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1

Khalil, Haider ibrahim. "The psychological factors and tragedy aspects in the selected plays of American dramatist Eugene O’Neill." Science Proceedings Series 1, no. 2 (April 24, 2019): 147–49. http://dx.doi.org/10.31580/sps.v1i2.819.

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The abstract of this paper is present the tragedy and psychological aspects of Eugene O’Neill‘s selected plays. The main objective is to review the dramatic life of the father of American drama and find out some tragic and psychological aspect in the plays such as Desire under the Elm, The strange interlude, the long day’s journey into night and other. The analysis is the narrative analysis as well as the data collection are to scan some psychological and tragedy concepts in original content plays. The main issues of the study is to make a link to the tragedy and psychological aspects in these selected plays. Furthermore to narrate about the dramatist and his literary life in literature especially in drama.
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Belfiore, Elizabeth. "Pleasure, Tragedy and Aristotelian Psychology." Classical Quarterly 35, no. 2 (December 1985): 349–61. http://dx.doi.org/10.1017/s0009838800040222.

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Aristotle'sRhetoricdefines fear as a kind of pain (lypē) or disturbance (tarachē) and pity as a kind of pain (2.5.1382 a 21 and 2.8.1385 b 13). In hisPoetics, however, pity and fear are associated with pleasure: ‘ The poet must provide the pleasure that comes from pity and fear by means of imitation’ (τ⋯ν ⋯π⋯ ⋯λέου κα⋯ ɸόβου δι⋯ μιμήσεως δεῖ ⋯δον⋯ν παρασκευάζειν14.1453 b 12–13). The question of the relationship between pleasure and pain in Aristotle's aesthetics has been studied primarily in connection withcatharsis.Catharsis, however, raises more problems than it solves. Aristotle says nothing at all about the tragiccatharsisin thePoeticsexcept to state that tragedy accomplishes it. Though he gives a more complete account ofcatharsisin thePolitics, the context of this passage is so different from that of thePoeticsthat its relevance is questionable. A more promising, but largely neglected, approach to Aristotle's theory of tragic pleasure and pain is through a study of his psychological works. Here, Aristotle describes a number of emotional and cognitive responses to kinds of objects that include works of art. These descriptions support an interpretation of thePoeticsaccording to which (1) a tragedy is pleasurable in one respect and painful in another, and (2) pity and fear, though painful and not in themselves productive of pleasure, are nevertheless essential to the production of theoikeia hēdonē, ‘proper pleasure’, of tragedy. This interpretation has the advantage of not depending on a particular view ofcatharsis. It also makes much better sense than alternative views, once its seemingly paradoxical aspects are explained with the help of the psychological works.
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Johnson, Mark S. "The Tale of the Tragedy of Neftegorsk." Prehospital and Disaster Medicine 13, no. 1 (March 1998): 59–64. http://dx.doi.org/10.1017/s1049023x00033057.

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AbstractAn earthquake with a magnitude of 7.6 struck the town of Neftegorsk (population about 3,000) on 27 May, 1995. This paper describes the devastation and the human aspects of the catastrophe of the first week following the quake. A total of 1,995 persons were found dead under the rubble, including 268 children less than 16 years of age. There were 1,144 survivors. A total of 406 person were rescued alive from under the rubble of which an additional 37 persons died in a hospital following rescue. Most of the survivors have been relocated, but some remain in the area. There remains a need for psychological support for the survivors and rescuers.
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Akun, Akun. "HEAVENLY TEARS � EARTHLY LOSS: DIFFERENT WAYS OF COPING WITH LIFE LOSS IN TEARS IN HEAVEN, CIRCUS, AND SINCE I LOST YOU." Celt: A Journal of Culture, English Language Teaching & Literature 14, no. 1 (December 2, 2014): 1. http://dx.doi.org/10.24167/celt.v14i1.53.

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This is a qualitative study of three pop songs rooted from the same tragic event of Eric Clapton?s son Conor who fell from the 53rd floor of his spouse?s New York apartment in March 1991. Two songs are from Clapton himself i.e. Tears in Heaven and Circus and one song from his friend Phil Collins entitled Since I Lost You. The goal of this study is to elaborate the attitude of the author through the study of formal aspects of the song such as rhyme, rhythm, tone and picth and also the metaphorical expressions in their wording. This is a library research of the three songs using a comparative technique of elaboration. The study concludes that Phil Collins as a friend who is not directly involved in the tragedy shows his sympathy through a negative and hopeless way of seeing the tragedy. He focuses more on the tragedy directly rather than the impact, psychologial process and lessons learned afterward. Eric Clapton, on the other hand, as the one who directly suffers the impact of the tragedy sees the tragic event from a more positive angle. He tries to somehow show his grief but does not want to be drifted away in this sorrow. He focuses more on the process after the tragedyby remembering the sweet moment before the tragedy (in Circus) and imagine the same sweet thing after the tragedy (in Tears in Heaven) by setting an emotional spin around the good memory and nice after life state of the child with sweet hopes and strengthening consolation
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Невидимова, М. А. "From Kammerspiele to Existential Tragedy: the Role of Music in "Stroszek" and "Woyzeck" by Werner Herzog." Журнал Общества теории музыки, no. 3(31) (November 2, 2020): 7–18. http://dx.doi.org/10.26176/otmroo.2020.31.3.002.

