Dissertations / Theses on the topic 'Puberty Rites'
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Briggs, Dorothy Ann Fischer 1958. "The practice of the Kinaalda' on the north/central part of the Navajo reservation." Thesis, The University of Arizona, 1987. http://hdl.handle.net/10150/276588.
Full textKanyi, Wambui Wa. "The impact of the change of the rites of initiation into adulthood among the Aa-Gikuyu." Virtual Press, 1994. http://liblink.bsu.edu/uhtbin/catkey/902495.
Full textDepartment of Anthropology
Hollmann, Jeremy Charles. "The cutting edge: Khoe-San rock-markings at the Gestoptefontein-Driekuil engraving complex, North West Province, South Africa." Thesis, University of the Western Cape, 2011. http://etd.uwc.ac.za/index.php?module=etd&action=viewtitle&id=gen8Srv25Nme4_5857_1361366326.
Full textThe study is about the rock engravings on the wonderstone hills just outside Ottosdal, North West province, about 70km northwest of Klerksdorp. Wonderstone is remarkable rock that is 
smooth, shiny and very easy to mark. The wonderstone occurs only on two adjacent farms, Gestoptefontein and Driekuil, and thus the rock art on the wonderstone outcrops is referred to as the Gestoptefontein- Driekuil complex (GDC). This rock art is now the only remaining trace of what must once have been a much larger complex of engravings. Sadly, much of the rock art has been destroyed in the course of mining activities, with very few records. The largest remaining outcrop is still threatened by potential mining activities. The study attempts to bring this disastrous and unacceptable situation to the attention of the public and the heritage authorities, who have so far failed to respond to applications to grant the sites protection. It therefore has two main aims: to 
locate and record as much of the rock art as possible and to understand the significance of the outcrops in the lives of the people who made them. Based on the rock art itself, as well as what little historical evidence is available, it is argued that the rock art was made by Khoe-San people during the performance of important ceremonies and other activities. The rock art has two main components: engravings of referential motifs and a gestural, or performative, element. The referential motifs depict a range of things: anthropomorphs and zoomorphs, decorative designs, items of clothing, as well as ornaments and decorations. The gestural markings were made by rubbing, cutting and hammering the soft wonderstone, probably in the course of a range of activities that people carried out on the outcrops. One of the main findings of the study is that the GDC was a place that was of particular significance to women. This is suggested by the large number of engravings of items that are closely associated with Khoe-San women &ndash
depictions of aprons, ornaments, and decorations. These play a prominent role in the initiation practices of many Khoe-San groups. Initiates emerging from ritual isolation after their first menstruation are given new clothes
they are also loaned ornaments and jewellery. This reincorporation into society as a &lsquo
new person&rsquo
has been described by some Khoe-San women as one of the high points of their lives. Oral traditions from the area indicate that the wonderstone outcrops were believed to have 
special properties
the study incorporates these traditions to argue that the wonderstone outcrops were associated with the presence of a great water snake that lay on the rocks and also lived in 
the pools of water in the nearby Driekuil Spruit. People therefore came to the outcrops to perform rites of reincorporation. One of these ceremonies may have been performing rites of association 
with the great snake
such practices may have included the use of rock dust as an ingredient for body paint.
Tresch, Odile. "Rites et pratiques religieuses dans la vie intime des femmes d'après la littérature et les inscriptions grecques." Paris, EPHE, 2001. http://www.theses.fr/2001EPHE4051.
Full textVocca, Robert Thomas. "Rites of passage and the construction of masculinitiy in Hubert Fichte's das Waisenhaus, Detlevs Imitationen Grünspan, die Palette, and Versuch über die Pubertät." The Ohio State University, 1993. http://rave.ohiolink.edu/etdc/view?acc_num=osu1299528094.
Full textVocca, Robert Thomas. "Rites of passage and the construction of masculinity in Hubert Fichte's Das Waisenhaus, Detlevs Imitationen Grünspan, Die Palette, and Versuch über die Pubertät /." The Ohio State University, 1993. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487842372895262.
Full textRatté, Simon-Pierre. "Du neuf sur la cryptie?" Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ55604.pdf.
