Relevant bibliographies by topics / Punk Rock / Dissertations / Theses
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Dissertations / Theses on the topic 'Punk Rock'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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1

deCourville, Nichols P. IV. "The Punk-Rock Brontes." University of Akron / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=akron1491409983719254.

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2

Barber-Kersovan, Alenka. "Vom "Punk-Frühling" zum "Slowenischen Frühling" der Beitrag des slowenischen Punk zur Demontage des sozialistischen Wertesystems." Hamburg Krämer, 2005. http://deposit.ddb.de/cgi-bin/dokserv?id=2655733&prov=M&dok_var=1&dok_ext=htm.

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3

Traulsen, Andrew. "More than music :." [Chico, Calif. : California State University, Chico], 2009. http://hdl.handle.net/10211.4/107.

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4

Kieran, Jonathan P. "For Want Of: A Punk Rock Short Film." ScholarWorks@UNO, 2015. http://scholarworks.uno.edu/td/1992.

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In light of the specific challenges of assessing a thesis film—a project which contains artistic and academic components—the author examines his own short film For Want Of as a prototype for future work in film and as an opportunity for introspective investigation into the nature of filmmaking and personal artistic process. Reference is made to specific episodes during the film’s conception and production, as well as higher-level insight gained from following the film through an 18-month production cycle.
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5

Peters, Sean (Sean Louis). "Listening in the Living Room: The Pursuit of Authentic Spaces and Sounds in Dallas/Fort Worth (DFW) Do-It-Yourself (DIY) Punk Rock." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc1062889/.

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In the Dallas/Fort Worth (DFW) do-it-yourself (DIY) punk scene, participants attempt to adhere to notions of authenticity that dictate whether a band, record label, performance venue, or individual are in compliance with punk philosophy. These guiding principles champion individual expression, contributions to one's community (scene), independence from the mainstream music industry and consumerism, and the celebration of amateurism and the idea that everyone should "do it yourself." While each city or scene has its own punk culture, participants draw on their perceptions of the historic legacy
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6

Stewart, Francis Elizabeth. ""Punk rock is my religion" : an exploration of straight edge punk as a surrogate of religion." Thesis, University of Stirling, 2011. http://hdl.handle.net/1893/3441.

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Using a distinctly and deliberately interdisciplinary approach to the subject of religion and spirituality as it presents itself within modern Western Societies today, this thesis argues that Straight Edge hardcore punk is a surrogate for religion. The term surrogate is used to denote the notion of a successor and a protector and provider of nourishment. It has been re-interpreted from Theodore Ziolkowski’s work on the same term in ‘Modes of Faith’, in which he examines surrogates for religion which emerged during the early part of the 20th century. An in-depth study, both theoretical and ethn
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Encarnacao, John. "Punk aesthetics in independent "new folk", 1990-2008." Electronic version, 2009. http://hdl.handle.net/2100/981.

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Various commentators on punk (e.g. Laing 1985, Frith 1986, Goshert 2000, Reynolds 2005, Webb 2007) have remarked upon an essence or attitude which is much more central to it than any aspects of musical style. Through the analysis of specific recordings as texts, this study aims to deliver on this idea by suggesting that there is an entire generation of musicians working in the independent sphere creating music that combines resonances of folk music with demonstrable punk aesthetics. Given that the cultural formations of folk and punk share many rhetorics of authenticity – inclusivity, communit
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8

Michalski, Stefan. "'Anarchy in the U.K.' : an analysis of punk rock /." [Adelaide : University of Adelaide], 1985. http://web4.library.adelaide.edu.au/theses/09AR/09arm621.pdf.

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9

Gatto, Vinicius Delangelo Martins. "Rock Progressivo e Punk Rock : Uma análise sociológica da mudança na vanguarda estética do campo do Rock." reponame:Repositório Institucional da UnB, 2011. http://repositorio.unb.br/handle/10482/9724.

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Dissertação (mestrado)—Universidade de Brasília, Instituto de Ciências Sociais, Departamento de Sociologia, 2011.<br>Submitted by Albânia Cézar de Melo (albania@bce.unb.br) on 2011-12-02T14:40:01Z No. of bitstreams: 1 2011_ViniciusDelangeloMartinsGatto.pdf: 955361 bytes, checksum: 3e818e023422e2024266b298e6801683 (MD5)<br>Approved for entry into archive by Leila Fernandes (leilabiblio@yahoo.com.br) on 2011-12-13T14:03:26Z (GMT) No. of bitstreams: 1 2011_ViniciusDelangeloMartinsGatto.pdf: 955361 bytes, checksum: 3e818e023422e2024266b298e6801683 (MD5)<br>Made available in DSpace on 2011-12-13
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10

Kass, Sara. "The Form of Nonconformity: Architecture & The Punk Rock Aesthetic." Thesis, Virginia Tech, 2008. http://hdl.handle.net/10919/34339.

