Relevant bibliographies by topics / Psychomachia (Prudentius)

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  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Psychomachia (Prudentius)'

Author: Grafiati
Published: 2 March 2023

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Journal articles on the topic "Psychomachia (Prudentius)"

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Summers, Kirk. "“Prudentius Psychomachia 317”." Vigiliae Christianae 66, no. 4 (2012): 426–29. http://dx.doi.org/10.1163/157007212x635830.

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Abstract The Latin text at Prudentius, Psychomachia 317 presents some syntactical difficulties, mostly stemming from the unexpected word quia. The manuscripts and glossa vetus offer little help on the matter. Gilbert Wakefield offered a convincing solution to the problem in a note that was buried in an edition of Lucretius that he edited in 1797. No subsequent editor of Prudentius has noticed his emendation, which should be revived and included in future editions.
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Danza, Juan Manuel. "The Psychomachia of Prudentius: an inspired artefact." Circe, de clásicos y moderno 25, no. 1 (2021): 141–59. http://dx.doi.org/10.19137/circe-2021-250107.

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Jackson, M. J. "PSYCHOMACHIA IN ART FROM PRUDENTIUS TO PROUST." British Journal of Aesthetics 30, no. 2 (1990): 159–65. http://dx.doi.org/10.1093/bjaesthetics/30.2.159.

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Haye, Thomas. "NOTATA ET NOTANDA." Daphnis 32, no. 3-4 (2003): 683–97. http://dx.doi.org/10.1163/18796583-90000783.

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Der als Adressat der sog. Dunkelmännerbriefe verleumdete Ortwin Gratius (1480-1542) steHt seiner 1509 besorgten Edition der Psychomachia des Prudentius ein einleitendes Gedicht und einen an Johann Murmellius (1480-1517) adressierten Widmungsbrief voran, in denen er gegen die Bevorzugung paganer Poesie polemisiert und für eine stlirkere Berücksichtigung der christlichen Dichtung der Spätantike plädiert.
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WIELAND. "ALDHELM'S "DE OCTO VITIIS PRINCIP ALIBUS" AND PRUDENTIUS' "PSYCHOMACHIA"." Medium Ævum 55, no. 1 (1986): 85. http://dx.doi.org/10.2307/43628952.

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Moreno Soldevila, Rosario. "Love Motifs in Prudentius." Philologus 165, no. 2 (2021): 295–312. http://dx.doi.org/10.1515/phil-2021-0109.

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Abstract By analysing three paradigmatic passages, this paper explores how Prudentius uses classical love motifs and imagery not only to lambast paganism, but also as a powerful rhetorical tool to convey his Christian message. The ‘fire of love’ imagery is conspicuous in Psychomachia 53–57, which wittily blends Christian and erotic language. In an entirely different context (C. Symm. 2.1071–1085), the flamma amoris is also fully exploited to depict lustful young Vestal Virgins, in combination with other classical metaphors of passion, such as the ‘wound of love’ and the signa amoris. Additionally, the contrast between heat and cold is a central element in the description of the Vestals’ tardy nuptials, redolent of classical satirical portraits of vetulae libidinosae. Finally, in Hamartigenia 628–636 the relationship between the soul and God draws from a Christian tradition of bridal (and coital) representation, but the lapse into sin is portrayed as the love triangle, typical of the Latin love elegy. These examples illustrate how Prudentius creatively and consciously frames love and sex imagery in new contexts, exploring their potential and infusing clichés with new meanings and forms.
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Charlet, Jean-Louis. "AARON PELTTARI. The Psychomachia of Prudentius. Text, Commentary, and Glossary." Journal of Medieval Latin 31 (January 2021): 319–20. http://dx.doi.org/10.1484/j.jml.5.125156.

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Wieland, Gernot R. "The Anglo-Saxon manuscripts of Prudentius's Psychomachia." Anglo-Saxon England 16 (December 1987): 213–31. http://dx.doi.org/10.1017/s0263675100003914.

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According to his own testimony, the fourth-century Spanish poet Prudentius devoted himself to writing only late in life. The Praefatio to his works provides all the biographical details which we have of him: he was born in 348, the year in which Salia was consul (lines 25–6: ‘Sub quo [=Salia] prima dies mihi/ quam multas hiemes uoluerit’), he appears to have studied rhetoric (lines 8–9: ‘mox docuit toga infectum uitiis falsa loqui’), possibly practised law (lines 13–4: ‘Exim iurgia turbidos/ armarunt animos’), became governor of two cities (lines 16–7: ‘Bis legum moderamine/ frenos nobilium reximus urbium’) and finally was taken into the emperor's service (lines 20–1: ‘pietas principis extulit/ adsumptum propius stare iubens ordine proximo’). The exact date of his death is unknown, but it appears to have been before 410 because his writings, especially the Contra Symmachum, still praise a victorious Rome that had not yet been sacked by Alaric.
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Weele, Michael Vander. "Herbert’s The Temple as Early Modern Psychomachia." Renascence 74, no. 3 (2022): 211–51. http://dx.doi.org/10.5840/renascence2022743-413.

