Academic literature on the topic 'Public architecture Architectural design Public architecture Architectural design'

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Journal articles on the topic "Public architecture Architectural design Public architecture Architectural design"

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Astrini, Wulan, E. B. Kurniawan, and M. Abdillah. "The Characteristics of Mosque Architecture Based on Public Preferences in Malang City." TATALOKA 22, no. 1 (2020): 137–45. http://dx.doi.org/10.14710/tataloka.22.1.137-145.

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Mosque is an architectural work and public facility that serves as a worship place for Muslims. Mosque architectural elements include domes (roofs), mihrab, minaret, arch, and ornaments. Mosque architecture comprises of various elements, which adapt to the local culture where the mosque is located. As such, its presence also bears some impacts on the appearance of urban architecture. Malang city as one of the major cities in East Java has numerous rapidly developing mosque architectures, including Jami’ Great Mosque of Malang, Sabilillah Mosque, Nurul Muttaqin Mosque, Ahmad Yani Mosque, and Manarul Huda Mosque. The meaning of architectural work is also closely related to the perception of humans who observe it. The public preference for the architectural characteristics of mosques in Malang city is a manifestation of architectural work. Conjoined analysis is employed as method operative to analyze public preference. This study aims to find out the architectural characteristics of mosques in Malang city according to public preferences. The findings can serve as a recommendation for the development of mosque architectural designs in Malang city, especially those possessing locality values. The architectural characteristics of mosques in Malang city which are driven by the public preferences ranging from the highest to the lowest, which is why mosques generally have calligraphy ornaments, circular arch, pentagon-shaped minaret, Indo-Persian dome, and two-minaret design.
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Sener, Mehmet, and Neslihan Türkmenoğlu Bayraktar. "ARCHITECTURAL POLYGLOSSIA IN PUBLIC BUILDING FACADES OF LATE OTTOMAN PERIOD." Journal of Islamic Architecture 5, no. 1 (2018): 1. http://dx.doi.org/10.18860/jia.v5i1.4520.

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<p>The 19<sup>th</sup> century was a period of significant transformations in Ottoman architecture in terms of the professionalization of discipline and the actualization of new construction technologies and architectural styles. The basic reason for this situation was the changing politics of Ottoman rulers that was based on the aim of achieving westernization in every aspect of life. In this context, an architectural medium has occurred especially in public building constructions where western based design approaches dominated the architectural production. Whereas, public buildings having different architectural characteristics than this westernization based architectural production, were also constructed in different peripheries of the empire. It is argued in this article that public buildings with polyglossia architectures were built in those regions that were generally concentrated on the facades and had architectural qualities different than the public building constructions executed mostly in İstanbul and other central cities of the empire. In this framework, the characteristics of these polyglossia observed on public building facades that contributed to the formation of architectural diversities in the empire are aimed to be examined. These polyglossia approaches that didn’t transform into stabled architectural styles are evaluated within the framework of the design components and constructional elements applied on the buildings. </p>
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Chechel', I. "MODERN DESIGN CONDITIONS AND COMPONENTS OF THE ARCHITECTURAL CONCEPT OF SECONDARY SCHOOLS." Bulletin of Belgorod State Technological University named after. V. G. Shukhov 6, no. 7 (2021): 73–88. http://dx.doi.org/10.34031/2071-7318-2021-6-7-73-88.

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Today, large-scale programs for the construction of general education facilities are being implement-ed in the country. The Russian architecture of general educational buildings is gradually moving away from the standard architectural solutions approved by practice. This is influenced by the condi-tions of the current stage in the development of the state and society, and the tasks for the formation of an individual and a new generation of citizens. An analysis of the works of modern Russian architects suggests that the country has begun and is steadily gaining momentum in the process of forming the architecture of a new generation of school buildings. According to the author, the process is under the influence of a number of objective conditions. They are: the need to provide cost-effective architectur-al solutions of the design documentation for the mass construction of an object of General education in Russia; the continuation of the traditions of the author's architectural design for the public sector in education and the growing influence of the architecture of the non-public (private) sector to create innovative school buildings of the new generation; the impact of the reform processes in the field of pedagogical technologies in the system of General education and in solving complex issues of security and anti-terrorist protection of the object of General education on the formation of architecture of the school building; the operation of the object of General education in Emergency situation ( pandemic) and transition to the information society in the era of digitalization,; the enforcement of Federal laws of the Russian Federation in the field of safety of object of General education. Based on the identified conditions, a new systematization of the components of the architectural concept is proposed and the principles necessary for the creation of a general education building that marks the end of time are formulated.
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Зарекор, Кимберли, Владимир Кулич, and Николай Андреевич Ерофеев. "The President of our Country is a Real Estate Developer." Городские исследования и практики 3, no. 4 (2020): 12–17. http://dx.doi.org/10.17323/usp34201812-17.

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Professors of Iowa State University and specialists in Socialist architecture and urban development, Kimberly Zarecor and Vladimir Kulić spoke in their interview about their approach to research and teach socialist architecture. They see the aim of their research in reintegrating the history of Eastern European and Soviet architecture into the general history of architecture. The main contribution of Soviet architects, they argue, was on developing typologies of public architecture, in contrast to the canonical Western architectural history, which celebrates private buildings. Soviet architects developed an entire culture of original, functional and economic public design. They see their course ‘The Architectures of Global Socialism,’ taught at Iowa State University, not only as an opportunity to learn from social legacies but also to start a broader discussion about socialism today.
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Djarot Purbadi, Yohanes, Reginaldo Christophori Lake, and Fransiscus Xaverius Eddy Arinto. "The Symbolic Regionalism on The Architectural Expression Design of Kupang Town-Hall." Journal of Design and Built Environment 20, no. 3 (2020): 71–84. http://dx.doi.org/10.22452/jdbe.vol20no3.5.