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Punk rock is about music, rebellion, anarchy, and style. How can this be translated into architecture? Can a building possess these qualities? What would a "rebellious" building look like? How will it change our conceptions of "beauty?"<br>Master of Architecture
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11

Gomes, de Barros Lydia. "O Alto José do Pinho por trás do punk rock." Universidade Federal de Pernambuco, 2006. https://repositorio.ufpe.br/handle/123456789/3505.

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Made available in DSpace on 2014-06-12T16:31:33Z (GMT). No. of bitstreams: 2 arquivo4758_1.pdf: 985985 bytes, checksum: 388cfdc8fb5c79b08b3a09872c3a3f0a (MD5) license.txt: 1748 bytes, checksum: 8a4605be74aa9ea9d79846c1fba20a33 (MD5) Previous issue date: 2006<br>A presente dissertação se propõe a investigar a maneira pela qual os media apreendem, elaboram e constituem uma representação do movimento de música alternativa do Alto José do Pinho, articulado em torno de grupos denominados punks; como a construção dessa realidade pela mídia retorna à comunidade; de que forma ela reconfigura as
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12

Pietschmann, Franziska. "A Blacker and Browner Shade of Pale: Reconstructing Punk Rock History." Master's thesis, Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2010. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-62981.

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Embedded in the transatlantic history of rock ‘n’ roll, punk rock has not only been regarded as a watershed moment in terms of music, aesthetics and music-related cultural practices, it has also been perceived as a subversive white cultural phenomenon. A Blacker and Browner Shade of Pale challenges this widespread and shortsighted assumption. People of color, particularly black Americans and Britons, and Latina/os have pro-actively contributed to punk’s evolution and shaped punk music culture in the United States and England. Examining why people of color are not linked to the punk rock genre
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Marques, Victor Otávio Carvalho. "Cultura e ruína: o punk rock britânico da década de 1980." Pontifícia Universidade Católica de São Paulo, 2015. https://tede2.pucsp.br/handle/handle/4738.

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Made available in DSpace on 2016-04-26T18:15:21Z (GMT). No. of bitstreams: 1 Victor Otavio Carvalho Marques.pdf: 4590420 bytes, checksum: ff028f0c56dac2ab04dee666e2e312ce (MD5) Previous issue date: 2015-11-27<br>Conselho Nacional de Desenvolvimento Científico e Tecnológico<br>The present work aims to analyze the way that the British punk rock from the 1980&#8223;s be part of our culture. Its intent is embrace a marginal cultural process through and from disposed phonographic elements. It is urgent this discussion by this cover possible composites to the observation of our mediatic, especiall
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Maxson, Brian. "Tester: A Story of Class, Academia, Punk Rock, and Generation X." Digital Commons @ East Tennessee State University, 2013. https://dc.etsu.edu/etsu-works/6185.

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Written under the name "Malcolm Franklin", this article offers an account of my journey from first-generation college graduate from the rural midwest to college professor. I wrote it as a pedagogical text to give my undergraduates and graduate history students at ETSU a better sense of the challenges that face them if they choose to pursue an academic career path.
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Sevillano, Daniel Cantinelli. "Pro dia nascer feliz? Utopia, distopia e juventude no rock brasileiro da década de 1980." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-16082016-103618/.

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Através da utilização de letras de músicas produzidas entre os anos de 1981 e 1989, busquei analisar o papel que o rock brasileiro teve como elemento de manifestação da juventude que havia crescido sob a ditadura de 1964. Utilizei os conceitos de utopia e distopia para compreender de que maneira essas letras, ao mesmo tempo, serviram como representação da compreensão desses jovens de seu momento histórico e como instrumento de crítica da realidade econômica e social ao seu redor. Mais do que reflexo cultural de seu período, tais letras manifestavam a contradição ideológica da época, na qual a
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Trott, Brian. "Faouda Wa Ruina| A History of Moroccan Punk Rock and Heavy Metal." Thesis, The University of Wisconsin - Milwaukee, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10815577.

