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Journal articles on the topic 'Publisher's catalog'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2025

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1

Mahelingga, Dhevi Enlivena Irene Restia. "Penerbitan buku ilmiah daring berbasis open monograph press (OMP)." Berkala Ilmu Perpustakaan dan Informasi 16, no. 2 (2020): 155–69. http://dx.doi.org/10.22146/bip.v16i2.265.

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Introduction. There has been limited discussion on Open Monograph Press (OMP) although its potential is recognized to support academic publications in Indonesia. This is due to the lack of access to information and dissemination of OMP by academic publishers that have implemented OMP in their publication process. Data Collection Method. This paper used a qualitative approach by starting the elaboration publication process in Lembaga Ilmu Pengetahuan Indonesia (LIPI) Press. This paper examined how OMP-based online publishing system is able to accommodate book publishing process in LIPI Pr

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2

Supanti, Titik, Janu Saptari, and Fernando Marpaung. "Validasi Data Katalog Perpustakaan PUSPAR UGM." Berkala Ilmu Perpustakaan dan Informasi 9, no. 2 (2016): 32. http://dx.doi.org/10.22146/bip.13184.

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Library catalogs need to demonstrate availability of its collection, the library requires for bibliographic information from is collection. Users need a tool library catalog for retrieval of library materials. Catalogue compile in to symstematic list of library materials with descriptive information about the author, title, publisher, date of publication, the physical form, charateristic of material and place.Library of UGM PUSPAR a support unit GMU Center for Tourism Studies, as part of supporting the smooth operation of the field of torism research and assessment. His collection of book, jou

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3

Bondar, M. "THE TYPE RANGE OF PRINTED SCIENTIFIC CATALOGS OF CYRILLIC OLD PRINTS." Slovak international scientific journal, no. 71 (May 11, 2023): 45–51. https://doi.org/10.5281/zenodo.7925270.

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The article examines the range of catalogs types of old printed Cyrillic editions with the aim of their classification and systematization. Printed scientific catalogs, depending on their content, differ significantly in the completeness of the descriptions of publications and copies, accompanying studies and appendices. All catalogs created to date are analyzed, but the types of catalogs are illustrated with examples of mostly Ukrainian publications. These are mainly bibliographic publications published in the last 60 years. It was found out that the Cyrillic old printed monuments are describ

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4

Simić, Nataša. "Katalogizacija u publikaciji (CIP) između teorije i prakse na primeru razvoja CIP-službe u Narodnoj biblioteci Srbije." Korak biblioteke: casopis za kulturu i bibliotecko-informacionu delatnost, no. 5 (2020): 59–70. http://dx.doi.org/10.5937/korbib2005059s.

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Catalogisation in publication (CIP) is a set of internationally standardized procedures that allow us to obtain information about the publications of all publishers from one country. In accordance with the basic principles of Universal Bibliographic Control (UBC), the publication is cataloged only once, in the country of publication. Catalogisation in publication produces a CIP record, which is available to all factors of the librarian system. One of the basic tasks of cataloging is to enable regular and timely obtaining of information about new editions. Catalogisation in publication also ser

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5

Hill, George R. "Music Publishers' Catalogs." Notes 64, no. 4 (2008): 830–31. http://dx.doi.org/10.1353/not.0.0009.

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George R. Hill. "Music Publishers’ Catalogs." Notes 65, no. 1 (2008): 172–76. http://dx.doi.org/10.1353/not.0.0052.

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George R. Hill. "Music Publishers' Catalogs." Notes 65, no. 2 (2008): 398–99. http://dx.doi.org/10.1353/not.0.0099.

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George R. Hill. "Music Publishers' Catalogs." Notes 65, no. 3 (2009): 589–93. http://dx.doi.org/10.1353/not.0.0135.

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George R. Hill. "Music Publishers’ Catalogs." Notes 65, no. 4 (2009): 869–70. http://dx.doi.org/10.1353/not.0.0153.

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George R. Hill. "Music Publishers’ Catalogs." Notes 66, no. 1 (2009): 182–84. http://dx.doi.org/10.1353/not.0.0228.

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11

George R. Hill. "Music Publishers’ Catalogs." Notes 66, no. 2 (2009): 416–19. http://dx.doi.org/10.1353/not.0.0250.

