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Journal articles on the topic 'Puppet making'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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1

Duchscherer, Brian. "Playing With Dolls: A Personal Reflection on a Career." Canadian Theatre Review 95 (June 1998): 21–23. http://dx.doi.org/10.3138/ctr.95.005.

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I work in the film business, making animated films with puppets. These films are not cartoons, yet neither are they quite live puppetry; they are a blend of both. Puppet animation is a performance, as much as any live presentation is; but it is a performance that is recorded in time, frame by frame. The moving, living character exists only on film. The puppet performance must somehow be created outside of time. Each second of movement is broken down into as many as twenty-four separate poses. The animator must live … feel … and act … in small steps of time.

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2

Láposi, Terka. "A BÁBOZÓ GYEREK TITKA, AVAGY A BÁBU MINT A LÉLEK KIHANGOSÍTÓJA." Különleges Bánásmód - Interdiszciplináris folyóirat 9, no. 4 (2024): 99–117. http://dx.doi.org/10.18458/kb.2023.4.99.

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According to Teréz Virág (1998) a psychologist with regard to the 'mysteries' of the power of the puppet, three different spheres are worth investigating, namely the mysteries of the puppets, that of the child who plays with the object, and that of the puppeteer's. She views puppetry as creation, the puppeteer as the life-giver, and the puppet as an object of transition. When the aim is to develop the artistic methods as well as explore the 'general utility' of puppetry, it is worth further focusing on segments such as the making of the puppet, acting with the puppet, and perceiving the puppet

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3

Kovše, Tea. "The triumph of the Puppet: the Victory of Death is a Blow to Life. The Movement of Life and Death in the Opus of Silvan Omerzu." Maska 31, no. 179 (2016): 100–113. http://dx.doi.org/10.1386/maska.31.179-180.100_1.

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The puppets of Silvan Omerzu problematise life by staging death. In his 20 years of making puppet shows for adults, the puppet has travelled from the grotesque image, rapid movement and playful violence to the ascetic minimalistic world, both in its image and its movement. Omerzu’s latest show, Salto mortale, depicts the immortality of puppets. This complex puppet world can be described by Das Unheimliche, which best captures the staging of death no matter whether it is carried out in a playful, mysterious or anxious atmosphere. Silvan Omerzu’s puppets show the victory of death or the victory

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Azizkulov, Akram A. "THE ART OF PUPPET-MAKING IN THE TEMURID PERIOD." JOURNAL OF LOOK TO THE PAST 4, no. 1 (2021): 23–27. http://dx.doi.org/10.26739/2181-9599-2021-1-4.

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This article analyzes the views of Husayn Voiz Koshifiy on the puppet theaters (the art of puppetry) that were widespread in the Middle Ages in Central Asia. The article describes the wide popularity of the art of puppetry, even indicates the spread of this art among the representatives of sufism. The article also highlights the fact that Husain Voiz Koshifiy did not limit himself only to depicting the art of puppetry, but provided valuable information about the content and types of this art. The article also outlines the views of Husayn Voiz Koshifiy on what kind of behavior and qualification

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Long, Yanghuan, and Chen Fan. "Belief in Drama: A Study of the Religious Factors in Ancient Chinese Puppet Dramas." Religions 14, no. 7 (2023): 857. http://dx.doi.org/10.3390/rel14070857.

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Puppets, a kind of wooden figure whose movements are manipulated by artists, were frequently used in ancient Chinese singing and dancing activities and dramas. The uniqueness of substituting human beings for puppets has drawn tremendous attention from scholars. However, despite previous research on the long development process of puppet dramas, a considerable number of details remain neglected, and behind these details lies an abundance of complicated religious factors. Therefore, this paper uses several fragments as entry points in terms of puppet dramas’ modeling, materials, craft, rites, fu

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Kasim, Sunardy. "Bentuk Tokoh Umar Maya Pada Wayang Sasak." Jurnal SASAK : Desain Visual dan Komunikasi 1, no. 2 (2019): 51–55. http://dx.doi.org/10.30812/sasak.v1i2.555.

