Relevant bibliographies by topics / Public service broadcaster

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Public service broadcaster'

Author: Grafiati
Published: 4 June 2021
Last updated: 7 February 2022

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Journal articles on the topic "Public service broadcaster"

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Skrzypczak, Jędrzej, and Grzegorz Iwasiuta. "Polarisation of Content in Polish News Making, as Exemplified by News Programmes of Licensed Broadcasters and the Public Service Broadcaster." Zeszyty Prasoznawcze 64, no. 2 (246) (2021): 23–48. http://dx.doi.org/10.4467/22996362pz.21.009.13474.

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The paper contains a quantitative and qualitative analysis of the news services of the three largest broadcasters and three events essential for the functioning of the state and public life in Poland. The first one was the amendment to the Supreme Court Act of July 2017. The second event was the local elections campaign in Poland (broadcasts aired on the 18th of October 2018, the last but one day of the elections campaign), while the third set of material were the news items on the murder of the Mayor of Gdańsk – Paweł Adamowicz (broadcasts aired on the 15th of January 2019, one day after the tragic event). The analysis focused on the evening news editions by the three most popular broadcasters with the highest viewership, including commercial stations (i.e. TVN’s Fakty and Polsat’s Wydarzenia) and the public broadcaster (i.e. the Polish Television’s Wiadomości). In total, 43 news items of 2 hours, 20 minutes and 6 seconds were analysed. The study has revealed a clear polarisation of news content coming from the licensed broadcasters and the public service broadcaster.
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Calfano, Brian Robert, and Donald P. Green. "Assessing the Efficacy of Radio Public Service Announcements: Results From Three Field Experiments." Electronic News 13, no. 3 (2019): 134–51. http://dx.doi.org/10.1177/1931243119883655.

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Public service announcements (PSAs) are key staples for broadcasters in fulfilling their Federal Communications Commission–mandated public interest mission, and the familiarity of the PSA format has helped motivate broadcaster attempts to monetize these short, community-focused messages. But relatively few studies have rigorously assessed the impact of PSAs; to date, there have been no randomized experiments gauging PSAs aired on radio stations with different programming formats. To fill this gap, we report the results of three field-based experiments randomizing the airdates of PSAs on three separate broadcast radio stations. Results suggest PSAs have significant, but short-lived, effects on audience behavior. This finding has implications for organization sponsorship and broadcaster use of PSAs as well as researcher approaches to studying these spots through randomized field experiments.
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Sjøvaag, Helle, Truls André Pedersen, and Thomas Owren. "Is public service broadcasting a threat to commercial media?" Media, Culture & Society 41, no. 6 (2018): 808–27. http://dx.doi.org/10.1177/0163443718818354.

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This article asks to what extent public service broadcasting’s online news service resembles that of commercial media. The context of this inquiry is claims of ‘out-crowding’ facing public service broadcasters across Europe. In Norway, commercial players in this debate accuse the public service broadcaster, NRK, of being too similar to competitors in the private sector for commercial operators to attain sustainable revenues in the online realm. To ascertain the extent to what these claims are warranted, this article compares NRK’s online content with that of nine commercial competitors in national and local markets, using a hybrid methodological approach combining quantitative content analysis with Latent Dirichlet allocation, analysing in excess of 115,000 documents. Findings show that commercial operators resemble each other more than they do NRK, indicating closer competition in the commercial segment than between the public service broadcaster and market players.
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Hermida, Alfred. "E-democracy remixed: Learning from the BBC's Action Network and the shift from a static commons to a participatory multiplex." JeDEM - eJournal of eDemocracy and Open Government 2, no. 2 (2010): 119–30. http://dx.doi.org/10.29379/jedem.v2i2.29.

