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Books on the topic 'Psychological aspects of Watercolor painting'

Author: Grafiati

Published: 4 June 2021

Last updated: 17 February 2022

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1

Paint watercolors filled with life and energy. Cincinnati, Ohio: North Light Books, 1994.

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2

Searching for the artist within. Washburn, Wis: Bayfield Street Pub., 2002.

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3

Watercolor bedroom: Creating a soulful midlife. Bloomington, IN: Authorhouse, 2004.

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4

Chinese painting. Hong Kong: Oxford University Press, 1992.

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5

Lai, T. C. Chinese painting. Hong Kong: Oxford University Press, 1992.

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6

Painting out of sorrow. Weston, MA: Font & Center Press, 1999.

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7

Wollheim, Richard. Painting as an art. Princeton, N.J: Princeton University Press, 1987.

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8

The art of seeing and painting. Thibodaux, LA: Portier Gorman Publications, 1988.

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9

Craig, McDaniel, ed. Painting as a language: Material, technique, form, content. Fort Worth: Harcourt College Publishers, 2000.

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10

Gagliardi, Jacques. Les trains de Monet ne conduisent qu'en banlieue. Paris: Presses universitaires de France, 1987.

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11

The evolving picture. New York: Watson-Guptill Publications, 1987.

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12

Monkey painting: History and theory. London: Reaktion, 1997.

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13

Painting as an art. London: Thames and Hudson, 1987.

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14

Wollheim, Richard. Painting as an art. Princeton, N.J: Princeton University Press, 1987.

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15

Chagnon, Louis. Réflexion d'un artiste sur lui-même: Nachdenken eines Künstlers über sich selbst = Reflections of an artist on himself. [Paris]: Ligne blanche, 2003.

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16

Jean-Maurice, Monnoyer, ed. Le peintre et son démon: Entretiens avec Pierre Klossowski. [Paris]: Flammarion, 1985.

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17

Roudaut, Jean. Une ombre au tableau: Littérature et peinture. Chavagne: Ubacs, 1988.

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18

I͡Agodovskai͡a, A. T. Ot realʹnosti k obrazu: Dukhovnyĭ mir i predmetno-prostranstvennai͡a sreda v zhivopisi 60-kh-70-kh godov. Moskva: "Sov. khudozhnik", 1985.

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19

Tom, Wolfe. The painted word. New York, N.Y: Bantam Books, 1999.

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20

Tom, Wolfe. The painted word. New York: Picador/Farrar, Straus & Giroux, 2008.

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21

Darriulat, Jacques. Metaphores du regard: Essai sur la formation des images en Europe depuis Giotto. Paris: Lagune, 1993.

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22

Painting, psychoanalysis, and spirituality. New York: Cambridge University Press, 2001.

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23

Leni͡ashin, V. A. --khudozhnikov drug i sovetnik: Sovremennai͡a zhivopisʹ i problemy kritiki. Leningrad: "Khudozhnik RSFSR", 1985.

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24

Art as expression. Washington, D.C: Whalesback Books, 1995.

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25

Freshen your paintings with new ideas. Cincinnati, Ohio: North Light Books, 1994.

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26

Brandt, Reinhard. Die Wirklichkeit des Bildes: Sehen und Erkennen-vom Spiegel zum Kunstbild. München: Hanser, 1999.

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27

Schefer, Jean Louis. La cause des portraits. Paris: POL, 2009.

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28

La cause des portraits. Paris: POL, 2009.

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29

Wentworth, Nigel. The phenomenology of painting. New York: Cambridge University Press, 2004.

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30

Petrie, Bruce I. Trail of the brush: A painter's guide. Cincinnati, Ohio: ToB Press, 2011.

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31

Michel, Leiris. Francis Bacon: Full face and in profile. Barcelona: Poligrafa, 1987.

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32

Gill, Saunders, and Robinson Fanny 1802-1872, eds. The country flowers of a Victorian lady. New York: HarperCollins, 1999.

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33

Robinson, Fanny. The country flowers of a Victorian lady. London: Apollo, 1999.

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34

Ford, Judy. Painting the walls red. Avon, MA: Adams Media, 2005.

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35

Fleckner, Uwe. Abbild und Abstraktion: Die Kunst des Porträts im Werk von Jean-August-Dominique Ingres. Mainz: P. von Zabern, 1995.

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36

Les peintres amateurs: Étude sociologique. Paris: L'Harmattan, 1991.

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37

Wamberg, Joseph. Landscape as world picture: Tracing cultural evolution in images. Aarhus: Aarhus University Press, 2007.

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38

Act of portrayal: Eakins, Sargent, James. New Haven: Yale University Press, 1985.

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39

Jean, Paulhan. La peinture cubiste. Paris: Gallimard, 1990.

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40

McInally, Mary. Children's art: The development in imaginative drawing and painting from ages 3 to 11. Crediton: Southgate, 2003.

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41

Prado, Museo del, ed. Goya: Black paintings. 2nd ed. Madrid: Fundación Amigos Museo del Prado, 1999.

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42

Metafizika i psihologija slike. Niš: Gradina i Prosveta, 1986.

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43

Cole, Alison. Color: [the essential visual guide to the use of color, from Renaissance painting to modern-day masters]. London: Dorling Kindersley, in association with The National Gallery of Art, Washington, D.C., 1993.

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44

Tom, Wolfe. The painted word. London: Black Swan, 1989.

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45

Loreau, Max. L' attrait du commencement: De quelques peintures d'aujourd'hui et de quelques sujets voisins. Bruxelles: Editions du botanique, 1988.

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46

Louis Comfort Tiffany: The painting career of a colorist. New York: P. Lang, 1996.

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47

Iyu innŭn arŭmdaum: Misul simnihak ŭro pon uri kŭn-hyŏndae hoehwa. Kyŏnggi-do Pʻaju-si: Atʻŭ Buksŭ, 2006.

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48

Kuric, Jozef. Psychologie vnímání malířských výtvarných děl v ontogenezi. V Brně: Univerzita J.E. Purkyně, 1986.

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49

Kuric, Jozef. Psychologie vnímánī malīřských výtvarných děl v ontogenezi. [Brno]: Univerzita J.E. Purkyně v Brně, 1986.

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50

Pavey, Don. Colour and humanism. Edited by Osborne Roy. USA: Universal Publishers, 2003.

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