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Золотой век немецкого кино для кинорежиссера Вернера Херцога в 1970-х – 1980-х годах являлся «энциклопедией» жанров. Воплощая стилистику фильмов ушедшей эпохи, Херцог, тем не менее, шел по пути возрождения, а не копирования, психологизируя типизированный нарратив и наполняя его новыми смыслами. Главным инструментом «психологизации» у Херцога становится классическая музыка. Так, благодаря музыке, в фильмах «Строшек» и «Войцек» черты, характерные для жанра каммершпиле, утрачивают резкость, и вместо камерных буржуазных драм перед зрителем возникают экзистенциальные трагедии. In 1970s – 1980s, the Golden age of German cinema was for the film director Werner Herzog an encyclopaedia of genres. Implementing the stylistics of the movies of the past era, Herzog, nonetheless, pursued the path of revival, and not of imitating, adding psychological aspect to typified narrative and filling it with new meanings. The main means for adding psychological aspect for Herzog was classical music. Thus, due to music, the features of Kammerspiele in the films “Stroszek” and “Woyzeck” become less distinct and instead of chamber bourgeois dramas there are existential tragedies.
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Kienzle, Ulrike, and Ralf Yusuf Gawlick. "The Banished God: Concerning Faith and Doubt in Lohengrin." Religion and the Arts 17, no. 3 (2013): 222–45. http://dx.doi.org/10.1163/15685292-12341271.

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Abstract In his Lohengrin, Wagner contrasts the medieval piety of Wolfram’s Parzival with the tragedy of doubt, which ends without reconciliation. The conflict between faith and doubt essentially forms the spiritual substance of Wagner’s Lohengrin, from the first conception to the completed score, although in the earliest prose draft—the Prosaentwurf (Prose-sketch) of 1845—a variety of political and historical motives unfold around the main idea. These, however, become increasingly relegated to the background in successive compositional stages of the work. The final score, completed in 1847, accentuates the psychological aspect of the drama through the expressive power of the music.
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Epstein, Mikhail, and Natalya Shelkovaya. "The tragedy of otherness. Reflection on Lars von Trier’s film "Nymphomaniac"." Culturology Ideas, no. 22 (2'2022) (2022): 81–91. http://dx.doi.org/10.37627/2311-9489-22-2022-2.81-91.

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The authors of the article, using a transdisciplinary method of research from the standpoint of cultural studies, art history, philology, philosophy, religious studies, psychology and social philosophy, try to comprehend and identify the main meanings and symbols of Lars von Trier's film "Nymphomaniac", to find the main purpose of this film. At the same time, M. Epstein draws attention, first of all, to the aspect of the pathological sensuality of the main character - Joe, her nymphomania and, appealing to a woman and a man before the fall in the Bible, whom God blessed to be fruitful and multiply, shows an unusual angle of sexual relations, gradually reveals stepping the way to love and holiness through debauchery and makes a shocking conclusion, which at the same time has the right to exist, about the purifying role of hellish debauchery for gaining holiness. N. Shelkovaya pays more attention to the disclosure of symbols in the film: trees, dry leaves, a mountain, Joe's climb up the mountain in search of his soul tree, the number 8, Seligman's yard as a crypt, Joe's son's exit to the balcony, somatic self-knowledge. As a result the authors come to the general conclusion that the film by Lars von Trier "Nymphomaniac" is not a pornographic, but a deeply philosophical and psychological film, showing a distorted path to love, God, Heaven, True Love in a distorted insensitive society, which only irrational love can save from destruction.
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Humeniuk, Viktor I. "“Volodymyr Vynnychenko’s Play The Law: The Principle of the Genre and Stylistic Complexity." Studia Litterarum 6, no. 3 (2021): 244–57. http://dx.doi.org/10.22455/2500-4247-2021-6-3-244-257.

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The main character of Volodymyr Vynnychenko’s play entitled The Law, a young woman eager to have a child, programs her life the way she desires and solves a difficult life situation, as if she were acting as her own life’s stage director. The play is a chamber family play of five characters. However, Vynnychenko’s family collisions always have a global dimension. The play expresses concern about a totalitarian mindset that tends to achieve a higher goal without considering objective laws of nature and society. The genre of the chamber play and the tragic monumentality of the plot are peculiarly combined in the work allotting it with a sort of artistic integrity. A psychologically compelling story ultimately turns into an intellectual drama and reaches the verge of tragedy. A unity of generic and stylistic aspects is to emphasize the element of play, the use of the “theatre-in-the-theatre” method while the theatre is presented as a prerogative not only of art but also of life.
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Ippolitov, Sergey. "The Russian Prisoners of War in World War I as a Humanitarian Issue." Izvestia of Smolensk State University, no. 2(50) (July 2, 2020): 174–88. http://dx.doi.org/10.35785/2072-9464-2020-50-2-174-188.

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The tragedy occurred to the prisoners of war in World War I had the scale of a humanitarian disaster. Millions of people belonged to different nationalities lived under the hardest physical and psychological living conditions. The study devoted to this page of world history methodologically comprises an intersection of disciplines: it is necessary to study and comprehend mental, legal, economic, cultural aspects of the humanitarian crisis which had significant effect on the course of political processes in Europe. The article studies activities of government and public organizations involved in humanitarian assistance to the Russian prisoners of war who were in the European camps. In this case a special role was played by a spiritual and cultural support of the compatriots in captivity. Acute «cultural hunger» in the prisoners of war camps was intended to be filled by the Russian book, which became a significant factor that impeded the prisoners’ marginalization and denationalization. The growth of nationalism in a public discourse of different countries around the world which were involved in isolation and marginalization of ethnic minorities and diasporas, their loss of national and cultural identity, customs and language make the study of the historical analogies connected with the fate of prisoners of war in World War I appropriate and of current interest. The history of preservation by the Russian people in captivity and exile their own cultural identity allows the author to predict the course of these processes at the present stage, as well as to develop state policy of support provided to compatriots abroad.
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Arzamazov, Alexey Andreevich. "REREADING THE WORKS OF MARI SOCIALIST REALISM: THE ARTISTIC PHENOMENON OF EVRIK ANISIMOV." Yearbook of Finno-Ugric Studies 16, no. 1 (March 20, 2022): 83–93. http://dx.doi.org/10.35634/2224-9443-2022-16-1-83-93.