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This paper examines a five-year initiative by the UK's public service broadcaster, the BBC, to reinvigorate civic engagement at a time of declining public participation in politics. The Action Network project, originally called iCan, ran from 2003 to 2008 and was one of the most high profile and ambitious attempts by a public service broadcaster to foster eParticipation through an online civic commons. This study analyzes Action Network within the context of conceptualizations of the Internet as a networked, distributed and participatory environment and the shift towards what scholars describe as a networked public sphere. It suggests that the project did not have the impact anticipated as it was borne out of a paternalistic broadcast legacy, out of step with the trend towards distributed and collaborative discourse online that reassesses the notion that the public is simply a resource to be managed. This paper argues that the BBC experience provides lessons in how the media, and specifically public service broadcasters, can contribute towards greater political participation and democratic dialogue through the Internet by adopting Web 2.0 approaches that enable citizens to engage on different levels and at different times, depending on contexts.
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Andrews, Hannah. "‘More than a Television Channel’." Convergent Television(s) 3, no. 6 (2014): 5. http://dx.doi.org/10.18146/2213-0969.2014.jethc065.

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Obliged by act of Parliament to ‘innovate and experiment’, Channel 4 has, since its birth in 1982, been the UK’s most pioneering commercial television broadcaster. Its arrival broadened the meaning, function and operations of public service broadcasting in the UK, with a particular focus on minorities and pushing boundaries, political and creative. In the late 1990s, though, it was under increasing threat from specialist pay-TV services that could more accurately target its audiences. As a commercially funded channel with public service responsibilities, Channel 4 was under increasing pressure to be financially independent and fulfil a challenging remit. Its response to a threatened income and increasing competition was to diversify its portfolio into various media related businesses, particularly taking advantage of the arrival of digital television to expand its offer. The subtitle of the Corporation’s 2000 Annual report, ‘More than a Television Channel’ indicates the confidence, optimism and boldness with which this expansion was approached. The rapid expansion of the channel’s portfolio in a time of relative confidence in the commercial viability of the television industry was to be reversed only a few years later, when, after it failed to produce the returns it was designed for, 4Ventures was drastically scaled back, and Channel 4 refocused its efforts on the core broadcast channel. Channel 4 therefore offers a test case in the limits of convergence as a strategy for survival for British broadcasters at the arrival of digital television. This paper focuses specifically on the areas of Channel 4’s strategy that pertained to one of the broadcaster’s particular strengths: film culture. It explores one of the film offshoots of 4Ventures: FilmFour Ltd, the film finance, production, sales and distribution company and how its failure to find a commercial hit mirrors the general problems for a commercial public service broadcaster in expanding to become a convergent television company.
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Long, Malcolm. "Do More — With Less: Some Challenges for the Public Service Broadcaster." Media Information Australia 41, no. 1 (1986): 21–26. http://dx.doi.org/10.1177/1329878x8604100107.

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The 1980s seems to be the decade in which public service broadcasting will have to answer for its existence as never before. Certainly in most countries, where public service broadcasting is part of the media scene, there has been the bubbling of controversy in the past: heated debates about funding; disagreements about program policies; revelations of management inefficiency and incompetence. These things are perhaps all part of the complex, somewhat neurotic love/hate relationship that audiences have with their national broadcaster. In recent years, however, the ‘debate’ about public service broadcasting has taken on a new tone. It is almost a frantic debate, conducted with a great deal of energy by government, broadcasters and audiences, and often with considerable bitterness. There is now a constant testing of the legitimacy of the public service broadcaster. Those of us who work within these organisations find that we are required regularly to make the argument for national broadcasting and to restate the philosophical assumptions that underpin its existence. Why is this so?
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Volčič, Zala, and Melita Zajc. "Hybridisation of Slovene Public Broadcasting: From National Community towards Commercial Nationalism." Media International Australia 146, no. 1 (2013): 93–102. http://dx.doi.org/10.1177/1329878x1314600113.

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Public broadcasting institutions have existed as central and publicly funded national institutions, providing services in the public interest. The coincidence of technological, political and economic circumstances in the last 20 years or so, however, has challenged their monopoly position. Technological developments – specifically digitalisation – have expanded spectrum availability. In some cases, public television has been commercialised, privatised or marginalised by the introduction of commercial channels. This article focuses on a specific case study of the Slovene public broadcaster. It addresses the fate of public service television in the digital and post-communist era, tracing the transformation from state broadcasters to the era of digital delivery, audience fragmentation and commercial nationalism. It explores, on the one hand, the way in which public service broadcasters have embraced and capitalised on new forms of digital distribution and, on the other, how they continue to embrace national(istic) and commercial imperatives.
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Starks, Michael John. "Digital Convergence and Content Regulation." Convergent Television(s) 3, no. 6 (2014): 125. http://dx.doi.org/10.18146/2213-0969.2014.jethc075.

