, this above all in the novel, but his love for theatre should not be neglected. Consequently, a central focus in Bakhtin's reflections is the polyphonic novel which he first identifies in Dostoevsky's novels. Bakhtin establishes a close relation between the novel, popular culture and carnival, evidencing the carnival component of novelistic discourse, therefore of life. Moreover, as he recounts in his 1973 conversations with Victor Duvakin, his interest in the novel overlapped with theatre, in particular the Moscow Art Theatre.

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Cesarino Costa, Flávia. "Building an integrated history of musical numbers in Brazilian chanchadas." Alphaville: Journal of Film and Screen Media, no. 19 (July 23, 2020): 13–27. http://dx.doi.org/10.33178/alpha.19.02.

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This article discusses industrial and aesthetical aspects of the musical numbers in 1950s Brazilian chanchadas. The chanchadas were a body of films made between the 1930s and 60s, that combined a mixed style derived from domestic influences of radio and popular music routines and from local forms of comic theatrical revues. I propose an examination of the entertainment industry’s influence on the musical numbers chosen for these 1950s chanchadas. This intermedial approach is based on the strong links between cinema and other cultural practices. I will argue the need to take into account not on

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Osovskii, Oleg. "CLOSE UP WITH TRIMALCHIO: M.M. BAKHTIN, JAMES JOYCE AND HENRY MILLER." Literaturovedcheskii Zhurnal, no. 4 (2021): 179–93. http://dx.doi.org/10.31249/litzhur/2021.54.11.

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The article deals with one of the aspects of the problem “MM. Bakhtin and the XXth Western Literature”. It is connected with the scholar’s reception of modernist artistic achievements. The author analyzes Bakhtin’s reception of J. Joyce’s work. The materials published in Bakhtin’s collected works allow us to say that the scientist knew the innovative nature of the works of the author of “Ulysses”. As well Bakhtin methodology is an effective tool for studying the deeply carnivalized and polyphonic world of J. Joyce and his characters. No less important for the disclosure of the stated problem i

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Tampubolon, Agustinus, and Cecep Darmawan. "Fashion Budaya Nasional dalam Konteks Wawasan Kebangsaan: Studi Kasus pada Jember Fashion Carnaval." Journal of Urban Society's Arts 3, no. 1 (2016): 19–26. http://dx.doi.org/10.24821/jousa.v3i1.1473.

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Penelitian ini bertujuan untuk menjelaskan konstruksi makna fashion yang berkaitan dengan konsep wawasan kebangsaan. Desain penelitian yang digunakan adalah kualitatif dengan metode fenomenologi. Teknik pengumpulan data dilakukan dengan wawancara, observasi mendalam dan studi dokumentasi.Hasil penelitian menunjukkan bahwa:(1) hal-hal yang diungkapkan fashion sebagai penguat wawasan kebangsaan melalui Jember FashionCarnaval (JFC) berkaitan dengan aspek kreativitas, tema, dan simbol-simbol dalam kostum karnaval;(2) pesan fashion berkaitan dengan wawasan kebangsaan karena memuat nilai-nilai persa

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Perrie, Maureen. "The Oprichnina as a Carnival of Violence: Ivan the Terrible and Muscovite Popular Culture." Russian History 47, no. 1-2 (2020): 100–113. http://dx.doi.org/10.30965/18763316-04701009.

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This essay takes issue with Charles Halperin’s assertion, in his book on Ivan the Terrible, that the state terror imposed by the tsar in the period of the oprichnina bore no relation to the concept of carnival employed by Mikhail Bakhtin. The reviewer argues that, on the contrary, Ivan’s behaviour was heavily influenced by aspects of the “comic world” of early Rus’ identified by D.S. Likhachev and A.M. Panchenko as the Muscovite equivalent of the Western European “carnivalesque”. She examines the deposition and ritual humiliation of Metropolitan Filipp of Moscow and Archbishops Pimen and Leoni

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Tian, Shuqi. "The Narrative Strategies of Hermann Hesse’s Steppenwolf." Studies in Linguistics and Literature 9, no. 2 (2025): p194. https://doi.org/10.22158/sll.v9n2p194.