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The article examines various aspects of the artistic world of the Mari poet Evrik Anisimov, who is little known to a wide range of readers. His work is interesting because it reflects the most important historical events that befell a person born in the Soviet Union. Poetic comprehension of these events doesn't proceed smoothly, linearly and in the same aesthetic, ideological and emotional key. In the course of a long life, the Mari poet witnesses a catastrophic realities and consequences of the Great Patriotic War, disintegration of the country and the destruction of ideals. He had to live and create, adapting to new alien ethical paradigms and cultural parameters. E. Anisimov's poems have a wide problematic and thematic range, and are characterized by text-forming interaction of “modes” of memory. The diverse psychological contexts of Anisimov's poetry are valuable from a literary point of view. The revealed numerous situations of physical and mental traumatization of the lyrical subject, apparently, can be regarded both as an objective result of life during the war years, and as a remarkable ethnopsychological feature of the Finno-Ugric ethnophor. The “spheres of absence” are also significant. The poet does not actualize the plots of love communication, does not express his ethnic identity, that indicates the mechanisms of internal filtering and censorship that work even after years. The artistic phenomenon of E. Anisimov is a complex reality that includes the reflection and repulsion of the Soviet model of the world, socialist realist rhetoric and the author's sense of the tragedy of Soviet history and everyday life. Ideological attitudes in his works either collide or implicitly coexist with the awakening creative freedom, memory is “complicated” by the perception of modernity, heroism is combined with vulnerability. Our attention to the system of poems by Evrik Anisimov shows that the time has come to re-read Mari socialist realism.
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11

Al Saif, Khadija, Fatema Mohamed Abdulla, Anwaar Alrahim, Sara Abduljawad, Zainab Matrook, Jenan Jaafar Abdulla, Fatima Bughamar, et al. "Caregivers’ experience of seeking care for adolescents with sickle cell disease in a tertiary care hospital in Bahrain." PLOS ONE 17, no. 4 (April 7, 2022): e0266501. http://dx.doi.org/10.1371/journal.pone.0266501.

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Objective This study aimed to determine caregivers’ perspectives on difficulties encountered while seeking care for adolescents with sickle cell disease (SCD). It explored the social, emotional, and financial impact of caring for an adolescent with SCD on their caregivers. Study design A mixed-method study in a major tertiary care hospital in Bahrain was conducted between June and August 2019. Cross-sectional questionnaires and thematic analyzed interviews were performed with 101 and 18 Bahraini caregivers of adolescents with SCD (aged 10–18 years), respectively. Results Lack of parking lots (52.5%) and traffic jams (27%) were identified as the most common challenges in seeking hospital care for adolescents with SCD. These difficulties, including prolonged waiting in the emergency room, discouraged more than half of the caregivers who preferred to seek care from smaller healthcare centers. Most caregivers reported receiving a high degree of support from their families, who emotionally encouraged them to facilitate patient care (73.3%). Therefore, their relationships with their friends, colleagues, and relatives were not significantly affected. Catastrophic health expenditure occurred in 14.8% of caregivers. Qualitative themes that emerged were A) the intricacy of caring for adolescents with SCD, B) dissatisfaction with hospital facilities, and C) insufficient healthcare services, wherein caregivers reported adolescents’ experiences with services during hospital visits. Subthemes for the intricacy of caring for adolescents with SCD were 1) the psychological tragedy, summarizing the initial caregivers’ feelings after the confirmed diagnosis, 2) caregiving hardships that described the caregivers’ emotional and health burden while accepting and adjusting to the disease, and 3) the cost of care on families, which highlights the financial burden of the disease on families. Conclusion The caregivers of adolescents with SCD experienced several overwhelming challenges, including problems in accessing healthcare and receiving medical services, in addition to influences on the emotional, financial, and social aspects of their lives.
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Stöbel-Richter, Yve, Susanne Goldschmidt, Ada Borkenhagen, Ute Kraus, and Kerstin Weidner. "Entwicklungen in der Reproduktionsmedizin – mit welchen Konsequenzen müssen wir uns auseinandersetzen?" Journal of Family Research 20, no. 1 (April 1, 2008): 34–61. http://dx.doi.org/10.20377/jfr-267.

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This report gives an overview about certain aspects of modern reproductive medicine. The following issues are prioritised: development of medical facilities, people’s knowledge on reproductive medicine, appraisal of chances and risks, psychological aspects of involuntary childlessness, stresses and strains during IVFtreatment, ethical consequences of these medical procedures. Furthermore interactions between demographic and medical developments are analysed as well as resulting psychological and sociological perspectives. Previous research results present both a lack of knowledge towards reproductive medical treatments and disproportionate expectations and hope toward treatment-outcome. Very often expensive and complex methods are practiced to fulfil the child wish, but mental and social aspects remain unconsidered. So the motto “a child at any cost” on the part of many involuntary childless couples as well as of some fertility doctors poses a glaring contradiction to insufficient counselling in practice prior to, during and after the treatment. Zusammenfassung Der vorliegende Artikel soll einen Überblick über verschiedene Aspekte der modernen Reproduktionsmedizin ermöglichen. Auf folgende Schwerpunkte wird deshalb genauer eingegangen: Entwicklung der medizinischen Möglichkeiten, Wissen in der Bevölkerung, Einschätzung von Chancen und Gefahren, psychologische Aspekte der Kinderlosigkeit, Belastungen während einer IVF-Behandlung, ethisch-moralische Konsequenzen der Verfahren. Darüber hinaus werden Zusammenhänge zwischen demographischer und medizinischer Entwicklung sowie die sich daraus ergebenden spezifischen psychologischen und soziologischen Perspektiven aufgezeigt. Die bisherigen Forschungsergebnisse zeigen nicht nur ein Mangel an Wissen bzgl. fortpflanzungsmedizinischer Aspekte, sondern auch übertrieben große, zum Teil unberechtigte, Hoffnungen hinsichtlich der Wirksamkeit der reproduktionsmedizinischen Verfahren. Oftmals werden hochaufwändige und kostenintensive Verfahren eingesetzt, um den (langen) Wunsch nach einem Kind zu erfüllen, allerdings ohne psychischen und sozialen Wirkfaktoren Rechnung zu tragen. Somit steht die Devise "ein Kind um jeden Preis" seitens vieler Paare und aber auch Reproduktionsmediziner im krassen Gegensatz zu mangelnder Beratung vor, während und nach einer Behandlung.
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Koznova, Irina E. "«THE СOMBATING MNEMOSYNE»: THE THEME OF MEMORY IN ANDREY PLATONOV’S MILITARY PROSE." Yaroslavl Pedagogical Bulletin 116, no. 5 (2020): 208–16. http://dx.doi.org/10.20323/1813-145x-2020-5-116-208-216.

