Relevant bibliographies by topics / Pueblo decoration and ornament

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Pueblo decoration and ornament'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Pueblo decoration and ornament"

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Cross, Christopher. "Urban Design: Ornament and Decoration." URBAN DESIGN International 1, no. 2 (1996): 192. http://dx.doi.org/10.1057/udi.1996.26.

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Delafons, John. "Urban design: Ornament and decoration." Cities 13, no. 3 (1996): 235. http://dx.doi.org/10.1016/0264-2751(96)88703-8.

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Ahani, Fatemeh, Iraj Etessam, and Seyed Gholamreza Islami. "The Distinction of Ornament and Decoration in Architecture." Journal of Arts and Humanities 6, no. 6 (2017): 25. http://dx.doi.org/10.18533/journal.v6i5.1188.

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<p>Ornament has been present throughout the recorded history, revealing human's aspirations, reflections and imaginations. Correspondingly, the discussion of ornament has almost uninterruptedly been a major topic for architectural discourses; one which has led to the publication of several significant texts in which ornamental practices has been addressed from a variety of perspectives. An investigation into the key architectural texts however, reveals that the absence of a certain definition of ornament and its functions in architecture as well as the interchangeable use of the terms 'decoration' and ornament as synonyms, have always been a serious obstacle to reach a clear conception of ornament nature . In this regard, the present paper attempted to distinguish between 'ornament' and 'decoration' based on a comparative analysis of the scholars’ accounts and the way the terms were employed in the architectural texts. Results indicated that the aforementioned concepts can be distinguished by means of seven criteria including components, connection, reference source, role, field of application and reference mode. According to the most referred criteria, ornament is an essential part of architecture which creates a firm bonding with its carrier and often fulfills functions more than aesthetic one .It is mostly made up of transformed motifs and evokes natural forces that originate deeply beyond or within the body of building. Decoration on the other hand, is a pleasing arrangement of real things; a suggestion of the decorous which does not have a permanent connection with its carrier. It is also purely representational, due to its reference to external matters such as mythology, religion, history, or cultural practice. </p>
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Goodwin, Amy. "Signwriting: Ornament as visual language ‐ communicative decoration." Journal of Illustration 6, no. 1 (2019): 119–36. http://dx.doi.org/10.1386/jill_00007_1.

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This article argues for the use of decorative signwriting as both ornamental and communicative. This examination will be twofold: first, a series of images of twentieth century signwriting in the fairground industry will be offered to this argument: all signwriting is purposefully applied, as decoration, in order to communicate, but unpicking the visual styles will unveil the hidden meanings, expanding the communicative intentions. Secondly, works of signwriting produced and installed as an archive as illustrated space will be dissected to expand on the argument being made. The archive as illustrated space is a framework being theoretically structured and then applied in practice within my Ph.D. enquiry. It advances the theories and workings of both the archive and artistic archive: the space facilitates the collation of dubious and disputed narratives, alongside archival fragments: told through communicative signwriting, it demands the participation of the viewer in its installation. Using the methodology of this practice-led research will contribute to confirming how the application of a visual language to signwriting enables the production of works that are both ornamental and communicative.This argument has been formed, primarily, due to my informed fairground position: embedded within fairground heritage my upbringing has established an appreciation for its rich history, which is reflected in my practice, which blends traditional signwriting and illustrative storytelling. This informed fairground position, combined with my Ph.D. enquiry, enriches the analysis and understanding of the practice-led research within the realm of this article: offering a valuable opportunity to not only comment on the historical works presented, but also to showcase an exploration of how to apply this visual production to contemporary, installation situations.
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Pereira Campos, Magdalena. "Arte y devoción indígena en la Ruta de la Plata, iglesias andinas de los siglos XVII-XVIII." Allpanchis 45, no. 81/82 (2020): 73–118. http://dx.doi.org/10.36901/allpanchis.v45i81/82.222.

