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Dissertations / Theses on the topic 'Public baths in art'

Author: Grafiati

Published: 27 July 2024

Last updated: 31 July 2025

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1

Cardozo, Whitney. "Branch Public Baths." VCU Scholars Compass, 2013. http://scholarscompass.vcu.edu/etd/3029.

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Is it possible for a small hotel to strengthen connections between local and transient groups? Can a small hotel serve as a host to visitors to Richmond, Virginia but also serve as a ‘third place’ for people who live and work in the city? The Branch Public Baths Building in Richmond, Virginia will be renovated to strengthen community by serving as a restaurant and providing accommodations and interaction to a wide variety of travelers through an urban hotel setting.

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2

Nielsen, Inge. "Thermae et balnea : the architecture and cultural history of Roman public baths /." Aarhus : Aarhus university press, 1990. http://catalogue.bnf.fr/ark:/12148/cb35542483v.

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3

Nielsen, Inge Crabb Peter J. "Thermae et balnea : the architecture and cultural history of Roman public baths /." Aarhus : Aarhus university press, 1993. http://catalogue.bnf.fr/ark:/12148/cb37667905h.

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4

Lumsden, L. F. "The ecology and conservation of insectivorous bats in rural landscapes." Click here to access, 2004. http://tux.lib.deakin.edu.au/adt-VDU/public/adt-VDU20050825.143504.

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5

DeForest, Dallas. "Baths and Public Bathing Culture in Late Antiquity, 300-700." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1363089785.

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6

Whitmore, Alissa Marie. "Small finds and the social environment of the Roman baths." Diss., University of Iowa, 2013. https://ir.uiowa.edu/etd/1797.

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The public baths, functioning as a hygienic and social center, were among the most important public spaces in the Roman world. While ancient texts give scholars some indication of the social backdrop of the public baths, these records, written by upper class males, are largely silent on the activities of women, children, and the lower classes (cf. Allison 2007a:343, 346). As a result, scholars have only a partial understanding of the bath's social role in the lives of the ancient Romans. Archaeological assemblages of objects which the Romans lost or left behind in the baths are an under-utiliz

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7

Lumsden, Linda F., and mikewood@deakin edu au. "The ecology and conservation of insectivorous bats in rural landscapes." Deakin University. School of Ecology and Environment, 2004. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20050825.143504.

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Throughout the world, the increasing use of land for agriculture has been associated with extensive loss and fragmentation of natural habitats and, frequently, the degradation of remaining habitats. The effects of such habitat changes have been well studied for some faunal groups, but little is known of their consequences for bats. The aim of this study was to investigate the ecology and conservation of an assemblage of insectivorous bats in a rural landscape, with particular focus on their foraging and roosting requirements. This increased knowledge will, hopefully, assist the formulation of

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8

Batstone, Sarah Anne Katherine. "Health and recreation : issues in the development of bathing and swimming, circa 1800-1970, with special reference to Birmingham and Thetford, Norfolk." Thesis, University of Birmingham, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.369172.

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9

DeLaine, Janet. "Design and construction in Roman imperial architecture : the Baths of Caracalla in Rome /." Title page, table of contents and abstract only, 1992. http://web4.library.adelaide.edu.au/theses/09PH/09phd334.pdf.

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10

Wahl, Douglas E., and n/a. "The management of flying foxes (Pteropus spp.) in New South Wales." University of Canberra. Resource, Environmental & Heritage Sciences, 1994. http://erl.canberra.edu.au./public/adt-AUC20061113.152804.

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Throughout their world distribution, fruit bats (Chiroptera: Pteropodidae) play an extremely important role in forest ecology through seed dispersal and pollination. However, the recognition of their role in maintaining forest ecological diversity has been largely overshadowed by the fact that fruit bats are known to cause damage to a wide variety of cultivated fruits and, as a result, significant effort is undertaken to control fruit bat numbers in areas where crop damage frequently occurs. In Australia, fruit bats of the genus Pteropus (or flying foxes) are well known for their role in destr

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11

Barrett, Janine. "Australian bat lyssavirus /." St. Lucia, Qld, 2004. http://adt.library.uq.edu.au/public/adt-QU20040729.134623/index.html.

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12

Williams, Stephanie Danielle. "ART AT THE AIRPORT AND THE INTERSECTION OF PUBLIC ART AND PUBLIC HISTORY." Master's thesis, Temple University Libraries, 2017. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/448628.

