Relevant bibliographies by topics / Public and private television broadcasting

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Public and private television broadcasting'

Author: Grafiati
Published: 4 June 2021
Last updated: 14 February 2022

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Journal articles on the topic "Public and private television broadcasting"

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Mangani, Andrea, and Elisa Tarrini. "Social Pluralism in Public and Private Television Broadcasting." Javnost - The Public 25, no. 3 (May 21, 2018): 282–97. http://dx.doi.org/10.1080/13183222.2018.1463044.

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Vila, Natalia, and Inés Küster. "Public versus private broadcasters’ management." Management Decision 52, no. 8 (September 9, 2014): 1368–89. http://dx.doi.org/10.1108/md-05-2013-0295.

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Purpose – The purpose of this paper is to prove the existence of significant differences between private and public corporate credibility antecedents and effects. Design/methodology/approach – Totally, 816 Spanish viewers’ valuations were obtained (408 for the public television network and 408 for four private first generation broadcasters). Results show that some corporate reputation antecedents (perceived quality) and effects (attitudes) are stronger when private broadcasters are considered. Findings – Result show that proposed credibility reputation antecedents and effects are significant and that some differences between private and public entities really do exist. Research limitations/implications – To enhance a television network's reputation managers can follow two different but related paths: improve the quality and improve the consistency of the network's visual identity. That is, they should act on both content and form. However, public or private commercial broadcasters should emphasize different ways. Practical implications – The general impressions subsumed under the concept of corporate credibility are used to easily and automatically evaluate particular offers. Originality/value – Show, in the broadcasting industry, that new challenges and responsibilities for public broadcasting services in this new digital era of liberalization do really exist compared to private companies.
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Menezes, Gizeli Costa Bertollo, Francisco Gilson Rebouças Porto Junior, Yuri Vinicius Silva, José Lopes da Cruz Filho, and Kécia Garcia Ferreira. "A TV PÚBLICA NO BRASIL E PORTUGAL: Aspectos conceituais e históricos." Aturá - Revista Pan-Amazônica de Comunicação 3, no. 1 (January 16, 2019): 302–18. http://dx.doi.org/10.20873/uft.2526-8031.2019v3n1p302.

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A proposta deste artigo é compreender melhor o sistema público de televisão em Portugal e no Brasil, especificamente as emissoras RTP1 e TV Brasil. Embora os dois países sejam marcados por fortes ligações históricas, culturais e linguísticas, se distanciam no que diz respeito a radiodifusão pública. Enquanto em Portugal a televisão já nasce sob o domínio estatal, que posteriormente vai se moldando aos princípios do serviço público, no Brasil chega pelas mãos da iniciativa privada, que por quase duas décadas dominou de forma exclusiva o cenário televisivo, imprimindo seu modelo no país. PALAVRAS CHAVE: Televisão; Brasil; Portugal; TV pública; História. ABSTRACT The purpose of this article is to better understand the public television system in Portugal and Brazil, specifically the RTP1 and TV Brazil broadcasters. Although the two countries are marked by strong historical, cultural and linguistic connections, they are distant in relation to public broadcasting. While in Portugal, television is born under state domination, which later is shaping the principles of public service, in Brazil comes through the hands of private initiative, which for almost two decades dominated the television scene exclusively, printing its model in the country. KEYWORDS: Television; Brazil; Portugal; Public TV; Story. RESUMEN El propósito de este trabajo es comprender mejor el sistema público de televisión en Portugal y Brasil, específicamente en las emisoras de televisión RTP 1 y Brasil. Aunque los dos países están marcados por fuertes vínculos históricos, culturales y lingüísticos, se distancian en lo que se refiere a la radiodifusión pública. Mientras que en Portugal la televisión nace bajo dominio del Estado, que posteriormente dar forma a los principios de servicio público en Brasil llega a manos de la empresa privada, que desde hace casi dos décadas dominaron exclusivamente el panorama de la televisión mediante la impresión de su modelo en el país . PALABRAS CLAVES: Televisión; Brasil; Portugal; TV pública; Historia.
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Moedy, Emma Ratna Sari. "Manajemen Strategik Pengawasan Isi Siaran Televisi Swastasiaran Jaringandi Balioleh Komisi Penyiaran Indonesia Daerah Bali." Jurnal Ilmiah Cakrawarti 2, no. 2 (July 7, 2020): 46–63. http://dx.doi.org/10.47532/jic.v2i2.128.