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Distribution systems for broadcasting, Press and Internet journalism are converging: the same infrastructure can deliver all three historically separate services. Reception devices mirror this: the Connected TV, the tablet and the smart phone overlap in their functionality. Service overlaps are evident too, with broadcasters providing online and on-demand services and newspapers developing electronic versions. Does this mean that media regulation policies must converge too? My argument is that they should, though only where historically different communications are now fulfilling a similar function, e.g. broadcaster online services and electronic versions of newspapers. Convergence requires a degree of harmonisation and, to this end, I advocate a review of UK broadcasting’s ‘due impartiality’ requirement and of the UK’s application of the public service concept. I also argue for independent self-regulation (rather than state-based regulation) of non-public-service broadcasting journalism. These proposals are UK-specific since, given the regulatory and cultural differences between countries, detailed policy changes are likely to be determined mainly at national level, but I note the wider European context. Moreover, the underlying principle is relevant internationally: as freedom of entry into the non-public service sector of broadcast and online journalism becomes closer to the historically much greater freedom of entry into the Press, so the regulation of freedom of expression in these converging fields should become more consistent – and, I would argue, less state-based.
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Trouillard, Pauline. "Financing the public service broadcasting under European Union law." Comunicação e Sociedade 30 (December 29, 2016): 451–63. http://dx.doi.org/10.17231/comsoc.30(2016).2508.

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A protocol annexed to the Amsterdam Treaty, regarding public broadcasting in Member States, provides that Member States are free to fund public service broadcasting as far as it does not affect competition in the European Union to an extent which would be contrary to the common interest. As a result of this condition, the European Commission carries out a proportionality test to check if there is no overcompensation or disproportionate effects of public funding. It nonetheless does so by adopting a global control which considers all public broadcaster programmes as part of the public service remit. Such control is problematic because it does not take into account the distinction between commercial and public service programmes nor the actual quality of programmes. The Commission indeed focuses its control on the advertisement market, making sure that public broadcasters do not take advantage of public funding to lower the price of advertisement rates. The freedom enjoyed by public broadcasters to provide any types of programmes as far as they respect the advertisement market comes out to be contrary to citizen welfare.
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Bennett, James, and Niki Strange. "The BBC's Second-Shift Aesthetics: Interactive Television, Multi-Platform Projects and Public Service Content for a Digital Era." Media International Australia 126, no. 1 (2008): 106–19. http://dx.doi.org/10.1177/1329878x0812600112.

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This article maps out some of the implications of interactivity and convergence for television's textual and industrial forms in relation to the BBC's status as a public service broadcaster. Whilst the digitalisation of television may bring about new textual, industrial and audience configurations, the goals for broadcasters remain the same: to attract viewers in a marketplace where there is increasing competition for screen-based leisure time. John Caldwell's work on ‘second-shift aesthetics’ demonstrates how TV-dot.com synergies must now attempt to ‘master textual dispersals and user navigations that can and will inevitably migrate across brand boundaries’ in order to keep audiences engaged with their proprietary content for as long as possible (Caldwell, 2003: 136). However, for public service broadcasters, mastering these user flows does not simply take the form of an economic transaction. Rather, these second-shift strategies must serve and fulfil public service (PS) obligations and engage viewers in new relationships. Based on a combination of textual analysis and critical industrial research, including interviews with key industry personnel, this article examines the BBC's early second-shift practices in relation to interactive television (iTV) and ‘multi-platform projects’, as the corporation moves from being a PS broadcaster to a PS content-provider.
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Dissertations / Theses on the topic "Public service broadcaster"

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Tichonovaite, Monika. "The Public Service Broadcaster of Lithuania in the Era of Commercialization." Thesis, Uppsala universitet, Medier och kommunikation, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-154398.

