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Journal articles on the topic 'Public and private television broadcasting'
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Mangani, Andrea, and Elisa Tarrini. "Social Pluralism in Public and Private Television Broadcasting." Javnost - The Public 25, no. 3 (May 21, 2018): 282–97. http://dx.doi.org/10.1080/13183222.2018.1463044.
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Vila, Natalia, and Inés Küster. "Public versus private broadcasters’ management." Management Decision 52, no. 8 (September 9, 2014): 1368–89. http://dx.doi.org/10.1108/md-05-2013-0295.
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Purpose – The purpose of this paper is to prove the existence of significant differences between private and public corporate credibility antecedents and effects. Design/methodology/approach – Totally, 816 Spanish viewers’ valuations were obtained (408 for the public television network and 408 for four private first generation broadcasters). Results show that some corporate reputation antecedents (perceived quality) and effects (attitudes) are stronger when private broadcasters are considered. Findings – Result show that proposed credibility reputation antecedents and effects are significant and that some differences between private and public entities really do exist. Research limitations/implications – To enhance a television network's reputation managers can follow two different but related paths: improve the quality and improve the consistency of the network's visual identity. That is, they should act on both content and form. However, public or private commercial broadcasters should emphasize different ways. Practical implications – The general impressions subsumed under the concept of corporate credibility are used to easily and automatically evaluate particular offers. Originality/value – Show, in the broadcasting industry, that new challenges and responsibilities for public broadcasting services in this new digital era of liberalization do really exist compared to private companies.
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Menezes, Gizeli Costa Bertollo, Francisco Gilson Rebouças Porto Junior, Yuri Vinicius Silva, José Lopes da Cruz Filho, and Kécia Garcia Ferreira. "A TV PÚBLICA NO BRASIL E PORTUGAL: Aspectos conceituais e históricos." Aturá - Revista Pan-Amazônica de Comunicação 3, no. 1 (January 16, 2019): 302–18. http://dx.doi.org/10.20873/uft.2526-8031.2019v3n1p302.
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A proposta deste artigo é compreender melhor o sistema público de televisão em Portugal e no Brasil, especificamente as emissoras RTP1 e TV Brasil. Embora os dois países sejam marcados por fortes ligações históricas, culturais e linguísticas, se distanciam no que diz respeito a radiodifusão pública. Enquanto em Portugal a televisão já nasce sob o domínio estatal, que posteriormente vai se moldando aos princípios do serviço público, no Brasil chega pelas mãos da iniciativa privada, que por quase duas décadas dominou de forma exclusiva o cenário televisivo, imprimindo seu modelo no país.
PALAVRAS CHAVE: Televisão; Brasil; Portugal; TV pública; História.
ABSTRACT
The purpose of this article is to better understand the public television system in Portugal and Brazil, specifically the RTP1 and TV Brazil broadcasters. Although the two countries are marked by strong historical, cultural and linguistic connections, they are distant in relation to public broadcasting. While in Portugal, television is born under state domination, which later is shaping the principles of public service, in Brazil comes through the hands of private initiative, which for almost two decades dominated the television scene exclusively, printing its model in the country.
KEYWORDS: Television; Brazil; Portugal; Public TV; Story.
RESUMEN
El propósito de este trabajo es comprender mejor el sistema público de televisión en Portugal y Brasil, específicamente en las emisoras de televisión RTP 1 y Brasil. Aunque los dos países están marcados por fuertes vínculos históricos, culturales y lingüísticos, se distancian en lo que se refiere a la radiodifusión pública. Mientras que en Portugal la televisión nace bajo dominio del Estado, que posteriormente dar forma a los principios de servicio público en Brasil llega a manos de la empresa privada, que desde hace casi dos décadas dominaron exclusivamente el panorama de la televisión mediante la impresión de su modelo en el país .
PALABRAS CLAVES: Televisión; Brasil; Portugal; TV pública; Historia.
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Moedy, Emma Ratna Sari. "Manajemen Strategik Pengawasan Isi Siaran Televisi Swastasiaran Jaringandi Balioleh Komisi Penyiaran Indonesia Daerah Bali." Jurnal Ilmiah Cakrawarti 2, no. 2 (July 7, 2020): 46–63. http://dx.doi.org/10.47532/jic.v2i2.128.
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As one of the electronic media, television is present in the most private space of television toactually live from advertisers. The public or the public in this case is placed in one position as acommodity that is able to capture advertisers who can provide income for the life of the televisionstation. human life. Television is present in the family room, even the bedroom. audiences have the rightto receive quality shows that are useful for them, and not only give priority to the benefits of televisionstation owners. The media has so far been influenced by ratings so enforcement of the code of conductis often ignored. Ratings also cause uniformity of type of viewing on television stations. Law No. 32 of2002 concerning Broadcasting was born from the spirit of freedom of opinion and obtain the widestpossible information for the community. The Broadcasting Law is a law governing the principles ofbroadcasting that apply in Indonesia. This includes the principles, objectives, functions and directionof national broadcasting, regulating the provisions of the Indonesian Broadcasting Commission,broadcasting services, Public Broadcasting Institutions, Private Broadcasting Institutions, SubscribedBroadcasting Institutions, Community Broadcasting Institutions, Foreign Broadcasting Institutions,Broadcasting Stations and broadcast coverage, and licensing and broadcast activities. The principlesin the Broadcasting Law are held based on the Pancasila and the 1945 Constitution of the Republic ofIndonesia with the principles of benefits, fair and equitable, legal certainty, security, diversity,partnerships, ethics, independence, freedom, and responsibility.
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Fernández Vivas, Yolanda. "El régimen jurídico de los medios de comunicación en el Reino Unido." Teoría y Realidad Constitucional, no. 36 (July 1, 2015): 497. http://dx.doi.org/10.5944/trc.36.2015.16075.
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El trabajo que aquí presentamos tiene por objeto el análisis del régimen jurídico de los medios de comunicación en el Reino Unido —prensa, radio y televisión, pública y privada, así como las autoridades de supervisión y control—, que se caracteriza por ser un sistema basado en los principios de independencia, imparcialidad y autorregulación, y cuyo modelo de radiotelevisión pública (la BBC) constituye una referencia en la prestación del servicio público de radiodifusión.This essay analyzes the legal framework for the media in the UK — press, radio and television both public and private, as well as the supervisory authorities — which is based on the principles of independence, impartiality and self-regulation, and whose model of public broadcasting (BBC) is the most relevant reference in public service broadcasting.
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Ismail, Ervan, Siti Dewi Sri Ratna Sari, and Yuni Tresnawati. "Regulasi Penyiaran Digital: Dinamika Peran Negara, Peran Swasta, dan Manfaat bagi Rakyat." Jurnal Komunikasi Pembangunan 17, no. 2 (July 19, 2019): 124–45. http://dx.doi.org/10.46937/17201926842.