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This study aimed to explain the synthesis design approach of the architectural expression in the Town Hall building of Kupang city. This is necessary due to the need for Town Halls, as public facilities, to reflect technically correct building standards, environment, and the aspects of political symbolism. Kupang Town Hall design uses the roof image expression of the Timor, Flores, and Sumba ethnic architecture in a harmonious composition and this means it is an example of an ethnic architectural synthesis in a modern building which represents a function, meaning, modernity, and local cultural identity. This research employed the social semiotics method to examine the design in relation to the surrounding social life context and the design was found to be produced from the symbolic regionalism approach which involved mixing the architectural images of Timorese, Flores, and Sumba ethnicities to modernize and conserve ethnic architecture and represent the cultural identity of East Nusa Tenggara. This, therefore, means architectural synthesis methods which are established on the symbolic regionalism approach have the potential to be used in designing public facilities in different places of Indonesia to reveal local cultural identities in modern buildings through symbolism based on an ethnic architectural image.
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VORONTSOVA, Yulia S., та Tatiana V. KARAKOVA. "VIRTUAL ARCHITECTURE OF MEGAPОLIS PUBLIC BUILDINGS". Urban construction and architecture 7, № 4 (2017): 106–9. http://dx.doi.org/10.17673/vestnik.2017.04.18.

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The article reveals the aspects of virtual architecture as a new design philosophy, operating an idea of combining of real and digital (virtual) reality and abandoning the traditional space metrics. New approaches to the organization of architectural space, as well as techniques for visual expansion and transformation of space using the latest technologies and materials are considered. The relationship between virtual and real architecture in the space of megacities is determined as well as visual illusions arising from the interaction of these relations. Diff erent manifestations in virtuality as video-mapping, media facades, etc. are analyzed.
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Primayudha, Novrizal, and Detty Fitriany. "Model penerapan elemen Siger pada fasade dan lingkungan arsitektural di Bandar Lampung." Productum: Jurnal Desain Produk (Pengetahuan dan Perancangan Produk) 3, no. 5 (2019): 175–82. http://dx.doi.org/10.24821/productum.v3i5.2427.

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The Indonesian architectural city growth and development are strongly influenced by their heterogenity of sociocultural lives. each region produces various cultural artifacts that traditionally accommodate cultural concepts and noble values in every social activity and environmental arrangement around it. . This existence makes all provinces and regions of Indonesia have a distinctive building typology as a regional symbol that will be found at the region. The Bandar Lampung City Government has a special policy in managing city architecture by applying its cultural artifacts to every architectural environment and fostering it as a concept of regional cultural signs and symbols. Siger is one of the various regional sign concepts that emerge as an architectural sign on public buildings and their built environment in Bandar Lampung City. The implementation this concept is done with a variety of shapes and sizes that greatly affect the architectural form of the building. This inequality needs to be systematically facilitated through the search of scientific design and architecture to produce an ideal application model. This research was conducted using qualitative ethnographic research methods with analysis based on participant descriptive and argumentative observation. The study aims to identify siger as a sign of culture and reveal the relationship of application to the facade of public building architecture, through the classification of buildings. Furthermore, the design concept and the application model of Siger will be used as a proposal for the city government in managing the order of the architecture facade of public buildings and their environment in a sustainable manner. Key words: architecture of Bandar Lampung City, Siger, model of architectural facade management
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Hasbi, Rahil Muhammad, and Wibisono Bagus Nimpuno. "Pengaruh Arsitektur Modern Pada Desain Masjid Istiqlal." Vitruvian 8, no. 2 (2019): 89. http://dx.doi.org/10.22441/vitruvian.2018.v8i2.005.

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Modern architecture in its golden age has given a lot of influences to many architectures around the world. The spread of modern architecture at that time could not be stopped and became a style that is widely used throughout the world including IndonesiaThe influence of modern architecture emerged in Indonesia during the Dutch colonial occupation. European architects at that time introduced classical European architecture and modern architecture to Indonesian society. During the Colonial occupation and at the beginning of Indonesian independence, European architects designed public buildings such as government buildings, places of worship( like mosques and churches) and commercial buildings as well as several residences using classical European architectural and modern architecture.As the example that we can still see now is the Istiqlal Mosque in Jakarta, Indonesia, which was designed by architect Friedrich Silaban who self-taught modern architecture. The design of the Istiqlal mosque at a glance looks very much influenced by modern architecture, although domes and tower as a characteristic of Middle East architecture is still been used.The mosque as a whole is designed to look monumental which emphasized the used of a mixture of modern architecture styles.
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Wen, Yueming, Jiawei Leng, Fei Yu, and Chuck Wah Yu. "Integrated design for underground space environment control of subway stations with atriums using piston ventilation." Indoor and Built Environment 29, no. 9 (2020): 1300–1315. http://dx.doi.org/10.1177/1420326x20941349.

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In subway stations, the piston effect plays an important role in enhancing ventilation to improve subway environment and reduce energy consumption. However, it may induce negative impacts on environmental health and thermal comfort, i.e. air pollution and strong wind. Traditionally, the architecture and ventilation systems are designed separately, and normal ventilation design follows architectural layout. Actually, the architecture design can have a significant influence on the ventilation performance, e.g. airflow pattern. Therefore, this study aims to integrate the design pattern of the architecture with an appropriate ventilation system. A typical subway station of Nanjing (in China) was considered. A dynamic-mesh based computational fluid dynamics (CFD) method was adopted to simulate ventilation performance in the presence of piston effect. Field measurements were conducted to validate the numerical method. New measures were proposed from the perspectives of architectural design to improve the ventilation effect, including enlarging atrium space, adding atrium vents and funnel-shaped exits, etc. The numerical results show that the optimal architectural design could provide a significant improvement towards the airflow environment and ventilation efficiency while avoiding serious air pollution. The proposed integrated-design pattern could further facilitate the creation of an ‘energy-saving’ and ‘healthy’ underground space environment.
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Culot, Maurice. "Les archives d’architecture privees du XXe siecle: sauvegarde et mise en valeur." Art Libraries Journal 15, no. 1 (1990): 26–32. http://dx.doi.org/10.1017/s0307472200006623.

