Academic literature on the topic 'Publishers and publishing Art publishing Art patronage Art patrons'

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Journal articles on the topic "Publishers and publishing Art publishing Art patronage Art patrons"

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Kloosterman, Robert C., and Amanda Brandellero. ""All these places have their moments": Exploring the Micro-Geography of Music Scenes: The Indica Gallery and the Chelsea Hotel." M/C Journal 19, no. 3 (2016). http://dx.doi.org/10.5204/mcj.1105.

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Hotspots of Cultural InnovationIn the 1960s, a long list of poets, writers, and musicians flocked to the Chelsea Hotel, 222 West 23rd Street, New York (Tippins). Among them Bob Dylan, who moved in at the end of 1964, Leonard Cohen, who wrote Take This Longing dedicated to singer Nico there, and Patti Smith who rented a room there together with Robert Mapplethorpe in 1969 (Smith; Bell; Simmons). They all benefited not just from the low rents, but also from the close, often intimate, presence of other residents who inspired them to explore new creative paths. Around the same time, across the Atl
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Brien, Donna Lee. "“Porky Times”: A Brief Gastrobiography of New York’s The Spotted Pig." M/C Journal 13, no. 5 (2010). http://dx.doi.org/10.5204/mcj.290.

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Introduction With a deluge of mouthwatering pre-publicity, the opening of The Spotted Pig, the USA’s first self-identified British-styled gastropub, in Manhattan in February 2004 was much anticipated. The late Australian chef, food writer and restauranteur Mietta O’Donnell has noted how “taking over a building or business which has a long established reputation can be a mixed blessing” because of the way that memories “can enrich the experience of being in a place or they can just make people nostalgic”. Bistro Le Zoo, the previous eatery on the site, had been very popular when it opened almos
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Dissertations / Theses on the topic "Publishers and publishing Art publishing Art patronage Art patrons"

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Bruntjen, Sven H. A. "John Boydell, 1719-1804 a study of art patronage and publishing in Georgian London /." New York : Garland Pub, 1985. http://catalog.hathitrust.org/api/volumes/oclc/12049935.html.

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Osborne, Carol Margot. "Pierre Didot the Elder and French book illustration, 1789-1822." New York : Garland Pub, 1985. http://catalog.hathitrust.org/api/volumes/oclc/12050279.html.

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Books on the topic "Publishers and publishing Art publishing Art patronage Art patrons"

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John Boydell, 1719-1804: A study of art patronage and publishing in Georgian London. Garland Pub., 1985.

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Mynd af Ragnari í Smára. Bjartur, 2009.

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Pierre Didot the Elder and French book illustration, 1789-1822. Garland Pub., 1985.

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Book chapters on the topic "Publishers and publishing Art publishing Art patronage Art patrons"

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Biancheri, Debora. "Factoring the Agency of Patronage in the Production of Meaning." In Redefining Translation and Interpretation in Cultural Evolution. IGI Global, 2018. http://dx.doi.org/10.4018/978-1-5225-2832-6.ch010.

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In this chapter, the evolution of Heaney's reception in Italy will be linked to the development of normative behaviors within the publishing industry sector. Therefore, a fundamental aspect highlighted by the present analysis is the connection between the evolution of the publishing sector's policies and agendas and the translation strategies employed to introduce foreign literature onto the Italian market. In this sense, it is argued that the prerogatives of publishers have direct bearing on the nature of Heaney's representations in Italy and thus the impact that his poetic legacy can potentially have on the Italian cultural paradigm. Patrons and practitioners are on the one hand assessed as the objects of cultural evolution, but they are also called into question as agents affecting it, to the extent that they directly influence translation practice and have control of the mediums through which complex literary endeavours such as Heaney's enter the Italian market as a cultural product ready for consumption.
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