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Digitalization must begin a strong law that is Acts. Based on the records, digital broadcasting regulations using Republic of Indonesia Minister of Communication and Informatics’s regulations could be canceled through lawsuits at Supreme Court and State Administration Court. Broadcast digitalization was begun in 2011 through a digitalization Road Map and till date, the process at House of Representatives has not been completed. 85% of countries in the world have migrated to digital broadcasts. The study aims to describe how changes and various roles in broadcasting digitalization if the revision of the Broadcasting Acts is implemented. The study also aims to find out the impact and benefits of broadcasting digitalization for the public and broadcasting stakeholders compared to present Broadcasting Acts. This study uses participant observation methods and text analysis to categorize the articles of digitalization in the revision draft of the Broadcasting Acts from the House of Representatives Commission I in 2017, accompanied by media coverage analysis. Discourse analysis is used to relate to the problems arised due to broadcast digitalization. The results show that digitalization can provide more channels in the same space than analog broadcasting. Political parties and state institutions will be allowed to have broadcasting institutions. The State through Television Radio of the Republic of Indonesia (RTRI) will become the important player in terrestrial digital broadcasting with a single multiplexer (mux) system, which is considered undemocratic for private television associations. All "television stations" will change and compete to become "content providers" similar to new digital televisions. The government will formulate the mechanisms, socialization, models, roles in digitalizing television broadcasting in a blue print. Digital dividend will be used for the development of internet and telecommunications. The dynamics that occur due to interests’ differences of the state, the private sector and society take part at each stage of broadcasting digitalization regulation. The conclusion of the study illustrates that the use of digital technology in broadcasting through the Acts’ revision could be a solution for both frequency limitation and the efficient use for more diverse broadcasters (diversity of ownership).
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De Bens, Els. "Het recente beleid inzake de audiovisuele media in België." Res Publica 32, no. 2-3 (September 30, 1990): 299–311. http://dx.doi.org/10.21825/rp.v32i2-3.18847.
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During recent years, the audiovisual landscape in Belgium has been going through a number of drastic changes.The monopoly of the public broadcasting system, standing for over 40 years, was breached. Several hundreds of private radio stations, two new commercial television stations and a number of private local television stations saw the light. The advent of all these newcomers has created a competitive media system. Therivalry between the public broadcasting companies and the commercial stations is very severe and unfortunately the PBS are imitating the commercial model: they sacrifice more time for fiction and entertainment. Moreover, the Belgian media policy is very permissive and favours commercialisation.
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dos Santos, Sales Augusto, and Ivonete da Silva Lopes. "The Financing of TV Brasil: Limitation of Resources or Political Choice?" Latin American Perspectives 45, no. 3 (March 26, 2018): 141–50. http://dx.doi.org/10.1177/0094582x18768466.
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The federal funds allocated to Brazilian public television are insufficient for its adequate maintenance and could be increased. Instead of advertising on public television, which was the flagship of the Brazilian public communication system, the Lula and Rousseff administrations turned to private broadcasting systems in the hope of co-opting them. In addition to robbing public television of critical funding, this proved a political mistake when TV Globo became one of their harshest critics. Os recursos federais direcionados ao sistema público de TV brasileiro são insuficientes para sua manutenção adequada e poderiam, portanto, ser ampliados. Ao invés de fazer propaganda na televisão pública, que a propósito fora a bandeira do sistema público de comunicação, as administrações Lula e Rousseff voltaram-se para o setor privado de comunicação, na esperança de nela fazer aliados. Além de reduzirem os recursos críticos para a TV pública, essa estratégia provou-se um erro político quando a TV Globo tornou-se um de seus críticos mais crueis.
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Dunleavy, Trish. "A Soap of Our Own: New Zealand's Shortland Street." Media International Australia 106, no. 1 (February 2003): 18–34. http://dx.doi.org/10.1177/1329878x0310600104.
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Shortland Street is a prime-time soap opera that launched on New Zealand television in 1992 and was created to meet a combination of commercial and ‘public service’ objectives. Shortland Street is institutionally and culturally significant as New Zealand's first attempt at daily drama production and one of the first major productions to follow New Zealand television's 1989 deregulation. Placing Shortland Street in the context of national television culture and within the genre of locally produced TV drama, this paper explores several key facets of the program, including: its creation as a co-production between public and private broadcasting institutions; its domestic role in a small television market; its relationships with New Zealand ‘identity and culture’; its application of genre conventions and foreign influences; and its progress — as a production that was co-developed by Grundy Television — in a range of export markets.
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Hasbiansyah, Rahmadan. "PENGATURAN KANAL FREKUENSI RADIO BAGI MEDIA TELEVISI DALAM PERSPEKTIF VNDANG-UNDANG NOMOR 32 TAHUN 2002, TENTANG PENYIARAN DAN UNDANG-UNDANG NOMOR 5 TAHUN 1999 TENTANG LARANGAN PRAKTEK MONOPOLl DAN PERSAINGAN USAHA TIDAK SEHAT." Jurnal Hukum & Pembangunan 37, no. 3 (September 21, 2007): 430. http://dx.doi.org/10.21143/jhp.vol37.no3.154.
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AbstrakThe canal of broadcasting frequency is a scarce natural resource that hasbeen public interests for specific broadcasting and communication needs. Itstrategic's function needs regulation to awarding wealhtness throughIndonesian people. On the author 's thought the existing regulation isdeemed had not given just for wider interests party. The continuing facts isshown domination toward broadcasting frequency control through 10 of 14of frequency canals by private television stations. The author here elaborateshow the canal of broadcasting frequency ought to govern to preserve just inpratice and in the right way to ensure people prosperity
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Lupien, Philippe-Antoine. "Sport and public service in Canada: The roots of the inherent bonds between the Canadian Broadcasting Corporation/Radio-Canada and the Olympic Games." International Communication Gazette 79, no. 2 (March 2017): 120–34. http://dx.doi.org/10.1177/1748048516689192.
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This article outlines the evolution of sports broadcasting on Canadian television, focusing on the broadcast of the Olympic Games. I argue that history of the Olympics on national television exemplifies the evolution of the idea of public service television in Canada. Specifically, it reflects the delicate balance between the nation’s public and private broadcasters, whose relationship extends far beyond mere competition. The public service raison d’être and mission have nonetheless been called into question throughout the development of television. Incidentally, the values of the Olympic movement were also called into question in this period, during which the Games evolved from an all-amateur Olympiad to a fully commercial spectacle designed for (and by) television.
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Bock, Gabriele, and Siegfried Zielinski. "Britain's Channel 4: A TV Provider Caught Between Private Sector Funding and Its Cultural Mission." Journal of British Cinema and Television 11, no. 4 (October 2014): 418–39. http://dx.doi.org/10.3366/jbctv.2014.0227.
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This article, which first appeared in Media Perspektiven 1 (1987), is published here for the first time in English. It offers an enlightening contemporary perspective, from the then German Federal Republic, on the innovation in European broadcasting which Channel 4 represented. It outlines the policy context which gave rise to the UK's fourth television channel and describes its unique, hybrid character as a commercial station funded by advertising revenue with a public service remit. It assesses the strengths and weaknesses of Channel 4's commissioning structure and identifies significant examples of its innovative programming, paying particular attention to its support for independent film. That emphasis is noteworthy since it was West German television's film-funding mechanism that provided the model on which Film on Four was based. The article recognises Channel 4's commitment to catering for minority audiences, to enabling broader access to programme-making and to commissioning work that was experimental in form and content. It is generous in suggesting that such a risk-taking cultural enterprise was only possible within the UK's mature and highly developed broadcasting ecology, but it remains cautious (perhaps presciently) of its sustainability in the expanding commercial marketplace of multi-channel television.