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History<br>M.A.<br>This thesis is a study of the intersection of public art and public history in Philadelphia. This project looks at Philadelphia based case studies to see how the intersection of public art and public history can bring in new audiences, act as a form of advertisement, and shape interactive experiences for visitors. Connecting to a body of literature that deals with the power of place, I ask in this study how public history in unexpected places has the power to bring in new audiences that may not have the chance or even want to visit a traditional history museum or historic si

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13

Higgins, Darcy. "Marked Space: Public Art and the Public Sphere." Ohio University Honors Tutorial College / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1307382998.

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14

Cartiere, Cameron. "RE/placing public art : the role of place specificity in new genre public art." Thesis, University of the Arts London, 2003. http://ualresearchonline.arts.ac.uk/2301/.

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This research is an exploration of the development and influence of place-specificity within the field of new genre public art. Over the last several years the term place-specificity and its variance, place-specific has occurred frequently in art reviews and exhibition catalogues particularly in relation to installations, permanent public art works, and public interventions. While place-specificity is now a recognised term in the current lexicon of public art discussion, within many texts the phrase place-specific is often indiscriminately interchanged with site-specific, implying that the two

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15

Cavendish, Maia. "Public Art and Residual Urban Spaces : The Case for Informal Public Art in Stockholm." Thesis, KTH, Urbana och regionala studier, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-256316.

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While Stockholm has made significant investments in formal public art throughout the inner city and suburbs, the city has a lack of informal public art. Defined as a feature or work produced by a person who considers themselves to be an artist or craftsperson, located in a place accessible to and used by the public, public art can be either formal or informal. Informal public art generally has no formal process, with flexibility on the temporal nature of the work, materials and subject. This allows the artwork to inhabit spaces which are overlooked or underinvested in by formal public art comm

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16

Bennett, Josephine. "Marketing public art : public art, urban cultural policy and the role of relationship marketing." Thesis, Queensland University of Technology, 2000.

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17

Cheung, Wai-ting Stephanie, and 張慧婷. "Public art in Hong Kong." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B29521749.

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18

Badger, Paul Allen. "Some thoughts on public art." The Ohio State University, 1994. http://rave.ohiolink.edu/etdc/view?acc_num=osu1314892610.

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19

Baldini, Andrea. "Public Art: A Critical Approach." Diss., Temple University Libraries, 2014. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/240857.

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Philosophy<br>Ph.D.<br>In this dissertation, I provide a philosophical analysis of public art. I focus on its "publicness," and draw implications at the level of public art's ontology, appreciation, and value. I uphold the view that an artwork is public when received within a public sphere rather than within artworld institutions. I further argue that, as a consequence of the peculiar nature of its reception, public art possesses an essential value that is distinctively non-aesthetic: to promote political participation and to encourage tolerance. By examining how public art and its value(s) re

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20

Norman, Garrett Tyler. "Pismo Beach Public Art Program." DigitalCommons@CalPoly, 2014. https://digitalcommons.calpoly.edu/theses/1182.

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Public art plays a significant role in communities around the world. It embodies a close relationship between the artist, the space in which it’s being exhibited, and the public. The development of this project examined various literary sources that demonstrated the importance of public art and how cities, artists, and community members may benefit from the incorporation of public art. This project included the framework for development of a Public Art Program for the City of Pismo Beach, California, which outlined the critical steps of a planning process and implementation of the program.

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21

Kamani, Solinda. "Neglected architectural decoration from the late antique Mediterranean city : public porticoes, small baths, shops/workshops, and 'middle class' houses." Thesis, University of Kent, 2014. https://kar.kent.ac.uk/47906/.

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This thesis examines the neglected architectural decoration from the late antique Mediterranean city (ca. 300-650 A.D.). It aims to address the omission in scholarly literature of any discussion about the decoration of non-monumental secular buildings, namely porticoes flanking streets, agorai, macella and ornamental plazas, small public baths, shops/workshops and ‘middle class’ houses. The decoration of non-monumental secular buildings has been overlooked at the expense of more lofty buildings and remains thus far one of the least known aspects of the late antique city. Considering that publi

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22

Longo, Sheila A. (Sheila Ann). "Construction and installation of public comfort art : "Art as sanctuary"." Thesis, Massachusetts Institute of Technology, 2005. http://hdl.handle.net/1721.1/32952.

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Thesis (S.B.)--Massachusetts Institute of Technology, Dept. of Mechanical Engineering, 2005.<br>Includes bibliographical references (leaf 29).<br>This paper illustrates the construction and installation of a public piece of art, hidden within which is an enclosed and private meditation space. In making the piece, the artist was influenced by the works of others as well as by her own previous works and personal experiences. The theory of deep touch pressure can be extrapolated to associate encapsulation within small, enclosed spaces with relaxation and the relief of anxiety. Through the fluid p

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23

Offutt, Christina. "Floating Bath Houses: Public Health and Recreation for the Working Class in Nineteenth-century New Orleans." ScholarWorks@UNO, 2010. http://scholarworks.uno.edu/td/1178.