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As one of the electronic media, television is present in the most private space of television toactually live from advertisers. The public or the public in this case is placed in one position as acommodity that is able to capture advertisers who can provide income for the life of the televisionstation. human life. Television is present in the family room, even the bedroom. audiences have the rightto receive quality shows that are useful for them, and not only give priority to the benefits of televisionstation owners. The media has so far been influenced by ratings so enforcement of the code of conductis often ignored. Ratings also cause uniformity of type of viewing on television stations. Law No. 32 of2002 concerning Broadcasting was born from the spirit of freedom of opinion and obtain the widestpossible information for the community. The Broadcasting Law is a law governing the principles ofbroadcasting that apply in Indonesia. This includes the principles, objectives, functions and directionof national broadcasting, regulating the provisions of the Indonesian Broadcasting Commission,broadcasting services, Public Broadcasting Institutions, Private Broadcasting Institutions, SubscribedBroadcasting Institutions, Community Broadcasting Institutions, Foreign Broadcasting Institutions,Broadcasting Stations and broadcast coverage, and licensing and broadcast activities. The principlesin the Broadcasting Law are held based on the Pancasila and the 1945 Constitution of the Republic ofIndonesia with the principles of benefits, fair and equitable, legal certainty, security, diversity,partnerships, ethics, independence, freedom, and responsibility.
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Fernández Vivas, Yolanda. "El régimen jurídico de los medios de comunicación en el Reino Unido." Teoría y Realidad Constitucional, no. 36 (July 1, 2015): 497. http://dx.doi.org/10.5944/trc.36.2015.16075.

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El trabajo que aquí presentamos tiene por objeto el análisis del régimen jurídico de los medios de comunicación en el Reino Unido —prensa, radio y televisión, pública y privada, así como las autoridades de supervisión y control—, que se caracteriza por ser un sistema basado en los principios de independencia, imparcialidad y autorregulación, y cuyo modelo de radiotelevisión pública (la BBC) constituye una referencia en la prestación del servicio público de radiodifusión.This essay analyzes the legal framework for the media in the UK — press, radio and television both public and private, as well as the supervisory authorities — which is based on the principles of independence, impartiality and self-regulation, and whose model of public broadcasting (BBC) is the most relevant reference in public service broadcasting.
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Ismail, Ervan, Siti Dewi Sri Ratna Sari, and Yuni Tresnawati. "Regulasi Penyiaran Digital: Dinamika Peran Negara, Peran Swasta, dan Manfaat bagi Rakyat." Jurnal Komunikasi Pembangunan 17, no. 2 (July 19, 2019): 124–45. http://dx.doi.org/10.46937/17201926842.

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Digitalization must begin a strong law that is Acts. Based on the records, digital broadcasting regulations using Republic of Indonesia Minister of Communication and Informatics’s regulations could be canceled through lawsuits at Supreme Court and State Administration Court. Broadcast digitalization was begun in 2011 through a digitalization Road Map and till date, the process at House of Representatives has not been completed. 85% of countries in the world have migrated to digital broadcasts. The study aims to describe how changes and various roles in broadcasting digitalization if the revision of the Broadcasting Acts is implemented. The study also aims to find out the impact and benefits of broadcasting digitalization for the public and broadcasting stakeholders compared to present Broadcasting Acts. This study uses participant observation methods and text analysis to categorize the articles of digitalization in the revision draft of the Broadcasting Acts from the House of Representatives Commission I in 2017, accompanied by media coverage analysis. Discourse analysis is used to relate to the problems arised due to broadcast digitalization. The results show that digitalization can provide more channels in the same space than analog broadcasting. Political parties and state institutions will be allowed to have broadcasting institutions. The State through Television Radio of the Republic of Indonesia (RTRI) will become the important player in terrestrial digital broadcasting with a single multiplexer (mux) system, which is considered undemocratic for private television associations. All "television stations" will change and compete to become "content providers" similar to new digital televisions. The government will formulate the mechanisms, socialization, models, roles in digitalizing television broadcasting in a blue print. Digital dividend will be used for the development of internet and telecommunications. The dynamics that occur due to interests’ differences of the state, the private sector and society take part at each stage of broadcasting digitalization regulation. The conclusion of the study illustrates that the use of digital technology in broadcasting through the Acts’ revision could be a solution for both frequency limitation and the efficient use for more diverse broadcasters (diversity of ownership).
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De Bens, Els. "Het recente beleid inzake de audiovisuele media in België." Res Publica 32, no. 2-3 (September 30, 1990): 299–311. http://dx.doi.org/10.21825/rp.v32i2-3.18847.

