Relevant bibliographies by topics / Public baths in art

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Public baths in art'

Author: Grafiati
Published: 27 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Public baths in art"

1

Sibley, Magda, and Iain Jackson. "The architecture of Islamic public baths of North Africa and the Middle East: an analysis of their internal spatial configurations." Architectural Research Quarterly 16, no. 2 (2012): 155–70. http://dx.doi.org/10.1017/s1359135512000462.

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The hammams (or Islamic bath-houses), commonly known as ‘Turkish baths’, are one of the key urban facilities in Islamic cities. They evolved from the Roman and Byzantine public baths, as these were assimilated when the Umayyad dynasty conquered Byzantine territories in the Middle East between AD 661 and 750. Early hammams were built in the eighth century by the Umayyad rulers who established their capital in Damascus. The most famous ones are Qusayr Amra, in today's north-eastern desert of Jordan and Khirbat al Mafjar. The period following the rise of Islam witnessed a rapid development in the
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Renner, Andrea. "A Nation That Bathes Together: New York City's Progressive Era Public Baths." Journal of the Society of Architectural Historians 67, no. 4 (2008): 504–31. http://dx.doi.org/10.1525/jsah.2008.67.4.504.

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Hajdú, Attila. "Techné kai Logos: Kallistratos Narkissos-víziója." Antikvitás & Reneszánsz, no. 3 (January 1, 2019): 23–50. http://dx.doi.org/10.14232/antikren.2019.3.23-50.

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In his longest ekphrasis (5), Callistratus (fl. probably in 4th century AD) uses enargeia and phantasia to depict vividly Narcissus’ marble sculpture and to evoke the tragic fate of the young boy. On the basis of the surviving works of art, it is wellknown that the representations of Narcissus were widespread in the Roman world from the 1st century AD. Therefore, there is no reason to suppose that it would have been a difficult task for Callistratus to get inspiration from the statues of Narcissus exhibited in the horti of Roman villas, public parks and baths, or from the large number of wall-
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Bobkier, Robert. "Legal regulations of ritual bathing establishments (mikvah) for the Jewish population in the Second Polish Republic. Outline of the problem." Zeszyty Naukowe Państwowej Wyższej Szkoły Zawodowej im. Witelona w Legnicy 1, no. 42 (2022): 29–48. http://dx.doi.org/10.5604/01.3001.0015.8920.

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The Jewish population, who arrived in Poland in the 11th century, constituted one tenth of the population in the Second Polish Republic. They had the constitutionally guaranteed right to freely profess the Mosaic religion, including ritual baths. Water, understood as a symbol of spiritual purification, is present in all the main religions of the world. However, it occupies a special place in Judaism. The mikvah, a ritual bath, is required in many cases of spiritual and physical uncleanness. In Poland, reborn after the partitions, Jewish mikvahs constituted more than half of all bathing establi
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Hajdú, Attila. "Visions of Narcissus from the Late Imperial Period Remarks on the Statue of Narcissus from Callistratus’ Ekphraseis." Sapiens ubique civis 1, no. 1 (2020): 161–85. http://dx.doi.org/10.14232/suc.2020.1.161-185.

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In his longest ekphrasis (5), Callistratus (fl. probably in 4th century AD) uses enargeia and phantasia to depict vividly Narcissus’ marble sculpture and to evoke the tragic fate of the young boy. Based on the surviving works of art, it is well-known that the representations of Narcissus were widespread in the Roman world from the 1st century AD. Therefore, there is no reason to assume that it would have been a difficult task for Callistratus to take inspiration from the statues of Narcissus exhibited in the horti of Roman villas, public parks and baths, or from the large number of wall-painti
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Atwill, Janet M. "Memory, Materiality, and Provenance in Dio Chrysostom's “Rhodian Oration”." PMLA/Publications of the Modern Language Association of America 129, no. 3 (2014): 456–63. http://dx.doi.org/10.1632/pmla.2014.129.3.456.