Full textSalles, Clice Pereira. "Ritos de passagem entre o humano e a natureza: Sean O Faolain ( Irlanda ) e José Lins do Rego (Brasil )." Pontifícia Universidade Católica de São Paulo, 2014. https://tede2.pucsp.br/handle/handle/14745.
Full textThis dissertation is dedicated to the study of the myth of the chrysalis, the myth of puberty, which is set by the Rite of Passage experienced by the protagonists of the masterpieces The Trout by Sean O'Faolain and Menino de Engenho by José Lins do Rego. The main issue of this paper raises a question that conveys the passage from the being as an individual to the being as a part of a social group, which is started by the act of union between Nature and Being and Being and Sexuality. This research aims to understand the presence of a conundrum among Nature, Human and Myth by the correlations between the characters and their ritualistic experiences. Along the study of this Rite of Passage process, we believe that, in the brief moment when the characters go through transformation, a social exclusion takes place, and that fact depicts them as members of the submerged population. The short-story, which is the genre studied for this dissertation, contains all the characteristics that can be applied to both narratives.Some authors were chosen to give theoretical foundation to this deductive and comparative study: Frank O'Connor, Mordecai Marcus, Edgar Allan Poe, Van Gennep, Victor Turner, Tania Franco Carvalhal and Eduardo Coutinho, among others.In the development of the three chapters, we put up the theories and themes proposed in dialogue with the narratives of the corpora we analysed. It s also demonstrated the way how the Rite of Passage is transposed to the Iniciation Literature besides suggesting that the characters are members of the submerged population
Esta dissertação trata do estudo do mito da crisálida, o mito da puberdade, configurado pelo rito de passagem, vivenciado pelos protagonistas dos contos, curto e longo, A Truta, de Sean O Faolain, e Menino de Engenho, de José Lins do Rego. A problemática do trabalho levanta um questionamento sobre a passagem do individual para o social, que se inicia pelo ato de união entre ser e natureza, e ser e sexualidade. A pesquisa visa esclarecer a presença ternária entre a Natureza, o Humano e o Mito pelas correlações entre as personagens e suas experiências ritualísticas. No estudo deste processo de Rito de Passagem, entendemos que, no momento breve em que as personagens passam pela transformação, dá-se a exclusão social, que as enquadra como membros da "população submersa" (submerged population), conceito este somente possível no conto, o gênero narrativo estudado, por conter características estruturais aplicáveis às obras. Para dar embasamento teórico, essencialmente, por meio de um estudo comparativo-dedutivo, fundamentamo-nos em: Frank O'Connor, Mordecai Marcus, Edgar Allan Poe, Van Gennep, Victor Turner, Tania Franco Carvalhal e Eduardo Coutinho, entre outros. No desenvolvimento dos três capítulos, colocamos as teorias e os temas propostos em diálogo com as narrativas do corpora, e demonstramos como o Rito de Passagem ocorre na Literatura Iniciática, além de sugerir que as personagens, em suas diferenças territoriais, definem-se como membros da "população submersa"
Malisha, Lutendo. "An analysis of the impact of traditional initiation schools on adolescents sexual and reproductive health : a case study of rural Thulamela Municipality." Thesis, 2005. http://hdl.handle.net/10413/2738.
Full textThesis (M.A.)-University of KwaZulu-Natal, Durban, 2005.
Cameron, Elisabeth Lynn. "Negotiating gender initiation arts of Mwadi and Mukanda among the Lunda and Luvale, Kabompo District, North-Western Province, Zambia /." 1995. http://catalog.hathitrust.org/api/volumes/oclc/50172059.html.
Full textKangwa, Jonathan. "Reclaiming the value of indigenous female initiation rites as a strategy for HIV prevention : a gendered analysis of Chisungu initiation rites among the Bemba people of Zambia." Thesis, 2011. http://hdl.handle.net/10413/8744.
Full textThesis (M.Th.)-University of KwaZulu-Natal, Pietermaritzburg, 2011.
Manabe, Nkateko Lorraine. "The silenced voice of initiated Venda women." Thesis, 2010. http://hdl.handle.net/10530/595.