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One seemingly lost aspect of working-class life in antebellum New Orleans stems from the effort of entrepreneurs to provide bathing and swimming facilities for the city's working poor. In exchange for a relatively inexpensive fee per use, working-class New Orleanians served as the customer base for â€œfloating poolsâ€ moored along the Mississippi riverfront. Beginning in 1836, these pools represented a transitional phase between the long extant tradition of bathing and swimming for free in the river and the development of commercialized, waterfront pleasure resorts for the masses in the

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24

To, Yick-yam Percy. "A public art crossover the art asteroid in San Po Kong /." Click to view the E-thesis via HKUTO, 2004. http://sunzi.lib.hku.hk/hkuto/record/B3198728X.

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25

Sin, Ka-ki. "Narrator-public art landscape regeneration strategy /." View the Table of Contents & Abstract, 2005. http://sunzi.lib.hku.hk/hkuto/record/B34609659.

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26

Sin, Ka-ki, and 冼家琪. "Narrator-public art landscape regeneration strategy." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B45009661.

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27

Prokůpek, Marek. "Performance Measurement of Public Art Museums." Doctoral thesis, Vysoká škola ekonomická v Praze, 2015. http://www.nusl.cz/ntk/nusl-264709.

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The issue of the economics of cultural institutions, their economic impact, and measurement of their performance has been paid systematic attention basically only in the past few years. PhD thesis analyses the methods of performance measurement in public art museums and creates economic models. Aim of my thesis is also to create a model for museum managers to measure the performance. Nowadays it is almost necessary to integrate performance measurement system in organization´s strategy decision making. The museum managers feel the pressure to prove that their organization is performing well by

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28

Wallace, Glenn. "Emancipatory Gestures: Public Art as Dissensus." Thesis, The University of Sydney, 2018. http://hdl.handle.net/2123/18828.

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This thesis explores the idea of public art as dissensus. In contrast to public art being used by government as a tool for consensus, the thesis shows dissensus, understood as the political effect of aesthetic experience, at work in eight contemporary public artworks produced in Sydney between 2005 and 2015. I argue that these public artworks operate as emancipatory gestures in that they demonstrate the capacity of artists and government to harness the dissensual effect of art and critically reflect on the fabric of commonplace practices, discourses and institutions shaping the city today. The

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29

Conklin, Tiffany Renée. "Street Art, Ideology, and Public Space." PDXScholar, 2012. https://pdxscholar.library.pdx.edu/open_access_etds/761.

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The concept of the city has come to play a central role in the practices of a new generation of artists for whom the city is their canvas. Street art is a complex social issue. For decades, its presence has fueled intense debate among residents of modern cities. Street art is considered by some to be a natural expression that exercises a collective right to the city, and by others, it is seen as a destructive attack upon an otherwise clean and orderly society. This research focuses on various forms of street art from the perspective of the urban audience. The general aim is to further an under

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30

Toussaint, Jacques Heinrich. "Le citoyen et la commande : l’art public dans l’espace public en France et Allemagne (1973-2008)." Electronic Thesis or Diss., Paris 8, 2021. http://www.theses.fr/2021PA080123.

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Cette thèse se penche sur la commande d’art public dans l’espace public entre 1973 et 2008 en France métropolitaine et en Allemagne. Sans perdre de vue les œuvres d’art elles-mêmes dans toute leur diversité, il s’agit d’examiner les politiques institutionnelles de ces deux régimes démocratiques, en particulier la commande publique en France et, outre-Rhin, les programmes municipaux de Kunst im öffentlichen Raum des villes-États de Brême et de Hambourg. Ces dynamiques répondent à des climats politiques et culturels fort différents, mais selon une idée commune (quoique parfois vague) : la démocr

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31

Dear, Jackie. "What possibilities for art are represented by the 'new' and the 'public' of new genre public art." Thesis, University of Essex, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.310054.

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32

Healy, C. "Is public art a waste of space? : an investigation into residents' attitudes towards public art in Harlow." Thesis, University College London (University of London), 2008. http://discovery.ucl.ac.uk/1444238/.