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Memory is one of the key concepts in A. Platonov’s creativity. The writer also implements the mnemonic function of literature in his military stories. The article analyzes representations of memory mechanisms in Platonic military prose in the context of the «memorial turn» of modern humanitarian knowledge. The article considers the possibility of applying to it the approaches developed in the «memorial studies» in relation to various forms and types of memory, the dynamics of the interaction of remembering and oblivion, individual and collective, communicative and cultural memory, ways of memorization. Memory appears as a meaningful and multi-valued cultural and psychological phenomenon expressing the anthropology of war. The range of manifestations of memory in the form of private and social experience, cultural and historical traditions is diverse. The writer's military prose can be seen as a metaphor for a battle, coupled with heroism and tragedy. Within the individual and in society, different layers of memory, memory and forgetting collide. The concept «consolation» is closely connected with memory. The stories also show the trials of memory. To express the mnemonic, the writer used the concepts «аnguish», «grief» and « suffering». Platonov’s arguments were built in two directions – from the point of view of the limited possibilities of the individual’s memory and in the aspect of the «eternal memory» that overcomes it. Mnemotopics of stories offers ways for salvation by memory in the form of communication between present and former generations, the living and the dead. The writer's perception of the memorial as an important factor of citizenship is significant.
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Бондаренко, П. С. "Informative saturation of ego documents as a historical source." ВІСНИК СХІДНОУКРАЇНСЬКОГО НАЦІОНАЛЬНОГО УНІВЕРСИТЕТУ імені Володимира Даля, no. 3(259) (February 18, 2020): 9–12. http://dx.doi.org/10.33216/1998-7927-2020-259-3-9-12.

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The paper attempts to determine the place and role of ego - documents in historical source studies. Specific source material (memoirs of Akmolin detainees' detention camps for the wives of traitors to the Motherland) describes the features of this type of documents in historical, psychological, linguistic aspects. It is proposed to determine the following by the results of intelligence: first, ego - documents are described as part of a group of sources known in the scientific classification as sources of personal origin; second, the use of ego documents, according to the author, will enhance anthropocentric approaches to the study of particular topics and problems, especially those associated with periods of radical change in society, which have had mostly tragic consequences for individuals and families. These are the events of the 1930s, the Great Terror; thirdly, the reference to ego exclusively - the documents artificially narrows the original base of the study, and therefore offers a comprehensive approach to its definition in order to create an objective and multi-vector picture of our past. For the researcher, the emergence of a new type of documentary base raises several questions: first, whether the term "ego - document" is not simply a modern synonym for an already established type of documents that we classify as documents of personal origin; secondly, what is the peculiarity of this type of documents, and, finally, thirdly, what information load the said documents carry. We will try to answer these questions in this paper, because that is exactly how we have defined its purpose. In domestic historiography, interest in "ego - documents" has become particularly noticeable with the intensification of oral history research, which aims at "knowing and understanding the individual experience of man as the main protagonist of history", even if the term is rarely used by researchers. It is these peculiarities that determine the significance of these documents for the researcher, because they make it possible to grasp the whole tragedy of the situation at that time, to understand the inner world of ordinary people, to define the true and not demonstrably propaganda features of the "Soviet man".
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Zlotnikova, Tatiana S. "Philosophy and the Drama of Life: A Theater Experience of Understanding F.M. Dostoevsky." Observatory of Culture 18, no. 3 (July 22, 2021): 228–39. http://dx.doi.org/10.25281/2072-3156-2021-18-3-228-239.