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<p> Under the Supervision of Professor Gregory Carter While the punk rock and heavy metal subcultures have spread through much of the world since the 1980s, a heavy metal scene did not take shape in Morocco until the mid-1990s. There had yet to be a punk rock band there until the mid-2000s. In the following paper, I detail the rise of heavy metal in Morocco. Beginning with the early metal scene, I trace through critical moments in its growth, building up to the origins of the Moroccan punk scene and the state of those subcultures in recent years. I also discuss in depth the organization of
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17

Debies-Carl, Jeffrey S. "Building a Better Tomorrow: Punk Rock and the Socio-Politics of Place." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1253037189.

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18

Tompkin, Julian Gareth. "New frequencies from planet Perth: Punk rock and Western Australia's sesquicentenary celebrations." Thesis, Curtin University, 2012. http://hdl.handle.net/20.500.11937/2430.

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Dislocated by both land and sea, Perth’s punk scene would nonetheless play a pivotal role in the development and global dissemination of punk rock in the 1970s. Set against the traditionalist context of Western Australia’s 150th anniversary celebrations in 1979, this study readdresses the birth of WA’s punk counterculture and its uneasy relationship with the State’s mainstream cultural narrative, as well as the genre’s enduring cultural legacy in Western Australia.
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19

Magalhães, Emerson. "CONSTRUÇÃO DA CENA CULTURAL E MUSICAL DO ROCK ALTERNATIVO GOIANO." Pontifícia Universidade Católica de Goiás, 2017. http://tede2.pucgoias.edu.br:8080/handle/tede/3699.

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Submitted by admin tede (tede@pucgoias.edu.br) on 2017-06-01T14:03:52Z No. of bitstreams: 1 EMERSON MAGALHÃES.pdf: 4503685 bytes, checksum: f660dc448e46fbaa62e032dbcea91699 (MD5)<br>Made available in DSpace on 2017-06-01T14:03:52Z (GMT). No. of bitstreams: 1 EMERSON MAGALHÃES.pdf: 4503685 bytes, checksum: f660dc448e46fbaa62e032dbcea91699 (MD5) Previous issue date: 2017-03-10<br>The present work has the objective of analyzing the construction of the cultural and musical scene of alternative rock from Goiás. From the notion of field, abstracted from the work of Pierre Bourdieu (2012), presen
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Muñoz, Salinas Carolina. "Santiago, soundtrack de un mundo oscuro." Tesis, Universidad de Chile, 2012. http://repositorio.uchile.cl/handle/2250/134727.

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Memoria para obtener el Título de Periodista<br>Con las tendencias musicales de las décadas del 70 y 80, y justo entre el término de una y el comienzo de la otra, nace de uno de los géneros musicales más amplios que se conozcan. Cuando existía una creciente necesidad por un movimiento que representara la inconformidad de los jóvenes y que escapaba de los alcances del punk de los 70’s, surgió el Gótico, para reunir a un grupo de personas que compartían ciertas necesidades y gustos, tanto en su forma de vestir como en sus preferencias musicales. El antecedente del gótico es el punk: en Est
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21

Wood, Joshua. "“The Way It Goes”: Stories." Thesis, University of North Texas, 2012. https://digital.library.unt.edu/ark:/67531/metadc115183/.

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This collection of short stories attempts to examine the role of a changing and often indifferent world has in the way various characters achieve maturity. Though the past is not always obvious in each story, each protagonist is characterized as holding onto some aspect of his or her past life in a way that is detrimental to their growing as human beings. the stories attempt to portray the indifference of the world as it moves forward to the plight of these characters, and to portray the manner in which they each come to terms with such a world and with their own lives.
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22

Cuzzolin, Clelia. "Abituàti a morire: Uno sguardo sulla scena punk-rock siberiana degli anni '80." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2015. http://amslaurea.unibo.it/9217/.

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Il presente elaborato ha lo scopo di fornire una panoramica sul movimento punk siberiano, nato e sviluppatosi a cavallo fra il 1984 e il 1991. L'analisi della poetica di alcuni fra i musicisti principali del cosiddetto "sibpunk" e la traduzione delle loro canzoni più significative costituiscono una prospettiva inusuale e interessante per osservare la Siberia negli anni della Perestrojka.
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23

Bestley, Russell. "Hitsville UK : punk rock and graphic design in the faraway towns, 1976-84." Thesis, University of the Arts London, 2007. http://ualresearchonline.arts.ac.uk/2296/.