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Detoni, Márcia. "The public service broadcasting and the construction of a public sphere." Comunicação e Sociedade 30 (December 29, 2016): 39–54. http://dx.doi.org/10.17231/comsoc.30(2016).2484.
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In an age marked by multiple distribution platforms of content, oligopoly of media sectors and transnational nature of cultural industries it is not any longer enough for the Public Broadcast to inform, educate and entertain with independence and technical, ethics and aesthetics quality, as proposed by the British BBC in 1927. Public Radio and Television need to find a new social function that distinguishes them from the private media and justify state investment in communication. A rising number of scholars point out that this new function is the creation and strengthening of a broad media public sphere able to guarantee citizens a space for debate on common issues, a process that encourages citizen participation and transformative action. This article examines the role of Public Broadcasting in the twenty-first century according to the media theories influenced by the thought of the German philosopher and sociologist Jürgen Habermas, whose concept of the public sphere has become central in discussions about building dialogic media spaces.
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Levin, Robert A., and Laurie Moses Hines. "Educational Television, Fred Rogers, and the History of Education." History of Education Quarterly 43, no. 2 (2003): 262–75. http://dx.doi.org/10.1111/j.1748-5959.2003.tb00123.x.
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The history of teaching and learning via television has compressed into a half-century many of the same stages and themes of the larger story of common schooling in the United States. Responding to a variety of public, private, and foundation interests in the post-World War II period, the Federal Communications Commission (FCC) set aside 242 television frequencies for noncommercial educational purposes in 1952. Three decades earlier, the Federal Radio Commission (FRC) had asserted a need for broadcasting to serve a common good for the broad public and civic interest. During the 1920s, nonnetworked educational radio stations were formed on various college and university campuses.
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Bachmair, Ben, and Dirk Ulf Stötzel. "Children's Television: The German Situation." Media International Australia 93, no. 1 (November 1999): 77–89. http://dx.doi.org/10.1177/1329878x9909300109.
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This article provides an overview of the current state of and future prospects for children's television in the Federal Republic of Germany. It begins with a brief description of current television provision for children, and of children's viewing patterns, and it suggests that views of children's relations with the medium are heavily influenced by social class. The article goes on to describe the structural features of broadcasting and of media regulation in Germany, paying particular attention to the federal structure and the balance between public and private. The implications of this situation for children's programming are then analysed, with particular attention paid to the heavy regulation of advertising on free-to-air channels, and the need to protect children's slots in the context of a general move towards specialist channels. The article concludes by outlining the terms of recent public debates about the social purpose and quality of children's television.
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Hayday, Matthew. "Brought To You by the Letters C, R, T, and C: Sesame Street and Canadian Nationalism." Journal of the Canadian Historical Association 27, no. 1 (July 18, 2017): 95–137. http://dx.doi.org/10.7202/1040526ar.
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The wildly popular educational program Sesame Street arrived in Canada during a key transitional period for Canadian broadcasting policy in the early 1970s. An American-made program, it was threatened with cancellation by stations seeking to meet their Canadian content (CanCon) quotas with the least possible financial cost. A heated debate that included public protests and lobbying ensued, involving the Canadian Radio-Television Commission (CRTC), the Canadian Broadcasting Corporation (CBC), the media, parliamentarians, parents and even children. Each group advanced their particular interests regarding the issue of Canadianizing television. Ultimately, the CBC provided a compromise solution with the Canadianization of Sesame Street, whereby a portion of the program’s segments would be replaced by Canadian-made material that aimed to provide messages about Canada for young children. This tumultuous debate and its ultimate solution reveal the ambivalent attitudes held by Canadians, private broadcasters, and even the CBC about both the CRTC’s Canadianization policies and the quantitative approaches used to meet its objectives. It also demonstrates the roles that activist groups and more established interests such as broadcasters have played in shaping Canadian broadcasting policy.
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Wulandari, Nurul Adji Dwi. "LEMBAGA PENYIARAN PUBLIK INDONESIA DALAM PERSIMPANGAN IDEALISME VS EKONOMI POLITIK MEDIA." Interaksi: Jurnal Ilmu Komunikasi 5, no. 1 (March 29, 2017): 78. http://dx.doi.org/10.14710/interaksi.5.1.78-89.
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AbstractTVRI status changing into public service broadcasting, both for its central broadcast station and its local broadcast station in 2003 brought many significant changes in these oldest television broadcast station in Indonesia. One of the most significant changes that can be traced is on its funding system. As a public service broadcasting, TVRI was guaranted to obtain the operational fund through the state or regional budget funding mechanisme. The government also promised that TVRI will be given oppportunity to operate like private broadcast station in order to gain maximal profit which has stated through government regulations and broadcasting acts. Inevitably consequent of this funding practice system, has put TVRI to always depend on goverment in order to operate daily. In the other hand, this funding system also will make TVRI gain a lot of profit and income commercially. These mixed funding systems indicate that there are political economy interest behind the new status that has been granted for TVRI. The problem is located on the practice of this kind model of funding on a public service broadcasting that will make the neutrality and independency of this public service broadcasting to be questioned. The remaining quetions, Will TVRI come to its own realazation to visualize its idealism to be the true public service broadcasting that serves public needs or will TVRI be crushed by the economy politic media policy and serve those who has a power that control the media Keywords: media, public service broadcasting, economy politic media, broadcast act
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Kinal, Jarosław. "Media Market as an Example of a Deregulated Market: Historical and Social Analysis of the Local Media." European Journal of Sustainable Development 8, no. 5 (October 1, 2019): 146. http://dx.doi.org/10.14207/ejsd.2019.v8n5p146.
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The media market consists of: media (media, ie television, radio and printed press, as well as new media in the domain), their recipcom and filter, and so-called. regulators, that is organizations and institutions that control media activities (note: Internet content is not a regulation format). The National Council of Radio Broadcasting and Television controls the content of television broadcasting and analyzing programs as well as receiving and receiving concessions. The Office of Electronic Communications assigns and controls the subject of technical possibilities of broadcasting radio and television programs. Citizens' organizations that oversee media activities. These include industry organizations, e.g. journalistic associations. The media are businesses. To the fact that in their activity they are guided not only by interest, openness or mission, but also by financial profit. There are three basic ways to fund the media. Public media owned by the public is financed from the subscription and advertising. The money from the subscription is spent on the so-called mission, advertising revenue - for other purposes (eg entertainment programs). Commercial media is financed from private capital and advertising. Social media (do not mistake them for social networking sites). Setting up and running a television or radio station for a very expensive investment. The media market 1 is available only to you. To, that the value of the collection program along with its popularity. Therefore, more people watched the video, the more you have to pay for advertising during this broadcast. To make as much money as possible, senders need to care about the attractiveness of the program. To do it in various ways, e.g. to decide to profile the program. Universal programs are suitable for various types of programs: entertainment, educational, information etc. Thematic programs such as: culture, sport or motorization.Keywords: media, labor market, local media, Poland, open market
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Valentine, John. "Cultural Citizenship or Commercial Interest? The 1962 Grey Cup Fiasco." Sport History Review 49, no. 2 (November 1, 2018): 161–75. http://dx.doi.org/10.1123/shr.2018-0009.