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During recent years, the audiovisual landscape in Belgium has been going through a number of drastic changes.The monopoly of the public broadcasting system, standing for over 40 years, was breached. Several hundreds of private radio stations, two new commercial television stations and a number of private local television stations saw the light. The advent of all these newcomers has created a competitive media system. Therivalry between the public broadcasting companies and the commercial stations is very severe and unfortunately the PBS are imitating the commercial model: they sacrifice more time for fiction and entertainment. Moreover, the Belgian media policy is very permissive and favours commercialisation.
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dos Santos, Sales Augusto, and Ivonete da Silva Lopes. "The Financing of TV Brasil: Limitation of Resources or Political Choice?" Latin American Perspectives 45, no. 3 (March 26, 2018): 141–50. http://dx.doi.org/10.1177/0094582x18768466.

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The federal funds allocated to Brazilian public television are insufficient for its adequate maintenance and could be increased. Instead of advertising on public television, which was the flagship of the Brazilian public communication system, the Lula and Rousseff administrations turned to private broadcasting systems in the hope of co-opting them. In addition to robbing public television of critical funding, this proved a political mistake when TV Globo became one of their harshest critics. Os recursos federais direcionados ao sistema público de TV brasileiro são insuficientes para sua manutenção adequada e poderiam, portanto, ser ampliados. Ao invés de fazer propaganda na televisão pública, que a propósito fora a bandeira do sistema público de comunicação, as administrações Lula e Rousseff voltaram-se para o setor privado de comunicação, na esperança de nela fazer aliados. Além de reduzirem os recursos críticos para a TV pública, essa estratégia provou-se um erro político quando a TV Globo tornou-se um de seus críticos mais crueis.
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Dunleavy, Trish. "A Soap of Our Own: New Zealand's Shortland Street." Media International Australia 106, no. 1 (February 2003): 18–34. http://dx.doi.org/10.1177/1329878x0310600104.

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Shortland Street is a prime-time soap opera that launched on New Zealand television in 1992 and was created to meet a combination of commercial and ‘public service’ objectives. Shortland Street is institutionally and culturally significant as New Zealand's first attempt at daily drama production and one of the first major productions to follow New Zealand television's 1989 deregulation. Placing Shortland Street in the context of national television culture and within the genre of locally produced TV drama, this paper explores several key facets of the program, including: its creation as a co-production between public and private broadcasting institutions; its domestic role in a small television market; its relationships with New Zealand ‘identity and culture’; its application of genre conventions and foreign influences; and its progress — as a production that was co-developed by Grundy Television — in a range of export markets.
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Hasbiansyah, Rahmadan. "PENGATURAN KANAL FREKUENSI RADIO BAGI MEDIA TELEVISI DALAM PERSPEKTIF VNDANG-UNDANG NOMOR 32 TAHUN 2002, TENTANG PENYIARAN DAN UNDANG-UNDANG NOMOR 5 TAHUN 1999 TENTANG LARANGAN PRAKTEK MONOPOLl DAN PERSAINGAN USAHA TIDAK SEHAT." Jurnal Hukum & Pembangunan 37, no. 3 (September 21, 2007): 430. http://dx.doi.org/10.21143/jhp.vol37.no3.154.

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AbstrakThe canal of broadcasting frequency is a scarce natural resource that hasbeen public interests for specific broadcasting and communication needs. Itstrategic's function needs regulation to awarding wealhtness throughIndonesian people. On the author 's thought the existing regulation isdeemed had not given just for wider interests party. The continuing facts isshown domination toward broadcasting frequency control through 10 of 14of frequency canals by private television stations. The author here elaborateshow the canal of broadcasting frequency ought to govern to preserve just inpratice and in the right way to ensure people prosperity
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Dissertations / Theses on the topic "Public and private television broadcasting"

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Meiring, Rouxnette. "Framed: COP17 on South African television." Master's thesis, University of Cape Town, 2013. http://hdl.handle.net/11427/19519.