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This research has two primary aims, both of which relate to a study of graphic design methods within the field of popular culture. The first aim is to identify the visual codes which appear in the sleeve designs of a broad selection of UK punk seven inch singles released between 1976 and 1984, and to analyse these in relation to a number of different punk sub-genres and audience groups. Sleeves are mapped stylistically, geographically and chronologically to show the evolution of a range of distinct design strategies and the diasporic effect on the development of punk in the wider regions of th
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24

Dowman, Sarah. "Mapeando la cultura Kruda: Hip-Hop, Punk Rock y performances queer latino contemporáneo." Bowling Green State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1363463760.

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Levine, Lauren E. "Act Like a Punk, Sing Like a Feminist: A Longitudinal Content Analysis of Feminist Themes in Punk Rock Song Lyrics, 1970-2009." Thesis, University of North Texas, 2015. https://digital.library.unt.edu/ark:/67531/metadc801944/.

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Punk rock music has long been labeled sexist as copious media-generated accounts and reports of the genre concentrate on male artists, hyper-masculine performances, and lyrics considered to be aggressive, sexist, and misogynist. However, scholars have rarely examined punk rock music longitudinally, focusing heavily on 1980s and 1990s manifestations of the genre. Furthermore, few systematic content analyses of feminist themes in punk rock song lyrics have been conducted. The present research is a longitudinal content analysis of lyrics of 600 punk rock songs released for four decades between 19
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Dymock, Laura. "No compromise with their society : the politics of anarchy in anarcho-punk, 1977-1985." Thesis, McGill University, 2007. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=101878.

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In order to analyze the relationship of punk to anarchy, this thesis will investigate the discursive function of "anarchy" both in contemporaneous accounts of punk and in subsequent histories. Beginning with the genesis of British punk and the first references to anarchy in different media during the late 1970s, subsequent chapters focus on the seminally influential anarcho-punk band Crass in order to discern their impact on the evolution of the anarcho-punk genre and its relationship to anarchism up through the mid-1980s. Several other anarcho-punk bands will also be considered for their cont
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Roig, Olivia. "Green Day: Rock Music and Class." Bowling Green State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1460052619.

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Guy, Stephen. "The nature of community in the Newfoundland rock underground /." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=81493.

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Twenty-five years of independent, underground, or punk rock music-making in St. John's, Newfoundland, have been defined by geographic isolation. In tracing a historical record of the small city's punk/indie scene, this project seeks to evaluate recent academic discussion surrounding the role of collectivity in artistic 'independence' and examine the impact of prevailing international aesthetics and changing communication technologies on local practice. The self-containment and self-sufficiency of the St. John's music community, largely the product of the city's isolated position on the
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Finnanger, Sindre Schultz. "Punk i Polen under kommunismen : Polske ungdommers opprør for autonomi på 80-tallet." Thesis, Norges teknisk-naturvitenskapelige universitet, Institutt for historiske studier, 2014. http://urn.kb.se/resolve?urn=urn:nbn:no:ntnu:diva-25373.

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Denne masteroppgaven i historie behandler problemstillingen «Hvordan oppnådde polske ungdommer autonomi gjennom punk på 80-tallet?». Spørsmålet blir drøftet med utgangspunkt i punkernes meningsutveksling gjennom musikk og fanziner. Punk ble en dominerende subkultur blant ungdom i det Polen gjennom 80-tallet, noe som gjorde punkere til et påfallende trekk ved det polske samfunnet. Punkbevegelsens utvikling og skiftende samfunnskritiske rolle blir diskutert i denne oppgaven. Punkernes bruk av autonomi som ideologi reflekteres i musikken deres og i hvordan de organiserte sitt fellesskap. Hvordan
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Prado, Gustavo dos Santos. "“Caminho para a morte” na metrópole - cultura punk: fanzines, rock, política e mídia (1982-2004)." Pontifícia Universidade Católica de São Paulo, 2017. https://tede2.pucsp.br/handle/handle/19827.