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The architectural heritage of the 20th century is peculiarly vulnerable; partly because modern architecture broke with tradition, it is less easily recognised as being historic and worthy of preservation. Furthermore, efforts to secure public appreciation of contemporary architecture have concentrated too narrowly on the ‘International Modern’ style at the expense of the actual diversity of this century, on certain architects at the expense of others, and on the individual building, seen by itself, at the expense of the larger environment of which it is part. To see twentieth century architecture whole, it is necessary to depend on not only buildings themselves (insofar as they survive in something like their original condition), and not only on publications (which have tended to reflect the promotion of Modernism), but also on archival sources and above all, on the private archives of architects. The value of such archives derives not only from handsome architectural drawings, which institutions are always eager to acquire, but also from account books, publicity material, models, photographs, and notebooks, and from the integrity and coherence of all this material which belongs together; it is probably the challenge represented by such a range of material which accounts for the paucity of architectural archives in the public sphere. Fortunately, a new climate of interest in architecture, which has seen the establishment of several museums of architecture and the emergence of ‘l’archivisme’ – a re-interpreting of architectural styles of the past, drawing on archival sources and influencing contemporary architectural practice via exhibition design in particular – augurs well for the future of architectural archives. In France, the Institut Français d’Architecture has been responsible for archives of 20th century architecture since 1980, and since 1988 has operated an information centre for private architectural archives in Paris and the surrounding area. Other regional architectural archives are being set up; it is to be hoped that the resulting network will help to foment a spirit which will lead to the establishment of a museum of architecture in Paris, while at the same time providing a safety-net to ensure the well-being of private architectural archives.
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Dissertations / Theses on the topic "Public architecture Architectural design Public architecture Architectural design"

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Pickersgill, Robert Sean, and sean pickersgill@unisa edu au. "Architecture and Horror: Analogical Explorations in Architectural Design." RMIT University. Architecture and Design, 2009. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20090525.162052.

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This thesis examines the relationship between the practice of architectural design and the media through which it is represented. It makes a consistent critical appraisal of the philosophical presumptions under which architectural theory is made, in particular, the relationship between theories of expression and representation. The thesis presents seven distinct projects by the author which developmentally explore the degree to which architecture is able to represent the sublime - in particular through the concept of horror. In this instance horror emerges as a category of excess that supervenes the uses of the term in the genres of film and literary studies. Within the thesis horror describes an (impossible) objective for representation The thesis argues that the environment within which these philosophical questions of 'effect' may most resonantly be explored is, ultimately, digital media. The author draws on contemporary commentary by Jacques Derrida and Georges Bataille, in particular Derrida's discussion of the Parergon and contemporary discussion of l'informe, the informal to support these arguments. It is within the apparently 'real' environments of virtual reality that the presentation of the mise-en-scene of horror may be explored. Immersive digital environments, it is argued, provide an appropriate level of freedom and direction for the exploration of the spatial experience of the abyss. The thesis concludes by presenting observations on the antinomy of aspirations that any materialist theory of architectural practice must attend to when working within digital media.
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Yuen, Siu-hei Lawrence. "Sustainability refines architecture : a demonstration project in Wanchai /." Hong Kong : University of Hong Kong, 2001. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25947278.

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Mitsogianni, Vivian, and Vivian Mitsogianni@rmit edu au. "white noise PANORAMA: Process-based Architectural Design." RMIT University. Architecture and Design, 2009. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20091218.111942.

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This PhD by project is an examination of process-based architectural design. It offers an examination of one approach to undertaking process-based experimentation in architecture - based on reflection of my own practice and body of work - through which I have been able to consider a complex array of questions and issues that are associated with working in this way. By
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Watson-Smith, Adam Graham. "Imagining a new public space in the foreshore by re-creating the city-sea relationship." Master's thesis, University of Cape Town, 2009. http://hdl.handle.net/11427/24372.

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Aim: Reconnect the City to the Sea through investment in the pedestrian and public space, supported by activity generating and accommodating architecture. Theory question: What architectural methods are being employed in global port-side cities to reinvent and make use of large tracts of de-valued inner city land? Technology question: What is the nature of the physical condition that the foreshore area presents and what impact has this had on the haphazard development of this inner city space? Sub Questions: What are the key factors in global cities' development and fabric which have resulted in large inner city tracts of undervalued land, and their condition? What are the implications of different modes of mobility within urban space, and particularly their effects on the resulting urban form, and utilization of this space? What negative effects of mobility in a global society are universal to all contemporary cities and societies, and what are some of the contextually derived typological solutions? What are the primary opportunities and technical challenges presented by the unique conditions of the foreshore to development?
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Mak, Tsz Yee Tony. "Plug-and-play housing use of kit-of-parts methodology to design public housing for Hong Kong /." Click to view the E-thesis via HKUTO, 2005. http://sunzi.lib.hku.hk/hkuto/record/B36790229.

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Benton, Sarah Kirstie, and sarahkirstie@gmail com. "The Architectural Designer and their Digital Media." RMIT University. Architecture and Design, 2008. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20081126.155609.