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Public art has undergone somewhat of a renaissance over the last 20 years, with now over 70% of urban planning authorities including policies for artwork. With this renaissance, public art has moved into the realm of urban design and regeneration, with advocates claiming public art helps in developing a sense of place, identity and community. Public art is also attributed to functioning as a landmark for improving legibility and navigating. Yet popular press would have us believe that people are somewhat disgruntled with their public art. As the voices of the public are fundamentally absent fr

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33

Woods, Ruth. "Shopping with Art : How Art Creates its Role in Public Places." Doctoral thesis, Norges teknisk-naturvitenskapelige universitet, Institutt for byggekunst, form og farge, 2012. http://urn.kb.se/resolve?urn=urn:nbn:no:ntnu:diva-16253.

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34

To, Yick-yam Percy, and 杜亦蔭. "A public art crossover: the art asteroid in San Po Kong." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B3198728X.

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35

McKnight, Calvin (Calvin Bruce) Carleton University Dissertation Geography. "Public art and urban spaces; the place of art in the public interest in the National Capital Region." Ottawa, 1996.

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36

Dunbar, Nina L. "Public arts administration and the Public Art Fund inc. : a report." ScholarWorks@UNO, 1988. http://scholarworks.uno.edu/aa_rpts/72.

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The subject of this report concerns one organization that has been at the forefront of the contemporary public art movement. The Public Art Fund Inc., an eleven year-old, private nonprofit organization dedicated to the integration of art in urban settings, can be viewed as a case study in the challenges and problems of public art administration. Founded one decade after the newly created National Endowment for the Arts awarded its first grant for a public art project in 1967, the Public Art Fund has grown with the public art movement by adapting with innovation and dedication to its changi

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37

Petrova, Denitsa. "Public Art 2.0 : developing shared platforms for creativity in public spaces." Thesis, University of Edinburgh, 2016. http://hdl.handle.net/1842/25670.

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This research explores parallels, connections and synergies between public art, artistic practice beyond the gallery context, and Web 2.0, the Internet platform for user‐ generated content, online communication medium and host for web-based communities. I look at the impact, actual and potential, of Web 2.0 on the ways in which public art is made. Through Web 2.0 a different set of criteria and methods can be established in order to re-examine the practice of art. What can public art learn from Web 2.0? What are the possible debates that Web 2.0 can provoke in the field of public art? What nov

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38

Knight-Mudie, Karen, and n/a. "Attitudes towards art competitions of senior secondary art students and teachers." University of Canberra. Education, 1988. http://erl.canberra.edu.au./public/adt-AUC20060811.154408.

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Growing concern for the popularity of art competitions that encourage participation of secondary school senior art students is reflected in debate by many Australian art educators. It appears that acceptance of the external goal of winning a prize may demonstrate that many students and teachers have not fully considered the adverse implications of extrinsic rewards on learning strategies relevant to artistic behavior. On the other hand the benefit of exhibitions of student art work appears to be overshadowed by the prevalence of art competitions. This study surveys attitudes and perceptions of

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39

Lam, Suet-hung Anne. "A study of the educational role of public art museums." Click to view the E-thesis via HKUTO, 2005. http://sunzi.lib.hku.hk/HKUTO/record/B38628740.

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40

Oketch, Francis Onyango. "Art and conversation : disturbation in public space." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:7b5abb31-0fed-44fb-bcd1-91e1fa96bd58.

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Arthur C. Danto introduced the term “disturbation” in 1985 to denote artworks that confront audiences with the materials of reality in order to produce reactions that are continuous with those of real life. Danto argued that disturbational art dissolve the distance between representation and reality opened up by Platonic metaphysics and by the insertion of theatrical distance, returning art to its mimetic and magical phase. The thesis uses Danto’s conceptual framework to develop a critical account of artworks that use politics as the medium for their disturbational content by creating relation

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41

Papadaki, Elena. "Curating screens : art, performance and public spaces." Thesis, Goldsmiths College (University of London), 2014. http://research.gold.ac.uk/11255/.

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Based on theoretical research (for example Fried 1967; Krauss 1979; Graham & Cook 2010; Mondloch 2010; Trodd 2011) and five distinctive art case studies (Videographies: The Early Decades [2005], China Power Station: Part I [2006]), performance ( ... some trace of her [2008]) and public spaces (Under Scan [2008] and Temenos 2012 [2012]) this thesis traces the interrelation between curating, institutions and exhibition practices through screen-based works, specifically using the term to denote screen media in physical space and within an arts context. The field of curatorship in relation to the

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42

Di, Mauro Salvatore Mario. "Public Art: A Catalyst for Community Engagement." Thesis, Griffith University, 2015. http://hdl.handle.net/10072/367985.