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The media have a critical role to play in informing and changing public opinion on climate change, "the defining human development issue of our generation" (United Nations Development Programme for Human Development Report, 2008, 1). Developing countries are most likely to suffer the worst effects of climate change, yet few studies exist on climate change communication in the media in developing countries and in particular in Africa. Studies on climate change communication in the media focus mostly on the print media and on developed countries, yet in Africa, more people consume their news through television or radio. So far, no study has examined television news reports of a United Nations Conference of the Parties in Africa. This study examines the way four South African television news stations (three public and one private) framed climate change news over six weeks: two weeks before, during and after the 17th United Nations Conferences of the Parties in Durban (COP17) South Africa, 2011/11/07 – 2012/01/07. Coding words were used to identify climate change stories in the main newscasts on SABC 1, 2, 3 and e.tv each day. These were transcribed and in the cases of SABC1 and 2 broadcasts translated from three indigenous languages (Afrikaans, isiXhosa and isiZulu) into English. A quantitative, descriptive statistical analysis looked at the occurrence of four primary frames in these climate change stories, using binary coding questions to identify each frame. The results in the binary coding sheets were analysed by using spreadsheets. The coding questions were also used to identify and explore secondary and additional frames, which were then illustrated in graphs. Differences in framing between public and private television were also illustrated in graphs (for example local versus foreign stories, time devoted to stories, depth of stories and occurrence of climate change stories with a human angle). Secondly, a qualitative inductive analysis of text and visual material looked at links between frames (for example the link between extreme weather conditions and human action using cause and impact visuals, as well as the link between news image and source – the framing of the politician, the activist and the scientist.) This section also looked at emotionally anchoring images of hope and guilt and the role of banners, posters and maps in climate change stories on television. Though other studies claim that coverage of the summit was "almost invisible" (Finlay 2012, 16) this study shows very high coverage on especially SABC 1 (isiXhosa and isiZulu). The following hypotheses were confirmed: the political/economic frame will dominate on all stations during COP17 but the ecological frame will be highest on at least some stations in the weeks after COP17. The ethics frame will be dominated by the secondary "Inequality/Justice" frame while the "Religion" frame will be of minimal importance. When activists set the agenda, the motivational frame will hardly feature. Climate change scepticism will receive little attention on South African television. Local (South African and African) stories will be more prominent on public television than on private television.
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Dlamini, Tula. "Whither state, private or public service broadcasting? : an analysis of the construction of news on ZBC TV during the 2002 presidential election campaign in Zimbabwe." Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1008257.

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The study sets out to examine the television coverage of the 2002 presidential campaign in Zimbabwe by examining the extent to which the Zimbabwe Broadcasting Corporation fulfilled the mandate of public service broadcasting. The primary objective of this study is to assess how ZBC television newscasts mediated pluralistic politics in the coverage of the country's presidential election campaign, in line with the normative public sphere principles. The thesis comprises seven chapters organized, first, with an introductory chapter, which provides the general background of the study. The chapter offers the rationale for the focus on TV rather than other media fomls . There are two theoretical and contextual chapters in which the use of both qualitative and quantitative methods is explained and findings are presented. Finally, the conclusion offers recommendations about the form broadcasting might take to fulfil a public service mandate and these include the strengthening of the public service broadcasting model along normative public sphere principles. The findings of the analysed election newscasts confirm that ZBC television election news was constructed in favour of ZANU PF at the expense of voices from other social and political constituencies.
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Khan, Md Abdur Razzaque. "Private television ownership in Bangladesh : a critical qualitative inquiry." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hdl.handle.net/10722/195981.