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The television industry in Lithuania is analyzed in this thesis with a focus on the impact of commercialization on the public service broadcaster. The purpose of the research paper is to describe the impact of the changing market on the public service broadcaster of Lithuania using as theoretical framework the approach of the political economy of the media and communication and quantitative methods. One part of the thesis is the theoretical research, which is done by analyzing and systematically presenting books and articles that relate to the thesis’s topic. In the second part of the work, the theoretical framework is applied to the Lithuanian television market. In addition, an empirical study is conducted in order to apply the theoretical discussion and answer the main research question. The main results of the study suggest that the public service broadcaster of Lithuania managed to maintain its programmes’ diversity. However, the amount of entertainment, imported production and advertising has increased. Therefore, a certain concern about growing commercialization is reasonable. These changes correspond to the tendencies in the European television industry. However, Lithuanian viewers seem to prefer the more heavily commercialized programmes since the leader of the market is a commercial television station, whose market share is almost twice bigger than LTV’s. Thus, LTV is facing a dilemma between preserving quality and diversity and commercializing its programmes in order to increase its audience share (dilemma between quality and audience share).
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Wu, Sok Han. "To what extent does Teledifusao de Macau (TDM) fulfill its role as a public service broadcaster?" Thesis, University of Macau, 2010. http://umaclib3.umac.mo/record=b2162009.

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Sweeney, Bill. "RTÉ : public service broadcaster? : an examination using an analysis of broadcasting schedules and content, and the perceptions of staff." Thesis, Liverpool John Moores University, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.436576.

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Spiteri, Joanna. "The challenge of achieving impartiality in Maltese TV news programming." Thesis, University of Stirling, 2014. http://hdl.handle.net/1893/21182.

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This study examines some of the challenges that Maltese broadcasting is facing with respect to the news programming produced by the public service broadcaster and by the other two political stations. The thesis also investigates the concepts of balance and objectivity in news reporting and analyzes the extent to which Maltese TV news programmes succeed in providing balanced, impartial and accurate accounts. Special attention is paid to the role of the public service broadcaster, but consideration is also given to the part played by the two Maltese political stations competing with the public service broadcaster. A particular aim of this study is to measure how the requirement to preserve impartiality and balance impinges on the content of TV news bulletins and current affairs programmes produced by PSB and the other two political stations. The study will also consider the impact of current broadcasting regulations and will examine the degree to which such legislation is relevant in the attempt to achieve impartiality and balance in Maltese news broadcasting. As a basis for the study the thesis focuses on a sample of news programming material broadcast on the three television stations in Malta during a Local Council electoral campaign. The aim is to assess how various news messages are communicated to audiences and to consider whether such messages are perceived as impartial and balanced by the viewers. The study explores how news workers and news producers strive to achieve impartiality and balance in their day-to-day practices. Finally the thesis makes one or two tentative suggestions as to how current broadcasting legislation might be amended in order for the Broadcasting Authority can become a more effective watchdog and is able to intervene in cases where news programming is not deemed to be balanced and impartial.
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Andrews, Hannah. "Public service broadcasters and British cinema, 1990–2010." Thesis, University of Warwick, 2011. http://wrap.warwick.ac.uk/44037/.

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The relationship between television institutions and film in Britain has a complex history, influenced by profound changes in both industries over time. The involvement of public service broadcasters (PSBs) in British cinema has been a regularly-acknowledged, but under-examined phenomenon. There is a dearth of up-to-date scholarship dealing with the relationship, particularly as it unfolded over the turbulent decades of the 1990s and 2000s. This thesis updates and expands the existing field on the relationship between British television and film cultures. It does so by examining the ways in which PSBs have been involved in film culture, as producers, distributors and exhibitors. It also discusses the significant changes to this relationship wrought by the coming into dominance of digital technologies, and the responses of the PSBs to digitalisation. The body of the thesis is separated into two parts. Part One examines the relationship between television and film at the end of the analogue era, ending roughly in 2002. The first chapter explores the historical background to television films in Britain, discussing the semantic turn from describing single dramas shown on television as ‘plays’ and ‘films’. The second chapter outlines three case studies which explore the relationship between television and distribution. The third chapter discusses the industrial relationship between film and television, and the distinct discourses of ‘quality’ applied to each form. The second part of the thesis discusses the effects of digital technologies on the PSB’s role as producer, distributor and exhibitor of films. Chapter Four explores the position of the PSB as patron of low-budget, digital production schemes. In Chapter Five, the opening night and subsequent decade of broadcasting on the FilmFour digital television channel is analysed. Chapter Six takes as its subject the online film output of the BBC, particularly via its iPlayer platform, and its short film distribution network, the BBC Film Network.
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McCann, Kim. "Communication Policy and Public Interests: Media Diversity in Public and Commercial Broadcast Television in the U.S." Bowling Green, Ohio : Bowling Green State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1189542869.