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The article aims at a multidimensional discussion of the little-explored topic of the dramatic content of the philosophical problems in the works of F.M. Dostoevsky (1821—1881). There is proved that it was this feature of creativity that made the writer, with his philosophy of life and sharp, dramatically effective plot and psychological collisions, the most desirable and very productive author for the Russian theater art.Polyphony, dialogism, combined with the features of the tragic genre, are the basis for numerous theatrical embodiments of novels and novellas by F.M. Dostoevsky. The intensity of the action in his works gave rise to the expressions “novel-drama” or “drama in a novel”, “novel-tragedy”, and in theatrical practice it created the ground for the transformation of moral and philosophical problems into active stage action.The article reveals the context of F.M. Dostoevsky’s works — the time and conditions for the emergence of novels and novellas, the problem field that united and separated him from the works of his predecessors and contemporaries, which is done on the basis of a brief description of several aspects of the philosophical-aesthetic and socio-moral systems. In this context, according to our concept, a special place is occupied by the idea that life in Russia is absurd and ridiculous, and the reflection of the absurd is the most important artistic paradigm.The article proves that the analyzed philosophy of F.M. Dostoevsky’s life received polar genre embodiments in the theater. Thus, the dramatic and melodramatic beginning was characteristic of the performances that had in their center the so-called little man. The article presents an understanding of the most remarkable performances of the second half of the 20th and the beginning of the 21st century: “The Idiot” by G. Tovstonogov, with a new trend of searching for a “positively beautiful” person, which had a significant impact on many theatrical experiences in Russia; “The Petersburg Dreams” by Yu. Zavadsky, as a unique experience for Soviet art of creating a tragic work in full accordance with the aesthetic characteristics of this genre; “And I Will Go, and I Will Go” by V. Fokin, as the last emotional outburst of the young generation of Soviet creators who thought in the moral and psychological parameters of F.M. Dostoevsky’s characters; “The Karamazovs” by K. Bogomolov — a postmodern experience of an absurdist reading of the multifaceted text of the classic.In the works of the writer and their theatrical embodiment, the article notes the signs of a carnival worldview, a combination of grotesque and subtle psychologism in the stage versions of F.M. Dostoevsky (in particular, when working with ironic and satirical texts, “Uncle’s Dream” and especially “The Village of Stepanchikovo”, where sympathy and negative connotations are integrated into a single artistic space). The article correlates the writer’s works existential interpretations by theatrical creators of the 20th and early 21st centuries with socially significant problems, life choices, and dramatic conflicts that characterize Dostoevsky’s philosophy.
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Geldermann, Jutta, Valentin Bertsch, and Florian Gering. "Risiko- und Notfallmanagement unter Unsicherheit - Teil 1." Der Betriebswirt: Volume 52, Issue 1 52, no. 1 (February 28, 2011): 28–32. http://dx.doi.org/10.3790/dbw.52.1.28.

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Komplexe Entscheidungssituationen, wie sie beispielsweise im Notfall- und Sanierungsmanagement nach einem kerntechnischen Störfall auftreten, erfordern eine Berücksichtigung technischer, ökonomischer, ökologischer, sozio-psychologischer und politischer Aspekte. Ansätze der Mehrzielentscheidungsunterstützung ermöglichen eine aggregierte Betrachtung verschiedener Aspekte, das Miteinbeziehen der subjektiven Präferenzen der Entscheidungsträger und tragen zu mehr Transparenz und Nachvollziehbarkeit von Entscheidungsprozessen bei. Dieser Beitrag befasst sich schwerpunktmäßig mit der Betrachtung von Unsicherheiten in solchen Entscheidungsprozessen. Zur Modellierung, Fortpflanzung und Visualisierung von Unsicherheiten wird ein Monte-Carlo-Ansatz vorgestellt und beispielhaft auf Daten eines fiktiven nuklearen Unfallszenarios angewendet. Generell ist der Ansatz jedoch auf allgemeine komplexe Entscheidungssituationen erweiterbar, insbesondere auf den Bereich sonstiger industrieller Notfälle. Eine interessante Fragestellung besteht weiterhin in der Untersuchung der Auswirkungen industrieller Notfälle auf die gesamte Wertschöpfungskette. Complex decision situations, such as in nuclear emergency and remediation management, require the consideration of technical, economic, ecological, socio-psychological and political aspects. Approaches for Multi-Criteria Decision Analysis (MCDA) help to take into account various incommensurable aspects and subjective preferences of the decision makers and thus contribute to transparency and traceability of decision processes. This paper focuses on the handling of uncertainties in such decision processes. Monte Carlo approaches can be used to model, propagate and finally visualise the uncertainties, as a case study on a hypothetical radiological accident scenario illustrates. In general, the presented approach can be adopted for any complex decision situation, especially for industrial emergencies. Further research would be necessary for the analysis of their consequences for entire supply chains. Keywords: risiko und notfallmanagement unter unsicherheit
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Seong-Ngoo, Kay. "Psychological burden after 11 September tragedy." BMJ 324, Suppl S5 (May 1, 2002): 0205138. http://dx.doi.org/10.1136/sbmj.0205138.

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Geldermann, Jutta, Valentin Bertsch, and Florian Gering. "Risiko- und Notfallmanagement unter Unsicherheit (Teil 2)." Der Betriebswirt: Volume 52, Issue 2 52, no. 2 (June 30, 2011): 12–16. http://dx.doi.org/10.3790/dbw.52.2.12.

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Komplexe Entscheidungssituationen, wie sie beispielsweise im Notfall- und Sanierungsmanagement nach einem kerntechnischen Störfall auftreten, erfordern eine Berücksichtigung technischer, ökonomischer, ökologischer, sozio-psychologischer und politischer Aspekte. Ansätze der Mehrzielentscheidungsunterstützung ermöglichen eine aggregierte Betrachtung verschiedener Aspekte, das Miteinbeziehen der subjektiven Präferenzen der Entscheidungsträger und tragen zu mehr Transparenz und Nachvollziehbarkeit von Entscheidungsprozessen bei. Dieser Beitrag befasst sich schwerpunktmäßig mit der Betrachtung von Unsicherheiten in solchen Entscheidungsprozessen. Zur Modellierung, Fortpflanzung und Visualisierung von Unsicherheiten wird ein Monte-Carlo-Ansatz vorgestellt und beispielhaft auf Daten eines fiktiven nuklearen Unfallszenarios angewendet. Generell ist der Ansatz jedoch auf allgemeine komplexe Entscheidungssituationen erweiterbar, insbesondere auf den Bereich sonstiger industrieller Notfälle. Eine interessante Fragestellung besteht weiterhin in der Untersuchung der Auswirkungen industrieller Notfälle auf die gesamte Wertschöpfungskette. Der erste Teil des Aufsatzes wurde bereits in Der Betriebswirt 1/2011 veröffentlicht, der letzte Teil folgt in Ausgabe 3/2011. Complex decision situations, such as in nuclear emergency and remediation management, require the consideration of technical, economic, ecological, socio-psychological and political aspects. Approaches for Multi-Criteria Decision Analysis (MCDA) help to take into account various incommensurable aspects and subjective preferences of the decision makers and thus contribute to transparency and traceability of decision processes. This paper focuses on the handling of uncertainties in such decision processes. Monte Carlo approaches can be used to model, propagate and finally visualise the uncertainties, as a case study on a hypothetical radiological accident scenario illustrates. In general, the presented approach can be adopted for any complex decision situation, especially for industrial emergencies. Further research would be necessary for the analysis of their consequences for entire supply chains. Keywords: risiko und notfallmanagement unter unsicherheit
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19