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Hermann Hesse’s Steppenwolf manifests its narrative strategies in three aspects: narrative levels, carnivalized narrative spaces and dialogism, corresponding to the research idea from the external structure to the internal plot and characters’ dialogues. The different narrative levels based on the two dimensions of “story” and “discourse” surround each other and drive the narrative process together. The novel comes to a climax when the main character, Haller, wandered to the “tavern” and the “magic theatre”, two places with carnival atmosphere, and expressed the flow of Haller’s consciousness

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Kannykin, Stanislav Vladimirovich. "Running in everyday life and festive culture of the Renaissance and the Modern Age." Человек и культура, no. 3 (March 2021): 143–54. http://dx.doi.org/10.25136/2409-8744.2021.3.33028.

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The subject of this research is determination of the peculiarities of running as a type of activity in the sociocultural situation of the Renaissance and the Modern Age of the Old and New World. The relevance of studying the socially important aspects of running in everyday life and festive, carnival culture of the XV &ndash; XIX centuries is substantiated by the fact that namely this period marks the onset of mental requests and revival of physical practices, which in 1896 would become the heart of the First Olympic Games, the beginning and culmination of which were the athletic competiti

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LYSOKOLENKO, Tetiana, Iryna KOLIADA, and Iryna KARPAN. "Game in Philosophy of Jean Baudrillard: Limits of Understanding." WISDOM 22, no. 2 (2022): 277–88. http://dx.doi.org/10.24234/wisdom.v22i2.739.

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This paper analyzes the essence of the phenomenon of the game in the philosophy of J. Baudrillard. The conceptual core of the study consists of the following aspects: game as a sign of reality, game as a game, in reality, game with reality through the media, and game as a postmodern carnival. The study led to the following conclusions: the game is an integral part of the leading concepts and themes in the philosophy of Baudrillard, such as implosion, apotropia, singularity, hyperreality, simulacra, etc.; the interpretation of the essence of the game in the philosophy of the French philosopher

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Kiklewicz, Aleksander, Julia Mazurkiewicz-Sułkowska, and Helena Pociechina. "Menschen zu sein..." Zeitschrift für Slawistik 66, no. 4 (2021): 533–57. http://dx.doi.org/10.1515/slaw-2021-0025.

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Summary This essay focuses on the sociocultural and semiotic aspects of the discourse of protests sparked by the rigged presidential election in Belarus, in August 2020. The mass demonstrations, using symbolic items (such as posters, slogans, exclamation marks, performances, posts in the social networks on the Internet, etc.) have been analyzed as a type of social discourse. The focus is on the peculiarity and the most distinctive features of the protest movement in Belarus. In particular, the following socio-political and cultural characteristics of Belarusian protest discourses are considere

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Castello Branco, Marta. "Piano na Mangueira : A Brazilian Story about Music and Essentialism." Indiana Theory Review 39, no. 1 (2024): 146–67. http://dx.doi.org/10.2979/itr.00006.

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Abstract: In 1992, the samba school Mangueira honors Tom Jobim in its carnival parade. Two different musical expressions emerge from this: a samba-enredo by the school and the song “Piano na Mangueira” by Jobim and Chico Buarque. Although both represent musical encounters and mutual homage, their character is directly affected by sound and material systems that we recognize as “music theories,” in a broad sense. The challenge of representing a piano in the samba school, as well as the encounters and disagreements in this context, lead to a historical, social, and musical-analytic investigation

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Saputra, Onery Andy, Sudiro Sudiro, and Utomo Ramelan. "Aplikasi Mesin Cetak 3 Dimensi Untuk Pembuatan Saklar Tempat Duduk Pada Mobil KIA Carnival." Infotekmesin 11, no. 1 (2020): 44–49. http://dx.doi.org/10.35970/infotekmesin.v11i1.114.

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The types of automotive components today vary greatly. The presence of more components types make it difficult to find suitable automotive components. 3D Printing Machine is a new breakthrough to overcome these problems. This is based on the working concept of a 3-dimensional printing machine that make components done by the product design process and then print it through a 3-dimensional printing machine. This concept is further developed in the form of feasibility test of several aspects which are able to assess the results of the component products in order to be marketed. The purpose of th

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Aston, Judith, and Stefano Odorico. "The poetics and politics of polyphony." Alphaville: Journal of Film and Screen Media, no. 15 (October 9, 2018): 63–93. http://dx.doi.org/10.33178/alpha.15.05.

