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Books on the topic 'Publishers and publishing – Western Australia'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

By the book?: Contemporary publishing in Australia. Huntingdale, Vic: Monash University Publishing, 2013.

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2

Hornadge, Bill. How to publish your own book: A complete guide to self-publishing in Australia. 3rd ed. Dubbo, N.S.W., Australia: Review Publications, 1986.

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3

Morrison, I. S. The publishing industry in colonial Australia: A name index to John Alexander Ferguson's Bibliography of Australia, 1784-1900. Melbourne: Bibliographical Society of Australia and New Zealand, 1996.

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4

Virtual Murdoch: Reality wars on the information highway. London: Secker & Warburg, 2001.

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5

Johanson, Graeme. A study of colonial editions in Australia: 1843-1972. Wellington, N.Z: Elibank Press, 2000.

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6

The Buchmans: A western story. Unity, Me: Five Star, 2001.

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7

Wilder, Ken. The company you keep: A publisher's memoir. Sydney, NSW, Australia: State Library of New South Wales Press, 1994.

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8

Marketing books and journals to Western Europe. Phoenix, Ariz: Oryx Press, 1985.

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9

From the Barn on the Hill to Edwards & Shaw: 1939-1983 : the story of two young men who built a master printery and publishing house that became a major influence on printing and book design in Australia. 3rd ed. Sydney, NSW: State Library of New South Wales Press, 1996.

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10

Marsh, Nicola. What the paparazzi didn't see. Don Mills, Ontario: Harlequin Kiss, 2013.

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11

Songmul kyoyang ŭi t'ansaeng: Myŏngjak iranŭn singmin ŭi yuryŏng. Sŏul-si: P'urŭn Yŏksa, 2012.

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12

Cunningham, GM, WE Mulham, PL Milthorpe, and JH Leigh. Plants of Western New South Wales. CSIRO Publishing, 2011. http://dx.doi.org/10.1071/9780643104273.

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Plants of Western New South Wales grew from the long experience and expertise which the authors acquired during their employment with their respective organisations in the arid and semi-arid pastoral areas of the State. Each author became aware of the need for a comprehensive record illustrating and describing the great array of plants in the area. The need was identified both for people involved in research and advisory services, and particularly for the landholders who need to manage the plants for their livelihood. The book is a landmark because it draws together all of the existing k

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13

Kells, Stuart. Australian pulps 1939–1959: You go high, we go low. La Trobe eBureau, 2021. http://dx.doi.org/10.26826/1012.

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Popular during the middle parts of the 20th century, pulp fiction novels and comics were produced in massive quantities by Australian publishers. Most were written by hacks and enthusiastic amateurs willing to sign contracts that demanded an incredibly high output of work. Pulp publications were cheaply made, formulaic and designed to be read quickly and then thrown away. Often noted for their lurid cover art and titillating titles, they satisfied an appetite for fast entertainment in the era before television. This book explores the pulp publishing scene in Australia from 1939 to 1959. It exa

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14

1950-, Arnold John, Lyons Martyn, Munro Craig 1950-, and Sheahan Robyn, eds. A history of the book in Australia. St Lucia, Qld: University of Queensland Press, 2001.

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15

Munro, Craig. Under Cover: Adventures in the Art of Editing. Scribe Publications, 2015.

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16

A History of the Book in Australia 1891-1945: A National Culture in a Colonised Market (History of the Book in Australia). Univ of Queensland Pr, 2001.

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17

1950-, Munro Craig, and Sheahan-Bright Robyn, eds. Paper empires: A history of the book in Australia 1946-2005. St Lucia, Qld: University of Queensland Press, 2006.

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18

L.W. "Bill" Lane Jr. The Sun Never Sets: Reflections on a Western Life. Stanford General Books, 2013.

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19

Alan, Ives, ed. Images of Australia: The faces of printing : essays from the Australian national review. Wagga Wagga, N.S.W., Australia: Riverina/Murray Institute of Higher Education, Archives and Records Service, 1987.

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20

Martyn, Lyons, and Arnold John 1950-, eds. A history of the book in Australia, 1891-1945: A national culture in a colonised market. St Lucia, Qld: University of Queensland Press, 2001.

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21

Chenoweth, Neil. Virtual Murdoch. Vintage, 2002.

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22

Virtual Murdoch. Vintage, 2002.

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23

Little, Janine. Journalism Ethics and Law: Stories of Media Practice. Oxford University Press, 2014.

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24

Wilder, Ken. The Company You Keep: A Publisher's Memoir. New South Wales University Press, 1995.

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25

Gary, Geddes, Adcox Robyn, Western Washington University Libraries, and Western Washington University. Center for Canadian-American Studies., eds. Northwords: A celebration of Canadian writers and publishers : a listing of books presented to Western Washington University Libraries by Canadian authors and publishers, 1999. [Bellingham, WA]: Western Washington University Libraries, 1999.

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26

Early Printed Narrative Literature in Western Europe. De Gruyter, Inc., 2019.

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27

Munro, Craig. Paper Empires. University of Queensland Press, 2006.

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28

Munro, Craig. The Writer's Press: Uqp's First Fifty Years. University of Queensland Pr (Australia), 1998.

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29

1950-, Munro Craig, and University of Queensland Press, eds. UQP: The writer's press, 1948-1998. St. Lucia, Qld: University of Queensland Press, 1998.

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30

Making of Murdoch: Power, Politics and What Shaped the Man Who Owns the Media. I. B. Tauris & Company, Limited, 2020.

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31

Reisch, Alfred A. Hot books in the Cold War: The CIA-funded secret Western book distribution program behind the Iron Curtain. 2013.

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32

Grady, Robyn. One night, second chance. 2014.

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33

Bradford, Clare. Children’s and Young Adult Novels. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199679775.003.0018.

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This chapter examines the history of children's and young adult fiction in Australia, Canada, New Zealand, and the South Pacific. During the mid-twentieth century, fiction for the young in Australia, Canada, and New Zealand did not yet occupy a prominent place. In Australia, most children's fiction was produced and imported by British publishers. In Canada, markets and children's reading practices were dominated by American and (to a lesser extent) British imports until 1975. In Australia and New Zealand, children's novels began to gather strength in the late 1950s and 1960s. The chapter shows

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34

Johansen, Bruce, and Adebowale Akande, eds. Nationalism: Past as Prologue. Nova Science Publishers, Inc., 2021. http://dx.doi.org/10.52305/aief3847.

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Nationalism: Past as Prologue began as a single volume being compiled by Ad Akande, a scholar from South Africa, who proposed it to me as co-author about two years ago. The original idea was to examine how the damaging roots of nationalism have been corroding political systems around the world, and creating dangerous obstacles for necessary international cooperation. Since I (Bruce E. Johansen) has written profusely about climate change (global warming, a.k.a. infrared forcing), I suggested a concerted effort in that direction. This is a worldwide existential threat that affects every living t

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35

Greig, Matilda. Dead Men Telling Tales. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192896025.001.0001.

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Dead Men Telling Tales is an account of the lasting cultural impact made by the autobiographies of Napoleonic soldiers over the course of the nineteenth century. Focussing on the nearly three hundred military memoirs published by British, French, Spanish, and Portuguese veterans of the Peninsular War (1808–1814), it charts the histories of these books over the course of a hundred years, around Europe and the Atlantic, and from writing to publication to afterlife. Drawing on extensive archival research in multiple languages, the book challenges assumptions made by historians about the reliabili

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