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Private television channels in Bangladesh have become a part of ruling parties’ politics. Without ruling party’s agreement none can get license of private television channels. Whenever a party goes to power it tries to give licenses to its cronies violating rules and regulations. It is an open secret in Bangladesh society. But the beginning of the private televisions in Bangladesh was a promising one. The first three channels--ATN Bangla, Channel-I and ETV-- got licences in a proper way during the first regime of Sheikh Hasina of Bangladesh Awami League (AL) (1996-2001). Political ownership of private television was initiated by Bangladesh Nationalist Party (BNP) when it came to power at the end of 2001. The present AL government, after it came to power again in 2008, has been following the same path of political ownership in giving private television licences. The whole licencing process of private television is enveloped by a strong and vivid system of Crony Capitalism. Only the cronies who are very close to the chief of the ruling party or chief of the government are provided with the private television licences. That is the unwritten rule in giving private television licences in present Bangladesh. The private television owners in Bangladesh are businessmen cum politicians and politicians cum businessmen. There is a symbiotic relationship between politics and private television as well as private television owners and other businessmen in Bangladesh. The owners enjoy a status quo for their channels. It brings them very close to ruling party elites. This prompts other businessmen to invest in private televisions with political connections. If a well-funded investor proves her or his unquestionable loyalty to the ruling party or can earn the trust from the ruling party elites then s/he will be given licence. Most of the owners of private television channels belong to the two major political parties of Bangladesh, the two opponents – Bangladesh Awami League (AL) and Bangladesh Nationalist Party (BNP). The working journalists in private channels try to maintain their professionalism in news reporting. But sometime they have to compromise with the owners’ interests – whether it is political, business or familial. Therefore one sort of tension and potential for conflict exits between the private TV channel owners and the working journalists. The study is a qualitative inquiry applying critical theory in a broad perspective, and the critical political economy of communication and media in a specific theoretical framework. It tries to answer the following questions: who are the owners of private television channels? What are the reasons that lead them to invest in the private televisions? What are the licensing procedures of private TVs? What factors influence the professional freedom of TV journalists? How power relations work between owners and journalists, owners and ruling political elites and other stakeholders. The study finds a vicious circle of executive-legislative-media power nexus to use private televisions for owners’ misdemeanors, power abuse, corruption and malpractices. This is a continuous threat to the professional freedom of television journalists in the country. The television owners and the state-power are ready to fire journalists and curtail their professional freedom if journalists do not honor their instruction of do’s and don’ts when it is needed. If a comprehensive policy for dealing with private television is not formulated, then private television will not help Bangladesh’s media democratization process rather it will be threat to democracy.
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Journalism and Media Studies Centre
Doctoral
Doctor of Philosophy
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Dawes, S. "Broadcasting regulation and the public-private dichotomy." Thesis, Nottingham Trent University, 2013. http://irep.ntu.ac.uk/id/eprint/74/.

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This thesis is a theoretical and methodological engagement with the extent to which the public-private dichotomy is an appropriate and effective framework within which to critically approach the history of broadcasting regulation in the UK. The critical literature on the subject tends to present a narrative of decline, from an ethos of public service and citizenship, which is presumed to have enabled the public sphere, to a neoliberal faith in market logic and consumer choice, which is accused of undermining it. Much of this discussion is theoretically weakened, however, by a lack of engagement with the relevant literatures, and by the reduction to unitary oppositions between commonsensical terms of what are actually protean distinctions between contentious concepts. Taking this claim as its starting point, the thesis will attempt to clarify the ambiguity of the key concepts of debate on broadcasting regulation, recognising the need for the complexification of distinctions rather than their simplification or abandonment. Although not arguing that the assumptions or conclusions in the dominant literature are incorrect, the aim of the thesis is nevertheless to move away from an approach that identifies public service broadcasting (PSB) with political citizenship and the public sphere, and to explore instead the ways in which the distinction between public and private, and that between citizens and consumers, has always been a negotiated and unresolved process. Consequently, critical engagement with theoretical debates on citizenship, consumption, neoliberalism and the public sphere, as well as with methodological debates on the critical and genealogical approaches to discourse analysis, will be undertaken as a first step towards a more theoretically-informed (and more critical) genealogical account of the history of broadcasting regulation.
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Godoy-Etcheverry, Sergio. "Chile's market orientated model of public television." Thesis, University of Westminster, 1998. https://westminsterresearch.westminster.ac.uk/item/946z0/chile-s-market-orientated-model-of-public-television.

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The main objective of this dissertation is to provide a comprehensive picture of the evolution and current performance of the market-oriented model of public service television in Chile. The focus is largely on the commercially-funded stateowned television network, Television Nacional de Chile (TVN). This thesis argues that Public Service Broadcasting (PSB) is still valid and necessary, yet the means to achieve this ideal have evolved and require some fresh thinking; such as the way forward provided by this case study. This work attempts to describe TVN's main political, economical, and managerial characteristics when delivering PSB according to television law, considering the evolution of the media in Chile and Latin America. For this purpose, the analysis integrates the political economy of the media from a managerial and regulatory perspective. The work is divided into two main parts. The first explains the current situation of PSB in the industrialised world, and also deals with the peculiar development of Chilean broadcasting within Latin America. The second part is the most important because it assesses the Chilean model at its present state. Nowadays TVN is an influential counterweight to authoritarian entrenchments as well as a booster of innovation and growth of the audio-visual sector. Its promarket orientation prevents traditional forms of government manipulation, it is coherent with overall macroeconomic policy, and introduces awareness for the audience's preferences. But this case also has important contradictions that need to be dealt with in order to enhance its contribution to social welfare and democracy. The thesis assumes that PSB -a Western European concept- has been possible in Chile because of a relatively extended republican tradition, and because of the effectiveness and probity of its public institutions. Nevertheless, as a developing country Chile has also suffered poverty, economic instability, and a prolonged military dictatorship (1973-1990) among other problems. These factors explain the differences between Chilean public television and its counterparts in the industrialised world, yet at the same time they reveal a special need for such a service despite all the technological changes that are taking place.
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Harper, Sandra S. "A Content Analysis of Public Broadcasting Service Television Programming." Thesis, North Texas State University, 1985. https://digital.library.unt.edu/ark:/67531/metadc330669/.