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En el área surandina, en la Ruta de la Plata entre Cusco, Potosí y Arica, se dio un importante tránsito de artistas, estilos arquitectónicos y ornamentales que es posible apreciar actualmente en portadas de piedra, etablos de madera y pintura mural de los templos, en los pueblos donde transitaron trajinantes llevandola plata hacia el puerto de Arica y víveres hacia la villa de Potosí. En los siglos XVII y XVIII, caciques, cofradías indígenas, maestros cantores y doctrineros asumieron estas construcciones, reconstrucciones y alhajamiento con devoción y compromiso, encargando obras a los talleres artísticos de la zona, como también a artistas locales e itinerantes que difundieron el estilo barroco surandino, adaptándolo a la realidad de las circunstancias sociales de cada comunidad e incorporando iconografías y ornamentos locales. Abstract This article focuses on the cultural universe formed around the silver route, linking artistic and religious expressions that arose there. Collaboration and sharing practiced by indigenous communities before the arrival of the Spaniards made possible the construction and decoration of temples in this commercial circuit. In this sense, the Andean temples are a symbol of the strong relationship between different peoples, as well as their creativity and religiosity. Under Spanish rule, these communities adapted Western models, incorporating iconography and local ornaments. Finally, this South Andean Baroque style spread its influence to different places throughout the region, creating a valuable cultural universe.
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Sharapov, I. A. "Discourse of Ornament in Twentieth-Century Architecture." Art & Culture Studies, no. 2 (June 2021): 60–87. http://dx.doi.org/10.51678/2226-0072-2021-2-60-87.

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The article provides an overview of the ornament in the architecture of the twentieth century, indicating the points that form the direction of the axial trajectories of the development of the ornamental form in the context of architecture. The research is based on the method of analytical description of ornament positions extracted from the the practice and textual corpus of architect’s statements. Utterances synthesize the discursive range of ornament in the field of architecture. The body of the ornament covers the subject aspects of human life and is present in the spatial form of the architectural environment. Traditionally, the location of the ornamental form is associated with the art of decoration, so the standard ornament is considered as an additive, additional in relation to the singularity of the form. The same principle applies to architecture. This study actualizes the problem of redefining the ornamental form, marking point inversions of the additivity of ornamen tal decoration as a formative aspect involved in creating the results of architectural activity. The formative principle of the article is a chronological sequence of twenty positions outlining the discourse of ornament in the context of twentieth-century architecture.
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Bzhahov, M., and A. Sultanova. "THE USE OF THE NATIONAL ORNAMENT OF THE KABARDINS AND BALKARS AS ARCHITECTURAL DECORATION OF FACADES OF BUILDINGS." Construction Materials and Products 2, no. 4 (2020): 79–83. http://dx.doi.org/10.34031/2618-7183-2019-2-4-79-83.

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the article presents the results of research on the use of the national ornament of the Kabardins and Balkars as an architectural decoration of facades of buildings, contributing to the increase of architectural and artistic expression of facades of buildings. Classification of the national ornament of the Kabardins and Balkars is given, stylized schemes of the national ornament are considered and variants of their placement on facades of buildings as an architectural decor are offered.
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Horton, Sarah. "Serial killers? Investigating some modernist myths about decoration, pattern and ornament through workplace interventions." Journal of Illustration 6, no. 2 (2019): 305–25. http://dx.doi.org/10.1386/jill_00016_1.

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Abstract What is it about ornament that made it so contentious for influential modernist thinkers and practitioners such as Adolf Loos and le Corbusier? According to Loos it was a sign of degeneracy and for le Corbusier best suited to 'simple races, peasants and savages'. By championing the use of ornament as a vital tool for 'resistance' in the sense that Michel de Certeau used the word the practice-led research featured in this article seeks to interrogate some of these myths. Rather than being a passive adornment to an environment the visual artworks presented here tested the potential of decoration and ornament to offer a resistive, critical interruption to everyday spaces. The particular space addressed was that of the workplace, with bespoke artworks being made for three different work-related locations.
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Kim, Hoon-Hui. "The transition and meaning of the ceremonial ornament with bird-shaped thorn(有刺괿器) from Marisan ancient tombs in Haman region". Yeongnam Archaeological Society, № 82 (30 вересня 2018): 33–57. http://dx.doi.org/10.47417/yar.2018.82.33.