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In 1962, the Board of Broadcast Governors (BBG), an arm of the Canadian federal government responsible for broadcasting, made the unprecedented move to force the national public broadcaster to televise the Grey Cup, the championship game of Canadian football, ostensibly because it was in the national interest. However, research reveals that this decision was not necessarily made because it was in the national interest, but more so to assist the new struggling private television network, CTV. The important content, allegedly linked to cultural citizenship, was not the national championship, but the television commercials. This paper explores why the BBG intervened and how the dispute was settled.
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Muliarta, I. Nengah. "IMPLEMENTATION OF THE NETWORK STATION SYSTEM ON TVRI BALI." Capture : Jurnal Seni Media Rekam 12, no. 1 (December 1, 2020): 13–27. http://dx.doi.org/10.33153/capture.v12i1.3030.
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The democratization of broadcasting in Indonesia is manifested in the implementation of the Network Station System (Sistem Stasiun Jaringan / SSJ) by striving for diversity of ownership and broadcast content in broadcasting institutions. SSJ is also an effort to decentralize broadcasting so that people in the regions get information related to their own regions through subsidiary networks or local broadcasting institutions. TVRI is the only public broadcasting institution that has network subsidiaries throughout Indonesia. This research uses a case study approach, an approach to intensively examine a case with a focus on TVRI Bali. Data collection used interview and observation methods. Data analysis using the Interactive Analysis approach. The results showed that TVRI Bali has not been able to fully implement SSJ. TVRI Bali can only meet the provisions of local broadcast content with a percentage of up to 20%, but has not been able to fulfill the spirit of diversity of ownership according to the basic concept of SSJ. In addition, the principle of diversity of ownership has not been fulfilled due to inconsistencies between the Broadcasting Law and Government Regulation Number 13/2005 and Ministerial Regulation 43/2009 which specifically regulates private television broadcasting institutions.
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Azwardi, Azwardi. "Implikasi Undang-Undang Penyiaran Terhadap Pertumbuhan Lembaga Penyiaran di Propinsi Kepulauan Riau." Journal of Law and Policy Transformation 5, no. 1 (June 26, 2020): 1. http://dx.doi.org/10.37253/jlpt.v5i1.810.
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The growth of broadcasting stations (LP) studied in this thesis is the growth of existing station in Riau Islands Province (Kepri) after officially established of Law Republic of Indonesia Number 32 of 2002 concerning Broadcasting, which in the broadcast legislation looks more leads to liberalism is loaded with privatization that provides opportunities for offenders efforts to expand its business in the broadcasting industry, including in the Kepri. Legal theories used by researchers is a critical legal theory and legal theory flow Critical Legal studies(CLS). This study was conducted to showed that law Broadcasting Act, Article 13 paragraph (1) and (2) has been split into Public Broadcasting Stations (LPP), Private Broadcasting Stations (LPS), Community Broadcasting Stations (LPK) and Subscription Broadcasting Station (LPB). Base to The Indonesian Broadcasting Commission (KPI) of Kepri, the numbers of broadcasting stations listed till 2014 (television and radio services) is 0 LPP, 55 LPS, 23 LPB and 2 LPK. Of these known 69% of the total number of LP in Kepri is LPS. According to critical theory, democracy has influenced the policy direction of the holders of power (broadcasting law) to the interests of capital, and this is in line with the flow of Critical Legal Studies, which states that all regulations set by the government is closely linked to the ideology espoused by the government, so this theory argues that the legal and political (broadcasting legislation) are not in the neutral position. For the current broadcasters to benefit from more focused on improving the public thinks.
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., Christina. "Strategi Pemasaran TVRI dalam Menaikkan Brand Image." Jurnal Komunikasi Nusantara 2, no. 1 (May 20, 2020): 67–79. http://dx.doi.org/10.33366/jkn.v2i1.37.
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Televisi Republik Indonesia (TVRI) is a state television. Since its establishment on August 24, 1962, TVRI has indeed experienced various phases in its life. Through Law No.32 of 2002 concerning Broadcasting, TVRI was established as a Public Broadcasting Institution (LPP). LPP is a broadcasting institution in the form of a legal entity established by the state, independent, neutral, non-commercial and functions to provide services for the benefit of the community. At present, TVRI has changed its Director since March 2018 namely Helmi Yahya, known as the King of Quiz. With the new Managing Director, TVRI began many enthusiasts who watched with new faces and more interesting programs. This research uses a qualitative research method, and is descriptive in nature which will later explain the marketing strategy of TVRI which has begun to attract the public and an increase in rating and audience share. This study uses interview techniques and data collection from social media and the internet as well as journals, books as primary and secondary data. The marketing strategy undertaken by TVRI includes five rebranding media including channel branding packages, promo on air, news packages, social media, and off air promotions. Of all the rebranding media, the most effective media is social media because aside from being a new media or digital marketing, it can reach all people, both TVRI viewers and private TV viewers
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Zran, Jamel, and Moez Ben Messaoud. "Broadcasting Public Service in the Arab World: Rupture and Continuity." International Journal of Social Sciences and Management 5, no. 3 (July 27, 2018): 98–112. http://dx.doi.org/10.3126/ijssm.v5i3.20599.
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A large proportion of the media around the world, especially those related to radio and television, belong to the state. In principle at least, there are three different terms to talk about these types of media: (1). The public media that draws on the treasury to present programming that is in the interest of the general population. They do not support any political party, not even the party in power. (2). National media owned by the state and using the treasury money, are also controlled directly by the state. (3). Government media that is owned by the ruling party and uses the treasury money, are also controlled by the ruling party. These three models coexist already in the Arab world since independence. This phenomenon almost removed the clear distinction that existed in principle between the government media and the public media. After the Arab Spring in 2011, however, this distinction remains important. The public broadcaster model was based on a principle that is still justified for most of the world and that the private media alone can not guarantee the pluralism of broadcasting. The problem, however, is that the government media have also largely failed. In several countries, the arrival of private media has pushed governments to exercise editorial control of the public media. The discussion of media regulation is aimed primarily at ensuring that the media financed by the Public treasury exercise their profession with the full independence of the government of the day to which they are entitled, rather than aiming to restrict the freedom of the media that already enjoy full editorial independence. In the Arab world, there have been some attempts to recover and modernize the ideal model of public media, as for example the case of Tunisia, Morocco and Jordan. This study aim to search if the Arab broadcasting meet the recognized standards and the requirements of the concept of public service?Int. J. Soc. Sc. Manage. Vol. 5, Issue-3: 98-112
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Nopita Sari, Mila Wahyuni, and Eka M. Taufani. "Strategi Hubungan Masyarakat Lembaga Penyiaran Publik Televisi Republik Indonesia Jambi dalam Mempromosikan Program Acara." MAUIZOH: Jurnal Ilmu Dakwah dan Komunikasi 4, no. 2 (December 16, 2019): 189–216. http://dx.doi.org/10.30631/mauizoh.v4i2.38.