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The problem with which this investigation is concerned is the description of the social map that is presented to the viewers of public television. Using content analysis methodology, the study describes how different genders, racial groups, and age groups are being portrayed on PBS programming. The sample consisted of one week of PBS 1984 fall programming broadcast on KERA-TV, the PBS station in Dallas-Ft. Worth, Texas. Research questions addressing proportions of groups, types of roles, length of scenes, occupational variation, conversational behaviors, conflict management modes, and cultural norms were answered. All coding was accomplished by the principal investigator. Upon completion of the coding sub-totals for the variables under study by program types and a grand total for the entire sample were then tabulated. After this extensive content analysis, the report concludes that females are still extremely underrepresented in PBS programming, accounting for only 32.7% of the total participants. Blacks and Hispanics are also underrepresented except in children's programming. Occupational variation for white males is evident for all types of PBS programming. Occupational variation for white females is evident in children's programming and informational/documentary programming. Minorities with delineated occupations are extremely limited in all types of programming except for children's programming. The exchange of information is the major conversational behavior that occurs on PBS programming with minority characters receiving orders considerably more than their white counterparts. Verbal aggression is the conflict management mode chosen most frequently on PBS programming. Explicit messages regarding racial and sexual equality and prosocial behavior occur on PBS programming. Implicit messages such as frequency of appearances, number of major roles, and prevalence of power cues suggest a white male domination of television programming on PBS. The findings of the study reveal that major inroads have been made by women and minorities in children's programming. This comprehensive analysis confirms, however, the virtual exclusion of minorities in major segments of PBS programming.
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Andersson, Mattis. "Manipulating an Interactive Era : Public Participation in Television News Broadcasting." Thesis, Södertörns högskola, Institutionen för kultur och kommunikation, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-10048.

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Purpose: To investigate how new technologies and new media possibilities are converging into older forms of mass media and examine the flow of cross platform communication and its implications with gatekeeping. Questions at Issue: How is gatekeeping involved in the process of broadcasting the internet discussion? How do television gatekeepers pre-mediate and script the online discussion? Is the convergence process allowing access for the participatory culture, making televised information less hierarchical? Theory: Gatekeeping controls the flow of information distributed through media to its audience. Gatekeeping is a selective process, using different mechanisms to filter information. Method: A semi-structured interview was conducted with an editor at the Swedish TV4 program Nyheterna. Additionally, through a content analysis proceeding the comments found on the TV4 forum submitted by participants of the convergence process were collected and compared to the comments broadcast in television. Results: The material showed that out of 319 comments, in total, 39 where broadcast; only 19 of the 39 comments could be traced back to the forum. The comments had also been manipulated in the convergence process. Despite new technologies traditional gatekeeping mechanisms control the flow of information. Summary: Further research needs to be done to fully investigate the impact of new technologies and explore whether their participants have influence during the gatekeeping process.
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Light, Julie J. "Television channel identity : the role of channels in the delivery of public service television in Britain, 1996-2002." Thesis, University of Glasgow, 2004. http://theses.gla.ac.uk/3939/.