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In the late first century CE, probably under the rule of the Roman Emperor Titus, the Greek Bithynian Sophist Dio Chrysostom traveled to the city of Rhodes to scold its citizens for their treatment of statues. These were not religious statues, nor were they exemplary works of art. They were certainly not the marble statues commissioned by wealthy individuals for private display. In what would be known as his “Rhodian Oration,” Dio interceded on behalf of honorific portrait statues, erected by the city to honor those who had provided public gifts or services. This exchange of gift and honor is
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Derakhshesh, Tayebeh Hosseinpour, Habib Shahbazi Shiran, Mohamad Ebrahim Zarei, and Karim Hajizadeh. "Observations Regarding the Lime Stucco Ornaments of the Safavid and Qajar Baths in Iran's Kurdistan Province." Journal of Islamic Architecture 8, no. 3 (2025): 700–713. https://doi.org/10.18860/jia.v8i3.26745.

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In addition to furnishing insights into their aesthetic aspects, inquiry into the architectural ornaments of public buildings reveals the interests of their commissioners and the public. Lime stuccowork assumed a central place among the architectural ornaments of bathhouses due to lime’s workability and its use as a major resilient building material in such hot and humid atmospheres. The present study seeks to investigate and analyze the lime stucco ornaments at bathhouses of Kurdistan Province in the timeframe spanning the Safavid to the end of the Qajar period. This descriptive, historical-c
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Sovran, Sanja, and Miroljub Hadzic. "Forms of international movement of capital with special emphasis on the PPP and concessions." Spatium, no. 36 (2016): 55–60. http://dx.doi.org/10.2298/spat1636055s.

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The state has always cooperated with the private sector in order to implement various activities in the best interest of public. The first models of public-private partnerships (PPP) appeared at the time of the Roman Empire in the context of public works in construction of public baths, markets and ports. Contemporary international movement of capital is a phenomenon that has existed for over a century. When discussing the PPP in modern day terms, the expansion of private involvement in the public sector starts in the 1970s and the 1980s of the previous century, in public infrastructure projec
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Stupar, Aleksandra, Vladimir Mihajlov, Ivan Simic, Aleksandar Grujicic, and Marija Cvetkovic. "Toward a sustainable urban regeneration? Urban heritage between neoliberal forces and community preferences." IOP Conference Series: Earth and Environmental Science 1196, no. 1 (2023): 012106. http://dx.doi.org/10.1088/1755-1315/1196/1/012106.

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Abstract The paper discusses a relationship between the neoliberal forces shaping contemporary urban transformations and the social sustainability of recent regeneration projects focused on urban heritage. Analysing two post-transitional cases, based on two different approaches, the paper will provide an insight into the dominant processes influencing both practices, as well as their anticipated/announced social sustainability and its achieved level. The first case is from Serbia - the Power Plant “Power and Light” - which was the first one generating alternating current in Belgrade. Located i
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Leeuwen, Thomas A. P. van. "Review: The Water Temple: Gründerzeit and Jugendstil Public Baths by Dieter Leistner, Hans-Eberhard Hess, Dirk Meyerhöfer." Journal of the Society of Architectural Historians 55, no. 4 (1996): 479–80. http://dx.doi.org/10.2307/991201.

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Dissertations / Theses on the topic "Public baths in art"

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Cardozo, Whitney. "Branch Public Baths." VCU Scholars Compass, 2013. http://scholarscompass.vcu.edu/etd/3029.

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Is it possible for a small hotel to strengthen connections between local and transient groups? Can a small hotel serve as a host to visitors to Richmond, Virginia but also serve as a ‘third place’ for people who live and work in the city? The Branch Public Baths Building in Richmond, Virginia will be renovated to strengthen community by serving as a restaurant and providing accommodations and interaction to a wide variety of travelers through an urban hotel setting.
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Nielsen, Inge. "Thermae et balnea : the architecture and cultural history of Roman public baths /." Aarhus : Aarhus university press, 1990. http://catalogue.bnf.fr/ark:/12148/cb35542483v.

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Nielsen, Inge Crabb Peter J. "Thermae et balnea : the architecture and cultural history of Roman public baths /." Aarhus : Aarhus university press, 1993. http://catalogue.bnf.fr/ark:/12148/cb37667905h.

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Lumsden, L. F. "The ecology and conservation of insectivorous bats in rural landscapes." Click here to access, 2004. http://tux.lib.deakin.edu.au/adt-VDU/public/adt-VDU20050825.143504.

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DeForest, Dallas. "Baths and Public Bathing Culture in Late Antiquity, 300-700." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1363089785.

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Whitmore, Alissa Marie. "Small finds and the social environment of the Roman baths." Diss., University of Iowa, 2013. https://ir.uiowa.edu/etd/1797.