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Bourgett, Julia. "Children's public service broadcasters and their challenges in the online era : a comparison between the UK and Germany." Thesis, University of Westminster, 2014. https://westminsterresearch.westminster.ac.uk/item/9v3zq/children-s-public-service-broadcasters-and-their-challenges-in-the-online-era-a-comparison-between-the-uk-and-germany.

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This thesis aims to establish the differences and similarities in how publicly- funded public service broadcasters in the UK and Germany negotiate challenges and opportunities related to the transition from broadcasting to a multi-platform provision for children. The substantive subject of this research is the transition from public service broadcasting to public service multi- platform media for children under 13 years in the United Kingdom and Germany, where public service broadcasters offer content and services on multiple platforms, including traditional TV, audio, online and mobile media. The research focuses on the publicly-funded broadcasters SWR, BR (ARD), BBC and ZDF and ARD/ZDF’s joint children’s channel KiKA, while the original research further narrows the focus down to those services on new online and mobile platforms. The research applies a qualitative comparative approach based on a triangulation of literature study, document analysis and semi-structured expert interviews with broadcasters, producers and stakeholders in the policy-making process. The thesis consists of three parts and a conclusion. The thesis concludes that, although there are some similarities, the BBC and the German public service broadcasters under review differ in regard to how they understand the challenge of the multi-platform transformation, the main sources and characteristics of that challenge and the purpose of the multi-platform provision.
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Toninelli, My. "Public service-uppdraget i italiensk television : En innehållsanalys av nyhetsprogrammet Tg1." Thesis, Linnéuniversitetet, Institutionen för medier och journalistik (MJ), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-25330.

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The main question this bachelor thesis aims to answer is how the public service program Tg1’s news broadcasts may look. The following questions were used to discuss thetendencies of the result: How can the distribution of the news categories appear in Tg1’sbroadcasts? Can the main news be considered as impartial and objective in its linguisticand pictorial representation? To answer the aforementioned question I chose to do a combined study, using aquantitative content analysis and a qualitative content analysis. To lead my research, I focused on two requirements underlined by public servicebroadcasters, namely, objectivity and impartiality, and diversity. The outcome shows thatthe diversity in Tg1’s broadcast is disproportionate and that the pictorial representation isnot impartial and objective without the linguistic part. Then, additionally to mytheoretical choice, the public service role in a democracy, a discussion about the resultand its consequences has been set up.
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Burns, Maureen, and n/a. "ABC Online: Becoming the ABC." Griffith University. School of Arts, Media and Culture, 2004. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20040520.111544.

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This thesis combines histories of the implementation of ABC Online (the website of the Australian Broadcasting Corporation, Australia's largest national Public Service Broadcaster) with the political philosophies of Foucault, and of Deleuze and Guattari. Following the Deleuzian argument that institutions of enclosure are in crisis because they exist in between diagrams of the disciplinary and control societies, the thesis tests each of the Foucauldian diagrams of discipline, governmentality and control against the ABC as Public Service Broadcaster. It explores issues such as which ABC strategies belong to which diagram, and the ways in which changes in communications technologies altered governing rationales of these diagrams at the ABC. The thesis uses the implementation of ABC Online to explore the idea of the ABC in the late 1990s as operating in between social diagrams. One way of examining this 'in between-ness' is to use the Public Service Broadcasting idea as an instance of arboreal thinking and the internet idea as rhizomic. The thesis employs that model to argue that Public Service Broadcasting as it is practised is not merely an arboreal assemblage, and that actual implementations of the internet are more than merely rhizomic assemblages. The thesis details some of the earliest relations between broadcasting and the internet at the ABC, and describes the relations between rhizomic and arboreal images of the ABC at particular sites and in various discourses. This examination concludes that both ways of imagining the ABC - the arboreal and the rhizomic - have been essential to the success of ABC Online. While the position of the ABC in between social diagrams caused a sense of crisis, ABC Online was in fact successful largely because of its position in between social diagrams. Not only was ABC Online remarkably successful in its first five years, but it was successful in ways which could not be accommodated in such documents as the ABC Charter. The public silences of ABC Online both allowed it to thrive, and conversely supported arboreal stratified ways of defending the ABC. Defences of the ABC that used arboreal thinking as a rhetorical strategy continued to dominate public discussion of the ABC, despite the successes of contrary examples in practice. One such example was the successful implementation of Radio Australia Online at a time when the Mansfield Review sought to limit the scope of the ABC to domestic free-to-air broadcasting. When some ABC Online practices were publicised in relation to the proposed Telstra deal, the resultant controversy concentrated on the non-commercial/commercial boundary at the ABC. The controversy also highlighted fears that the Online environment may alter the ethical relations between the ABC and its publics. In particular, the ethical goals of independence and integrity were perceived as being under threat in the World Wide Web environment. These goals were further problematised within the organisation by the demands of interactive subsites. These subsites demonstrated an altered ethical relation between the ABC and its user in the online environment of the control society.
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Jingklev, Niklas. "Quality and diversity in Swedish television? : In what way has public service television been affected by competition from commercial broadcasters in terms of quality and diversity." Thesis, Uppsala University, Department of Information Science, 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-6035.