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This research is motivated by a phenomenon that occurs in the field of Public Relations (HUMAS) of the Republic of Indonesia Television Public Broadcasting Institution (LPP TVRI) Jambi. A strategy is needed by TVRI Jambi as times change where the interest of television viewers is decreasing due to competition from both private television and new media. The audience follows a style that has value. Therefore it is necessary to have a Public Relations in order to expand public knowledge about what programs exist at TVRI in order to increase the existence of TVRI Jambi. This study uses a qualitative method with a case study approach. Data collection methods used in the form of observation, documentation, and interviews with data analysis techniques, namely data reduction, data presentation, and data verification. The results of this study the authors found that the Public Relations Strategy in promoting TVRI Jambi programs to improve the quality of TVRI programs in the eyes of the public to better understand and know broadcasts on TVRI Jambi therefore Public Relations itself uses a communication strategy Public relations strategy, communication, advertising , sales promotion, publicity , corporate design The problems of Public Relations in promoting LPP TVRI programs in Jambi, weak human resources, PR efforts in promoting LPP TVRI Jambi programs in collaborating with other agencies.
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Fedirko, Taras. "Self-censorships in Ukraine: Distinguishing between the silences of television journalism." European Journal of Communication 35, no. 1 (January 6, 2020): 12–28. http://dx.doi.org/10.1177/0267323119897424.
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This article builds on biographical interviews with public service broadcasting journalists, who have earlier worked for mainstream private media in Kyiv, Ukraine, to argue that journalists, according to their own understandings, engage in several different forms of self-censorship that do not necessarily have a direct relationship to external censorship. I identify and analyse three different forms of self-censorship – pragmatic, ethical and affective – that are simultaneously present in the same professional community of Ukrainian television journalists at a single historical moment, despite the fact that they operate in accordance with distinct logics. Taken together, they offer an empirical basis to challenge scholarly accounts that understand self-censorship as a singular phenomenon. The article proposes some initial analytical parameters and questions for a more nuanced analysis of the empirical heterogeneity of self-censorship.
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Jõesaar, Andres. "The Winding Road on the Media Landscape." VIEW Journal of European Television History and Culture 6, no. 11 (September 22, 2017): 113. http://dx.doi.org/10.18146/2213-0969.2017.jethc128.
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This article aims to explore the ways in which Estonian broadcasting (with a focus on television) tackled the challenges of transforming from a monopolistic party propaganda machine into a modern dual media system in which public service broadcasting and newly created private enterprises coexist; and how this process evolved in a small post-communist country. This article argues that the Estonian government’s ‘idealisation’ of market forces supported by the European Union media policy, which is driven by common market ideology, did not take into account the market’s limitations and media companies’ actual capability to provide a large range of media services. The research methodology is based on an analysis of EU media policy documents, Estonian media legislation, the protocols of the Cultural Affairs Committee of the Parliament of Estonia, protocols of the broadcasters’ licensing committee at the Ministry of Culture and the broadcasters’ annual reports from the period 1992 - 2015. The article analyses the key trends in Estonian media development and policymaking during the last 25 years.
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Medina-Laverón, Mercedes, and Teresa Ojer-Goñi. "The Transformation of Public TV Companies into Digital Services at the BBC and RTVE." Comunicar 18, no. 36 (March 1, 2011): 87–94. http://dx.doi.org/10.3916/c36-2011-02-09.
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Some authors question the existence of public television companies in the new environment of digitalization, Internet proliferation, growing competition and audience segmentation. However, others believe they should act as a driving force in the process of convergence and even that the new media present an opportunity to redefine the public broadcasting service (PBS) remit. The current challenge for the public media companies is to deliver their content through the maximum number of devices, not only via television sets but also broadband and mobile devices. Over the years, the BBC has adapted to new market situations and has implemented solutions that have been adopted by other public and private broadcasters around the world. The objective of this article is to show how the BBC has taken up the leadership of transforming public TV companies into online services in order to maintain market share; and how it has influenced Spain’s public TV broadcaster, RTVE. The methodology is based on internal and external documents of both corporations, and the findings are complemented by interviews with online service managers at RTVE. We conclude that these public companies have adapted their activities to the new technologies and have developed interactive services to reinforce their public service mission.Algunas voces cuestionan la permanencia de las televisiones públicas en el nuevo entorno digital, caracterizado por una mayor presencia de Internet, más competidores y la fragmentación de la audiencia. Sin embargo, hay otros que creen que deberían actuar como una fuerza motriz en el proceso de convergencia e incluso que los nuevos medios representan una posibilidad de redefinir la misión de las televisiones públicas. El reto actual de las corporaciones públicas es proporcionar los contenidos a través del mayor número de soportes posibles, no solo a través de la televisión, sino también a través de Internet y dispositivos móviles. Un rasgo de la BBC es haberse adaptado siempre a los cambios del mercado y muchas de sus soluciones han sido transferidas a otras empresas de comunicación tanto públicas como privadas de todo el mundo. El objetivo de este artículo es mostrar cómo la BBC es uno de los modelos en los que las empresas televisivas se han fijado para transformar sus servicios digitales a fin de mantener su existencia en el mercado, y conocer cuál ha sido su influencia en la televisión pública española RTVE. La metodología empleada radica en el análisis de los documentos internos y externos de las compañías y entrevistas realizadas a los responsables de los servicios digitales de RTVE. Las conclusiones apuntan a destacar que estas compañías han adaptado sus actividades a las nuevas tecnologías y han desarrollado servicios interactivos como refuerzo de su misión de servicio público.
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Gündoğdu, Gülhan. "From Dominant Perspective to Critical Perspective in Health Communication: Analysis of Turkish Television Health Programs in terms of Critical Health Communication." ATHENS JOURNAL OF MASS MEDIA AND COMMUNICATIONS 7, no. 3 (March 17, 2021): 205–20. http://dx.doi.org/10.30958/ajmmc.7-3-4.
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Health communication, which has become a discipline since the mid-twentieth century, has become more crucial especially with the complexness of healthcare applications and health information practices. This has led to an increase in the number of researches and academic studies in the field of health communication and, also different approaches emerged regarding this debate. In order to improve the health of the individual and society, the theories used in the field of health communication are generally limited to individual information and behavior change models. Both the health behavior models, and health communication theory/models used are socio-psychological based approaches. Therefore, the methods used are individually focused. As a result, communication is typically understood as health information transfer and perception. After the changing economic-political approach and public broadcasting replaced by private broadcasting in the 1980s, it’s observed that the health communication practices on television started to show an approach towards the consumption of health services and products. This view mentioned above was called ‘dominant health communication’ in the 1990s and a new approach of the field emerged. Critical approach discusses that health is a social phenomenon and that all responsibility cannot be given to the individual. In this case, outside the individual factors such as economy, politics, culture, environment, education gender and even geography are important in the development and outcomes of health. In this study, it will be discussed that the ongoing health communication practices, which is termed dominant health communication, do not provide a solution to the existing health inequality in the society, on the contrary, they provide the reproduction and dissemination of the ideologies of the sovereign powers and a consent for the consumption of health products and services in the society. Therefore, in this study, health programs on mainstream television channels in Turkey will be analyzed in terms of critical health communication. Critical discourse analysis will be used as the main method of the study. Keywords: critical health communication, dominant health communication, critical discourse analysis, Turkish television health programs
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Spinsante, Susanna. "Delivery of a Certified E-mail Service over the Digital Terrestrial Television Platform." Journal of Communications Software and Systems 4, no. 2 (June 22, 2008): 113. http://dx.doi.org/10.24138/jcomss.v4i2.224.