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The Malisan ancient tombs in Haman region are the most important sites, as the center of Allakuk(安羅國), in the study of Gaya. In this study, the ceremonial ornament with bird-shaped thorn(有刺利器) excavated from the Malisan tombs were examined. In the analysis of the ceremonial ornament, It attracts attention to the most distinctive part of the bird-shaped decoration. It is largely classified into the old and the new style. It is set to five types of old style and three types of new style. The old and new style differ in appearance and disappearance. The set pattern is observed to change gradually from the early period to the late period. The duration is divided into five stages from the beginning of the 5th century to the beginning of the 6th century. The scale of the wooden chamber tombs and stone chamber tombs and the main artifacts were examined, and the hierarchy was classified. The ceremonial ornament shows the hierarchical feature that is buried only in the middle grave and above. From the time of the emergence until the extinction period, the position as a superior relics was maintained. The position to be buried is changed. Artifacts what was buried near the body, it changes to the form to be placed on the vice chamber or top of the main in the late period. The ceremonial ornament excavated from the Malisan tombs is confirmed a close connection with the Gimhae region in the 4th century. The bird-shaped decoration on back of the armor excavated from the Daeseongdong No. 2 tomb is very similar to that of the earliest period in the old style of the Malisan s ceremonial ornament. From the previous period, the image of the bird-shaped decoration were identified in various artifacts as an important notion of farming rituals, worship of the sky and sun, and ceremonial rituals. It can be seen that the building group of the Malisan tombs placed the ceremonial ornament that has a symbolic meaning on the grave with a high hierarchy continuously.
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Liu, Jun, and Yu Guo Zhuo. "Green Theory Research on Indoor Air Pollution by Overall Process Controlling." Advanced Materials Research 356-360 (October 2011): 1719–22. http://dx.doi.org/10.4028/www.scientific.net/amr.356-360.1719.

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New green theory is put forward that indoor air pollution is controlled by overall process based on the residential interior decoration and air pollution status in China, as indoor air quality becomes important more and more. According to the concept of healthy house to control indoor air pollution through four steps that are green interior design, selecting environmental materials, green decoration and green ornament safe, healthy and environmental green home could be realized.
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Dissertations / Theses on the topic "Pueblo decoration and ornament"

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Dürfeld, Michael. "Das Ornamentale und die architektonische Form : systemtheoretische Irritationen /." Bielefeld : Transcript, 2008. http://www.loc.gov/catdir/toc/fy0804/2008423180.html.

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FARRELL, GAVIN R. "ORNAMENT: SEMANTICS AND TECTONICS IN CONTEMPORARY URBAN ARCHITECTURE." University of Cincinnati / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1115929765.

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Pleasant, Elizabeth A. "Ornamentation, representation, and experimental drawing." Thesis, Georgia Institute of Technology, 1991. http://hdl.handle.net/1853/21606.

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Prickett, Douglas B. "Ornamentalism /." Online version of thesis, 1990. http://hdl.handle.net/1850/10938.

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Wong, Chun-ming. "Cantonese opera on the temple ridge conservation of Shek Wan ceramic figurines on the ridge of the Hung Shing Temple at Apleichau /." Click to view the E-thesis via HKUTO, 2008. http://sunzi.lib.hku.hk/hkuto/record/B4218874X.

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Odom, Jason Scott. "An investigation of the ornamental joint." Thesis, Georgia Institute of Technology, 1998. http://hdl.handle.net/1853/23120.

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Alves, Francine D. A. C. C. O. "A arquitectura e o mosaico romano de pavimento-relações-interacções." Master's thesis, Instituições portuguesas -- UNL-Universidade Nova de Lisboa -- FCSH-Faculdade de Ciências Sociais e Humanas, 2002. http://dited.bn.pt:80/30055.

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Vieira, Eduarda Maria Martins Moreira da Silva. "Técnicas tradicionais de fingidos e de estuques no norte de Portugal-contributo para o seu estudo e conservação." Master's thesis, Instituições portuguesas -- -Universidade de Évora, 2002. http://dited.bn.pt:80/30074.

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Boram-Hays, Carol Sue. "A history of Zulu beadwork 1890-1997 : its types, forms and functions /." The Ohio State University, 2000. http://rave.ohiolink.edu/etdc/view?acc_num=osu1488195154357662.

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Reid, Bronwyn. "Cast architectural ornament : plaster and compo." Virtual Press, 2001. http://liblink.bsu.edu/uhtbin/catkey/1214384.

