Academic literature on the topic 'Puerto Rican literature – History and criticism'

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Journal articles on the topic "Puerto Rican literature – History and criticism"

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Nieto, Sonia. "Symposium: Fact and Fiction: Stories of Puerto Ricans in U.S. Schools." Harvard Educational Review 68, no. 2 (1998): 133–64. http://dx.doi.org/10.17763/haer.68.2.d5466822h645t087.

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Puerto Rican communities have been a reality in many northeastern urban centers for over a century. Schools and classrooms have felt their presence through the Puerto Rican children attending school. The education of Puerto Ricans in U.S. schools has been documented for about seventy years, but in spite of numerous commissions, research reports, and other studies, this history is largely unknown to teachers and the general public. In addition to the research literature, a growing number of fictional accounts in English are providing another fertile avenue for understanding the challenges that
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Salas Rivera, Raquel. "How Do You Translate Compaña?" Small Axe: A Caribbean Journal of Criticism 26, no. 3 (2022): 133–43. http://dx.doi.org/10.1215/07990537-10211737.

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Working as principal investigator and head of the translation team for El proyecto de la literatura puertorriqueña / the Puerto Rican Literature Project (PRLP)—a free, bilingual, user-friendly, and open access digital portal that anyone can use to learn about and teach Puerto Rican poetry—has provided the author with insight about the colonial conditions that structure translation as word-making practice, survival strategy, and decolonial methodology. In collaborating with Puerto Rican writers, translators, investigators, and scholars and sustaining a dialogue with a long history of personal a
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Padilla, Felix M. "Salsa: Puerto Rican and Latino music." Journal of Popular Culture 24, no. 1 (1990): 87–104. http://dx.doi.org/10.1111/j.0022-3840.1990.00087.x.

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La Fountain-Stokes, Lawrence M. (Lawrence Martin). "Boricua Literature: A Literary History of the Puerto Rican Diaspora (review)." Arizona Journal of Hispanic Cultural Studies 11, no. 1 (2008): 232–34. http://dx.doi.org/10.1353/hcs.2008.0018.

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Cruz-Malavé, Arnaldo M. "Dancing in an Enclosure." Small Axe: A Caribbean Journal of Criticism 26, no. 2 (2022): 1–23. http://dx.doi.org/10.1215/07990537-9901569.

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An examination of the significance of dance performances in the demonstrations of the Puerto Rican summer of 2019, this essay argues that these performances belong to a history of irreverent, extravagant mourning gestures that periodically irrupt in Puerto Rican culture as decolonial practices by dislocating the socially prescribed binding between performance and affect. Using the theories of Saidiya Hartman, José Esteban Muñoz, and Juana María Rodríguez, and connecting to the work of Rocío Zambrana on strategies that address the island’s colonial legacy, the essay explores the mournfully irre
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Díaz-Basteris, María Fernanda. "Traumatic Displacement in Puerto Rican Digital Graphic Narratives." a/b: Auto/Biography Studies 35, no. 2 (2020): 467–74. http://dx.doi.org/10.1080/08989575.2020.1741188.

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Rodríguez-Matos, Carlos A. "To Be Gay, Puerto Rican, and a Poet…" ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 10, no. 3 (1997): 25–37. http://dx.doi.org/10.1080/08957699709602294.

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Fayer, Joan M., Alma Simounet Geigel, and Joseph M. Ferri. "Puerto Rican Identity: Themes that Unite and Divide." Journal of American Culture 8, no. 4 (1985): 83–91. http://dx.doi.org/10.1111/j.1542-734x.1985.0804_83.x.

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Chaar-Pérez, Khalila. "“The Antilles for the Sons of the Antilles”: On Translating Ramón Emeterio Betances." Small Axe: A Caribbean Journal of Criticism 25, no. 3 (2021): 160–65. http://dx.doi.org/10.1215/07990537-9583516.

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In sharing the original French version as well as Spanish and (first-ever) English translations of “Speech at the Masonic Lodge of Port-au-Prince” (ca. 1870–71), the author argues for the importance of the work of Afro–Puerto Rican activist Ramón Emeterio Betances in the history of Caribbean decolonization. This speech represents a unique inter-Caribbean intervention in the anti-imperial struggle of the time. With the Cuban Ten Years’ War against Spain in the background, Betances, in contrast to his fellow Cuban and Puerto Rican activists, advocates a vision of Caribbean sovereignty that is in
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Franqui-Rivera, Harry. "National Mythologies: U.S. Citizenship for the People of Puerto Rico and Military Service." Memorias 21 (May 12, 2022): 5–21. http://dx.doi.org/10.14482/memor.21.564.122.