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At present, the electronic mail service is probably the most widespread and commonly used asynchronous way ofexchanging information among people, thanks to its immediacy and easiness of use. Information delivered through E-mail can be sensitive or confidential: ensuring the sender’s identity and providing privacy has become a vital step in stopping spam, fraud and even more serious crimes. To this aim, public entities have adopted Certified E-mail systems to manage secure interactions with citizens.Digital Terrestrial Television introduced new facilities in thetraditional broadcasting environment, and determined the transition of several Electronic based-services to Television basedservices. The availability of commercial Set Top Boxes equipped with network interfaces and smart card readers enables the provisioning of personalized interactive TV services, requiring user’s identification and authentication, that still represent open issues in the TV context. In this paper we discuss the challenges of a Certified E-mail service over Digital Terrestrial Television,and present the case study of the Italian Regione Marche, in which this service is under development to support the remote request of certificates issued by the public administration. In particular, our attention is devoted to user authentication and secure access to the administrative services, addressed through the use of a Regional Service Card, an interactive application, and a centralized authentication framework.
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Pite, Rebekah E. "Entertaining Inequalities: Doña Petrona, Juanita Bordoy, and Domestic Work in Mid-Twentieth-Century Argentina." Hispanic American Historical Review 91, no. 1 (February 1, 2011): 97–128. http://dx.doi.org/10.1215/00182168-2010-088.
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Abstract Over the course of the mid-twentieth century Doña Petrona C. de Gandulfo established herself as Argentina’s leading domestic expert. Her popularity reached new heights when she began broadcasting her cooking lessons on television with her assistant, Juanita Bordoy. In this article, Rebekah Pite explores the model of domestic work portrayed by these two women in comparison to that of other Argentine homemakers and their paid help during the 1950s and 1960s. She does so by drawing from a broad source base that includes oral histories, television programming, cookbooks, magazines, and government and legal documents. She finds that Doña Petrona and Juanita Bordoy’s public interactions were both captivating and open to critique because they enabled others to observe a typically private domestic relationship during a period in which many women’s relationships to domesticity and to paid work were in flux. Pite argues that to understand the tensions surrounding these changes, we must shift our framework and our terminology. While scholars of Latin America have tended to cast domestic work relationships as paternalistic, the bonds of power and affection between Doña Petrona and Juanita Bordoy—and countless other domestic pairs—were (and continue to be) more maternalistic in nature. Her research suggests that middle-class or elite women, as opposed to their male partners, have often taken the lead in negotiating the affective terms of these relationships as well as the work to be done.
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Maniou, Theodora A. "From PSB to Privatisation." VIEW Journal of European Television History and Culture 6, no. 11 (September 22, 2017): 102. http://dx.doi.org/10.18146/2213-0969.2017.jethc127.
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In Cyprus the historical evolution of television follows the country's turbulent political history, while clearly depicts the political system's vulnerabilities. This article presents a historical overview of the historical evolution of television in Cyprus, in accordance to the specific historical artefacts that generated a series of disadvantages still reflecting upon private broadcasting. The aim of the article is to present the interrelation between private broadcasting and politics and its current aftermath in Cyprus. Through a comparative analysis of different surveys, depicting the audience's points of view regrding private broadcasting and PSB, this study highlights the specific structurs and vulnerabilities of the current broadcasting sector.
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Ewomazino, Akpor. "An assessment of private television broadcasting operations in Nigeria." International Journal of Communication and Society 3, no. 1 (January 8, 2021): 1–11. http://dx.doi.org/10.31763/ijcs.v3i1.184.
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Arslan, Beril, and Dragan Nikodijević. "Public broadcasting in Turkey: Turkish Radio Television Corporation's role in the public broadcasting." Komunikacije, mediji, kultura 11, no. 11 (2019): 71–88. http://dx.doi.org/10.5937/gfkm1911071x.
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Elena A., Goryacheva. "History of Television Broadcasting Development in Japan (From Experimental Broadcasting to Nationwide Broadcasting in the 1960s)." Humanitarian Vector 15, no. 6 (December 2020): 151–61. http://dx.doi.org/10.21209/1996-7853-2020-15-6-151-161.
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The article views and analyzes the early period of the nationwide television broadcasting in Japan (from the mid 1920s to the end of the 1960s). Previously, this problem has not been a subject of research in Russian oriental studies, and taking into account the operation of established television broadcasting system in modern Japan, it seems necessary to identify the features of the genesis and evolution of the nationwide television broadcasting in Japan at its earliest stage, using both historical-genetic and problem-chronological methods. Based mainly on the media history research of Japanese media historians, which are introduced into the Russian scientific community for the first time, the stages of the genesis and nationwide spread of television broadcasting in Japan are consistently identified: the pre-war period of experimental broadcasting, the reform of the media sphere during and after the occupation of Japan by the GHQ, the origins of the integrated system of Japanese public and commercial television broadcasting nigen taisei. In addition, the author concludes that television played an important role in the process of spreading Western values of democracy, as well as the renewed values of the nuclear family institution in Japan, which were declared by the GHQ, US occupation authorities. Based on the results of the study, the author comes to the conclusion that the fundamental foundations of the modern multifaceted and original culture of Japanese television, as well as the model of broadcasting companies’ interaction: competition and coexistence of public and commercial television broadcasting, were laid precisely in the key period for the history of Japanese television ‒ the 1950‒1960s. The findings of this research can serve as a basis for studying the next stages in the evolution of television broadcasting in Japan up to the present period. This paper is aimed at orientalists, students of similar specialties, as well as a wide range of people interested in the history of Japanese media. Keywords: Japan, media history, television history, television in Japan, nationwide broadcasting
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Kravcak, Peter. "Tv market and televiewers in Slovakia." Media, culture and public relations 10, no. 2 (September 30, 2019): 147–55. http://dx.doi.org/10.32914/mcpr.10.2.4.
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In the early of nineties the dual broadcasting system in the young country in the middle of Europe enabled to develop television broadcasting to the scale of what viewers previously even had not dreamed of. Commercial television broadcasting prevailed in five and a half million country. Private broadcasting gained control of the more than forty-year-old state-owned service of TV broadcasting and sent it to the role of a statistical margin. Confidence of the first one - and later followed by other private televisions - has grown faster than the numbers of audience. Directors with the influence of legislators, unbeatable managers determined the transmission time programs from a week to week. This is termed as finding the optimal time based on audience preferences. The result is today's big television chaos for the viewers, who, as a consequence of unpredictable changes in the broadcasting of televisions cease to be interested. For many years the most viewed channel has dropped to the level of underrated rivals and the panic, which it suddenly started, make them produce more fatal changes. All in the name of the audience and excellent numbers of boxes called people meters. The same problem also faces other post-communist country, the second part of the former Czechoslovakia, the Czech Republic. The paper focuses on analysis and evaluation of Slovak television sphere (partly in comparison with the Czech), which seems, after twenty years of dual broadcasting, to gather a real media competition. But not everybody likes it.
