Relevant bibliographies by topics / Publishing history Canada

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Academic literature on the topic 'Publishing history Canada'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Publishing history Canada"

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Guttman, Renata. "Architecture in Canada: French-language publishing, 1981-1995." Art Libraries Journal 21, no. 3 (1996): 4–28. http://dx.doi.org/10.1017/s0307472200009949.

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Interest in Canada’s built heritage flourished in the period following 1967, inspired by the centennial of Confederation and institutional support of heritage research. An already vibrant and officially sanctioned concern for cultural history in Canada’s mainly Francophone province Quebec and the Official Languages Act of 1969 resulted in a rich series of French-language publications devoted to Canadian architecture. The architecture of provinces, cities and towns, of individual styles, buildings and architects, architectural competitions and archaeology have all been explored in the literature. The contribution of scholars, cultural, academic, and governmental institutions, and publishers has created a strong body of work related to architecture in Canada.
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Claudia Söffner. "Picturing Canada: A history of Canadian children's illustrated books and publishing (review)." Bookbird: A Journal of International Children's Literature 49, no. 1 (2011): 69. http://dx.doi.org/10.1353/bkb.2011.0017.

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Gerson, Carole. "Picturing Canada: A History of Canadian Children's Illustrated Books and Publishing (review)." Canadian Historical Review 92, no. 2 (2011): 380–82. http://dx.doi.org/10.1353/can.2011.0022.

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Reimer, Mavis. "Picturing Canada: A History of Canadian Children’s Illustrated Books and Publishing (review)." Children's Literature Association Quarterly 37, no. 3 (2012): 346–49. http://dx.doi.org/10.1353/chq.2012.0036.

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Tayler, Felicity. "Artists’ publications, artist-run centres and alternative distribution in Canada." Art Libraries Journal 30, no. 1 (2005): 29–36. http://dx.doi.org/10.1017/s0307472200013821.

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At the Tiré à part conference held in Quebec city in October 2003, speakers from artist-run centres from across Canada discussed 30 years of experience in publishing. Themes such as audience, production, funding, professionalisation and distribution encouraged the identification and exploration of current issues. These are put in context here by a general overview of the development of the genre as well as a short history of production by artist-run centres such as Art Metropole, Artspeak, Artexte and the Bookmobile project.
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Styvendale, Nancy Van, Jessica McDonald, and Sarah Buhler. "Community Service-Learning in Canada: Emerging Conversations." Engaged Scholar Journal: Community-Engaged Research, Teaching, and Learning 4, no. 1 (May 28, 2018): i—xiii. http://dx.doi.org/10.15402/esj.v4i1.303.

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This special issue invites engaged learning practitioners and scholars, both established and emerging, to take stock of the history of CSL, assess current practices, and consider how to move forward in the future. Is CSL the biggest thing to hit Canadian campuses since the late 1990s? With approximately fifty CSL programs or units across the country (Dorow et al., 2013), annual gatherings of scholars and practitioners, and a network of individuals who remain devoted to CSL despite challenges in funding and logistics, CSL in Canada has certainly made its mark, embedded in the context of a larger movement of engaged scholarship on campuses across the country—a movement exemplified in this very Engaged Scholar Journal, the first of its kind in Canada to focus on publishing community-engaged work.
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Kozak, Sergij. "«Ukrajinski visti» newspaper as a source for studying the features of functioning оf «Novi dni» journal (Саnada, 1950—1997)." Proceedings of Research and Scientific Institute for Periodicals, no. 10(28) (January 2020): 3–13. http://dx.doi.org/10.37222/2524-0331-2020-10(28)-1.

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«Ukrajinski visti» and «Novi dni» are, respectively, a newspaper and magazine, two different publications. One came out in Germany and the United States, another ― in Canada. Each of them has its own history. However, they had a lot in common ― first and foremost, that their subscribers belonged to related organizations. Moreover, the Ivan Bagryanyi’s Foundation, which was the publisher of the newspaper «Ukrajinski visti» (Germany, 1945 ― USA, 2000) during the last stage of its history, also helped materially with the «Novi dni». So it is no coincidence that «Ukrajinski visti» paid a keen attention to the materials on the fate and content of the «Novi dni». The article aims to elucidate peculiarities of functioning of the «Novi dni» magazine (1950—1997s) via a prism of publications in the «Ukrajinski visti». In the course of this research, a considerable amount of publications has been studied, as well as valuable facts about the history of the magazine have been uncovered. The activities of the Publishing Union and the individuals who took care of its issuing, the names of the editors-in-chief of the journal were revealed. The article has elucidated the changes that occurred in the editorial board after a death of a founder of the newspaper, Petro Volyniak, as well as the most important factors in the life of the magazine in terms of emigration reality. It also outlined a role of the publication in shaping cultural and spiritual heritage of the Ukrainian diaspora in Canada and other countries spanning a significant period. The main method of research was to analyze publications of different genres found in the newspaper. According to the newspaper’s content, among the numerous periodicals of the Ukrainian emigration (diaspora) published in Toronto (Canada), the magazine’s role was especial. First of all, it is one of the oldest of all Ukrainian emigration magazines. «Nоvi Dni» has almost half a century of publishing. To flip through the pages of the «Ukrajinski Visti» stories about this journal is at the same time to trace the post-war sociopolitical, social and, above all, cultural life of Ukrainians. Keywords: magazine, «Ukrajinski visti», «Novi Dni», Canada, editorial board, Publishing Union, article, emigration.
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Simpkin, Sarah. "Books Reviewed by: Kelly Schultz, Martin Chandler, Andrew Nicholson, Erika Reinhardt, Larry Laliberté." Bulletin - Association of Canadian Map Libraries and Archives (ACMLA), no. 159 (July 23, 2018): 15–22. http://dx.doi.org/10.15353/acmla.n159.232.