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This article stems from a panel we jointly convened at the i-Docs 2018 Symposium, where we presented a series of provocations with a view to generating a new theoretical framework for i-docs. These provocations were inspired by all aspects of Mikhail Bakthin’s concept of polyphony, from both a theoretical and a practical point of view. This article presents these provocations and reflects further on them. A number of key issues are documented, expanded and commented upon, as a potential framework for further research, including multiplicity, the chronotope, dialogism and interaction. We propos

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Aytov, S. Sh. "PHILOSOPHY OF CULTURE M.M. BAKHTIN: HISTORICAL AND ANTHROPOLOGICAL DIMENSION." Anthropological Measurements of Philosophical Research, no. 3 (September 17, 2013): 52–61. https://doi.org/10.15802/ampr2013/14325.

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<strong>The purpose</strong> of this paper is to determine the influence of theoretical approaches to the philosophical concepts of culture M. M. Bakhtin on the genesis and implementation of historical and anthropological concepts and renovations mentality and socio-cultural characteristics and behavior of individuals and societies of the past. <strong>Methodology.</strong> Methodological tools are methods of system and source analyses. <strong>Theoretical basis and results:</strong> analyzes the concept of the philosophy of culture such M.M. Bakhtin as a carnival, fol

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Harmawan, Bagus Nuari, M. Zaenul Muttaqin, and Singgih Manggalou. "IMPLEMENTING COLLABORATIVE GOVERNANCE: COLLABORATION BETWEEN ACTORS IN ORGANIZING BANYUWANGI FESTIVAL." dia 20, no. 01 (2022): 386–400. http://dx.doi.org/10.30996/dia.v20i01.6044.

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The Banyuwangi Festival is the flagship of Banyuwangi tourism on a national level. In addition, the presence of the Banyuwangi Festival also supports the growth of tourist visits to the Banyuwangi area. The success of the Banyuwangi Festival is inseparable from the presence of two significant events, namely the Banyuwangi Ethno Carnival (BEC) and the Gandrung Sewu event. The success of organizing these two significant events cannot be separated from the multi-actor collaboration between the Banyuwangi local government and the private sector to culturalists. This article answers questions about

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Power, Camilla. "Egalitarianism made us the symbolic species." Hunter Gatherer Research 8, no. 3-4 (2022): 207–31. http://dx.doi.org/10.3828/hgr.2022.2.

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‘The world of hunter-gatherers […] was one of bold social experiments’ say Graeber and Wengrow, ‘a carnival parade of political forms’. But did the boldest social experiments of our ancestors – language and symbolic culture – constrain these possibilities? Aspects of our anatomy, psychology and cognition that were necessary preadaptations to language – cooperative eyes, intersubjectivity, large brains, a ratchet effect of cultural accumulation – required stable sociopolitical contexts of significant egalitarianism to evolve among our Middle Pleistocene ancestors. This implies political strateg

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Bonanzinga, Sergio. "Musical Mourning Rituals in Sicily. By Sergio Bonanzinga. Translated by Giacomo Valentini." Ethnomusicology Translations, no. 5 (January 18, 2017): i—93. http://dx.doi.org/10.14434/emt.v0i5.23159.

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This article surveys various vocal and instrumental performances (chants, laments, calls, sounds of church bells and drums, band music) connected to the ritual celebration and commemoration of the dead that are still characterized in Sicily by a manifest syncretism between Christian Church rules and folk customs and beliefs. These “sounds of mourning” are examined in terms of both their musical aspects and their social and symbolic functions, with special attention given to the changing dynamics between the present day and the recent past. The focus also extends to include celebrations in whic

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Косарева, Анна Александровна. "The Aesthetics of Commedia dell'Arte in European Fairy Tales." Philology & Human, no. 3 (September 18, 2024): 205–14. https://doi.org/10.14258/filichel(2024)3-14.