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Zaid, Bouziane. "Audience Reception Analysis of Moroccan Public Service Broadcasting." Middle East Journal of Culture and Communication 7, no. 3 (2014): 284–309. http://dx.doi.org/10.1163/18739865-00703003.
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Television is one of the most important sources of information and entertainment for the majority of Moroccans. Since 2002, the Moroccan government has put forth policies to regulate the use of television as an important outside source for promoting its development programs. This audience reception study aims to assess the opinions of Moroccan television viewers on the quality of programming provided by the two public service TV stations, Al Oula and 2M. The study applies Stuart Hall’s encoding/decoding theory to examine the interactions of the Moroccan audience with the content of the two public service television stations. This study focuses mainly on television viewers of lower educational backgrounds and those with lower incomes because they could benefit most from the developmental role of public service television. The study examines the extent to which TV programming addresses the viewers’ lifestyles and concerns and the expectations viewers may have of their public service stations. The study uses focus groups as a stand-alone data-gathering strategy because of the multicultural nature of Moroccan society, which is characterized by different ethnic, linguistic and geographic attributes. Focus groups enable researchers to collect rich data in participants’ own words; they are particularly useful when the survey group is illiterate or semiliterate. The application of Stuart Hall’s theory in the Moroccan context reveals some of the model’s strengths as well some of its limitations. While the model provides rich analytical tools that help us understand the relationship between how television producers encode messages and how audiences decode them, this study illustrates the limits of Hall’s theory application to non-western audiences. Hall’s model is founded on the assumption that audiences are capable of decoding the television content and that the variations in the decoding process are the outcome of the audiences’ reactions to the hegemonic message. The study found that this was not applicable to Moroccan audiences and that additional theoretical tools needed to be in place for an audience reception analysis to be complete and substantial.
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Klein-Shagrir, Oranit, and Heidi Keinonen. "Public Service Television in a Multi-Platform Environment." Convergent Television(s) 3, no. 6 (December 24, 2014): 14. http://dx.doi.org/10.18146/2213-0969.2014.jethc066.
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Cultural and economic transformations have encouraged television companies to turn their attention to multi-platform practices so as to increase their compatibility with the changing media environment. While digital media provide public service broadcasting (PSB) institutions with new opportunities for meeting their public commitments and maintaining their relevance in national media systems, PSB is also faced with additional challenges. One of these is the tension between public service values on the one hand and digital technologies and practices on the other. In this article we discuss how Finnish and Israeli PSB managers and producers perceive the opportunities and challenges of multi-platform production. In both countries public service broadcasting is striving for public legitimacy and relevance in a changing technological environment. However, the two countries currently find themselves at quite different stages: Israel has a struggling public service agency, while Finland boasts a strong broadcasting company.
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Sukmawati, Dian, and Ade Armando. "Otoritas Komisi Penyiaran Indonesia dalam Pengaturan Isi Siaran." Jurnal Komunikasi Global 8, no. 2 (December 31, 2019): 151–73. http://dx.doi.org/10.24815/jkg.v8i2.14774.
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Although the Indonesian Broadcasting Commission (KPI) supervised all of the television programs, there are a lot of programs getting a warning because of breaking the rule of P Broadcasting Code of Conduct (P3) and Broadcasting Program Standard (SPS). Focusing on program Pagi-Pagi Pasti Happy, this research investigated the authority of KPI in terms of being a watchdog of television content in Indonesia. This research deployed political economy theory because it has studied not only media analysis in general but also the problems faced by the media industry and who controlled media. To criticize the authority of KPI in maintaining a code of conduct over the broadcasting content, three KPI’s commissioners, two television program representatives, and a media observer were interviewed. Based on interviews, the researcher found that dialogue preferred by KPI in supervising the television content confirmed that the current KPI’s commissioner has compromised with private television stations. KPI is more likely to support the existing television business system nowadays to gain maximum profit for the media investor. The findings suggest that role as KPI’s commissioner has been used to gain more power in the future.
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Puijk, Roel. "Slow Television." Nordicom Review 36, no. 1 (June 1, 2015): 95–108. http://dx.doi.org/10.1515/nor-2015-0008.
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Abstract Public-service broadcasters are compelled to seek innovative ways to fulfil their publicservice functions in an increasingly competitive environment. The Norwegian Broadcasting Corporation (NRK) has been experimenting with new programme formats and cross-media concepts. The concept of slow television was developed by the regional office in Bergen. On July 16, 2011, they started a five-day live broadcast from one of the cruise ships that sailed up the Norwegian coast from Bergen in southern Norway to Kirkenes near the Russian border. The broadcast was a huge success. I take this programme as a case study and provide an analysis from the perspective of innovation within public-service broadcasting. The article addresses the following questions: 1) In what way was the programme innovative? 2) How was the programme accepted and produced? 3) What accounts for the success of the broadcast in terms of number of viewers and popular engagement?
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Herawati, Erni. "Keterkaitan Isi Siaran Televisi di Indonesia dan Keadilan Informasi." Humaniora 3, no. 1 (April 30, 2012): 155. http://dx.doi.org/10.21512/humaniora.v3i1.3245.
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Indonesian Television Broadcasting has been progressing rapidly both in number of television stations and programs. In fact, almost all of national private televisions broadcasting programs were always about Jakarta. Article aimed to analyze on how the function of media which was not only provided information but it also supported the values of community and its sustainability. It related to the media content. The media content was not only determined by internal media factors but also the external ones. Finally, the owners of the media became the one who determined how media content was produced and formed. Therefore, to avoid information which was not monopolized by one party, the community should have various informations to choose. Finally, it is concluded that rules in broadcasting television has to consider the equality of information for people
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Ramsey, Phil. "‘It could redefine public service broadcasting in the digital age’." Convergence: The International Journal of Research into New Media Technologies 24, no. 2 (July 27, 2016): 152–67. http://dx.doi.org/10.1177/1354856516659001.
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In November 2015, the BBC Trust gave its final approval for BBC Three to cease broadcasting on television in the United Kingdom and become an online-only entity. The decision is a landmark moment in the history of BBC Television and has significant implications for BBC planning in relation to the continued transition from broadcast television to streaming and download services. In this article, the original proposals for moving BBC Three online are assessed and discussed within the wider context of current BBC policy. It is argued that the rationale used for moving BBC Three online is based on arguments that vary in the extent to which they are backed by evidence. It is also argued that the plans have significant regulatory implications for the future of BBC Television and for the television licence fee in the United Kingdom.
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Zubaidi, Ali Akbar. "PERENCANAAN INDUSTRI MEDIA TELEVISI ISLAM." KOMUNIKE 12, no. 2 (December 24, 2020): 235–53. http://dx.doi.org/10.20414/jurkom.v12i2.2748.