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My research investigates the relationship between the architectural designer and the use that he or she makes of digital media as part of the design process. My principal research question is: what is the advantage of including digital media as part of the designers' 'toolset' in the early stages of design? The context is a highly successful and high profile mid-sized Australian architectural practice. The study considers the nature of architectural designing as a creative activity and the extent to which advantages could be gained by including digital media as part of the designers' toolset in the early stages of design. Designers seem to be polarised between championing the role of digital media as part of their design processes and downright rejecting it. One such extreme position is a view that this media has either 'no place' (Martens et al. 2007:np; Sanders 1996:4-5) within architectural design and is thus seen as 'just another tool' filling at best an ancillary and service role in the design process (Kvan, Mark et al. 2004:np). This view suggests therefore that designing with digital media has hardly advanced (Corrigan 2003:86). An opposing view is that digital media can take a more fundamental place to advance design methods (Rahim 2006:1), even revolutionarily improve the design process beyond 'question and debate' (Winner 1986:6 in Steele 2001:13), resulting in a 'new architecture' (Lindsey 2001:12) and encouraging significant change in designing through semi-automated generation of design and interconnected ways of communicating (Lindsey 2001:12). Resulting from my study, I have found, however, that the more negative views (Winner 1986:6; Sanders 1996:4-5) regarding the integration of digital media into the architectural design process tend to distract from the more balanced investigation into how a designer masters an expanding architectural design practice. As a doctoral candidate I take a participant-observer position within Terroir where I have been employed for the past five years. My experiences in responding to my research question suggest that the advantage of digital media is not a question of whether or not to integrate the tools. The question is more an issue of how a designer masters an expanding design process through an approach that includes ideas, conventional media and digital media. My thesis demonstrates the changes that occurred through the integration of digital media and, conversely, possibilities to opportunistically further improve on conventional design practice. My research suggests that mutuality exists in the relationship between the designer and their digital media. Through their co-evolution, changes can occur where there is not only an integration of digital media with design, but also both media and design practice change through their integration. I also discuss how an uptake of digital media gives grounds for a new specialised ro le in practice. A new role emerged within the collaborative firm of architects, which I have called in this thesis the digital ideator. It is a role that I demonstrate as potentially being central to digital media integrated with design practice.
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Helsel, Sand, and n/a. "A Search For Common Pleasures: CURATING THE CITY." RMIT University. Architecture and Design, 2009. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20091216.141950.

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The project-based research questions how professionals working in the built environment can engage a broader range of 'others' (students, client, users) in ways of seeing and acting in a meaningful way. It challenges the role of the expert in architecture and urban design and in particular their use of the masterplan, which is often an oversimplified reductive response, laden with generalisations and the ill-considered overlay of inappropriate models. Design methods are designed to enable us to see afresh and respond accordingly. These are demonstrated in three suites of projects that include urban installations such as Five Walks for the Melbourne International Arts Festival, war memorials, lectures, photographs and teaching practice such as Taipei Operations, a student workshop, architectural exhibition, and book. The design research is situated within an expanded field of cross-disciplinary practice that includes art, landscape architecture, urban design, architecture and geography. Tools are developed to enable us to understand the city at many spatial and temporal scales; observations made at a micro scale reveal systems at a macro scale - a bottom-up approach. The application of the methods explored implies that
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Kacher, Sabrina. "Proposition d'une méthode de référencement d'images pour assister la conception architecturale : application à la recherche d'ouvrages." Vandoeuvre-les-Nancy, INPL, 2005. http://docnum.univ-lorraine.fr/public/INPL/2005_KACHER_S_1.pdf.

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Diverses études ont montré que l'activité de conception en architecture en général s'apparente à ce que nous nommons un cheminement sémantique. En situation de projet, le passage d'un objet de conception à un autre objet, d'une représentation à une autre ou d'un état de définition à un autre se fait par conservation, enrichissement ou épuisement de sens. Pour assister ce processus de conception, nous avons travaillé sur la mise en oeuvre d'une base de données d'images qui joue le rôle d'un dispositif sémantique référentiel à partir duquel les concepteurs peuvent inférer et construire de nouveaux systèmes sémantiques orientés vers leur projet. Nous savons également que concevoir une solution architecturale impose d'introduire des références externes au problème de conception. Pour cela, nous proposons des images illustrant des réalisations architecturales existantes qui constitueront des références architecturales et visuelles pour le concepteur. L'objectif de notre travail est de proposer une méthode pour construire cette base d'images à partir de laquelle le concepteur pourra inférer et construire de nouveaux systèmes de formulation/résolution de problèmes orientés vers son projet. Cette méthode repose sur trois points fondamentaux qui sont : (i) la construction d'un langage adapté à la fois à description du domaine et des images, (ii) la pondération des termes utilisés pour l'indexation des images et enfin (iii) la proposition d'une interface de recherche adaptée aux besoins du concepteur<br>Several researches have shown that architectural design is usually associated to the semantic progress of through. In a project situation, crossing from an object to another, from a graphic description to another or from a definition state to another one happen by conserving, enriching or exhausting meaning. To assist the design process, we worked on the construction of a reference image database where designers can infer and construct new semantic systems oriented toward their project. We also know that designing an architectural solution requires the introduction of other external references than those included into the design problem. For this we suggest images illustrating real architectural realisations that will constitute both architectural and visual references for the designer. The objective of our research work tackles the identification of which principles to follow to better construct this reference image database. In this thesis we will also present a concrete application of the proposed method to a particular domain : the wood construction domain. This method is based on three main points : (i) the construction of a language adapted to describe both the wooden domain and images, (ii) the use of a weight value associated to every term used to index images and finally, (iii) we propose a specific research mode using images adapted to precision state of the user's need
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Yuen, Siu-hei Lawrence, and 袁兆禧. "Sustainability refines architecture: a demonstration project in Wanchai." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2001. http://hub.hku.hk/bib/B31986250.

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麥子怡 and Tsz Yee Tony Mak. "Plug-and-play housing: use of kit-of-parts methodology to design public housing for Hong Kong." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B36790229.

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Books on the topic "Public architecture Architectural design Public architecture Architectural design"

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Beyond public architecture: Strategies for design evaluation. Van Nostrand Reinhold, 1990.

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Trebilcock, Peter. Architectural design in steel. Spon Press, 2004.

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M, Lawson R., ed. Architectural design in steel. Spon Press, 2003.

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Rykwert, Joseph. The judicious eye: Architecture against the other arts. University of Chicago Press, 2008.

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Kenkyūkai, Kōbe-shi Kenchiku Dezain. Kōkyō kenchiku dezain manyuaru: Kōkyō kenchiku wa machinami no kondakutā. Kōbe-shi Jūtakukyoku, 1987.

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D, Weidhaas Mark, ed. Residential architecture: Design and drafting. Delmar Publishers, 1999.