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The article considers commedia dell’arte traditions in European fairy tales of the 19th and 20th centuries. The research material is “Pierrot ou les secrets de la nuit” by M. Tournier, “Harlequin and the Green Dress” by L. Fischetto and “Pulcinella on the Tomb of Columbine” by H. H. Andersen. The commedia images and plots presented in these works are compared with the original ones, and the techniques with which the authors of fairy tales adapt commedia traditions to the children's perception are highlighted. It is established that the authors of European fairy tales of the 20th century avoid

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Schulz, Vladimir L., and Tatiana M. Lyubimova. "Post-structuralism." Epistemology & Philosophy of Science 60, no. 2 (2023): 151–67. http://dx.doi.org/10.5840/eps202360230.

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The article draws a conceptual distinction the (French) structuralism of the 50’s–60’s and the post-structuralism of the 70’s, which are discussed as overlapping in their intellectual paths; their mutual dynamics is defined as a reaction of the intelligence to the pressure of depersonalized unified schemes within the logic of structuralism against free improvisation and loose interpretation instead of total explanations in the post-structuralism interpretation. The article establishes a conceptual identity of the paradoxical nature between post-structuralism (and deconstructionism, which is ho

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Ghofur, Muhammad Ikhsan, and Tatik Khalifah. "Peran Kharisma Sultan Agung dalam Keberlanjutan Tradisi Nguras Enceh di Makam Imogiri." Journal of Religion and Social Transformation 2, no. 1 (2024): 34–44. https://doi.org/10.24235/drgm6f45.

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The nguras enceh tradition at the King's Tomb in Imogiri, Yogyakarta, reflects the community's belief in the extraordinary power of Sultan Agung, who is believed to bestow blessings through his legacy. This research uses a field method with a qualitative approach involving observation, interviews and documentation to understand the community's perception of the nguras enceh tradition. The results showed that the tradition has survived despite changes in some of its aspects, especially since the 2000s with the cultural carnival before the core event. The nguras enceh tradition is not only a for

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Lutsenko, E. M. "The image of Romeo as interpreted by Ivan Roskovshenko. From the history of Russian Petrarchism." Voprosy literatury, no. 5 (December 19, 2018): 242–70. http://dx.doi.org/10.31425/0042-8795-2018-5-242-270.

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This study of the translation strategies for Romeo and Juliet heavily relies on two aspects concerning the play’s genre complexity: the lyrical plot (drawing on the poetic fashions of the 1590s), and the comical carnival element, imbued with a Shakespearean London idiom. The process of the Russian adaptation of Shakespearian imagery was lengthy and fraught with difficulties, not only due to the play’s linguistic complexity, but because of differences in treatment of higher matters (here, poetry) and social and everyday realities. The paper discusses the first Russian translation of Romeo and J

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Setiawan, Ikwan, Albert Tallapessy, and Andang Subaharianto. "The Mobilization of Using Cultures and Local Government’s Political-Economy Goals in Post-Reformation Banyuwangi." Jurnal Humaniora 29, no. 1 (2017): 12. http://dx.doi.org/10.22146/jh.22561.

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This article deals with an ethnic identity-based-power through the mobilization of Using cultures in Banyuwangi under local government policies in post-Reformation. By juxtaposing Foucauldian discourse, Gramscian hegemony, and political economy perspective, we discuss some cultural projects conducted by two Banyuwangi regents in post-Reformation periods, Samsul Hadi (2000-2005) and Abdullah Azwar Anas (2010-2015 and re-elected for 2016-2021 period). With different emphasized aspects, both of them created programs, which incorporated and mobilized Using cultures for accomplishing their politica

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Setiawan, Ikwan, Albert Tallapessy, and Andang Subaharianto. "The Mobilization of Using Cultures and Local Government’s Political-Economy Goals in Post-Reformation Banyuwangi." Jurnal Humaniora 29, no. 1 (2017): 12. http://dx.doi.org/10.22146/jh.v29i1.22561.

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This article deals with an ethnic identity-based-power through the mobilization of Using cultures in Banyuwangi under local government policies in post-Reformation. By juxtaposing Foucauldian discourse, Gramscian hegemony, and political economy perspective, we discuss some cultural projects conducted by two Banyuwangi regents in post-Reformation periods, Samsul Hadi (2000-2005) and Abdullah Azwar Anas (2010-2015 and re-elected for 2016-2021 period). With different emphasized aspects, both of them created programs, which incorporated and mobilized Using cultures for accomplishing their politica

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Zhuang, Keran. "Research on the E-commerce Platform Marketing Strategy Based on the Relevant Bank E-commerce Platforms in China." Highlights in Business, Economics and Management 21 (December 12, 2023): 400–405. http://dx.doi.org/10.54097/hbem.v21i.14496.