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Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2017-03-21T12:47:23Z No. of bitstreams: 1 Gustavo dos Santos Prado.pdf: 5513365 bytes, checksum: 2fe4c359115e31237d50bd893d81e8d0 (MD5)<br>Made available in DSpace on 2017-03-21T12:47:23Z (GMT). No. of bitstreams: 1 Gustavo dos Santos Prado.pdf: 5513365 bytes, checksum: 2fe4c359115e31237d50bd893d81e8d0 (MD5) Previous issue date: 2017-03-10<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>This research has as an objective to investigate punk culture throughout the decades of 1980 and 1990 and its appropriation b
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Benezra, Samuel Kelly. "White Man (In Hammersmith Palais): Punk, Immigration, and the Politics of Race in 1970s England." Ohio University Honors Tutorial College / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1525455170795717.

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ROGERS, ASHLEY D. "THE INFLUENCE OF GUY DEBORD AND THE SITUATIONIST INTERNATIONAL ON PUNK ROCK ART OF THE 1970s." University of Cincinnati / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1163784738.

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Araújo, Tatiana Brandão de. "Punk rock é só pro seu namorado: uma leitura queer sobre o filme All over me." reponame:Repositório Institucional da UFSC, 2014. https://repositorio.ufsc.br/xmlui/handle/123456789/129063.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Literatura, Florianópolis, 2014.<br>Made available in DSpace on 2015-02-05T20:39:15Z (GMT). No. of bitstreams: 1 332310.pdf: 5516173 bytes, checksum: 71ce76d1f214b727eb64915d2d0adfc2 (MD5) Previous issue date: 2014<br>A pesquisa, de natureza qualitativa, se insere na Linha de Pesquisa Crítica Feminista e Estudos de Gênero. Esta investigação tem como cerne teórico a teoria queer com base em autores como Jack Halberstam (2005), Annemarie Jagose (1996) e Richard Misko
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Melgar, Wong José Francisco. "La construcción de lo Punk en el discurso historiográfico sobre la música de la banda Los Saicos." Master's thesis, Pontificia Universidad Católica del Perú, 2020. http://hdl.handle.net/20.500.12404/19212.

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En los años sesenta del siglo pasado los medios de prensa limeños clasificaron a Los Saicos como un grupo de nueva ola. Cuarenta años más tarde, a inicios del siglo XXI, los historiadores del rock peruano lo conceptualizaron como un grupo “inventor del punk”. Estos dos hechos demuestran que, a lo largo de cuatro décadas, los discursos que determinaron la clasificación de Los Saicos en los medios de prensa y en la historiografía del rock local pasaron por un importante proceso de transformación. Dado que no existen investigaciones académicas que muestren los antecedentes históricos y las
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Felipe, Leonardo Azevedo. "Rock my art : ou O novo esteticismo de Porquê choras? ou O dia em que Eduk entrou para a história da arte." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2013. http://hdl.handle.net/10183/87668.

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A partir do estudo de um caso específico – a performance Porquê Choras?, de Rogério Nazari e Telmo Lanes, ocorrida em 14 de agosto de 1985, em Porto Alegre, e que contou com a participação do grupo de rock Defalla – este trabalho busca narrar uma História (Roqueira) da Arte, apontando momentos no século XX em que o campo das artes visuais foi cruzado com o da cultura popular massiva representada pelo rock. Em paralelo, esta pesquisa também propõe reflexões acerca do fazer da própria história da arte e das maneiras de produção da chamada pós-crítica.<br>From the study of a specific case – the p
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Wolf, Mary Montgomery Filene Peter G. "We accept you, one of us? punk rock, community, and individualism in an uncertain era, 1974-1985 /." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2007. http://dc.lib.unc.edu/u?/etd,1527.

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Thesis (Ph. D.)--University of North Carolina at Chapel Hill, 2008.<br>Title from electronic title page (viewed Sep. 16, 2008). "... in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History." Discipline: History; Department/School: History.
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Hedström, Jessica, and Jonas Lyckegård. "Sociala medier som marknadsföringskanal : En studie kring hur punk och rockare upplever och använder sociala medier." Thesis, Högskolan i Borås, Institutionen Handels- och IT-högskolan, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-16725.

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Problembakgrund: Sociala medier har blivit så viktigt att marknadsförare inte kan bortse ifråndem (Patino, Pitta och Quinones, 2012). Det är viktigt att företag har en klar strategi för hurmarknadsföringen på sociala medier ska se ut (Setreus, 2011). För att få djupare förståelse kringdet här bör användandet av sociala medier undersökas.Syfte: Uppsatsen syfte är att undersöka och beskriva konsumenters beteende på sociala medier,och upplevelser kring företags marknadsföring på sociala medier.Metod: Undersökningen har en kvalitativ ansats. Urvalet i studien är ett spontant uppsökandeurval av tol
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Clegg, Mindy L. ""Through the Roof and Underground": Translocal Hardcore Punk in Los Angeles and Ljubljana." Digital Archive @ GSU, 2011. http://digitalarchive.gsu.edu/history_theses/44.