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That Puerto Ricans became American citizens in 1917 have been attributed by many to the need for soldiers as the U.S. entered the First World War. Such belief has been enshrined in Puerto Rican popular national mythology. While there is a rich body of literature surrounding the decision to extend U.S. citizenship to Puerto Rico and its effect on the Puerto Ricans, few, if any, challenge the assumption that the need for manpower for the armies of the metropolis influenced that decision. Reducing the issue of citizenship to a need for manpower for the military o nly o b s c ures c o mp lex imp e
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Dissertations / Theses on the topic "Puerto Rican literature – History and criticism"

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Pérez-Padilla, Rita M. "De pura cepa: Seis cuentos de Puerto Rico, 1548–2017." Oberlin College Honors Theses / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1526397339724881.

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Meyers, Emily Taylor 1979. "Transnational romance: The politics of desire in Caribbean novels by women." Thesis, University of Oregon, 2009. http://hdl.handle.net/1794/10232.

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xi, 236 p. A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number.<br>Writers in the Caribbean, like writers throughout the postcolonial world, return to colonial texts to rewrite the myths that justified and maintained colonial control. Exemplary of a widespread, regional phenomenon that begins at mid-century, writers such as Aimé Césaire and George Lamming take up certain texts such as Shakespeare's The Tempest and recast them in their own image. Postcolonial literary theory reads this act of rewriting the canon as a p
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Azank, Natasha. "The Guerilla Tongue": The Politics of Resistance in Puerto Rican Poetry." 2012. https://scholarworks.umass.edu/dissertations/AAI3498327.

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This dissertation examines how the work of four Puerto Rican poets – Julia de Burgos, Clemente Soto Vélez, Martín Espada, and Naomi Ayala – demonstrates a poetics of resistance. While resistance takes a variety of forms in their poetic discourse, this project asserts that these poets have and continue to play an integral role in the cultural decolonization of Puerto Rico, which has been generally unacknowledged in both the critical scholarship on their work and the narrative of Puerto Rico’s anti-colonial struggle. Chapter One discuses the theoretical concepts used in defining a poetics of res
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Nunez, Victoria. "Unpacking the suitcases they carried: Narratives of Dominican and Puerto Rican migrations to the northeastern United States." 2006. https://scholarworks.umass.edu/dissertations/AAI3242108.

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For Latinos living in the continental United States, migration is an experience that is at once familiar, as a historical phenomenon that shapes our lives, and ephemeral, as a series of momentous events in the lives of individuals, families, and communities that are rarely memorialized. Latino migration has contributed to a redesigned ethnic landscape in the northeastern U.S. although this migration is far less discussed as a contested site of Latino migration than that into the western United States. The two largest groups of Latinos in the Northeast, Dominican and Puerto Rican migrants and t
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Books on the topic "Puerto Rican literature – History and criticism"

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Laguna, Asela Rodríguez-Seda de. Notes on Puerto Rican literature: Images and identities : an introduction. Rutgers, The State University of New Jersey-Newark, 1987.

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Olivera, Otto. La literatura en periódicos y revistas de Puerto Rico (siglo XIX). Editorial de la Universidad de Puerto Rico, 1987.

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Vázquez, Margot Arce de. Literatura puertorriqueña. Edited by Rodríguez Vecchini Hugo and López-Baralt Mercedes. Editorial de la Universidad de Puerto Rico, 1998.

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Rivera, Carmen S. Kissing the mango tree: Puerto Rican women rewriting American literature. Arte PĐblico Press, 2003.

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Bercedóniz, Jorge María Ruscalleda. La palabra exigente: (ensayos puertorriqueños). Editorial Mester, 1999.

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Morales, Héctor J. Martell. Literatura fantástica en Puerto Rico (siglo XIX): Estudio y antología. Los Libros de la Iguana, 2016.

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Cabrera, Francisco Manrique. Historia de la literatura puertorriqueña. Editorial Cultural, 1986.

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Silén, Juan Angel. Colonialismo, literatura, ideología. 2nd ed. Librería Norberto González, 1997.

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Silén, Juan Angel. Colonialismo, literatura, ideología. 2nd ed. Librería Norberto González, 1997.

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Rosado, María Esther Ramos. La mujer negra en la literatura puertorriqueña: Cuentística del 70. s.n., 1991.

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Book chapters on the topic "Puerto Rican literature – History and criticism"

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González, Lisa Sánchez. "Pura Belpré: The Children’s Ambassador." In Latina Legacies. Oxford University PressNew York, NY, 2005. http://dx.doi.org/10.1093/oso/9780195153989.003.0010.