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The public baths, functioning as a hygienic and social center, were among the most important public spaces in the Roman world. While ancient texts give scholars some indication of the social backdrop of the public baths, these records, written by upper class males, are largely silent on the activities of women, children, and the lower classes (cf. Allison 2007a:343, 346). As a result, scholars have only a partial understanding of the bath's social role in the lives of the ancient Romans. Archaeological assemblages of objects which the Romans lost or left behind in the baths are an under-utiliz
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Lumsden, Linda F., and mikewood@deakin edu au. "The ecology and conservation of insectivorous bats in rural landscapes." Deakin University. School of Ecology and Environment, 2004. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20050825.143504.

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Throughout the world, the increasing use of land for agriculture has been associated with extensive loss and fragmentation of natural habitats and, frequently, the degradation of remaining habitats. The effects of such habitat changes have been well studied for some faunal groups, but little is known of their consequences for bats. The aim of this study was to investigate the ecology and conservation of an assemblage of insectivorous bats in a rural landscape, with particular focus on their foraging and roosting requirements. This increased knowledge will, hopefully, assist the formulation of
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Batstone, Sarah Anne Katherine. "Health and recreation : issues in the development of bathing and swimming, circa 1800-1970, with special reference to Birmingham and Thetford, Norfolk." Thesis, University of Birmingham, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.369172.

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DeLaine, Janet. "Design and construction in Roman imperial architecture : the Baths of Caracalla in Rome /." Title page, table of contents and abstract only, 1992. http://web4.library.adelaide.edu.au/theses/09PH/09phd334.pdf.

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Wahl, Douglas E., and n/a. "The management of flying foxes (Pteropus spp.) in New South Wales." University of Canberra. Resource, Environmental & Heritage Sciences, 1994. http://erl.canberra.edu.au./public/adt-AUC20061113.152804.

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Throughout their world distribution, fruit bats (Chiroptera: Pteropodidae) play an extremely important role in forest ecology through seed dispersal and pollination. However, the recognition of their role in maintaining forest ecological diversity has been largely overshadowed by the fact that fruit bats are known to cause damage to a wide variety of cultivated fruits and, as a result, significant effort is undertaken to control fruit bat numbers in areas where crop damage frequently occurs. In Australia, fruit bats of the genus Pteropus (or flying foxes) are well known for their role in destr
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Books on the topic "Public baths in art"

1

Bonneville, Françoise de. Le livre du bain. Flammarion, 1997.

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Kılıç, Abdulla. Sudan sanata: From a drop of water--. İstanbul Büyükşehir Belediyesi, 2008.

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Warszawie, Muzeum Narodowe w., ed. Złoty Dom Nerona: Wystawa w 200-lecie śmierci Franciszka Smuglewicza. Muzeum Narodowe w Warszawie, 2008.

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United States. National Park Service, ed. Hot Springs National Park. National Park Service, 1994.

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Hunt, William J. More than meets the eye: The archeology of Bathhouse Row, Hot Springs National Park, Arkansas. U.S. Dept. of the Interior, National Park Service, Midwest Archeological Center, 2008.

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Hunt, William J. More than meets the eye: The archeology of Bathhouse Row, Hot Springs National Park, Arkansas. U.S. Dept. of the Interior, National Park Service, Midwest Archeological Center, 2008.

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Jiménez, Gertrudis Román. El universo extraído del sueño, Hammam: El Bañuelo de Granada : aproximación cultural y recreación plástica : del 25 de enero al 21 de febrero 2005. Editorial de Granada, 2005.

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Florida. Legislature. Senate. Standing Committee on Health and Rehabilitative Services. A review of chapter 514, Florida Statutes, public swimming and bathing facilities: Prepared pursuant to the Regulatory Sundown Act, chapter 11.6105(2)(t), Florida Statutes. The Committee, 1985.

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Paige, John C. Out of the vapors: A social and architectural history of Bathhouse Row : Hot Springs National Park, Arkansas. U.S. Dept. of the Interior, National Park Service, 1988.

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Amanda, Crabtree, ed. Public art. Academy Editions, 1996.

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Book chapters on the topic "Public baths in art"

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Al-Kodmany, Kheir. "Public Art." In Humanizing the High-Rise City. Routledge, 2024. http://dx.doi.org/10.4324/9781003331032-14.