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ABSTRACT Punk moved from a marginal subculture to an underground counter-culture -- hardcore punk -- which shared musical culture and sense of a communal identity. Local punk scenes grew, in part due to attention from mass media. New kids in the scene brought new tensions and attracted the attention of authorities. Two police incidents signaled a shift in the punks' view of themselves. I examine two punk scenes from 1975 to 1985 in Los Angeles, USA and Ljubljana, Yugoslavia by looking at newspapers, television programs, fanzines, music, and clothing. I show that a loosely connected group of in
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Kitson, Michael E. "The Sex Pistols and the London mob." Thesis, View thesis, 2008. http://handle.uws.edu.au:8081/1959.7/38784.

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This thesis concerns the invention, improvisation, and right to ownership of the punk patent and questions the contention, put by the band’s manager, Malcolm McLaren, and other commentators, that the Sex Pistols and English punk were a Situationist prank. This challenge to what, in the majority of punk literature, has become an ‘accepted truth’ was first raised by McLaren’s nemesis, the band’s lead singer, John Lydon. McLaren and Lydon did agree that the London punk movement took its inspiration from the anarchic and chaotic energies of the eighteenth–century London mob. This common crowd coul
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Wilkins, Rex Richard. "El futuro ya está aquí: A Comparative Analysis of Punk in Spain and Mexico." BYU ScholarsArchive, 2018. https://scholarsarchive.byu.edu/etd/6997.

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This thesis examines the punk genre's evolution into commercial mainstream music in Spain and Mexico. It looks at how this evolution altered both the aesthetic and gesture of the genre. This evolution can be seen by examining four bands that followed similar musical and commercial trajectories. In Spain, Kaka de Luxe and Radio Futura; in Mexico, Size and Ritmo Peligroso. Since punk music's gesture is both visceral and political, various methods of suppressing or containing the punk gesture arise. For both Spain and Mexico, containing the punk gesture was a matter of government censorship in th
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Raines, Laurah Norton. "Tonight is the Night I Come Unglued." Digital Archive @ GSU, 2006. http://digitalarchive.gsu.edu/english_theses/7.

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TONIGHT IS THE NIGHT I COME UNGLUED By Laurah Norton Raines Under the Director of John Holman ABSTRACT This thesis is comprised of a collection of stories concerning adolescents involved in the North Carolina and Atlanta punk rock subcultures. The thesis, which contains six stories, focuses on the crisis moments in the lives of the teenagers and is firmly rooted in contemporary southern culture. The first three stories center on a Georgia native, Aaron, and his aimless adventures in small towns and big punk clubs. The second set of stories is all based in the city of G
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SOUSA, Lucas Padilha de. "Eu amo tudo o que não presta: punk e poética em trinta anos de Delinquentes." Universidade Federal do Pará, 2016. http://repositorio.ufpa.br/jspui/handle/2011/8657.

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Submitted by Nathalya Silva (nathyjf033@gmail.com) on 2017-06-06T17:59:45Z No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Dissertacao_AmoPunkPoetica.pdf: 4034376 bytes, checksum: 74f3dec77536c63944609eade1e75643 (MD5)<br>Approved for entry into archive by Edisangela Bastos (edisangela@ufpa.br) on 2017-06-09T15:52:43Z (GMT) No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Dissertacao_AmoPunkPoetica.pdf: 4034376 bytes, checksum: 74f3dec77536c63944609eade1e75643 (MD5)<br>Made available in DSpace on 2017-0
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Kemp, Kenia. "Grupos de estilo jovens : o Rock Underground e as praticas (contra) culturais dos grupos punk e thrash em São Paulo." [s.n.], 1993. http://repositorio.unicamp.br/jspui/handle/REPOSIP/279976.