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This thesis examines the developing role of television channels in the delivery of public service broadcasting in Britain, 1996-2002. Starting from a hypothesis that channels are distinct television products in their own right and increasingly important in organising how broadcasters think about their audiences, it argues that channels have identities expressed through their schedules and determined by their relationship to genre and target audience. Based on research at the BBC (from 1998 - 2002), involving interviews with key staff and the analysis of BBC documents, this study examines the television broadcasting functions of commissioning, scheduling, marketing and audience research. It illustrates how these activities created specific identities for television channels and how these identities shaped the programming that reached television screens. It reveals how channels became increasingly important in the television landscape as buyers in a more demand-led commissioning economy and acted as a focus for the creation of media brands. It then discusses how the evolution of a channel portfolio enabled each channel to play a specific role in fulfilling public service obligations and looks at how different models of audience emerged in relation to the different public service television channels, charting the decline of the mass audience and the emergence of the visualisation of audiences in a more individualised way. The thesis concludes by addressing some implications of these developments. It looks at how the different models of audience in circulation affect debates about quality television, and how changing ideas about the construction of public service channels may impact on the regulation of broadcasting. Finally, it explores the effect of multiple channels, each targeted at specific audiences, on the concept of a unitary public sphere and speculates that channels have the potential to underpin the creation of multiple imagined communities.
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Hung, Hiu-yin Gladys. "Reform of Radio Television Hong Kong issues, concerns and prospects /." Click to view the E-thesis via HKUTO, 2006. http://sunzi.lib.hku.hk/hkuto/record/B36439113.

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Henderson, Jane. "Decade of denial : the CRTC, the public interest, and pay television, 1972-1982." Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59394.

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The ten year debate over the introduction of pay television in Canada is addressed using the concept of external signals to examine the interactions between the Canadian Radio-television and Telecommunications Commission (CRTC) and the players in the regulatory environment.
A critique of the notions of "public interest" and of regulatory "capture" precedes the analysis. An historical overview establishes the key issues shaping the nature of the CRTC as a signal-sending and signal-receiving institution.
The evidence demonstrates that the CRTC was not a passive receptor of external signals, but actively shaped and directed or deflected incoming signals according to its own public priorities. The conclusion holds that the traditional capture model does adequately describe the CRTC's behaviour as it attempted to manage the complex political and technological forces surrounding the pay television issue.
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Books on the topic "Public and private television broadcasting"

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The movie of the week: Private stories/public events. Minneapolis: University of Minnesota Press, 1992.

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Burns, Derek. Public money, private lives: Aotearoa Television--the inside story. Auckland, [N.Z.]: Reed, 1997.

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Carey, John. Telecommunications technologies and public broadcasting. Washington, D.C: Corporation for Public Broadcasting, 1986.

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Television form and public address. London: Edward Arnold, 1995.

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Corner, John. Television form and public address. London: Edward Arnold, 1995.

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La télévision du public. [Paris]: Flammarion, 1993.

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Price, Monroe Edwin. Television, the public sphere, and national identity. Oxford: Clarendon Press, 1995.

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Ignatieff, Michael. The future of public broadcasting in Canada. [Toronto]: Master and Fellows of Massey College, 1995.

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Ambient television: Visual culture and public space. Durham: Duke University Press, 2001.

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Dawes, Simon. British Broadcasting and the Public-Private Dichotomy. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-50097-3.

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Book chapters on the topic "Public and private television broadcasting"

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Raats, Tim, and Caroline Pauwels. "Best Frienemies Forever?” Public and Private Broadcasting Partnerships in Flanders." In Private Television in Western Europe, 199–213. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137017550_14.

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Donders, Karen. "Fighting a (Lost) Battle? An Analysis of 20 Years of Private Television Complaints against the Funding of Public Service Broadcasting." In Private Television in Western Europe, 214–28. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137017550_15.

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Dawes, Simon. "Broadcasting and Neoliberalism." In British Broadcasting and the Public-Private Dichotomy, 91–114. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-50097-3_5.

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Dawes, Simon. "Broadcasting and the Public Sphere." In British Broadcasting and the Public-Private Dichotomy, 39–66. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-50097-3_3.

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Potschka, Christian. "Interdependencies between Public and Private Sector." In Towards a Market in Broadcasting, 229–37. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9780230370197_18.

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Dawes, Simon. "Broadcasting, Citizenship and Consumption." In British Broadcasting and the Public-Private Dichotomy, 67–90. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-50097-3_4.

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Dawes, Simon. "Broadcasting Regulation, History and Theory." In British Broadcasting and the Public-Private Dichotomy, 3–19. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-50097-3_1.

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Lefever, Katrien. "The Thin Blue Line between Monitoring Advertising Rules and Commercial Freedom in Broadcasting: The Case Study of Product Placement." In Private Television in Western Europe, 229–44. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137017550_16.

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Dawes, Simon. "Why the Public-Private Dichotomy Still Matters." In British Broadcasting and the Public-Private Dichotomy, 201–12. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-50097-3_12.