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Clemmer, Gina. The GIS 20 Essential Skills, third edition. Redlands, California: Esri Press, 2017. 182p. $49.99 US. ISBN 9781589485129. Davidson, Peter. Atlas of Empires. Pennsylvania: Fox Chapel Publishing, 2018. 240p. $19.99 US. ISBN 978-1504800891. Davies, John and Kent, Alexander J. The Red Atlas; How the Soviet Union secretly mapped the World. Chicago: University of Chicago Press, 2017. 272 p. $35.00 US. ISBN: 9780226389578. Johnson, Alexander. The First Mapping of America: The General Survey of British North America. New York: I.B. Tauris & Co. Ltd., 2017. 320 p. $110 US (hardcover). ISBN: 978-1-806-442-9. Shoalts, Adam. A History of Canada in Ten Maps, Epic Stories of Charting a Mysterious Land. Canada: Allen Lane, 2017. 344p. $36.00 CAD. ISBN 978-0-670-06946-0.
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MacDonald, Heather, Daniel W. McKenney, and Kaitlin DeBoer. "Collaboration via co-authorship trends in Government of Canada forestry research." Forestry Chronicle 96, no. 01 (May 2020): 77–84. http://dx.doi.org/10.5558/tfc2020-010.

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As part of its long history, the Canadian Forest Service (CFS) has a mandate to collaborate and share its scientific research. Publishing peer-reviewed scientific literature is an important part of this process. Using a database of CFS publications over the past fifty years, we highlight the continuing publication record of this sector of the Canadian government. The average number of authors reported in the CFS bookstore increased from 1.4 authors per article in the 1960s and 1.5 in the 1970s to just under five authors per publication from 2010 to 2018. Our work also illustrates challenges with longitudinal analysis of citation databases. In particular, use of a popular citation database resulted in significantly fewer articles authored by one person, and significantly more articles with twenty or more authors compared to the publicly available CFS “bookstore” of publications. Based on our findings, we outline a number of recommendations for use of citation data to inform collaboration research.
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Kalish, Rachel. "Book Review: Denny, Todd. (2007). Unexpected Allies: Men Who Stop Rape. Victoria, BC, Canada: Trafford Publishing." Men and Masculinities 11, no. 5 (April 18, 2008): 637–39. http://dx.doi.org/10.1177/1097184x08318159.

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Dissertations / Theses on the topic "Publishing history Canada"

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Graham, Robert 1950. "Understanding ArtsCanada : history, practice and idea." Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61852.

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Bowness, Suzanne. "In Their Own Words: Prefaces and Other Sites of Editorial Interaction in Nineteenth-Century Canadian Magazines." Thèse, Université d'Ottawa / University of Ottawa, 2012. http://hdl.handle.net/10393/22807.