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Orientador : Ana Maria de Niemeyer<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas<br>Made available in DSpace on 2018-07-18T18:01:02Z (GMT). No. of bitstreams: 1 Kemp_Kenia_M.pdf: 6391211 bytes, checksum: 366870536b6b1c2e3e248a3969154bbe (MD5) Previous issue date: 1993<br>Resumo: Não informado.<br>Abstract: Not informed.<br>Mestrado<br>Mestre em Antropologia Social
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Lancina, Murillo Josep Lluís. "Patrones de movimiento corporal en la performance musical. Una aproximación antropológica a las escenas barcelonesas de punk, hardcore e improvisación libre." Doctoral thesis, Universitat de Barcelona, 2020. http://hdl.handle.net/10803/671873.

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El objetivo principal de esta tesis es la comprensión del papel de determinados movimientos corporales no instrumentales pero relacionados de una u otra forma con la música en los procesos de identificación colectiva e individual, y en la formación y mantenimiento de un sentimiento de pertenencia a un colectivo de personas unidas principalmente por tener un interés en común en un género musical determinado. Los movimientos, acciones y posturas corporales investigados son los realizados por las personas músicas durante la performance musical, el concierto, excluyendo los movimientos instrum
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Wilson, Angela 1979. "After the riot : taking new feminist youth subcultures seriously." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=81521.

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This thesis argues that in North America since the late 1980s, young women's interest in feminism has been expressed through participation in feminist music subcultures. The project provides an overview of the studies of culture, musical subculture, and gender and music making, as well as an historical context of feminism and a discussion of the relationship between second and third wave feminism.<br>The first case study explores Riot Grrrl's roots in the DIY activism of DC hardcore punk, its links to the female-oriented indie music scene of Olympia, Washington, and the subculture's use
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Leighton, Tristan Daniel. "Contrasting sounds and overlapping scenes: The role of the middle class in punk/metal crossover." Bowling Green State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1617318778941129.

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Kitson, Michael E. "The Sex Pistols and the London mob." View thesis, 2008. http://handle.uws.edu.au:8081/1959.7/38784.

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Thesis (Ph.D.) -- University of Western Sydney, 2008.<br>A thesis presented to the University of Western Sydney, College of Arts, School of Communication Arts, in fulfilment of the requirements for the degree of Doctor of Philosophy. Includes bibliography.
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Åström, Gustav. "Resan mot Sydneys operahus alternativt chips, öl och spela rock : En kvalitativ studie om hur aspirerande artister beskriver sina drömmar med musiken." Thesis, Högskolan Dalarna, Ljud- och musikproduktion, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:du-27284.

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Som aspirerande artist är det ett nålsöga att infria sina drömmar med musiken, många försöker men desto färre lyckas. Syftet med denna kvalitativa studie är att undersöka hur aspirerande artister beskriver sina drömmar med musiken. Studien ämnar dessutom besvara huruvida genretillhörighet upplevs korrelera med hur drömmarna beskrivs. För undersökningen har åtta aspirerande artister intervjuats där hälften är pop-artister medan andra halvan består av alternativa artister (punk och indie). Forskningsresultatet visar att pop-artisterna i regel beskriver större drömmar än de alternativa artisterna
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Riley, Keith. ""I Have My Mind!:" U.S.-Sandinista Solidarities, Revolutionary Romanticism, and the Imagined Nicaragua, 1979-1990." Master's thesis, Temple University Libraries, 2016. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/386879.

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History<br>M.A.<br>This paper examines activists in the United States that supported the socialist Nicaraguan government of the Sandinista National Liberation Front and opposed efforts by the Reagan Administration to militarily undermine Nicaragua’s new government during the 1980s. Such scholarship examines the rise of a leftist political coalition organized around supporting Nicaragua’s government and this solidarity movement’s eventual demise after the Sandinistas lost their country’s 1990 Presidential election. The work ultimately asks how did U.S. leftists and progressives of the late 1970
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Migliore, Olivier. "Analyser la prosodie musicale du punk, du rap et du ragga français (1977-1992) à l'aide de l'outil informatique." Thesis, Montpellier 3, 2016. http://www.theses.fr/2016MON30029.

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A leur apparition, à la fin des années 1970 et au début des années 1980, le rap, le ragga et le punk français se distinguent substantiellement de la tradition de la chanson française qui demeure intimement liée à la tradition musicale occidentale et au chant. En particulier, l’expression vocale y est plus proche de la parole que du chant, et s'y révèle plus rythmique que mélodique. Cette singularité rend difficile toute analyse musicologique traditionnelle, et les analyses existantes se fondent davantage sur l’analyse du texte et le contexte social que sur la réalisation sonore. L’objet de not
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