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12

George R. Hill. "Music Publishers' Catalogs." Notes 66, no. 3 (2010): 667–69. http://dx.doi.org/10.1353/not.0.0272.

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13

George R. Hill. "Music Publishers' Catalogs." Notes 66, no. 4 (2010): 873–74. http://dx.doi.org/10.1353/not.0.0374.

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14

Hill, George Robert. "Music Publishers' Catalogs." Notes 57, no. 1 (2000): 180–87. http://dx.doi.org/10.1353/not.2000.0027.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 57, no. 2 (2000): 458–60. http://dx.doi.org/10.1353/not.2000.0075.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 57, no. 3 (2001): 700–707. http://dx.doi.org/10.1353/not.2001.0028.

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17

Hill, George Robert. "Music Publishers' Catalogs." Notes 57, no. 4 (2001): 984–86. http://dx.doi.org/10.1353/not.2001.0090.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 58, no. 1 (2001): 155–60. http://dx.doi.org/10.1353/not.2001.0146.

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19

Hill, George Robert. "Music Publishers' Catalogs." Notes 58, no. 2 (2001): 415–20. http://dx.doi.org/10.1353/not.2001.0201.

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20

Hill, George Robert. "Music Publishers' Catalogs." Notes 58, no. 3 (2002): 660–65. http://dx.doi.org/10.1353/not.2002.0021.

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21

Hill, George Robert. "Music Publishers' Catalogs." Notes 58, no. 4 (2002): 907–10. http://dx.doi.org/10.1353/not.2002.0076.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 59, no. 1 (2002): 150–57. http://dx.doi.org/10.1353/not.2002.0125.

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23

Hill, George Robert. "Music Publishers' Catalogs." Notes 59, no. 2 (2002): 420–23. http://dx.doi.org/10.1353/not.2002.0173.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 59, no. 3 (2003): 730–38. http://dx.doi.org/10.1353/not.2003.0020.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 59, no. 4 (2003): 969–72. http://dx.doi.org/10.1353/not.2003.0061.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 60, no. 1 (2003): 259–65. http://dx.doi.org/10.1353/not.2003.0106.

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27

Hill, George Robert. "Music Publishers' Catalogs." Notes 60, no. 2 (2003): 521–23. http://dx.doi.org/10.1353/not.2003.0152.

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28

Hill, George Robert. "Music Publishers' Catalogs." Notes 60, no. 3 (2004): 775–82. http://dx.doi.org/10.1353/not.2004.0016.

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29

Hill, George Robert. "Music Publishers' Catalogs." Notes 60, no. 4 (2004): 1018–20. http://dx.doi.org/10.1353/not.2004.0065.

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30

Hill, George Robert. "Music Publishers' Catalogs." Notes 61, no. 1 (2004): 257–64. http://dx.doi.org/10.1353/not.2004.0097.

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31

Hill, George Robert. "Music Publishers' Catalogs." Notes 61, no. 2 (2004): 579–81. http://dx.doi.org/10.1353/not.2004.0138.

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32

Hill, George Robert. "Music Publishers' Catalogs." Notes 61, no. 3 (2005): 885–91. http://dx.doi.org/10.1353/not.2005.0016.

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33

Hill, George Robert. "Music Publishers' Catalogs." Notes 61, no. 4 (2005): 1125–26. http://dx.doi.org/10.1353/not.2005.0053.

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34

Hill, George Robert. "Music Publishers' Catalogs." Notes 62, no. 1 (2005): 211–16. http://dx.doi.org/10.1353/not.2005.0096.

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35

Hill, George Robert. "Music Publishers' Catalogs." Notes 62, no. 2 (2005): 498–99. http://dx.doi.org/10.1353/not.2005.0137.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 62, no. 3 (2006): 818–22. http://dx.doi.org/10.1353/not.2006.0019.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 62, no. 4 (2006): 1074–75. http://dx.doi.org/10.1353/not.2006.0058.

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38

Hill, George Robert. "Music Publishers' Catalogs." Notes 63, no. 1 (2006): 218–25. http://dx.doi.org/10.1353/not.2006.0098.

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39

Hill, George Robert, musician. "Music Publishers' Catalogs." Notes 63, no. 2 (2006): 459–60. http://dx.doi.org/10.1353/not.2006.0146.