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Design and thermal diversity of semi-enclosed spaces. Melrose Books, 2007.

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Actions of architecture: Architects and creative users. Routledge, 2003.

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La Toscana all'opra intenta: Architettura, design e innovazione nei luoghi di lavoro = Tuscany at work : architecture, design and innovation in the workplaces. Editori dell'Acero, 2013.

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Gallery, Hayward. Fantasy architecture: 1500-2036. Hayward Gallery in association with the Royal Institute of British Architects, 2004.

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Book chapters on the topic "Public architecture Architectural design Public architecture Architectural design"

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Cupelloni, Luciano. "Restorative Design for Heritage Requalification: Selected Roman Works." In Future City. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-71819-0_12.

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AbstractThe theme is the urban re-qualification, applied in particular to the architectural heritage and the public space. The goal is the ongoing challenge of outlining a new perspective aimed at “common good” and sustainability. The instrument chosen is the “environmental technological design,” understood as a cultural, scientific, and social position, that is, as a position on the role of architecture. The contribution reiterates the urgency of restoring the transformative power of the design mission to the project, too often reduced to a set of technical compilation procedures. In the best cases, a position that is lost in the complication of procedures, in the extension of time, in the waste of economic and human resources. A crisis of the project as “anticipation” of progressive scenarios, precisely in the most acute, ever more serious phase, of the urgency of the reorganization of urban systems, with a view to environmental, social and economic sustainability. Not a recent urgency, today only brought to light, dramatically, by the reality of the SARS-CoV-2 pandemic. Among the solutions, the design experimental research, well beyond the objective of flexibility, up to the notion of “functional indifference,” understood not as shapeless neutrality, but as the maximum functionality of spatial, architectural and urban quality.
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Fisher, Thomas. "Public-interest design." In The Architecture of Ethics. Routledge, 2018. http://dx.doi.org/10.4324/9781351065740-39.

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Guillen, Pablo, and Urša Komac. "Public Goods, Externalities and the City." In SpringerBriefs in Architectural Design and Technology. Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-5741-5_4.

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French, William, and Salome Meyer. "Forming the Building Blocks of a Sustainable Environment: How Dialogue and Public Diplomacy Yield Innovative Solutions." In Sustainable Environmental Design in Architecture. Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-0745-5_15.

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Chioni, Chiara, Camilla Pezzica, Valerio Cutini, Clarice Bleil de Souza, and Simone Rusci. "Multiscale Configurational Approach to the Design of Public Open Spaces After Urban Disasters." In Formal Methods in Architecture. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-57509-0_16.

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Guillen, Pablo, and Urša Komac. "Governing for the Public Good: The Problem of City Governance and Planning." In SpringerBriefs in Architectural Design and Technology. Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-5741-5_5.

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Geisler, Cheryl, Edwin H. Rogers, and John Tobin. "Going Public: Collaborative Systems Design for Multidisciplinary Conversations." In Cooperative Buildings. Integrating Information, Organizations, and Architecture. Springer Berlin Heidelberg, 1999. http://dx.doi.org/10.1007/10705432_9.

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Pullen, W. R., C. L. G. Wassenaar, I. Van Hettema, et al. "A Decision Support System for Housing of (Public) Organizations." In Design and Decision Support Systems in Architecture. Springer Netherlands, 1993. http://dx.doi.org/10.1007/978-94-017-1229-3_4.

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Prentza, Andriana, David Mitzman, Madis Ehastu, and Lefteris Leontaridis. "TOOP Pilot Experiences: Challenges and Achievements in Implementing Once-Only in Different Domains and Member States." In The Once-Only Principle. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-79851-2_10.

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AbstractThe Once-Only Principle (OOP) enables public administrations to support citizen and business life-cycle oriented issues as opposed to mere integration of administrative systems designed to serve bureaucratic ends. The Once-Only Principle project (TOOP) was funded by the EU Program Horizon 2020, with the aim to explore and demonstrate the OOP through multiple sustainable pilots in different domains, using a federated architecture on a cross-border collaborative pan-European scale, enabling the connection of different registries and architectures in different countries for better exchange of information across public administrations. The different pilot domains (eProcurement, Maritime and General Business Mobility) identified potential use cases suitable to show the OOP, defined the goals and expected benefits of TOOP based on motivational scenarios and process analyses and provided requirements to the TOOP Reference and Solution Architectures. Especially for the General Business Mobility domain requirements were provided also from the Single Digital Gateway Regulation. These requirements guided the development of the TOOP specifications and the TOOP components, the Member States deployed the TOOP specifications and components and participated in different connectathons demonstrating the OOP.
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Tepandi, Jaak, Carmen Rotuna, Giovanni Paolo Sellitto, Sander Fieten, and Andriana Prentza. "The Technical Challenges in OOP Application Across the European Union and the TOOP OOP Architecture." In The Once-Only Principle. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-79851-2_8.

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AbstractThe Once-Only Principle requires the public administrations to ensure that citizens and businesses supply the same information only once to the Public Administration as a whole. Widespread use of the Once-Only Principle has the potential to simplify citizens’ life, make businesses more efficient, and reduce administrative burden in the European Union. The Once-Only Principle project (TOOP) is an initiative, financed by the EU Program Horizon 2020, to explore the possibility to enable the cross-border application of the Once-Only Principle by demonstrating it in practice, through the development of selected piloting applications for specific real-world use cases, enabling the connection of different registries and architectures in different countries for better exchange of information across public administrations. These piloting ICT systems are designed as a result of a pan-European collaboration and they adopt a federated model, to allow for a high degree of independence between the participating parties in the development of their own solutions. The main challenge in the implementation of an OOP solution is the diversity of organizations, procedures, data, and services on all four main levels of interoperability: legal, organizational, semantic, and technical. To address this challenge, TOOP is developing and testing the TOOP Reference Architecture (TOOPRA) to assist organizations in the cross-border implementation of the OOP. The paper outlines the TOOPRA users, principles, and requirements, presents an overview of the architecture development, describes the main views of TOOPRA, discusses architecture profiling, and analyses the TOOPRA sustainability issues.
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Conference papers on the topic "Public architecture Architectural design Public architecture Architectural design"

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Pancorbo, Luis, Alex Wall, and Iñaki Alday. "Architecture as a System: Urban Catalysts for Lynchburg, Virginia." In 2016 ACSA International Conference. ACSA Press, 2016. http://dx.doi.org/10.35483/acsa.intl.2016.25.