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One does not read very far in the second and by far the longest section of Herbert’s The Temple before the single-minded exhortations of the speaker in “The Church Porch” and the early Lenten “complaints” of Christ to his people in “The Sacrifice” turn to the unpredictable elements of the speaker’s human condition: puzzlement, striving, grief, joy. The quick movement between these elements is due not only to Herbert’s poetic sensibility, I argue, but also to his anthropological understanding and his interest in early Christian precedent. I focus on remnants of Prudentius’ 5th-century Psychomachia in Herbert’s poetry and prose and suggest that they open a new vista onto Herbert’s performance of the unsteady dual state of the temple builder, whether poet or reader.
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Herz, Alexandra. "Borromini, S. Ivo, and Prudentius." Journal of the Society of Architectural Historians 48, no. 2 (1989): 150–57. http://dx.doi.org/10.2307/990353.

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The purpose of this paper is to offer a satisfactory formal and iconographical explanation for S. Ivo and its problematical elements. Although the church has been recognized for some time as Borromini's approximation of the ancient Temple of Solomon, its winding, shell-like spire does not fit into this interpretation-or any other yet proposed. The paper concentrates on a description of the Temple of Wisdom that has never before been linked to S. Ivo and shows how its apparently disparate components could be combined in one and the same building. This description appears in the Psychomachia by Prudentius (c. 405 A. D.), a poem about the battle between the Vices and Virtues. Upon the battle's happy conclusion, the Virtues build a temple to Wisdom. Prudentius's eloquent description of this temple is examined in detail, and aspects that may have appealed to Borromini are brought out and compared to S. Ivo. A Baroque masterpiece, the church incorporates Early Christian features in layout, construction, and decoration. Some of these features almost seem to be clues pointing to the building's origin in the Early Christian past, an era held up throughout the Counter Reformation as Christianity's Golden Age.
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Dissertations / Theses on the topic "Psychomachia (Prudentius)"

1

O'Sullivan, Sinead. "Early medieval glosses on Prudentius' Psychomachia." Thesis, University of Oxford, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.312681.

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O'Sullivan, Sinéad. "Early medieval glosses on Prudentius' Psychomachia : the Weitz tradition /." Leiden : Brill, 2004. http://catalogue.bnf.fr/ark:/12148/cb39219298f.

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Books on the topic "Psychomachia (Prudentius)"

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O'Sullivan, Sinéad. Early medieval glosses on Prudentius' Psychomachia: The Weitz tradition. Brill, 2004.

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2

Allegory and poetics: The structure and imagery of Prudentius' "Psychomachia". P. Lang, 1985.

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3

Mastrangelo, Marc. Prudentius' Psychomachia. Taylor & Francis Group, 2022.

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Mastrangelo, Marc. Prudentius' Psychomachia. Taylor & Francis Group, 2022.

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Prudentius' Psychomachia. Taylor & Francis Group, 2022.

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Mastrangelo, Marc. Prudentius' Psychomachia. Taylor & Francis Group, 2022.

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Mastrangelo, Marc, and Prudentius. Prudentius� Psychomachia. Taylor & Francis Group, 2022.

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8

Smith, Macklin. Prudentius' "Psychomachia": A Reexamination. Princeton University Press, 2015.

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Smith, Macklin. Prudentius' Psychomachia: A Reexamination. Princeton University Press, 2016.

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Smith, Macklin. Prudentius' Psychomachia: A Reexamination. Princeton University Press, 2015.

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Book chapters on the topic "Psychomachia (Prudentius)"

1

Mastrangelo, Marc. "Prudentius, Psychomachia." In Prudentius' Psychomachia. Routledge, 2022. http://dx.doi.org/10.4324/9780429261992-2.

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Mastrangelo, Marc. "Introduction." In Prudentius' Psychomachia. Routledge, 2022. http://dx.doi.org/10.4324/9780429261992-1.

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Mastrangelo, Marc. "Notes to Prudentius' Psychomachia." In Prudentius' Psychomachia. Routledge, 2022. http://dx.doi.org/10.4324/9780429261992-3.

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Arnold-Kubina, Annemarie. "Prudentius Clemens, Aurelius: Psychomachia." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_15902-1.

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Filosini, Stefania. "Ovidian Presences in Prudentius’ Psychomachia." In Giornale Italiano di Filologia - Bibliotheca. Brepols Publishers, 2022. http://dx.doi.org/10.1484/m.gifbib-eb.5.127590.

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Grebe, Sabine. "The End Justifies the Means: The Role of Deceit in Prudentius` "Psychomachia"." In Laster im Mittelalter / Vices in the Middle Ages. Walter de Gruyter, 2009. http://dx.doi.org/10.1515/9783110217377.11.

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"3. Psychomachia." In Prudentius, ›Psychomachia‹. De Gruyter, 2020. http://dx.doi.org/10.1515/9783110630831-005.

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"PRUDENTIUS’ PSYCHOMACHIA." In Constructing Identities in Late Antiquity. Routledge, 2002. http://dx.doi.org/10.4324/9780203016176-7.

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"Tabellenverzeichnis." In Prudentius, ›Psychomachia‹. De Gruyter, 2020. http://dx.doi.org/10.1515/9783110630831-001.

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"Vorwort." In Prudentius, ›Psychomachia‹. De Gruyter, 2020. http://dx.doi.org/10.1515/9783110630831-002.

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