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40

Hill, George Robert. "Music Publishers' Catalogs." Notes 63, no. 3 (2007): 716–21. http://dx.doi.org/10.1353/not.2007.0021.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 63, no. 4 (2007): 955–57. http://dx.doi.org/10.1353/not.2007.0072.

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42

Hill, George Robert. "Music Publishers' Catalogs." Notes 64, no. 1 (2007): 156–60. http://dx.doi.org/10.1353/not.2007.0111.

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43

Hill, George Robert. "Music Publishers' Catalogs." Notes 64, no. 2 (2007): 379–80. http://dx.doi.org/10.1353/not.2007.0141.

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44

Hill, George Robert. "Music Publishers' Catalogs." Notes 64, no. 3 (2008): 602–6. http://dx.doi.org/10.1353/not.2008.0013.

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45

George R. Hill. "Music Publishers' Catalogs." Notes 67, no. 1 (2010): 196–99. http://dx.doi.org/10.1353/not.2010.0042.

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46

Pivo, Hannah. "The Role of Vision in Ladislav Sutnar and Knud Lönberg-Holm's Designing Information." Design Issues 35, no. 3 (2019): 3–19. http://dx.doi.org/10.1162/desi_a_00546.

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In 1947, Czech designer Ladislav Sutnar and Danish architect Knud Lönberg-Holm published three articles in Interiors magazine introducing their theories of modern visual communication to the professional design community in the United States. These articles, subsequently released together as Designing Information, were informed by the authors’ work at Sweet's Catalog Service, a dominant publisher of industrial catalogs at the time. At Sweet's, Lönberg-Holm and Sutnar developed standards for product information centered on the concept of “visual flow.” This article examines vision and flow in D

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47

&NA;. "Qosina Publishes 1999 Components Catalog." Journal of Clinical Engineering 24, no. 4 (1999): 213–17. http://dx.doi.org/10.1097/00004669-199907000-00004.

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48

Romashina, Ekaterina. "CATALOGS OF THE PUBLISHING HOUSE OF MAURYCY WOLFF AS A SOURCE ON THE HISTORY OF CHILDREN’S BOOKS IN RUSSIA." Children's Readings: Studies in Children's Literature 22, no. 2 (2022): 196–216. http://dx.doi.org/10.31860/2304-5817-2022-2-22-196-216.

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Maurycy Wolff is one of the first Russian publishers who chose literature for children and youth as their “specialty”. The source base letting study of this aspect of his activity includes documents of the Joint Stock Publishing Company by M. Wolff (Central State Historical Archive of St. Petersburg); M.Wolf’s personal fund (Russian State Archive of Literature and Art); public anniversary reports for the 10th and 25th anniversary of the company; polemical articles and notes in periodicals; catalogs and bookstore invoices. The article focuses on the latter type of sources. The work provides a q

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49

Ryan, Yann, and Mikko Tolonen. "Networks of Influence in Scottish Enlightenment Publishing." Connections 44, no. 1 (2024): 33–46. https://doi.org/10.21307/connections-2019.034.

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Abstract The development of the “public sphere” and the Enlightenment are closely related to the networks of publishers involved in print culture. In Britain, a key question is whether diversity (in terms of nationality) in publishing increased over time. In this paper, we use large-scale library catalog data and a class of models known as Exponential Random Graph Models (ERGMs) to investigate the extent to which an 18th-century network of publishers in London was homophilous with respect to nationality, and specifically investigate whether those with close publishing connections to Scotland f

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50

Pérez, Mónica Domínguez. "The Selection of Children's Books Translated from Spanish to Galician, Basque and Catalan (1940–80)." International Research in Children's Literature 2, no. 2 (2009): 243–58. http://dx.doi.org/10.3366/e1755619809000726.

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This study deals with children's literature translated from Castilian Spanish into Galician, Basque and Catalan by a different publisher from that of the source text, between 1940 and 1980, and with the criteria used to choose books for translation during that period. It compares the different literatures within Spain and examines the intersystemic and intercultural relations that the translations reflect. Following the polysystems theory, literature is here conceived as a network of agents of different kinds: authors, publishers, readers, and literary models. Such a network, called a polysyst

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