Geldermann, Jutta, Valentin Bertsch, and Florian Gering. "Risiko- und Notfallmanagement unter Unsicherheit (Teil 3)." Der Betriebswirt: Volume 52, Issue 3 52, no. 3 (September 30, 2011): 10–14. http://dx.doi.org/10.3790/dbw.52.3.10.

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Komplexe Entscheidungssituationen, wie sie beispielsweise im Notfall- und Sanierungsmanagement nach einem kerntechnischen Störfall auftreten, erfordern eine Berücksichtigung technischer, ökonomischer, ökologischer, sozio-psychologischer und politischer Aspekte. Ansätze der Mehrzielentscheidungsunterstützung ermöglichen eine aggregierte Betrachtung verschiedener Aspekte, das Miteinbeziehen der subjektiven Präferenzen der Entscheidungsträger und tragen zu mehr Transparenz und Nachvollziehbarkeit von Entscheidungsprozessen bei. Dieser Beitrag befasst sich schwerpunktmäßig mit der Betrachtung von Unsicherheiten in solchen Entscheidungsprozessen. Zur Modellierung, Fortpflanzung und Visualisierung von Unsicherheiten wird ein Monte-Carlo-Ansatz vorgestellt und beispielhaft auf Daten eines fiktiven nuklearen Unfallszenarios angewendet. Generell ist der Ansatz jedoch auf allgemeine komplexe Entscheidungssituationen erweiterbar, insbesondere auf den Bereich sonstiger industrieller Notfälle. Eine interessante Fragestellung besteht weiterhin in der Untersuchung der Auswirkungen industrieller Notfälle auf die gesamte Wertschöpfungskette. Die ersten Teile des Aufsatzes wurden bereits in Der Betriebswirt 1/2011 und 2/2011 veröffentlicht. Complex decision situations, such as in nuclear emergency and remediation management, require the consideration of technical, economic, ecological, socio-psychological and political aspects. Approaches for Multi-Criteria Decision Analysis (MCDA) help to take into account various incommensurable aspects and subjective preferences of the decision makers and thus contribute to transparency and traceability of decision processes. This paper focuses on the handling of uncertainties in such decision processes. Monte Carlo approaches can be used to model, propagate and finally visualise the uncertainties, as a case study on a hypothetical radiological accident scenario illustrates. In general, the presented approach can be adopted for any complex decision situation, especially for industrial emergencies. Further research would be necessary for the analysis of their consequences for entire supply chains. Keywords: risiko und notfallmanagement unter unsicherheit
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20

Rader, Richard. "The Radical Theology of Prometheus Bound; or, on Prometheus' God Problem." Ramus 42, no. 1-2 (2013): 162–82. http://dx.doi.org/10.1017/s0048671x00000126.

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Prometheus Bound (PV) is a meditation on God par excellence, second only perhaps to the Bible or Paradise Lost. It is, accordingly, the only extant tragedy from the ancient world featuring the most characters as gods. For this reason it stands out in a genre fixated principally on human suffering, where ‘death carries overwhelmingly more weight than salvation’. Gods, of course, do not suffer like humans: Prometheus, the play's protagonist extraordinaire, may be subject to an eternity of punishment for stealing fire from Zeus, but his pain, real and visceral as it is, differs from ours in that it lacks the potential closure of death. It is perhaps justifiable then to suggest the play's focus is not just the awful things gods are capable of doing to one another (just like humans), but rather the meaning of such behaviour without the ultimate consequence (death). That is, the portrayal of Prometheus suffering and Zeus menacing redounds equally to the type of characters they are as to simply what they are. Whereas the former aspect is of psychological or political interest, the latter is a theological concern. And PV is theological in its implications as much as it is political. Hence the question: What type of theology does it convey? The answer is complex.In the modern world PV has primarily been read for its political allegory—as a meditation on oppression, or martyrdom for the intellectual cause. Eric Havelock's translation and study of the play, to cite an illustrative example, was called The Crucifixion of Intellectual Man (1950). Many critics therefore argue that the play articulates the conflict between Prometheus and Zeus in terms of freedom versus authoritarianism. As Shelley famously wrote in the prologue to his Prometheus Unbound, the imprisoned Prometheus represents ‘the highest perfection of moral and intellectual nature impelled by the purest and the truest motives to the best and noblest ends’ (1820). Marx and Goethe felt similarly. This position aligns Prometheus with the forces of enlightenment and progress over against the brutality of Zeus's authority.
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21

Zotova, Tatiana A. "TRAGEDY IN L. TIECK’S DRAMA. SOME ASPECTS." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 3 (2021): 32–41. http://dx.doi.org/10.28995/2686-7249-2021-3-32-41.