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With the development of the Internet, science, and technology, the Internet has penetrated all aspects of the national economy. The amazing sales of "Double Eleven" in 2012 tell the world that in the era of e-commerce, every day is a shopping carnival. E-commerce giants rely on e-commerce platforms to launch an impact on banks, banks in the opposite direction but also started e-commerce. Research methods Single case study method was used. Taking the e-commerce platforms Shanrong Commerce and Global E-Trade Service built by China Construction Bank and Industrial and Commercial Bank of China as

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Sevostyanov, Dmitry. "Postmodernism in Education and System Inversions." Ideas and Ideals 13, no. 1-1 (2021): 52–68. http://dx.doi.org/10.17212/2075-0862-2021-13.1.1-52-68.

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This paper is a detailed review of the article by P.A. Orekhovsky and V.I. Razumov ‘The Carnival Time: Russian Higher School and Science in the Postmodern Era’. The author considers the main problems shown in this article. In order to study these problems the author uses a method of analysis of inverse relations in hierarchical systems as a theoretical basis. System inversion is a form of relations in hierarchical systems, in which the lowest element receives the dominant value in the system, formally remaining in the same subordinate position. This situation can occur both in the social hiera

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Changalwa, Japheth Kizito, Dishon Kweya, and Fugich Wako. "Performing antagonisms and crossing gender boundaries through body praxis in the Bukusu circumcision ritual." Editon Consortium Journal of Literature and Linguistic Studies 3, no. 1 (2021): 213–19. http://dx.doi.org/10.51317/ecjlls.v3i1.265.

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The aim of this paper is to discuss how the Bukusu perform antagonisms and cross-gender boundaries through body praxis in their circumcision ritual. During the Bukusu circumcision ritual, participants naturally engage in ritual banter, clownish impersonations, dances and widespread transvestism, which act as both the literal and symbolic facilitators for acts of “performative” gender roles, masculinity and antagonisms. In many respects, the Bukusu circumcision ritual presents a scenario whereby the participants’ behaviours reveal a deep performance of shift of gender roles and dramatisation of

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Bakri, Sitty Nur Syafa, Suriana Lasaraiya, Nurliyana Juhan, and Che Haziqah Che Hussin. "ENCOURAGING STEM INTEREST AMONG HIGH SCHOOL STUDENTS THROUGH JIC AND YSSC COMPETITION." Journal of Information System and Technology Management 6, no. 23 (2021): 164–79. http://dx.doi.org/10.35631/jistm.623015.

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To cultivate STEM interest amongst high school students, a STEM carnival organized by PPST, UMS was conducted through Junior Innovator Competition (JIC) and Young Scientist Sci-Show Competition (YSSC). The competitions were participated by high school students from Sabah, Sarawak, and F.T Labuan. JIC requires a poster presentation for prototype innovation while YSSC requires a short video presentation about science knowledge learned in the school syllabus. The objective was to gauge JIC and YSSC effectiveness in students’ interest in STEM. A three-star rating Malaysia Research Assessment Instr

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Saha, Sukanya. "DURGA PUJA IN KOLKATA: A CULTURAL DIASPORA OF CELEBRATION." SOCIETY AND CULTURE DEVELOPMENT IN INDIA 2, no. 2 (2022): 355–73. http://dx.doi.org/10.47509/scdi.2022.v02i02.09.

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Kolkata is one of the most popular cities in the world when it comes to celebrating life. And Durga Puja is not just the emotion of the Bengali community; rather it is a larger than life experience for whoever attends it. UNESCO has also accredited Kolkata Durga Puja as the ‘Intangible Cultural Heritage of the Community’. In this paper, I have tried to cover some of the aspects of Durga Puja. First a brief introduction has been given on Durga Puja in Kolkata followed by the basic and detailed identification and description of the Goddess and the process, mentioning the intrinsic repertoires fo

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