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This paper proposes a critical analysis of “ARCH 2010 Introduction to Urban Architecture” at the School of architecture of the University of Virginia. The studiois part of an overall strategy that tries to subvert the traditional method of teaching in architectural design. In a conventional linear process, students start withthe design of a small-scale architectural object and continue to design buildings in progressively larger scales. Provided with a strong urban context, the 2010 Studio follows a sinusoidal transition of scale, moving from small to large and back again. The ultimate goal of the studio is to put forward/produce an urban architectural project by linking the architectural object with the urban landscape as catalysts for the change within the city. The architectural proposals should be a strategic and thoughtful response to previous research on existing urban systems, and should support the revitalization of public life in their immediate environment and in the whole city. The course was divided in four parts: Elements and infrastructures of the urban environment, developed at Charlottesville Down Town Mall, Urban systems and networks, strategic development plan for 9th street, and design of a mixed-use building and public space (The last 3 parts took place in Lynchburg, Virginia). To connect these four main “problems” there were “transitional exercises” inserted in between them. With the same critical attention, this paper will analyze the final results, the various stages of the course as well as the areas of overlap between different phases, specially designed to ensure the student’s awareness of the consistency of the complete process.
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Teixeira, Paulo Gabriel, Bruno Gabriel Araújo Lebtag, Luma Wanderley de Oliveira, Sérgio Teixeira de Carvalho, Ernesto Fonseca Veiga, and Cleomar De Sousa Rocha. "Modeling and Simulation of a Smart Street Lighting System." In I Workshop em Modelagem e Simulação de Sistemas Intensivos em Software. Sociedade Brasileira de Computação - SBC, 2019. http://dx.doi.org/10.5753/mssis.2019.7558.

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Smart cities comprise highly dynamic, complex and softwareintensive systems planned and created to cope with problems inherent to the increasing world population, such as need for life quality in cities, intense traffic, and sustainability. Owing to such complexity and dynamics, static notations, such as Unified Modeling Language (UML) and Systems Modeling Language (SysML), are often unable to support a precise conception, planning and design of those smart cities. In turn, the combination of traditional modeling and simulation (M&amp;S) could leverage the design of such systems by enabling the analysis of both structure and behavior aspects still at design-time. The main contribution of this paper is offering evidence to support the premise of M&amp;S be a promising paradigm for software engineering, including in smart cities domain. We report findings on a study carried out for assessing, via M&amp;S, two architectures for a Public Street Lighting System (PSLS) of a smart city. The first architecture uses a hub as intermediator between luminaries and PSLS. The second architecture uses software-intensive luminaries connected to the PSLS using publish/subscribe architectural style. Preliminary results show that the publish/subscribe architecture delivers a greater degree of correctness than the former. Additionally, we conjecture that the adoption of M&amp;S can foster the identification of smart cities behaviors and the identification of, at design-time, properties that could be noticed only after the system has been already deployed.
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Shamanna, Jayashree, and Gabriel Fuentes. "Preserving What? Design Strategies for a Post-Revolutionary Cuba." In 2016 ACSA International Conference. ACSA Press, 2016. http://dx.doi.org/10.35483/acsa.intl.2016.30.

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The Cuban Revolution’s neglect of Havana (as part of a broader socialist project) simultaneously ruined and preserved its architectural and urban fabric. On one hand, Havana is crumbling, its fifty-plus year lack of maintenance inscribed on its cracked, decayed surfaces and the voids where buildings once stood; on the other, its formal urban fabric—its scale, dimensions, proportions, contrasts, continuities, solid/void relationships, rhythms, public spaces, and landscapes—remain intact. A free-market Cuba, while inevitable, leaves the city vulnerable to unsustainable urban development. And while many anticipate preservation, restoration, and urban development—particularly of Havana’s historic core (La Habana Vieja)—”business as usual” preservation practices resist rampant (read: neoliberal) development primarily through narrow strategies of exclusion (where, what, how, and why not to build), museumizing Havana as “a city frozen in time.”Seeking a third option at the intersection of this socialist/capitalist divide, this paper describes 4 student projects from THE CUBA STUDIO, a collaborative Integrative Urban Studio at Marywood University’s School of Architecture. Over the course of 16 weeks, students in THE CUBA STUDIO speculated urban futures for a post-revolutionary Havana–strategizing ways of preserving Havana’s architectural and urban fabric in the face of an emerging political and economic shift that is opening, albeit gradually, Cuba to global market forces. And rather than submitting to these forces, the work critically engages them toward socio-cultural ends. Some driving questions were: What kind of spatial politics do we deploy while retrofitting Havana? How will the social, political, and economic changes of an “open” Cuba affect Havana’s urban fabric? What role does preservation play? For that matter, what does preservation really mean and by what criteria are sites included in the preservation frame? What relationships are there (or could there be) between preservation, tourism, infrastructure, education, housing, and public space? In the process, students established systematic research agendas to reveal opportunities for integrated“soft” and “hard” interventions (i.e. siting and programing), constructing ecologies across a range of disciplinary territories including (but not limited to): architecture, urban design, historic preservation/ restoration, art, landscape urbanism, infrastructure,science + technology, economics, sustainability, urban policy, sociology, and cultural/political theory. An explicit goal of the studio was to expand and leverage“preservation” (as an idea, a discipline, and a practice) toward flexible and inclusive design strategies that frame precise architectural interventions at a range of temporal and geographic scales.
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Khorshidifard, Sara. "Augmented and Humble: Spaces for Social Responsibility Learning in Architectural Education." In 2019 ACSA Fall Conference. ACSA Press, 2019. http://dx.doi.org/10.35483/acsa.fall.19.8.