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Mallam, Sasi Kiran R. "Of Cold Baths, Tender Coconuts, and Lethal Injections." In Handbook of Aging, Health and Public Policy. Springer Singapore, 2022. http://dx.doi.org/10.1007/978-981-16-1914-4_86-1.

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Sauvey, Tadhg. "Deathbed Conversions, Troglodytes, and Baths for the Brain." In Art, Music, and Mysticism at the Fin de Siècle. Routledge, 2024. http://dx.doi.org/10.4324/9781003247661-4.

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Jackson, Penelope. "Copies in Public Collections." In The Art of Copying Art. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-88915-9_6.

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Sheehy, Colleen J. "Yard Art as Public Art." In The Flamingo in the Garden. Routledge, 2021. http://dx.doi.org/10.4324/9781003249979-2.

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Arandelovic, Biljana. "Temporary Public Art." In Public Art and Urban Memorials in Berlin. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-73494-1_5.

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Zebracki, Martin. "Digital Public Art." In The Routledge Companion to Urban Media and Communication. Routledge, 2019. http://dx.doi.org/10.4324/9781315211633-33.

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Avgitidou, Angeliki. "Performing in public space." In Performance Art. Routledge, 2023. http://dx.doi.org/10.4324/9781003197904-9.

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Seldes, Gilbert. "The Useful Art." In The Public Arts. Routledge, 2021. http://dx.doi.org/10.4324/9780429339325-6.

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Aksel, Erdağ. "“Art for demos”." In Public Space Democracy. Routledge, 2022. http://dx.doi.org/10.4324/9781003193753-20.

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Conference papers on the topic "Public baths in art"

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Roberts, Jonathan C. "Engaging Data-Art: Conducting a Public Hands-On Workshop." In 2024 IEEE VIS Workshop on Visualization Education, Literacy, and Activities (EduVIS). IEEE, 2024. http://dx.doi.org/10.1109/eduvis63909.2024.00005.

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Paolucci, Pierluigi, Francesca Scianitti, and Camilla Di Donato. ""ART & SCIENCE ACROSS ITALY": A PUBLIC ENGAGEMENT PROJECT BETWEEN SCIENCE AND ART FOR HIGH SCHOOL STUDENT." In 19th International Technology, Education and Development Conference. IATED, 2025. https://doi.org/10.21125/inted.2025.1230.

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Feliz, Nerea. "Sutro’s Glass Palace: The Encapsulation of Public Space." In 2018 ACSA International Conference. ACSA Press, 2018. http://dx.doi.org/10.35483/acsa.intl.2018.18.

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This paper looks at the Sutro Baths (1894-96) in San Francisco as an early example of the interiorization of public space, as a pioneer “Fun Palace” and a stage of consumption. The Sutro Baths were an encapsulated microcosms, the delirious dream of an ambitious millionaire, engineer, and later major of San Francisco. Sutro, a German immigrant and entrepreneur managed to encapsulate the ocean inside a spectacular glass palace. The history of these baths is also a reflection of the problems of social inclusion and exclusion derived from the privatization of public space. Besides being the larges
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Mattsson, Mats, Erik Hellman, and Sven-Ake Ljungberg. "Airborne thermography for condition monitoring of a public baths building." In Aerospace/Defense Sensing, Simulation, and Controls, edited by Andres E. Rozlosnik and Ralph B. Dinwiddie. SPIE, 2001. http://dx.doi.org/10.1117/12.420998.

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Liu, Kexin. "Public Art Dialogue." In The 6th International Conference on Arts, Design and Contemporary Education (ICADCE 2020). Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210106.029.

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Mustafa, M., M. Begum, A. Backer, and J. Dollah. "Questioning public art." In ECO-ARCHITECTURE 2012. WIT Press, 2012. http://dx.doi.org/10.2495/arc120101.

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Gorichanaz, Tim. "Engaging with Public Art." In CHI '20: CHI Conference on Human Factors in Computing Systems. ACM, 2020. http://dx.doi.org/10.1145/3313831.3376640.

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Faghihi, Parinaz, Teresa Almeida, and Fernando Quintas. "PUBLIC GLASS ART: EXPLORING THE IMPACTS OF GLASS ART IN PUBLIC SPACES." In VIII World Congress on Communication and Arts. Science and Education Research Council (COPEC), 2015. http://dx.doi.org/10.14684/wcca.8.2015.21-24.