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Puppet umar maya is known as one of the characters in the sasak puppet story. This figure acts as an advisor to the knights in the right puppets, especially the advisor to the king of the Jayangrana king. As an advisor, this figure has a wise, humble, smart, brave, and loyal character to his country. From these various characteristics, this figure is respected by all right-wing puppets and respected by his enemies. In this research, the writer tries to describe the shape of the virtual puppet umar figures with the hope that the community, especially the younger generation among academics, can

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Halim, Ethannael, Jonathan Russel, and Kevin Nathanael. "Analysis on Laika’s Puppets in Kubo and the Two Strings: A Stop-motion Animated Feature." IMOVICCON Conference Proceeding 2, no. 1 (2021): 46–53. http://dx.doi.org/10.37312/imoviccon.v2i1.35.

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Stop-motion is one of the highly regarded animation/film techniques in the industry. Although infamous for its long production time, stop-motion can take advantage of literally every other artform and technology. But, one medium that stop-motion never strays far from is puppetry. This is because puppets can easily be made to resemble living beings. Also, they are reusable. In this digital age, efficiency and effectiveness became the top priorities in any form of production. In this context, puppet animation (puppetry in stop-motion) is considered too pricey and not ideal for the rapid competit

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Karaolis, Olivia. "Being with a Puppet: Literacy through Experiencing Puppetry and Drama with Young Children." Education Sciences 13, no. 3 (2023): 291. http://dx.doi.org/10.3390/educsci13030291.

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Puppets have a long association with early childhood education and have played a much-loved role in children’s learning and development. This paper tells the research story that investigated how the magical creature of a puppet facilitated connection, play, communication, and engagement with children who experience disability. We discovered how puppets can be combined with drama approaches and utilized in group activities for enabling literacy development by early childhood educators. In being with a puppet, adults found new ‘ways’ of supporting all children’s interest, meaning making, and con

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Prianggita, Veny Agustina, and Nenden Suciyati Sartika. "Pelatihan Membuat Boneka Jari Bagi Ibu-Ibu POMG TKIT Irsyadul Ibad Pandeglang." Jurnal Pengabdian Pada Masyarakat 3, no. 1 (2018): 99–103. http://dx.doi.org/10.30653/002.201831.53.

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TRAINING ON MAKING FINGER PUPPETS FOR MOTHERS OF POMG TKIT IRSYADUL IBAD PANDEGLANG. In general women have a role and greater influence compared to men in educating her children at home. So, it is very important when mothers get more knowledge and skills to improve the quality. Community programs that researchers have done is create a training “Finger Puppet making skills” to the Moms POMG TKIT Irsyadul ‘Ibad. Methods undertaken by using a Participatory training method. In participatory training used the so-called cycle of learning from experience (experimental learning cycle). Results and dis

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Li, Jing, Wenwen Hou, Liqi Zhu, and Michael Tomasello. "The development of intent-based moral judgment and moral behavior in the context of indirect reciprocity: A cross-cultural study." International Journal of Behavioral Development 44, no. 6 (2020): 525–33. http://dx.doi.org/10.1177/0165025420935636.

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The current study aimed to investigate the cultural differences in the developmental origins of children’s intent-based moral judgment and moral behavior in the context of indirect reciprocity. To this end, we compared how German and Chinese children interpret and react to antisocial and prosocial interactions between puppets. An actor puppet performed either a positive or negative act toward a prosocial or antisocial target puppet with the intention to cause harm or not; 197 three and five-year-old children participated as a third party and were asked to judge the actor puppet’s behavior and

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11

Schumann, Peter. "The Bread and Puppet Theatre in Nicaragua, 1985." New Theatre Quarterly 5, no. 17 (1989): 3–7. http://dx.doi.org/10.1017/s0266464x00015293.