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The article considers the genre of tragedy in the works of L. Tieck, one of the key figures of German Romanticism. It is known that the tragedy genre among the German romantics is represented mainly by two varieties: the “tragedy of fate” (Schicksalsdrama) and the drama on a religious-historical theme (in literature most often referred to as Universaldrama, “universal drama”). L. Tieck stands at the origins of both genres, while the tragedy “The Life and Death of Saint Genoveva” (1801), to which other religious and historical dramas of German romanticism go back, turned out to be especially influential. Having created examples of those two genres, Tieck rethinks tragic structures, relativizing them in different ways – firstly, by transforming the tragic genre itself, and, secondly, by including tragic elements into the complex genre constructs, mainly into fairy-tale dramas. That rethinking, however, takes place mostly in the mainstream of the parody typical of Tieck’s work – whether it is a parody of the “main” tragedy with a comedy counterpart or the inclusion of parodies of the tragedy, including his own tragedies, in comedy texts. At the same time, however, Tieck’s last dramatic work, “Fortunat”, which has much in common with his fairy-tale dramas and, like them, is a complex genre construct, ends in tragedy in its purest form, the triumph of the tragic substance. In our opinion that testifies to the impossibility of complete relativization of tragedy and to the crisis of romantic drama
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22

Stray-Pedersen, Babill. "Psychological aspects." International Journal of Gynecology & Obstetrics 70 (2000): D16. http://dx.doi.org/10.1016/s0020-7292(00)82540-0.

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23

Menges, L. J. "Whiplash; psychological aspects." Clinical Neurology and Neurosurgery 92, no. 4 (January 1990): 381–82. http://dx.doi.org/10.1016/0303-8467(90)90075-g.

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24

Weisæth, Lars. "Terror–Psychological Aspects." Prehospital and Disaster Medicine 19, S1 (June 2004): s9. http://dx.doi.org/10.1017/s1049023x00011572.

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25

Osipova, Vera Valentinovna. "PAIN: PSYCHOLOGICAL ASPECTS." Neurology, neuropsychiatry, Psychosomatics, no. 1 (March 14, 2010): 4. http://dx.doi.org/10.14412/2074-2711-2010-62.

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26

Keepnews, David M. "Compounding Tragedy." Policy, Politics, & Nursing Practice 8, no. 1 (February 2007): 5–6. http://dx.doi.org/10.1177/1527154407302672.

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27

Stolyarenko, A. M., N. V. Serdyuk, V. V. Vakhnina, and O. M. Boeva. "Psychological Aspects of Destructive Information-Psychological Influence." Psychology and Law 9, no. 4 (2019): 75–89. http://dx.doi.org/10.17759/psylaw.2019090406.

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The article exposes the identity of the destructive psychological influence on the personality and offers directions and methods of information-psychological counteraction. One of the areas of psychological practice is being studied - counteraction to informational psychological influence. The most effective methods and practices of counteracting negative information-psychological influence are highlighted. The specific features of counteracting the destructive information-psychological influence, the features of timely psychodiagnostics and the development of effective countermeasures are described. The relevance of the study of this area of psychological work is imposed by the need on the one hand in assessing the quality of psychological protection of employees of internal affairs bodies, and on the other, in searching and stimulating intraorganizational and intrapersonal psychological resources, which necessitates the development of theoretical, methodological and conceptual approaches to the implementation of approaches to protect personnel from negative psychological information influence. The authors consider the destructive informational and psychological influence as one of the most serious problems of modern society, which threatens the psychological safety of not only employees of the internal affairs bodies, but also citizens, entails significant losses, and has a strong psychological effect.
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28

Fabry, Dagmar Devorah Sigrid. "Transforming tragedy into triumph: Viktor E. Frankl revisited." Clinical Psychology Forum 1, no. 45 (January 1992): 14–17. http://dx.doi.org/10.53841/bpscpf.1992.1.45.14.

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29

Herasymenko, Larysa O. "POSTNATAL PERIOD PSYCHOLOGICAL ASPECTS." Wiadomości Lekarskie 72, no. 2 (2019): 271–74. http://dx.doi.org/10.36740/wlek201902124.

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The result of labour is not only the birth of a child but also the formation of a mother, woman who has got to know motherhood. Moreover there is a radical change in the social status of the couple as a whole. It turns into a mother and father. The consequence of this is a change in attitude towards yourself and others, that is, the transformation of the personality. This explains why during pregnancy and delivery the risk of family problems worsening rises sharply and somatic and neuropsychic disorders emerge. The aim of the work is to describe and systematically outline the main psychological and psychiatric aspects of the postnatal period in the life of a woman and a child. Changes occur in the life of a woman, and the possible to diagnose the manifestations of disharmonious development in a timely manner, to prevent and help to solve them constructively. The information is presented taking into account both historical aspects and the state of the issue in modern society.
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30

Königová, Radana, and Ivo Pondelícek. "Psychological Aspects of Burns." Scandinavian Journal of Plastic and Reconstructive Surgery 21, no. 3 (January 1987): 311–14. http://dx.doi.org/10.3109/02844318709086469.

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31

Didierjean, Annie. "PSYCHOLOGICAL ASPECTS OF ALGODYSTROPHY." Hand Clinics 13, no. 3 (August 1997): 363–66. http://dx.doi.org/10.1016/s0749-0712(21)00097-4.

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32

Leleka, Tetiana. "Psychological Aspects of Translation." Psycholinguistics in a Modern World 15 (December 25, 2020): 160–63. http://dx.doi.org/10.31470/10.31470/2706-7904-2020-15-160-163.