Full textThe lives of individuals in all societies are a series of passages from one age to another and from one occupation to the other. Among the Vhavenda, there are fine distinctions among age or occupational groups and progression from one group to the next is accompanied by special rituals enveloped in ceremonies which involve actions that are clearly regulated and guarded so that the entire society suffer no discomfort or injury. The research explores and describes the lived experiences of Vha-Venda initiated women in the rural areas of Mashau, Mashawana and Shayandima village in Limpopo Province, South Africa. The perception that transition practices, otherwise known as initiation rituals or rites of passage, are only practiced in the ‘traditional’ societies because it is believed to be where the culture is embedded. This study draws on qualitative research principles based on the ethnographic approach. This research explores and describes the lived experiences of initiation of Venda women that is practiced and currently being implemented in the three villages that is, Mashau, Mashawana and Shayandima village in Limpopo Province, South Africa. As a result, this study is informed by the qualitative data gathered during the initial stages of the research with the assistance of research guides. The core material in this study emerges from in depth, semi-structured interviews conducted during individual interviews and focus group interviews with fifteen initiated women and two research guides between the age of thirty and sixty. The research guides, with special knowledge of the culture assisted the researcher on the process and activities of the initiation and also informed the researcher about the venues where certain rituals take place and also assisted in translation of certain phrases for clarification. In compliance with research ethics, the identities of the respondents remain confidential through the use of pseudonyms. The research concludes that the lived experiences of women initiation are private and one is strictly prohibited to talk about them, especially with uninitiated women. The aim is to portray the traditional social and cultural ritual proposed to be learnt and preserved. In this study, the researcher’s findings are that: Conformity, compliance and obedience with the initiation rituals can save a person from embarrassment in Limpopo Province where initiation is practiced. Participants reported that women are silenced and forbidden to talk about initiation outside ‘dombani’ with the uninitiated women. They reported that the initiation ritual is secret and thus a taboo to talk about it. Initiates are prohibited to disclose what happens during the initiation process. In contrast, uninitiated women viewed the ritual as barbaric and promiscuous. The initiated indicated that they were forced to attend because of fear of rejection, discrimination and isolation by the community. Other participants agreed to have attended for the sake of acceptance, though they believed to have gained knowledge about understanding womanhood. Most of the women mentioned that although it was some years that they had attended the initiation school, they still carried the burden of anger, shame, humiliation, frustration, low-self esteem, sense of helplessness and lack confidence and still find it hard to share their experiences or talk about them. The researcher concurs with the participants and Stayt (1968) that initiated women are denied freedom of expression. It is sticky prohibited to talk or share the initiation experiences with the non- initiated let alone discuss it outside dombani. Thereby, the aim, and its concomitant 4 objectives, have been thoroughly explored and achieved.
Ngaloshe, Christina Nosabata. "Characteristics, modifications and concerns : ritual initiation among KwaBhaca males." Thesis, 2000. http://hdl.handle.net/10413/5818.
Full textThesis (M.Ed.)-University of Natal, Durban, 2000.
Maluleke, Thelmah Xavela. "The puberty rites for girls (vukhomba) in the northern region of the Northern Province of South Africa: implications for women's health and health promotion." Thesis, 2001. http://hdl.handle.net/10500/1043.
Full textHealth Studies
D.Litt. et Phil.
Daigneault, Anna Luisa. "An ethnolinguistic study of the Yanesha’ (Amuesha) language and speech community in Peru’s Andean Amazon, and the traditional role of Ponapnora, a female rite of passage." Thèse, 2009. http://hdl.handle.net/1866/4055.
Full textThe Yanesha’ language is spoken on the edges of two worlds, the Andes and the Amazon, in southcentral Peru. Ethnolinguistic fieldwork was carried out among the Yanesha’ people in May-August 2008 to learn about their language and the possible factors leading to its endangerment. This thesis examines the unique linguistic features of Yanesha and its place within the Arawak language family. It also discusses a puberty ritual that plays an important role in preserving musical and linguistic heritage among Yanesha’ women: the ponapnora female initiation ritual.
Thesis written in co-mentorship with Richard Chase Smith Ph.D, of El Instituto del Bien Comun (IBC) in Peru. The attached file is a pdf created in Word. The pdf file serves to preserve the accuracy of the many linguistic symbols found in the text.
Turcot, DiFruscia Kim. "Des filles, du sang et du silence : regard sur la construction du secret de la ménarche." Thèse, 2006. http://hdl.handle.net/1866/16924.
Full text