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Peter Schumann's Bread and Puppet Theatre was formed in New York in 1963, and gained an international reputation for its unique combination of larger-than-life puppetry and celebratory pageantry. After leaving New York in 1970, Schumann finally settled on a thirty-acre site in Vermont in 1974, but Bread and Puppet has continued to travel far afield, and in the original Theatre Quarterly. No. 19 (1975). their Californian residency for the ‘anti-bicentennial’ celebration, A Monument for Ishi. was documented, along with practical material on the making of the puppets-and the bread. While Bread an

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Erdener, Jasmine. "Prefigurative Politics at Bread and Puppet Theater." Cultural Politics 20, no. 1 (2024): 92–111. http://dx.doi.org/10.1215/17432197-10969240.

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Abstract Bread and Puppet (B&P) Theater is one of the oldest, most influential, and well-known puppet theaters both in the United States and abroad and has been at the forefront of puppetry, performance, and political protest for more than half a century. B&P also functions as a site of tension in prefigurative political theory, between creative world building and alternative decision-making structures. B&P fosters a powerful lived experience of prefigurative politics. The political process of envisioning alternative realities took place through performance, puppets, and the shifti

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Jannarone, Kimberly. "Puppetry and Pataphysics: Populism and the Ubu Cycle." New Theatre Quarterly 17, no. 3 (2001): 239–53. http://dx.doi.org/10.1017/s0266464x00014755.

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Many partisans of Alfred Jarry's work have discovered Ubu roi and the ‘science’ of pataphysics via a study of the Parisian avant-garde, and the play has been discussed for a hundred years in this context. Kimberly Jannarone also assesses Jarry in the context of the world of rural puppetry – for, like many other avant-garde artists at the fin de siècle, Jarry came to Paris from a small town, and brought with him such formative experiences as the makeshift puppet shows he saw as a child. Bringing the rural puppet into focus in a discussion of the Ubu cycle, Kimberly Jannarone exposes Père Ubu's

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Kustiawan, Usep, Wuri Astuti, and Nur Anisa. "Pemanfaatan Model-Model Boneka untuk Pengembangan Kemampuan Bahasa Anak Usia Dini." Abdimas Pedagogi: Jurnal Ilmiah Pengabdian kepada Masyarakat 6, no. 1 (2023): 74. http://dx.doi.org/10.17977/um050v6i1p74-80.

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Abstract: Early Childhood Teachers in Cluster 9 Sukun District Malang doing their duties do not yet have the knowledge and skills of developing the design and making puppet models as a learning medium in improving the effectiveness and quality of language learning in Early Childhood Education. 9 Sukun Subdistrict, Malang City has knowledge and skills in developing the design and manufacturing of puppet models as a learning medium in improving the effectiveness and quality of language learning in kindergarten. The methods used in the training include: (1) Lectures and Questions and Answers for

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Wibowo, Arining, Joko Kurnain, and Juanda Juanda. "History of Inheritance of Wayang Topeng Malangan (Malang Traditional Mask Puppet) in Pakisaji and Tumpang." Harmonia: Journal of Arts Research and Education 20, no. 1 (2020): 73–83. http://dx.doi.org/10.15294/harmonia.v20i1.24785.

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This study aims to explain the history and process of inheriting mask puppet art in two representative hermitages (padepokan) (in Malang, namely Padepokan Asmoro Bangun in Pakisaji sub-district and Mangun Dharma in Tumpang sub-district). This research uses a qualitative approach. Data collection techniques are done through interviews, observation, and study documents. The process of inheritance includes art practices such as dancing, puppeteering, playing musical instruments, and making masks and transferring knowledge about Wayang Topeng Malangan. Inheritance is generally done since offspring

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16

Fesenko, S. Ya. "Features of the education of the actor-puppeteer." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 51, no. 51 (2018): 192–208. http://dx.doi.org/10.34064/khnum1-51.11.