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The theses reveal the problem of the connection between psychology and linguistics on the basis of translation activities. The role of the human factor of a translator is revealed, and the bonds between the type of translation and the characteristics of the person who does it is established For this purpose, a psycholinguistic experiment was carried out with the participation of 50 people to demonstrate the dependence of the psychological characteristics of the translator and the quality of the translated text using comparative analysis of translation. The data has confirmed the hypothesis about psychological phenomenon of translation.
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33

Kot-Bryćko, Katarzyna, and Franciszek Pietraszkiewicz. "Psychological Aspects of Ostaoarthritis." Polish Journal of Sports Medicine 37, no. 2 (June 30, 2021): 61–71. http://dx.doi.org/10.5604/01.3001.0014.8910.

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Osteoarthritis is the commonest condition affecting joints. The number of patients suffer­ing from joint pain and progressive disability has been growing, especially in the most de­veloped countries. It is also the major cause of pain and deterioration of the patient’s quality of life, being among the 10 diseases worldwide, generating the highest social costs. Pain and disability, often leading to permanent disability entail numerous adverse consequences, not only of physical ones but also of psychological and social nature. The feeling of loneliness, helplessness and uselessness as well as anxiety and depression symptoms significantly affect the patient’s quality of life which should be perceived in multiple aspects in order to achieve the expected success in treatment. The need for holistic approach to frequently long-lasting treatment of a somatic condition, requiring treatment of concomitant mental disorders (anxiety, depression, etc.) is rarely implemented in practice, even if the disorders are properly diagnosed. However, good communication between the patient and the physician is a nonspecific factor in the course of treatment, which affects the patient’s motivation to undergo treatment and full adherence to physician’s recommendation. Re­gretfully. Despite the progress in the knowledge of the incidence of mental disorders and chronic conditions (including osteoarthritis) and implementation of this knowledge to standard medical procedures, in practice these recommendations are marginally followed, both by the therapists and patients themselves.
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34

Uchto-Żywica, Beata. "PSYCHOLOGICAL ASPECTS OF CANCER." Scientific Notes of Ostroh Academy National University: Psychology Series 1, no. 7 (November 29, 2018): 122–27. http://dx.doi.org/10.25264/2415-7384-2018-7-122-127.

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35

Pines, Malcolm. "Psychological Aspects of Energy." Holistic Medicine 5, no. 1 (January 1990): 5–15. http://dx.doi.org/10.3109/13561829009037837.

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36

Edelmann, Robert J., and Kevin J. Connolly. "Psychological aspects of infertility." British Journal of Medical Psychology 59, no. 3 (September 1986): 209–19. http://dx.doi.org/10.1111/j.2044-8341.1986.tb02686.x.

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37

GOODMAN, R. "Psychological aspects of hemiplegia." Archives of Disease in Childhood 76, no. 3 (March 1, 1997): 177–78. http://dx.doi.org/10.1136/adc.76.3.177.

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38

Melamed, Barbara G. "Psychological aspects of AIDS." Current Opinion in Psychiatry 8, no. 6 (November 1995): 414–18. http://dx.doi.org/10.1097/00001504-199511000-00015.

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39

Main, C. J., and P. J. Watson. "Psychological aspects of pain." Manual Therapy 4, no. 4 (November 1999): 203–15. http://dx.doi.org/10.1054/math.1999.0208.

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40

ADILI, F., B. LARIJANI, and M. HAGHIGHATPANAH. "Diabetic Patients: Psychological Aspects." Annals of the New York Academy of Sciences 1084, no. 1 (November 1, 2006): 329–49. http://dx.doi.org/10.1196/annals.1372.016.

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41

Chipman, Abram. "Psychological Aspects of Modernity." American Journal of Psychotherapy 49, no. 1 (January 1995): 156–57. http://dx.doi.org/10.1176/appi.psychotherapy.1995.49.1.156.

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42

Morgan, Kevin. "Psychological aspects of ageing." Psychiatry 3, no. 12 (December 2004): 8–10. http://dx.doi.org/10.1383/psyt.3.12.8.56781.

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43

Hill, Andrew J. "Psychological aspects of obesity." Psychiatry 4, no. 4 (April 2005): 26–30. http://dx.doi.org/10.1383/psyt.4.4.26.63443.

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44

Morgan, Kevin. "Psychological aspects of ageing." Women's Health Medicine 3, no. 2 (March 2006): 81–83. http://dx.doi.org/10.1383/wohm.2006.3.2.81.

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45

Nattero, G., C. De Lorenzo, L. Biale, G. Allais, M. Ancona, and E. Torre. "Weekend Headache: Psychological Aspects." Cephalalgia 7, no. 6_suppl (September 1987): 212–13. http://dx.doi.org/10.1177/03331024870070s676.

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46

Markoe, Arnold M. "Psychological Aspects of Cancer." American Journal of Clinical Oncology 9, no. 2 (April 1986): 182. http://dx.doi.org/10.1097/00000421-198604000-00017.

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47

REID, WILLIAM H. "Psychological Aspects of Terrorism." Journal of Psychiatric Practice 7, no. 6 (November 2001): 422–25. http://dx.doi.org/10.1097/00131746-200111000-00009.

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48

Large, R. G. "Psychological aspects of pain." Annals of the Rheumatic Diseases 55, no. 6 (June 1, 1996): 340–45. http://dx.doi.org/10.1136/ard.55.6.340.

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49

LEE, D. H. "PSYCHOLOGICAL ASPECTS OF GALACTOSAEMIA." Journal of Intellectual Disability Research 16, no. 3 (June 28, 2008): 173–91. http://dx.doi.org/10.1111/j.1365-2788.1972.tb01174.x.

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50

Sansone, Randy A., Julie V. Levengood, and Martin Sellbom. "Psychological aspects of fibromyalgia." Journal of Psychosomatic Research 56, no. 2 (February 2004): 185–88. http://dx.doi.org/10.1016/s0022-3999(03)00063-1.

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