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The profession and beforehand the education of architecture remains accountable and must increase responsiveness towards real-time needs, including those of society. This paper examines this necessity, asserting a more rigorous and expansive application and address of social responsibility learning in the education. Architecture professionals have advantaged positions as creative generators of built environments, hence, are socially responsible to serve the public good, empowering peoples and envisioning democratic places for all. The education is the starting place in transferring the essential learning principles, knowledge, and skills. Despite the import, social learning is still one of the least considered, most overlooked student performance criteria in architectural education. This is despite several contemporary mandate assertions in place and progress by leading professional organizations such asAIA and educational credentialing bodies such as NAAB.The paper considers as premise that, despite all the good, social learning still remains a key area that design pedagogy tends to overlook rather easily or can fall short to address. Regarding The Now, where loftier curriculum revisions and augmented experiences may not be within the reach of a program, humble opportunities always remain within reach, opening rooms for significant civic goals. The paper is highlighting some of these more nuanced and subtle opportunistic approaches to embrace and better address the social in the education.
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Frroku, Norbert, Massimo Rovai, and Caterina Calvani. "Project Financing per il recupero funzionale ad uso ricettivo del “Forte dei Pianelloni” di Lerici." In FORTMED2020 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11478.

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Project Financing for functional recovery of the “Forte dei Pianelloni” in LericiThe central theme is the Project Financing, a complex financial instrument that can potentially be used to give a new life to a state property with a strong historical and architectural value and in a state of neglect, through the use of public-private partnerships. This evaluation technique makes it possible to understand the economic and financial feasibility of an intervention both for the owner of the asset (the public) and for the private entity that puts the resources for the requalification / restructuring and will own the profits from the management of the asset. Therefore, assuming the role of a Private Financial Promoter, I developed the Preliminary Project and the Feasibility Study with reference to two possible uses. The work was divided in two parts: in the first part the Preliminary Project was a reworking of an architectural relief kindly lent by the municipality of Lerici to expose the current state of the structure adding also hints of history. Then I made two proposals: one hypothesis is a fancy project with Resorts &amp;amp; Suites and the other is a more affordable one with Hostel &amp;amp; Camping; I considered also the differences between the two proposals. To develop the work, the use of a drone for inspections and a 3D printing to create the plastics were also experimented. In the second part that consists in the Feasibility Study was developed through an analysis of the possible positioning on the market with respect to the project hypotheses, the definition of the restructuring, management and maintenance costs. There were also analyzed other fortifications in the Gulf of Spezia, that were already reconverted in other uses. This study highlights the economic and financial feasibility of both design assumptions.
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Young, Sarah. "Identifying Impostors in Architectural Education." In 2019 ACSA Fall Conference. ACSA Press, 2019. http://dx.doi.org/10.35483/acsa.fall.19.12.

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The impostor phenomenon (IP) is a feeling of incompetence despite evidence of competence. In addition to feelings of intellectual phoniness, impostor feelings are often accompanied by anxiety, depression, and psychological distress. Impostor feelings arise most frequently when encountering new challenges and when feeling like an outsider within your peer group or discipline; as such, IP has been well-documented in college students across many disciplines. IP has yet to be studied in the context of architecture education, where unique additional challenges may exacerbate impostor feelings; challenges confronted during the design process, frequent and public critiques and reviews, the competitive and comparitive atmosphere, the overwhelming array of skills and knowledge to acquire, and demanding workloads may contribute to feelings of incompetence, even if evidence of competence exists. If architecture students suff er from IP, it is imperative that these issues be addressed as we strive to make the academy and the profession more humane and inclusive. The design studio experience is for learning how to design as both a creative process AND a healthy, sustainable practice – in academic and future professional life.
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Dashti, Hussain. "Robotic Fabrication as Catalysts for Emergent Topologies and Traditions: Nomadic Small Pavilions and Permanent Mega Structures in Kuwait." In International Conference on the 4th Game Set and Match (GSM4Q-2019). Qatar University Press, 2019. http://dx.doi.org/10.29117/gsm4q.2019.0015.

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This paper reviews tendencies and drives for future parametric computational design and robotic fabrication/construction automation. It sheds light on the local current impact of the computational paradigm and mass-customized robotic fabrication in Kuwait. This paper is intended to answer the following two questions: Is parametric design and robotic fabrication allowing for emergent architectural topologies? Is robotic fabrication a catalyst for legitimizing change in architectural traditions at a local level? This has been experimented on two building scales. One with more ephemeral or transient nomadic pavilions, designed by the author, intended to demand our momentary attention, offering essential opportunities for research, experimentation, heuristic testing and prototyping - public delight and exposure. Though impermanent, these can even go so far as to be catalysts for positive change displaying affirmative qualities of temporal architecture. On the other hand, the author shares parametric design and robotic fabrication practices/consultation on local permanent mega structures currently under construction. Such mega buildings act as proof that geometrically complex buildings do not stay in the realm of small experimental and heuristic research only, but incorporated in large-scale complex building, branding and placing countries on the global map. Robotic fabrication and construction gives rise to new paradigms such as "zero-tolerance" building with "file-to-factory" production allowing for Ruskinian tectonics blending structures with ornamental aesthetics, similar to gothic architecture. With the profusion of robotic fabrication and construction, the author claims that change in the physical built environment is eminent. A final inquiry will be raised as a future research topic pertaining to robotic in-situ "mobility-on-demand", Artificial Intelligence, "Machine Learning", "Big Data" and "evolutionary robotics" which raises the question of what will our future mass-customized cities look like and what type of physical infrastructure is needed to facilitate mobile robotic fabrication and construction.
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Dhruve, Sakshi, and Sarang Barbarwar. "Augementation for liveability for transgender community through inclusionary public space: an architectural study of Raipur." In Post-Oil City Planning for Urban Green Deals Virtual Congress. ISOCARP, 2020. http://dx.doi.org/10.47472/ddeq6025.