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This dissertation investigates nineteenth-century Canadian literary and general interest periodicals through the prefaces and other editorial missives written by the editors who created them. It seeks to demonstrate how these cultural workers saw their magazines as vehicles for promoting civic and literary development. While the handful of previous Canadian magazine dissertations take a “snapshot” approach to the genre by profiling a handful of titles within a region, this study attempts to capture the editorial impulse behind magazine development more widely. To do so, it examines multiple titles over a wider geographical and chronological span. To provide context for these primary documents, the dissertation begins with a chapter that summarizes the development of magazines as a genre and the history of publishing in nineteenth-century Canada. Subsequent chapters examine prefaces by theme as well as by rhetorical strategy. Themes such as nationalism, cultural development, and anti-Americanism emerge most prominently, alongside rhetorical techniques such as metaphor, imagery, analogy and personification. The dissertation also examines other sites of editorial interaction, most commonly the “correspondent’s columns,” where editors provided public feedback on topics ranging from versification to currency to prose style as a means of educating writers and readers alike. Finally, the dissertation relies on existing indexes to identify some of the most prolific contributors to the magazines, considering how these writers used the magazines to boost their literary careers. In the early century, these sources verify the productivity of canonical writers such as Susanna Moodie and Rosanna Leprohon, and call attention to obscure writers such as Eliza Lanesford Cushing, W. Arthur Calnek, James Haskins, and Mary Jane Katzmann Lawson. In the later century, the same approach is used again to examine the hive of writers who emerged to contribute to late century magazines like The Canadian Monthly and National Review and The Week, confirming the immense productivity of writers such as Agnes Maule Machar and drawing attention to now-obscure contributors like Mary Morgan. By recovering these overlooked editorial elements and figures, this dissertation draws scholarly attention to a more nuanced view of literary production and affirms the importance of magazines to literary development in nineteenth-century Canada.
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Murphy, Tara Kathleen. "The Porcupine's Quill and the Gaspereau Press : studies in the history, philosophy, and production values of two English-Canadian printer-publishers." Thesis, McGill University, 2008. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=112507.

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This thesis examines the histories, publishing philosophies, and printing practices of two English-Canadian small-press publishers (The Porcupine's Quill of Erin, Ontario, and the Gaspereau Press of Kentville, Nova Scotia). By researching their publishing influences as well as the social and political climates in which each press operated, it is possible to analyze the decisions they made about why and how to publish certain kinds of texts. From there the thesis summarizes their publishing philosophies, and conducts extended analyses of the production of two specific literary texts: Endeared by Dark: The Collected Poems of George Johnston (PQL 1990), and Execution Poems (George Elliott Clarke, Gaspereau 2001). The historical research relies partly on secondary sources, and more generally the methodology was supplied by contemporary work in book history and textual criticism; however, the majority of the research, in chapters two and three particularly, has been culled from primary texts, press releases, newspaper features, web pages, and archival materials (letters, financial records, and so on). Overall, this thesis concludes that both the Porcupine's Quill and the Gaspereau Press emphasize an holistic approach to bookmaking, wherein each component part is capable of contextualizing, augmenting, celebrating, interpreting, historicizing, or socializing a literary text.
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Marcoux, Josée. "De l'Apostolat de la presse aux Éditions Paulines : l'activité éditoriale de la Société Saint-Paul en littérature de jeunesse au Québec (1947-1995)." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ26591.pdf.

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Rukavina, Alison Jane. "Cultural Darwinism and the literary canon, a comparative study of Susanna Moodie's Roughing it in the Bush and Caroline Leakey's The broad arrow." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ61491.pdf.

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Fee, Margery. "A Note on the Publishing History of Howard O'Hagan's Tay John." 1992. http://hdl.handle.net/2429/11098.

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Boyd, Michelle. "Music and the Making of a Civilized Society: Musical Life in Pre-Confederation Nova Scotia, 1815-1867." Thesis, 2011. http://hdl.handle.net/1807/31695.

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The years 1815 to 1867 marked the first protracted period of peace in Nova Scotia’s colonial history. While the immediate effects of peace were nearly disastrous, these years ultimately marked a formative period for the province. By the eve of Confederation, various social, cultural, political, economic, and technological developments had enabled Nova Scotia to become a mature province with a distinct identity. One of the manifestations of this era of community formation was the emergence of a cosmopolitan-oriented music culture. Although Atlantic trade routes ensured that Nova Scotia was never isolated, the colonial progress of the pre-Confederation era reinforced and entrenched Nova Scotia’s membership within the Atlantic World. The same trade routes that brought imported goods to the province also introduced Nova Scotians to British and American culture. Immigration, importation, and developments to transportation and communication systems strengthened Nova Scotia’s connections to its cultural arbiters – and made possible the importation and naturalization of metropolitan music practices. This dissertation examines the processes of cultural exchange operating between Nova Scotia and the rest of the Atlantic World, and the resultant musical life to which they gave rise. The topic of music-making in nineteenth-century Nova Scotia has seldom been addressed, so one of the immediate aims of my research is to document an important but little-known aspect of the province’s cultural history. In doing so, I situate Nova Scotia’s musical life within a transatlantic context and provide a lens through which to view Nova Scotia’s connectivity to a vast network of culture and ideas. After establishing and contextualizing the musical practices introduced to Nova Scotia by a diverse group of musicians and entrepreneurs, I explore how this imported music culture was both a response to and an agent of the formative developments of the pre-Confederation era. I argue that, as Nova Scotia joined the Victorian march of progress, its musicians, music institutions, and music-making were among the many socio-cultural forces that helped to transform a colonial backwater into the civilized province that on 1 July 1867 joined the new nation of Canada.
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Sweetman, Roseanne Lopers, and Jonathan Chaplin. "Perspective vol. 16 no. 5 (Oct 1982)." 2013. http://hdl.handle.net/10756/251289.