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"Deriving standards for designing public Baths to be compatible with the Egyptian community." In International Institute of Engineers. International Institute of Engineers, 2015. http://dx.doi.org/10.15242/iie.e0515013.

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Shemza, Aphra. "Public Interactive Art: Environmental Challenges." In Electronic Visualisation and the Arts (EVA 2017). BCS Learning & Development, 2017. http://dx.doi.org/10.14236/ewic/eva2017.19.

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Reports on the topic "Public baths in art"

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Conklin, Tiffany. Street Art, Ideology, and Public Space. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.761.

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Kalen, Nicholas. Bats of Richmond National Battlefield Park following white-nose syndrome: Public version. National Park Service, 2023. http://dx.doi.org/10.36967/2299295.

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I conducted bat surveys at Richmond National Battlefield Park to assess the status of bat communities following potential impacts of the disease white-nose syndrome. This disease, caused by the fungus Pseudogymnoascus destructans, has severely reduced populations of several bat species in the eastern United States, threatening some with regional extirpation. Most affected species include the little brown bat (Myotis lucifugus), northern long-eared bat (Myotis septentrionalis), Indiana bat (Myotis sodalis), and tricolored bat (Perimyotis subflavus). During the summers of 2016–2020, I sampled si
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Skinner, Bradley D. Public Affairs: A Facet of Operational Art? Defense Technical Information Center, 1997. http://dx.doi.org/10.21236/ada325041.

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Stephen Goss, Stephen Goss. Youth on the Move: Re-Storying Urban Communities with Public Art and Digital Media. Experiment, 2016. http://dx.doi.org/10.18258/8558.

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Mileti, D. S., and J. H. Sorensen. Communication of emergency public warnings: A social science perspective and state-of-the-art assessment. Office of Scientific and Technical Information (OSTI), 1990. http://dx.doi.org/10.2172/6137387.

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Stanley, Sharon A. Operational Art and the Incident Command System: Public Health's Bridge in Bioterrorism Preparedness and Response. Defense Technical Information Center, 2003. http://dx.doi.org/10.21236/ada414149.

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Bellwood-Howard, Imogen, Peter Taylor, and Aminata Niang. How to Use Collaborative Art-Making for Dialogue and Communication. Institute of Development Studies, 2023. http://dx.doi.org/10.19088/ids.2023.035.

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Artists have often used artworks to express emotions and thus prompt public dialogue about contemporary challenges. At the same time, it has been suggested that collaborative art-making can be used in environmental deliberation processes, where stakeholder groups discuss contentious challenges such as the effects of flooding. Policy actors have rarely been deeply involved in these processes. Our recent research showed that collaborative art could be used to develop relationships between groups, including policy actors, in deliberation processes, by creating artworks to bring concerns into the
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Barde, Stephane Remy Antoine. The Art of Digitalization: A Dive into e-Estonia. Asian Productivity Organization, 2024. http://dx.doi.org/10.61145/iini4552.

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Estonia is a digital transformation pioneer, offering valuable lessons to those hoping to follow a strategic approach to modernization. e-Estonia encompasses digital network development for education, healthcare, business, and citizens’ interactions with government based on the three pillars of confidentiality, availability, and integrity. X-Road, the backbone of e-Estonia, facilitates public service delivery, streamlines processes, and thereby lowers costs and raises citizens’ confidence in government. The citizen-centric approach and cross-border cooperation initiatives offer a guide for APO
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Bocalandro, Laura, and Rafael Villa. A Blueprint for a Regional Public Goods Monitoring and Evaluation System. Inter-American Development Bank, 2011. http://dx.doi.org/10.18235/0009039.

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This technical note presents a blueprint for a Monitoring and Evaluation System for the Regional Public Goods Program. The blueprint took into consideration the improvements and continued deficiencies of the monitoring and evaluation function currently applied to the RPG Program and projects, and the state of the art in monitoring and evaluation of integration programs, particularly those focused on the software aspects of integration. The scope of the proposed system includes both monitoring and evaluation of impact and performance, and auditing results and processes (or technologies). Its de
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Rich, Kate, and Femke Snelting. None of this experiment is evident. The Institute for Technology in the Public Interest, 2024. https://doi.org/10.70934/0yxnhx.

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A conversation between Kate Rich (Irational.org) and Femke Snelting (The Institute for Technology for the Public Interest, TITiPI) about the conditions around hosting TITiPI’s email services on the Irational.org collective art server.
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