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Public spaces are the locus of activity and interaction in any urban area. Such spaces provide identity to cities, towns or neighborhoods and define the people and culture over there. Inclusiveness is one of the core aspects of livability and is directly associated with Public or Community Spaces. Large population and rapidly expanding urban areas have prompted the need of more inclusivity in public spaces to attain true livable spaces. The aim of the paper is to discuss the livability of Transgender community at Public spaces in India. The study shows how this community was legally included as ‘Third Gender’ in country’s legislation yet lacks social acceptance and security. It shows the challenges and issues faced by them at public spaces. The community was studied on ethnographic basis to understand their culture, lifestyle etc. The findings have indicated towards a social stigma from people and insensitivity in designing of civic spaces. The larger objective of the study is also to provide recommendations on the design aspects and interventions in public places to educate common people to increase their inclusiveness towards the Transgender society, through an integrated approach in architecture. Active engagement of multiple communities is the key to socio-economic and socio-cultural growth. In response, communities have to collaborate on working and living environment and incorporates the no gender-limit adaptability for an augmented livability.
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Rosero, Veronica, Andrea Gritti, Juan Carlos Dall'Asta, Riccardo Porreca, Daniele Rocchio, and Franco Tagliabue. "Study of morphological structures of historical centres as a basic toll for understanding the new conditions of social habitat. Quito, Siracusa and Suzhou." In 24th ISUF 2017 - City and Territory in the Globalization Age. Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.6261.

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In the age of globalization, architecture (through an identity crisis) is directly connected with the loss of progressive recognition of morphological studies of city and territory, in a gradual replacement with real-time views of phenomena and urban facts. The satellite gaze finally flattens the interpretation ability of living spaces that were the prerogative of the morphological studies. The actual complexity of cities and territories escapes from the architect's eyes as they increase their technical capability to know details. The season of great renovations and methodological studies that had powered the 1960s, 70s and 80s seems hopelessly distant. Studies on social, economic, and environmental components of the cities and territories (infrastructure, public space, environmental networks) are so proliferated without actually being supported by adequate interpretations of their physical-spatial dynamics. The result: a substantial failure of architectural design to express human habitat visions. It is imperative a theoretical and practical effort to pick up the threads of an interrupted conversation, and return where these studies have expressed their richest potential: the historical centers, the places with most dense and rich heritage. Historical centers of cities like Quito, Siracusa and Suzhou have settled and stratified the morphological structures of several different settlement patterns. As a result, architecture has demonstrated an ability of description and interpretation. Reflecting on how this goal was reached in these cities (by means much less powerful than the current) settlement will be able to bid the morphological component of urban and regional studies and architecture project as a fundamental tool for understanding the human habitat.
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Steinmuller, Antje, and Christopher Falliers. "Co-drawing: Forms of Spatial Communication as Formats for Collective Dialogue." In 2018 ACSA International Conference. ACSA Press, 2018. http://dx.doi.org/10.35483/acsa.intl.2018.35.

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‘Co-drawing’ explores architectural drawings as co-authored, cooperative instruments to envision multivalent and collective public space. This situates the architect as the designer of forms of/for public communication, spatial frameworks and tools stimulating multi-stakeholder involvement to visualize, advocate, recapture, and design. In public space design today, collaborations with multiple constituent stakeholders promote evolved architectural protocols and production. For the architect as expert, masterplans and guidelines give way to architectural frameworks for collective action, evolving development strategies, and multivalent designs.
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Reports on the topic "Public architecture Architectural design Public architecture Architectural design"

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Urquidi, Manuel, Gloria Ortega, Víctor Arza, and Julia Ortega. New Employment Technologies: The Benefits of Implementing Services within an Enterprise Architecture Framework: Executive Summary. Inter-American Development Bank, 2021. http://dx.doi.org/10.18235/0003403.

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Public employment services (PES) offer tools through different channels to both employers and job seekers. The multiplicity of services and channels, paired with processes that are sometimes inadequately mapped, creates challenges when implementing digital systems. This document discusses how using enterprise architecture can provide a framework for defining and representing a high-level view of the organizations processes and its information technology (IT) systems, as well as their relationship with different parts of the organization and external entities. Having a strategic vision and a high-level design allows implementing systems in phases and modules to organize services to improve their efficiency and effectiveness. This document aims to support policy makers, managers and officials working with employment policies in understanding the benefits of implementing a comprehensive digital transformation in institutions within the framework of a strategic tool such as enterprise architecture.
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Yoozbashizadeh, Mahdi, and Forouzan Golshani. Robotic Parking Technology for Congestion Mitigation and Air Quality Control Around Park & Rides. Mineta Transportation Institute, 2021. http://dx.doi.org/10.31979/mti.2021.1936.

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A lack or limited availability for parking may have multiple consequences, not the least of which is driver frustration, congestion, and air pollution. However, there is a greater problem that is not widely recognized by the public, namely the negative effect on the use of transit systems due to insufficient parking spaces close to key transit stations. Automated parking management systems, which have been successfully deployed in several European and Japanese cities, can manage parking needs at transit stations more effectively than other alternatives. Numerous studies have confirmed that quick and convenient automobile access to park-and-ride lots can be essential to making public transit competitive with the automobile in suburban areas. Automated parking systems use a robotic platform that carries each vehicle to one of the locations in a custom designed structure. Each location is designed compactly so that considerably more vehicles can be parked in the automated garages than the traditional parking lots. Central to the design of these systems are three key technologies, namely: 1. Mechanical design and the operation of vehicle transfer, i.e., the robotic platform 2. Structural and architectural requirements to meet safety and earthquake standards, among other design imperatives, 3. Automation and intelligent control issues as related to the overall operation and system engineering. This article concerns the first technology, and more specifically the design of the robotic platform for vehicle transfers. We will outline the overall design of the robot and the shuttle, followed by a description of the prototype that was developed in our laboratories. Subsequently, performance related issues and scalability of the current design will be analyzed.
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