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Background, objectives of the research. The article reveals the method of improving the professional skills of the actor of the puppet theater, aimed at the organic connection of the puppet technique with the actor’s internal psycho-techniques. The peculiarity of creating a stage image in the puppet theater is that the functions of the puppeteer actor in the creating of a role “on the inside line” coincide with the functions of the drama theatre actor. However, the process of making the stage character in the puppet show is built according to other laws: “vitalizing” through the puppet – the m

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Solihat, Ayi, Nana Hendracipta, and Rina Yuliana. "Pengembangan Media Puppet Book Berbasis Pembelajaran Multiliterasi Pada Siswa Sekolah Dasar." Jurnal Bidang Pendidikan Dasar 4, no. 2 (2020): 134–44. http://dx.doi.org/10.21067/jbpd.v4i2.4291.

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Abstract: Books as a medium of literacy are presented normally, making students less interested. Developing puppet media needs to be done. This research aims to develop Puppet Book media. This research method, R&D with Borg and Gall research design. The results of the study were in the form of a one-horned rhinoceros puppet learning media complete with books and audio attached to the puppets. The results of the validation of media experts (average value 90.285%), linguists (average value 99.167%), material experts (average value 92.105%). The results of validation (media, language, materia

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18

Duyn, Corina. "Making the invisible visible: Exploring life with chronic illness/disability through puppetry." Journal of Applied Arts & Health 11, no. 1 (2020): 117–23. http://dx.doi.org/10.1386/jaah_00023_7.

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Making the invisible visible is an autobiographical essay about living with chronic illness/disability and the power of puppetry to tell the author’s story. The author reflects on the ‘Life Outside the Box’ puppet project, which she facilitated with fellow people with disabilities. As her health is in decline, she has explored more accessible puppetry formats during mentoring with Dr Emma Fisher. The resulting ‘Invisible Octopus’ project explores her reality: making the invisible visible. Even to herself.

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Gök, Nihan Feyman, and Nazlı Bozak. "Eliciting Children’s Perceptions of Migration through a Puppet-Making Task." International Journal of Education and Literacy Studies 11, no. 3 (2023): 251–63. http://dx.doi.org/10.7575/aiac.ijels.v.11n.3p.251.

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This study adopted a qualitative case study approach to investigate the perceptions of immigrant children who participated in a puppet-making workshop about the story of an immigrant puppet, called Amal. The study involved 11 participants, 5 girls and 6 boys aged between 9 and 12 years, who joined the Children Like Us puppet-making workshop organized by the Association for Solidarity with Asylum Seekers and Migrants (ASAM) Izmir Al Farah Child and Family Support Center in Turkey. The data were collected using semi-structured interviews from the children. The interviews were conducted face-to-f

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Krueger, A. "Die moderne self as toneelpop in Woyzeck on the Highveld." Literator 32, no. 2 (2011): 65–78. http://dx.doi.org/10.4102/lit.v32i2.12.

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The modern self as puppet in Woyzeck on the HighveldThis article undertakes a semiotic investigation of identifications of the self in terms of a specifically South African modernism, via an exploration of an adaptation of Georg Büchner’s “Woyzeck”. William Kentridge’s production of “Woyzeck on the Highveld”(1992; 2009) marks at least three intersections of modernist and modernising discourses. Firstly, it uses as its principal source Georg Büchner’s protomodernist text, with its description of an individual alienated from his social context. Secondly, in making use of the puppets of the Hands

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Marneweck, Aja. "On the 10-year anniversary of the Barrydale Giant Puppet Parade South Africa: A conversation between parade creative directors Aja Marneweck and Sudonia Kouter." Applied Theatre Research 8, no. 1 (2020): 31–44. http://dx.doi.org/10.1386/atr_00024_1.