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Books on the topic "Publishing history Canada"

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Ferré, Sandrine. L' édition au Canada Atlantique: Le défi de publier une région. [Paris]: Centre d'études canadiennes de l'Université de Paris III, Sorbonne Nouvelle, 2000.

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Ferré, Sandrine. L' édition au Canada Atlantique: Le défi de publier une région. [Paris]: Centre d'études canadiennes de l'Université de Paris III, Sorbonne Nouvelle, 2000.

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Bartlett, Mark C. The history of the book in Canada: A bibliography. Halifax, N.S: School of Library and Information Studies, Dalhousie University, 1993.

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Bartlett, Mark C. The history of the book in Canada: A bibliography. Halifax, N.S., Canada: B.H. MacDonald, 1993.

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An informal history of W.B. Saunders Company on the occasion of its hundredth anniversary. Philadelphia: W.B. Saunders, 1988.

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Lagrave, Jean Paul de. L' Époque de Voltaire au Canada: Biographie politique de Fleury Mesplet (1734-1794). Montréal: L'Étincelle, 1993.

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MacDonald, Mary Lu. Cherchez l'imprimeur: Printers and the development of printing in Lower Canada before 1860. Sherbrooke, Quebec: GRÉLQ, 1995.

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Bringhurst, Robert. The surface of meaning: Books and book design in Canada. Vancouver, B.C: CCSP Press, 2008.

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Connor, Jennifer J. To advocate, to diffuse, and to elevate: The culture and context of medical publishing in Canada, 1630 to 1920. Ottawa: National Library of Canada, 1993.

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The beginnings of the book trade in Canada. Toronto: University of Toronto Press, 1985.

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Book chapters on the topic "Publishing history Canada"

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Thompson, Brian C. "Empire, Nation, and Music." In Over Here, Over There, 174–98. University of Illinois Press, 2019. http://dx.doi.org/10.5622/illinois/9780252042706.003.0010.

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Music in Canada during World War I illuminates the country’s history and cultural identity. In some ways it paralleled music in Britain: for the public, initial enthusiasm was followed by disillusionment and resistance to conscription; for soldiers, music was a diversion and an inspiration. The interplay between French- and English-speaking cultures, however, was unique to Canada. Le Passe-temps (Montreal) published many scores and articles that reflected Francophone concerns; and the Anglophone public and troops united in publishing various soldiers’ songbooks, some associated with specific regiments. Little memorial music was composed, but the war poem “In Flanders’ Fields” by Canadian John McCrae became a lasting and universal contribution to remembrance.
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"Seeing Histories, Building Futurities: Multimodal Decolonization and Conciliation in Indigenous Comics from Canada." In Graphic Indigeneity, edited by Mike Borkent, 273–98. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496828019.003.0014.

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Mike Borkent analyzes how Native Realities and Alternative History Comics publishing venues produce comics that present complex storyworlds of First Nation peoples and challenge representational assumptions.
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Dunbar, Robert. "The Gaelic Press." In The Edinburgh History of the British and Irish Press, Volume 3, 356–76. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474424929.003.0018.

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Throughout the period in question, Gaelic periodical publishing has faced a number of persistent problems: relatively small, and declining, numbers of speakers, comparatively low levels of literacy in the language, insufficient institutional support, and editors and writers working for little material reward. As a result, most Gaelic periodicals survived for relatively short periods, and aside from the weekly Mac-Talla, published in Canada from 1892 to 1904, there has never been a Gaelic newspaper of any significance. In spite of this, Gaelic periodicals made a major contribution to Gaelic literature and culture more generally, serving as a platform for new generations of Gaelic writers, a conduit for new styles, particularly of modernist Gaelic poetry, and new genres, such as the short story, plays, social and political comment, current affairs, humour, literary translation, and much else.
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Morris, Larry E. "“Written by the Hand of Mormon”." In A Documentary History of the Book of Mormon, 456–504. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190699093.003.0012.

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In June 1829, Joseph Smith and Martin Harris began contacting printers, including Thurlow Weed, who declined a contract, and Egbert B. Grandin, who eventually agreed to publish the Book of Mormon. Oliver Cowdery prepared a printer’s copy of the manuscript, and printing began in late August or early September. Employees of the print shop, including Pomeroy Tucker, Albert Chandler, and John H. Gilbert, later described the process in detail. During this same period, Cornelius Blatchly published an early newspaper article about the Book of Mormon, Abner Cole began illegally publishing extracts from the Book of Mormon, and a controversial revelation dealing with the Canadian copyright was dictated. In March 1830, the Wayne Sentinel announced the publication of the Book of Mormon.
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