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Dawes, Simon. "Genealogy, Critique and the Public-Private Dichotomy." In British Broadcasting and the Public-Private Dichotomy, 21–36. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-50097-3_2.

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Conference papers on the topic "Public and private television broadcasting"

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Wibisono, Gunawan, Eko Hin Ari Pratama, and Ihsan Ibrahim. "Secondary market analysis in Indonesia private television broadcasting institutions." In 2017 International Conference on Electrical Engineering and Informatics (ICELTICs). IEEE, 2017. http://dx.doi.org/10.1109/iceltics.2017.8253277.

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Song, Jinbao, and Jianping Chai. "An Analysis System of Broadcasting and Television Public Opinions." In 2009 International Conference on Management and Service Science (MASS). IEEE, 2009. http://dx.doi.org/10.1109/icmss.2009.5301473.

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Andriansyah, Andriansyah, and Taufiqurokhman Taufiqurokhman. "Implementation of Supervision Policy for Local Private Television Station Broadcasting by Regional Broadcasting Commission." In International Conference on Environmental Awareness for Sustainable Development in conjunction with International Conference on Challenge and Opportunities Sustainable Environmental Development, ICEASD & ICCOSED 2019, 1-2 April 2019, Kendari, Indonesia. EAI, 2019. http://dx.doi.org/10.4108/eai.1-4-2019.2287278.

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Foley, J. P. "Evaluating public policy options for implementing digital terrestrial television: the challenges of transition." In International Broadcasting Conference IBC '95. IEE, 1995. http://dx.doi.org/10.1049/cp:19950991.

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Sari, Shinta Noppita. "Implementation of the Broadcasting Regulation as a Multicultural Communication Policy in Indonesia’s Public Television Broadcasting Institution (LPP TVRI)." In 2nd Jogjakarta Communication Conference (JCC 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200818.063.

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Rasbi, Mohammed Abdullah Al, and Ajay Vikram Singh. "Need and scope of Private Cloud Technology for public authority for radio & television in Oman." In 2017 6th International Conference on Reliability, Infocom Technologies and Optimization (Trends and Future Directions) (ICRITO). IEEE, 2017. http://dx.doi.org/10.1109/icrito.2017.8342484.

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Miasnikova, Marina, and Alexandra Trukhina. "Character, Author, Viewer of Documentaries in the Public Space of New Media." In The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-54.

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Abstract:
Any screen message usually comprises three components: life drama in the form of a story about a real person as the character; the author’s intention to create an artistic world containing footprints of the creative personality and the author’s concept; and the viewer’s mindset regarding this world. Thus, a screen document is created by three participants of communication: character, author, viewer, though each of them differently manifests itself in turbulent conditions of ongoing media-transformations. Under the new direction named ‘real’, ‘actual’, ‘horizontal’ cinema, the documentary screen is increasingly featuring a new hero: a private, ‘simple’ person who is easy to watch with a lightweight digital camera, and who himself, blurring the line between the personal and the public, does not mind picking up the camera for the purpose of self-presentation. The author has an opportunity to demonstrate his films on new media platforms. And the viewer participates in the creation of interactive documentaries. Thus, the article covers the essential and functional changes taking place with characters, authors, and viewers of modern documentaries as an open system at their transition (alongside this movie type itself) from the existence within the framework of old, conventional media (big-screen cinema and television) to relevant media platforms (social media, new media, mobile devices, etc.).
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Opoku-Boateng, Judith. "Applying the “baby nursing model” in under-resourced audiovisual archives in Africa." In SOIMA 2015: Unlocking Sound and Image Heritage. International Centre for the Study of the Preservation and Restoration of Cultural Property, 2017. http://dx.doi.org/10.18146/soima2015.4.18.

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It is a well-known fact that there has been extensive documentation of African traditional arts in post-colonial Africa, which has contributed to the growing accumulation of field recordings in Africa that could form the nucleus for archives in individual African countries. These include private collections as well as recordings at broadcasting and television stations; government ministries such as Tourism, Culture and Information; museums and academic institutions. Sadly, these precious traditions – which have been expensively captured – are often not properly managed in their host institutions. The caretakers of this heritage mostly sit by as collections deteriorate and sometimes are disposed of due to lack of institutional support. Such practices prevail in most African archives. This paper proposes a new mode of consciousness of the value of audiovisual heritage materials by comparing them with human babies. This new archival management principle, ‘the baby nursing model’, has been adopted and practiced at the University of Ghana and has achieved positive results.
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