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2020 marks the tenth anniversary of the Barrydale Giant Puppet Parade, a large-scale, experimental annual public puppetry event and performance in a small rural town in the Klein Karoo of South Africa. This multifaceted, collaborative puppet theatre-making process, which results annually in the creation of a parade and large-scale original performance, is co-organized by Net Vir Pret (a children’s school aftercare non-profit organisation based in the town of Barrydale) and the Laboratory of Kinetic Objects (LoKO) at the Centre for Humanities Research at the University of the Western Cape (CHR@

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Sufianto, Agustinus, Fillysca Fillysca, and Shally Joncicilia. "The Comparison Between Chinese Puppet Show and Chinese-Javanese Blend Puppet Show in Indonesia." Humaniora 2, no. 1 (2011): 885. http://dx.doi.org/10.21512/humaniora.v2i1.3108.

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Since some centuries ago, Indonesia has been one of the destinations for immigrating Chinese. When the Chinese came to Indonesia, they also brought their cultures and customs. Some of them have a cultural-cross marriage with local Indonesian and brought their cultures to be introduced to local Indonesian. When the relationship between Chinese and Indonesian became stronger in some fields such as trade, education and politic, some of Chinese cultures has been adapted by local Indonesian or has been assimilated with local cultures. This adaption process was hindered when the New Order of Soehart

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Meitasari, Meitasari, Hernisawati Hernisawati, and Aprezo Pardodi Maba. "Psychoeducational Group Assisted with Profession Puppets to Improve Students’ Career Decision Making." Bulletin of Counseling and Psychotherapy 1, no. 1 (2020): 10–18. http://dx.doi.org/10.51214/bocp.v1i1.8.

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Career decision making is very important for individuals. In the adolescent phase, career decision making will play an important role in career development for the future of the individual itself. This study focuses on improving adolescent career decision making by using psychoeducational group services assisted by profession puppet. The purpose of this study was to determine the effectiveness of psychoeducational group assisted with profession puppet media. The method in this study used the Quasi-experiment with Pretest-Posttest Control Group Design. The validity of the instrument uses logica

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Daniels, Karen Dianne. "Moving hands in classroom assemblages: puppet play in a post-world." English Teaching: Practice & Critique 19, no. 4 (2020): 389–402. http://dx.doi.org/10.1108/etpc-11-2019-0143.

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Purpose This paper aims to propose a reading of children’s small toy/puppet play that takes account of bodily movements within classroom assemblages. The researcher/author created representations of episodes of activity that focused on children’s ongoing bodily movements as they followed their interests in one Early Years classroom in England. Design/methodology/approach By drawing a contrast between a traditional logocentric interpretation of puppet play and an embodied theorisation, this paper provides a way of understanding young children’s literacy practices where these are seen as generat

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Santoso, Trisno. "Wayang Golek Ringan Pemanfaatan Limbah sebagai Pengembangan Boneka Wayang Golek." Gelar : Jurnal Seni Budaya 18, no. 1 (2020): 23–34. http://dx.doi.org/10.33153/glr.v18i1.2982.

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Wayang Golek Ringan (Light Marionette Puppet) Waste Utilisation in Developing Wayang golek is a new modification model in making Wayang golek in order to avoid logging. The novelties in the creation of this wayang puppet are presented in its elements, namely the core material, fashion, make-up, and the connection of the limbs of the puppet. The material used in making the puppet cement paper bags, dacron, patchworks. And used styrofoam. The research used a combination method of field work including observation, interview, literature study, Particioan Art Research Technique (PART), FGD, explora

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RAMLI, SHARULNIZAM, MOHD ASWAWI ISA, Shaipuddin Muhammad, and Md Ariff Ariffin. "INOVASI PENGHASILAN PATUNG WAYANG KULIT KELANTAN BERASASKAN POKOK KENAF: SATU KAJIAN KES." International Journal of Creative Future and Heritage (TENIAT) 7, no. 1 (2019): 61–85. http://dx.doi.org/10.47252/teniat.v7i1.218.