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Today, media digitalization has become the foundation of media industry owners in presenting a variety of information and entertainment, including media television. With the establishment of various commercial television broadcasting institutions as well as the competition for the media competition which is quite tight. Seeing the development of television broadcasting media itself with heavy competition, Islamic television institutions, in particular, seem not ready to compete with other television institutions. Institutions that affect the unpreparedness of existing Islamic television broadcasting institutions are planning and strategy within Islamic television broadcasting organizations and institutions, both before they come to the process of running and maintaining broadcasting institutions for a long period of time. The research method used is library research with in-depth analysis to explore problems related to the theme. The results of this study indicate that there are several things that must be planned before deciding to determine an Islamic television broadcasting institution; a) planning human resources, b) planning institutions, c) planning a product or program. When an Islamic broadcasting institution plans well, the sustainability of the Islamic broadcasting institution can be managed and run for a long time. That way, the existence of Islamic television media is indirectly able to provide another option for the public in enjoying the broadcasts that are served.
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Wedell, George. "Prospects for Television in Europe." Government and Opposition 29, no. 3 (July 1, 1994): 315–31. http://dx.doi.org/10.1111/j.1477-7053.1994.tb01224.x.
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The Classical Model for Broadcasting Structures in Europe is one based on national autarchy and linguistic exclusivity. The model derives from the introduction of radio broadcasting in the 1920s. As always in the field of communications, developments art supply-led rather than demand-led. Thus the early radio manufacturers established local radio stations to demonstrate their new equipment at a time when governments had not formulated any policies to deal with the new phenomenon.
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Murschetz, Paul Clemens. "Datafication and Public Service Media." MedienJournal 44, no. 3 (January 11, 2021): 69–86. http://dx.doi.org/10.24989/medienjournal.v44i3.1808.
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The chapter explores the challenges of datafication as a new paradigm in the digital transformation of Public Service Media (PSM). It argues that while datafication is principally identified as a core dimension of the current transformation of television broadcasting, with data becoming a dominant paradigm also for PSM, we still have scant scientific insight into the conditions under which it is likely to be culturally, economically, legally and politically consequential for broadcasting. Furthermore, how, if at all, it might impact on PSM values and thereby be socially consequential as a new paradigm that enforces prosocial rather than techno-economic values that are beneficial for audiences-as-citizens and society at large. It reviews scholarly literature on key challenges of datafication for television broadcasting; and advances three key proposition regarding its potential effects on PSM values in the digital era, which describe where the tensions lie and therefore where the attention of PSM research and practice should best be focused.
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Mandasari, Rahma Widayanti. "Impact Study of DAAI TV Humanistic Broadcasting: Stories of Two Families." Journal Polingua : Scientific Journal of Linguistics, Literature and Education 6, no. 2 (October 30, 2018): 33–39. http://dx.doi.org/10.30630/polingua.v6i2.111.
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This study was inspired by the finding of the previous research that is related to positive impact in viewers’ life after watching anti mainstream television shows. The television show is broadcasted by television channel which committed to show humanistic program which has the value of grateful, dutiful to parents as obligation, empathy for others without discrimination and caring character to environment. This research subject are loyal viewers of private television in Indonesia. The research method used is a case study where the researcher become the main instrument in conducting this research. The other instruments are field notes, observation result, documentation, and in-depth interviews. Research result shows that television channel namely DAAI TV give positive impact to viewers, such as being a grateful person, dutiful to parents, being a person who benefits other byvolunteering for the community and has the character who love environment.
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Noam, Eli M. "A public and private-choice model of broadcasting." Public Choice 55, no. 1-2 (September 1987): 163–87. http://dx.doi.org/10.1007/bf00156816.
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Lesage, Frederik. "The Technological Imagination of Public Media." Stream: Interdisciplinary Journal of Communication 6, no. 1 (July 12, 2014): 12–14. http://dx.doi.org/10.21810/strm.v6i1.84.
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Although it has been nearly four decades since Raymond Williams’ book Television: technology and cultural form (Williams, 2003/1975) was first published, I find it helpful to return to this seminal work with a view of reflecting on the future of public media in Canada. Television is often remembered for Williams’ critique of technological determinism in Marshall McLuhan’s theory of media. But the book should also be remembered for a number of other significant contributions, including the prescient chapter titled “Alternative technology, alternative uses?†in which Williams examined some of the innovations in broadcasting technologies being developed at the time. For Williams, these innovations represented at once a risk and an opportunity. The risk was that people in the United States and the United Kingdom who were in a position to shape the implementation of these innovations would remain complacent, allowing their deployment to be ‘sorted out as we go’ (Williams, 2003/1975, p. 140). The opportunity was that changes to broadcasting infrastructure could afford people the chance to address structural inequities and imagine alternative uses. Williams believed that the early stages in implementing new technological innovations represented an opportune moment for putting in place alternative organizational and policy arrangements for television broadcasting.
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Tiani, Riris, and M. Suryadi. "Broadcasting Applications of Local Wisdom Character on Coastal Environment in Communication Media." E3S Web of Conferences 125 (2019): 09007. http://dx.doi.org/10.1051/e3sconf/201912509007.
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This study aims to determine the effect of television shows on people's verbal behavior. Natnography used as a research method, to find out the types of television programs that are seen by many people of all ages. Cultural studies methods also used to determine the negative impact of television broadcast content. How the influence of television shows on the style of public communication in forming the character of millennial society. In-depth interview techniques with KPID and representatives of national television stations. Based on research in the field, television shows are present for 24 hours in the family room. Culture that accepted in society that television has not become a spectacle but has become a demand. Broadcasting institutions control the formation of mental, social, and cultural. The results of this study include many Impoliteness television shows. The reality in broadcasting shows that FTV content, talk shows, and advertisements have the most verbal abuse (VA) frequencies. Form (VA) is dominated by abuse, swear, invective, and (nonVA). 60% of the broadcasting composition in the media must be educative with local wisdom, 20% national or international public broadcasting, 20% broadcast advertising content. Forms of impertinence are influenced by frequency, television cognition, and broadcast regulation.
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Krauss, Ellis S. "Changing Television News in Japan." Journal of Asian Studies 57, no. 3 (August 1998): 663–92. http://dx.doi.org/10.2307/2658737.
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In the industrialized democratic world, broadcasting news monopolies and oligopolies have all but disappeared. Whereas public broadcasters in Western Europe in the earlier postwar period had a monopoly or duopoly on televised news, today there is a more diverse market with competition from other public and commercial broadcasters, often carried by new technology such as satellites. In the United States, the oligopoly of the three networks in news has been broken by both CNN on cable and, to a lesser extent, PBS in its program “News Hour.” Thus the new competition introduced into broadcasting systems has been the result of either changed government policy or new technological mediums, or in certain instances both.
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Rutherford, Leonie. "The ABC, the Australian Children's Television Foundation and the Emergence of Digital Children's Television in Australia." Media International Australia 151, no. 1 (May 2014): 5–15. http://dx.doi.org/10.1177/1329878x1415100103.
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This article analyses the campaign to establish terrestrial digital children's public service broadcasting in Australia. It finds that the development of the Australian Broadcasting Corporation's digital children's channel (ABC3), an initiative initially embraced somewhat opportunistically, enabled an expansion strategy for the public service broadcaster that ultimately helped determine the shape of its current digital channel portfolio. Contrasting the collective and divergent interpretations of future audience behaviours and needs developed by the Australian Children's Television Foundation (ACTF) and the ABC, it argues that both organisations developed strategies and made policy decisions that were influential in conditioning the current digital television ecology.