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Abstract Pura Teresa Belpré, one of the most admired figures of twentieth-century Puerto Rican history, was a storyteller, folklorist, children’s librarian, and advocate for low-income, Spanish-speaking children in New York City. During her lifetime, she traveled widely, performing stories, writing chil- dren’s books, and contributing to the fields of library science and bilin- gual children’s bibliography. Literary critics and historians have only recently recovered Belpré’s body of work. In light of her contributions to children’s literature, writing, researching, and translations of Puerto Rican legends and myths for bilingual audiences, she has been dubbed the island’s folkloric “ambassador” to the United States.
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Velázquez, Mirelsie. "Introduction." In Puerto Rican Chicago. University of Illinois Press, 2022. http://dx.doi.org/10.5622/illinois/9780252044243.003.0001.

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This chapter contextualizes the importance of the educational experiences of Puerto Ricans in Chicago as a way to historicize the overall story of Puerto Ricans in the city. The introduction engages with previous studies on both the history of American education and existing literature on Puerto Ricans in Chicago. A discussion of the colonial relationship between the United States and the island, and how it informed schooling, both formally and informally, sets the stage for a thorough discussion of Puerto Ricans in the diaspora.
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"Puerto Rican Women Workers in the Twentieth Century: A Historical Appraisal of the Literature." In Puerto Rican Women's History: New Perspectives. Routledge, 2015. http://dx.doi.org/10.4324/9781315701356-9.

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"Introduction." In Cuba and Puerto Rico, edited by Carmen Haydée Rivera and Jorge Duany. University Press of Florida, 2023. http://dx.doi.org/10.5744/florida/9781683403302.003.0001.

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This overview highlights the contributions of multiple disciplines (including history, literary criticism, anthropology, musicology, and psychology) that traverse and intersect with one another in the larger discussion of the fields as they relate to Cuba and Puerto Rico. The discussion showcases the breath and diversity of recent scholarship, conceptual approaches, and academic debates in Cuban and Cuban American studies and their relation to Puerto Rican studies in juxtaposition to one another. The topics under discussion range from anthropological perspectives and the natural history of Cuba and Puerto Rico before and during the Cold War, to cultural identities and sociological/demographic studies of Cuban Americans and Puerto Ricans in the United States. Literary criticism on the works of Cuban American and Puerto Rican authors, as well as political coalitions, the formation of sororities, environmental issues, and the impact of the Mariel boatlift on the music scene in New York City encourage a more nuanced and multifaceted study of the relationships between the two archipelagos and the dynamics that develop in diaspora. The introduction emphasizes how this collection proposes an important comparative, critical discussion of varied topics in one volume hitherto absent in the extant scholarship. In many ways, revisiting the historical relevance of Lola Rodríguez de Tió’s poem, that gives way to the collection’s title, demonstrates how both Puerto Rico and Cuba remain an essential concern of archipelagic studies and diaspora studies and still require incisive critical analyses, even beyond the scope of this project. This collection of essays is an important step in that direction.
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Jiménez García, Marilisa. "Indescribable Beings." In Side by Side. University Press of Mississippi, 2021. http://dx.doi.org/10.14325/mississippi/9781496832474.003.0002.

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This chapter establishes literature for young people and school readers as prominent, visual media used by US and Puerto Rican writers, both those in the diaspora and Puerto Rico, throughout the history of the US and Puerto Rico relationship beginning in 1898 with the Spanish American War. This chapter analyzes several prominent picture books, and illustrated textbooks read in the US and PR, from a variety of authors including Ezra Jack Keats and Ángeles Pastor.
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Urban, Florian. "La Perla, Puerto Rico." In The Oxford Handbook of the Modern Slum. Oxford University Press, 2023. http://dx.doi.org/10.1093/oxfordhb/9780190879457.013.8.

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Abstract La Perla, Puerto Rico’s most famous “slum,” developed since the early 1900s outside the walls of Old San Juan, the historic Old Town of the Puerto Rican capital. By the mid-twentieth century, La Perla was a symbol of the poverty and deprivation that development and scientifically informed planning attempted to resolve. It became the subject of various improvement plans with varying degrees of inhabitant participation. Comparing building types, ownership structures, and municipal policies throughout La Perla’s history, this chapter questions the validity of the formal-informal distinction that is fundamental in recent literature on “slums,” and engrained in development and modernization ideologies. In terms of architecture, planning, and legal situation, the neighborhood has been characterized by a combination of formal and informal elements. There was both self-help construction and profit-driven development, stable and improvised buildings, unequal power relations, and strong economic ties to the rest of the city.
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Jiménez García, Marilisa. "Side by Side." In Side by Side. University Press of Mississippi, 2021. http://dx.doi.org/10.14325/mississippi/9781496832474.003.0001.

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This chapter places the book’s scholarly conversation in a framework of postcolonial, decolonial, critical race, American Studies, Latinx/Puerto Rican Studies, and children’s literature scholarship. The chapter elaborates on the role of youth, both as objects and participants, and youth literature in formation of Latinx studies, particularly in the formation of the historical and current ethnic studies movements and the history of Latinx literature in relationship to a “canon” of children’s and young adult literature.
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