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<p>Abstract</p><p>Purpose/Aim: To study the effect competition from commercial-TV has had on public-service-TV in Sweden in terms of quality and diversity.</p><p>Material/Method: Literature study</p><p>Main results: The SVT Corporation continues to offer a wide range of quality programming. Its new digital-TV ventures also show clear characteristics of high ambitions in regards to quality and diversity. The company’s investment in light entertainment is not in conflict with its public service commitments. TV4 has shown a clear tendency to move towards a more commercial outline. Its programming shows a smaller diversity-profile and light entertainment has increased substantially. Its digital-TV ventures are also of lesser ambitions in regards to quality and diversity than those of SVT.</p><p>Keywords: Public Service, Media, Quality, Commercialisation, Diversity</p>
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Books on the topic "Public service broadcaster"

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Histories of public service broadcasters on the web. Peter Lang, 2012.

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Nordicom, ed. Exporting the public value test: The regulation of public broadcasters' new media services across Europe. Nordicom, University of Gothenburg, 2011.

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Raine, Mary. Parliamentary broadcasts as a public service: A survey across the commonwealth countries. United Nations Educational, Scientific, and Cultural Organization, 2003.

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Colorado. Office of State Auditor. Public safety radio communications performance audit. Office of State Auditor, 2007.

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From satellite to single market: New communication technology and European Public Service television. Routledge, 1998.

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United States. Congress. Senate. Committee on Commerce, Science, and Transportation. Subcommittee on Communications. Broadcasters' public interest obligations and S. 217, the Fairness in Broadcasting Act of 1991: Hearing before the Subcommitte [sic] on Communications of the Committee on Commerce, Science, and Transportation, United States Senate, One Hundred Second Congress, first session, June 20, 1991. U.S. G.P.O., 1992.

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Frantzich, Stephen E. The C-span revolution. University of Oklahoma Press, 1996.

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Office, General Accounting. Telecommunications: Issues related to federal funding for public television by the Corporation for Public Broadcasting : report to congressional requesters. GAO, 2004.

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Office, General Accounting. Telecommunications: Many broadcasters will not meet May 2002 digital television deadline : report to the Ranking Minority Member, Subcommittee on Telecommunications and the Internet, Committee on Energy and Commerce, House of Representatives. The Office, 2002.

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Office, General Accounting. Telecommunications: Issues related to local telephone service : report to the Ranking Minority Member, Committee on Commerce, Science, and Transportation, U.S. Senate. The Office, 2000.

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Book chapters on the topic "Public service broadcaster"

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Iosifidis, Petros, and Stylianos Papathanassopoulos. "Greek ERT: State or Public Service Broadcaster?" In Public Service Broadcasting and Media Systems in Troubled European Democracies. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-02710-0_7.

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Thumim, Nancy, and Lilie Chouliaraki. "BBC and New Media: Legitimization Strategies of a Public Service Broadcaster in a Corporate Market Environment." In Media, Organizations and Identity. Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230248397_3.