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Plaster and compo are both materials used for cast architectural ornamentation. Preserving, repairing, and in-kind replacing cast architectural ornamentation is necessary to maintain the integrity of a space. Plaster and compo are visually and texturally very similar materials. Compo was invented to be a less costly substitute for plaster. Whereas the two materials are easily mistaken for one another, they are chemically quite different. The ingredients and methods used to create the two separate materials exemplify this difference. Understanding the differences is key to successfully preserving the ornaments and, thus, the spaces in which they are located. Repairing plaster with compo or compo with plaster can lead to the destruction of cast architectural ornaments. Furthermore, chemical paint removers that are safe to use on plaster can deteriorate compo. It is necessary to thoroughly understand the nature of the materials so that informed decisions can be made about their treatments. The study addresses the similarities and differences, the maintenance, deterioration, repair, and replacement of the two materials.
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Books on the topic "Pueblo decoration and ornament"

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H, Ewing Louie, LeBlanc Steven A, and Peabody Museum of Archaeology and Ethnology., eds. Kiva mural decorations at Awatovi and Kawaika-a: With a survey of other wall paintings in the Pueblo Southwest. Peabody Museum of Archaeology and Ethnology, 2005.

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Cervantes, Enrique A. Loza blanca y azulejo de Puebla. Gobierno del Estado de Puebla, Secretaría de Cultura, 1987.

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Memoria de un pueblo: Proceso de restauración comunitaria en San Antón. Universidad Nacional Autónoma de México, CRIM, 2003.

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Diseño e iconografía: Geometrías dela imaginación : Puebla. Dirección General de Culturas Populares, 2009.

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la, Maza Francisco de. La decoración simbólica de la Capilla del Rosario de Puebla. Junta de Mejoramiento Moral, Civico y Material del Municipio de Puebla, 1987.

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Boadella, Montserrat Galí i. La Catedral de Puebla en el arte y en la historia. Edited by Catedral de Puebla. Secretaría de Cultura, Gobierno del Estado de Puebla, 1999.

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Juárez, Eduardo Merlo. La Basílica Catedral de la Puebla de los Angeles. Litografía Alai, 1991.

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Juárez, Eduardo Merlo. Las iglesias de la Puebla de los Ángeles. Secretaría de Cultura Puebla, 2001.

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Juárez, Eduardo Merlo. Las iglesias de la Puebla de los Angeles. Secretaría de Cultura Puebla, 2001.

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Vida eterna: La Capilla de San Ildefonso en Puebla. Ediciones de Educación y Cultura, 2007.

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Book chapters on the topic "Pueblo decoration and ornament"

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Wright, Richard B. "Ornament as Veneration in Ancient Pueblo Art." In Memory & Oblivion. Springer Netherlands, 1999. http://dx.doi.org/10.1007/978-94-011-4006-5_78.

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Massey, Jonathan. "Ornament and Decoration." In The Handbook of Interior Architecture and Design. BLOOMSBURY VISUAL ARTS, 2013. http://dx.doi.org/10.5040/9781474294096.ch-035.

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Aristova, Maria-Anna. "Decoration in the Desert:." In Ornament and Monstrosity in Early Modern Art. Amsterdam University Press, 2019. http://dx.doi.org/10.2307/j.ctvxkn5n8.9.

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"The City Floor." In Urban Design: Ornament and Decoration. Routledge, 2007. http://dx.doi.org/10.4324/9780080521657-10.

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"Landmarks, Sculpture and Furniture." In Urban Design: Ornament and Decoration. Routledge, 2007. http://dx.doi.org/10.4324/9780080521657-11.

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"Colour in the City." In Urban Design: Ornament and Decoration. Routledge, 2007. http://dx.doi.org/10.4324/9780080521657-12.

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"Conclusion – The City of Today and Tomorrow: Ornament and Decoration." In Urban Design: Ornament and Decoration. Routledge, 2007. http://dx.doi.org/10.4324/9780080521657-13.

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"Epilogue." In Urban Design: Ornament and Decoration. Routledge, 2007. http://dx.doi.org/10.4324/9780080521657-14.

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"Theory and Philosophy of Ornament and Decoration." In Urban Design: Ornament and Decoration. Routledge, 2007. http://dx.doi.org/10.4324/9780080521657-6.

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"The Façade." In Urban Design: Ornament and Decoration. Routledge, 2007. http://dx.doi.org/10.4324/9780080521657-7.

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Conference papers on the topic "Pueblo decoration and ornament"

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Yu, Tao, Hao Shen, Qianchao Chai, Fei Chen, Ledan Qian, and Yi Li. "Flexible Ornament Selection System for VR Decoration Exhibition." In 2018 International Conference on Virtual Reality and Visualization (ICVRV). IEEE, 2018. http://dx.doi.org/10.1109/icvrv.2018.00039.

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