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This exegesis revolves around my research question: Is community participation an appropriate approach to creating public art in regional Queensland? It is informed by my experience of directing public art in regional Queensland over the last two decades. My investigation, which employs a reflective methodology, will attempt to address and answer why and how the process of community consultation and participation is essential to the relevance and longevity of public art projects. In doing so, I will engage with a number of case studies to position, problematise, and resolve issues and concerns

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43

Andary, Chetana. "Curating place: Public art and city identity." Thesis, Queensland University of Technology, 2020. https://eprints.qut.edu.au/202922/1/Chetana_Andary_Thesis.pdf.

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This Thesis investigates the impact and influence of the public art-curator to engender place-identity. It focuses on the connected relationship between curating, public art, and place identity to develop a contemporary understanding of the challenges, drivers, players and intersections that determine spatial and custodial narratives. Through the theories of placemaking and brand marketing and the review of the art and cultural policies of New York, Singapore, and Qatar, it draws upon the practice in curating public art.

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44

DOHERTY, WILLIAM. "ART + DEMOCRACY: Expanding the meaning and practice of Democracy through Public Art." Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-22783.

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This thesis contributes to an EU Policy Lab project entitled The Future of Government 2030+. The aim of which is to generate knowledge in the context of the rapidly changing relationship between citizens and government.Using a co-design and speculative design process this thesis specifically looks at informing a citizen centric perspective on envisioning and formulating the design of new interactive tools and forms of engagement. Looking at the potential of art’s role in rethinking the way democracy and governments operate and exploring how citizens could interact, participate and engage in de

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45

Solano, Maria Schelle. "Art, Commerce, and Social Transformation: Public Art And the Marketing of Philadelphia." Diss., Temple University Libraries, 2012. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/184817.

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Anthropology<br>Ph.D.<br>The field site for this US-based ethnography is the city of Philadelphia, Pennsylvania. The overwhelming presence of murals in the urban landscape calls into question how these figurative wall-sized paintings improve the lives and neighborhoods in which these paintings are found. With Philadelphia suffering the consequences of deindustrialization and neoliberal globalization, characterized by high poverty and inequality, and consistently low rankings in quality of life indicators by the national media, what role do murals play in change? Do murals mask urban problems b

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46

Perego, Federica <1994&gt. "VENICE ART STOPS. Contemporary art in the public space: projects and externalities." Master's Degree Thesis, Università Ca' Foscari Venezia, 2022. http://hdl.handle.net/10579/21772.

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This essay investigates the possibilities for a Public Art project in Venice and its feasibility, with an analysis over the positive impact of Contemporary Art and Public Art in the urban environment and transportation system, taking into account the project already done in Naples of the same kind. The paper illustrates the contemporary characteristic of the Public Art sphere and its tight connection to the urban space of the city, defining the interdisciplinary tools between artistic production and urban planning that could be useful to create aesthetic value and social and economic positive

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47

Csinos, David M. "Light Art, Street Art, and the Art of Preaching: Sound-and-Light Shows as Public Proclamation." Universität Leipzig, 2020. https://ul.qucosa.de/id/qucosa%3A72283.

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This article examines how the phenomenon of sound-and-light shows fulfills the purposes of preaching and, as such, can be perceived as a form of public proclamation. Originating in France but now offered all over the world, these shows use large-scale video projection to display images on the facades of historic buildings, many of which are religious in nature, set to sound effects and music. The author begins by addressing three purposes of preaching that arise within homiletical discourse: testimony of God’s story, empowering transformation, and engendering encounters with God. Drawing from

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48

Tudor, Harriett. "Raising recycling awareness through public art: using public art as a catalyst to rethink downtown Kansas City’s recycling system." Kansas State University, 2016. http://hdl.handle.net/2097/32707.

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Master of Landscape Architecture<br>Landscape Architecture/Regional and Community Planning<br>Jason S. Brody<br>Recycling programs and public art have the capacity to improve the urban environment and quality of life to enhance downtown neighborhoods for residents, employees, and visitors (Miles 1989; Kansas City Design Center 2015). Kansas City, Missouri, currently does not have a strategic recycling program in place for multi-family housing or commercial businesses. Additionally, Downtown lacks appropriate recycling infrastructure in the public realm. This lack of private and public recyclin

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49

Hansson, Jessica. "Rest in public." Thesis, Konstfack, Inredningsarkitektur & Möbeldesign, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-2717.

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50

Conard, Corrinn E. "Where is the public in public art? A case study of Millennium Park." Columbus, Ohio : Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1198707193.

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