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Węglińska, Agnieszka. "Public service media – public broadcasters." In Public Television in Poland. Routledge, 2021. http://dx.doi.org/10.4324/9781003201618-3.

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Hendy, David. "Service: The Ethos of the Broadcasters." In Public Service Broadcasting. Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-32898-4_5.

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Donders, Karen. "Regulating public broadcasters’ moving online." In Public Service Media in Europe. Routledge, 2021. http://dx.doi.org/10.4324/9781351105569-11.

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López-López, Paulo Carlos, Mónica López-Golán, and Nancy Graciela Ulloa-Erazo. "Transparency in Public Service Television Broadcasters." In Studies in Systems, Decision and Control. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-91860-0_3.

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Pavani, Giorgia. "The Organization of the Public Broadcasters." In The Structure and Governance of Public Service Broadcasting. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-96731-8_5.

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Direito-Rebollal, Sabela, Diana Lago-Vázquez, and Ana-Isabel Rodríguez-Vázquez. "Programming Strategies in European Public Service Broadcasters." In Studies in Systems, Decision and Control. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-91860-0_4.

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Larsen, Håkon. "The Legitimation Rhetoric of Public Service Broadcasters." In Performing Legitimacy. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-31047-3_5.

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10

Chalaby, Jean K. "Public Broadcasters and Transnational Television: Coming to Terms with the New Media Order." In Reinventing Public Service Communication. Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230277113_9.

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Conference papers on the topic "Public service broadcaster"

1

Rexha, Givlie. "The Autonomy of News Journalists of Kosovo’s Public Service Broadcaster between Political Instrumentalization and Social Responsibility." In University for Business and Technology International Conference. University for Business and Technology, 2016. http://dx.doi.org/10.33107/ubt-ic.2016.35.

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Ormanlı, Okan. "Relationship Between Movie Theaters and Audience During the Pandemic: “Beyoğlu 1989 E-Bulletin” as an Example." In COMMUNICATION AND TECHNOLOGY CONGRESS. ISTANBUL AYDIN UNIVERSITY, 2021. http://dx.doi.org/10.17932/ctcspc.21/ctc21.028.

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Abstract:
Covid-19, a disease that transformed into a pandemic at the beginning of 2020, caused catastrophic results in the world and Turkey. There have been some restrictions on trade, education, tourism, and art. Daily life was not interrupted but some services and events that they have not primary functions (for some people) like “art” were on the verge of stopping and carried to the digital platforms. In this context, some corporations opened their archives and sometimes actual events to the public free of charge or for a certain amount of money. Art, which has always had “healing”, “mediating” and “unifying” effects, was consumed by the billions of people through digital devices. Considering art is both a sector and an industry, the unexpected phenomenon of Covid-19, which is a kind of crisis that occurs one in a hundred years and takes longer than expected, led to the temporary or permanent closure of some art and culture institutions. Due to these results, some supportive programs have been organized by official or non-official institutions to solve financial problems. In Turkey, all the movie theaters closed down on the 16th of March 2020 by the Ministry of Internal Affairs. Some halls opened in July and August, however, because of lack of audience and of the increasing number of patients they have closed down again in November. 2019 was a bad year for the sector yet 2020 was even worse with the decline of the audience by the ratio of %90. Before the pandemic, there were some problems in terms of halls. In this context, some movie theaters tried to find solutions not to lose the audience and find financial support. Beyoğlu Movie Theater that began operating in 1989, had some financial problems before the pandemic. The managers of the hall created a project called “Beyoğlu 1989”, which was a kind of electronic bulletin, and started sending e-mails to the subscribers. This project, which was implemented for the first time in Turkey, has reached the 57th issue and 800 subscribers today and has turned into a kind of weekly electronic-digital cinema newspaper that is also promoted on the Instagram account of the Beyoğlu cinema with 45 thousand followers. The broadcast also follows the cinema agenda and undertakes the task of a written-visual archive. In conclusion, a movie theater that started operating in the analog age, today use all the possibilities and utilities of the digital age and also with the help of its owners and followers, creates a communication ecology to prevent the shutdown. The aim of this article is to examine an electronic bulletin (also a film magazine) “1989”, which is first in Turkey, with the qualitative method.
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