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Kajian kes ini bertujuan bagi memperkenalkan suatu bahan berasaskan pokok tumbuhan yang belumpernah digunakan sebelum ini bagi menghasilkan patung wayang kulit Kelantan. Menerusi proses kreatifyang berlaku, kenaf atau nama saintifknya Hisbiscus Canabis telah digunakan dan seterusnya diprosesbermula daripada sejumlah debu pokok kenaf yang digaul dengan air sehinggalah kepada proses akhiriaitu menghasilkan patung wayang kulit Kelantan. Ia merupakan patung wayang kulit yang berasaskanpokok kenaf yang pertama di Malaysia. Pemerhatian dan temubual tidak berstruktur merupakan antarainstrumen utama d

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BIN HAMADUN, FAIRULADILAN. "SEJARAH PENERBITAN WAYANG DAN TEKNIK PENYUNTINGAN BABAK FILEM HANG TUAH (1956)." International Journal of Creative Future and Heritage (TENIAT) 6, no. 2 (2018): 17–52. http://dx.doi.org/10.47252/teniat.v6i2.189.

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Penyuntingan adalah salah satu proses yang penting dalam penerbitan sesebuah fi lem. Proses inibukan sahaja menggabungkan visual dan audio, malah mampu melahirkan emosi melalui mesej yangdisampaikan. Sejak era 1930-an, acuan daripada luar negara seperti India dan China banyak memberiimplikasi kepada gaya penghasilan fi lem Melayu khususnya aspek naratif, pengarahan dan sinematografi .Walaubagaimanapun, aspek penyuntingan masih kurang diberi penekanan khususnya dalam konteksfi lem berunsurkan hikayat Melayu. Sehubungan itu, kajian ini dijalankan bagi menjawab persoalanbagaimanakah pengaruh kont

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MUDRA, I. Wayan, I. Ketut MUKA P., I. Wayan SUARDANA, and Anak Agung Gede Rai REMAWA. "Making Process and Meaning the Ceramic Puppet Kamasan Illustrations in Cultural Conservation Efforts in Bali." Cultura 18, no. 2 (2021): 211–18. http://dx.doi.org/10.3726/cul022021.0011.

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Abstract: The advantage ceramic of Balinese Kamasan ornament, it has a very strong Balinese identity. Therefore, the this ceramic creation was a novel creation by ceramic artists in Indonesia. Purpose this study to explain the process creation, types of products, and the meaning of ceramic craft creation the Balinese Kamasan puppet. The determination data sources by purposive sampling. Data collection methods by observation, interview, and documentation techniques. The results of creation process consisted of several stages with a fairly long process, from the design to the final combustion pr

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Massoudi, Shiva, and Nazanin Mehraein. "From an image to performance: dramaturgy for image- based performing." Móin-Móin - Revista de Estudos sobre Teatro de Formas Animadas 1, no. 20 (2019): 237–56. http://dx.doi.org/10.5965/2595034701202019237.

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Undoubtedly, it is impossible Teaching any kind of Art without contemplating the others. Based on dissolving the borders of di erent kinds of arts then interdisciplin- ary trends is so prevalent in Contemporary art. e appearance of elements of other kind of Art like Photo, video in eatre emphasizes on revising method of teaching. In Puppet eatre which has essentially synthetic quality of performance with di erent styles of manipulation and animation up to any Artist, this issue is very important. e entrance of new media to puppet theatre have been more strong and e ective because of some overl

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Cheng, Xiaochun, and Musdi bin Hj Shanat. "Tradition Unveiled: A Comparative Exploration of Kelantan and Shaanxi Shadow Puppet Craftsmanship." Art and Society 3, no. 3 (2024): 1–12. http://dx.doi.org/10.56397/as.2024.06.01.

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This study intricately examines the craftsmanship of Kelantan, Malaysia, and Shaanxi, China’s shadow puppets, highlighting how their unique making processes contribute to distinct visual characteristics. Kelantan artisans meticulously treat cattle hide, emphasizing sunlight exposure for drying, intricate chiselling techniques, and vibrant coloration. In contrast, Shaanxi craftsmen employ a moist carving process, with detailed motifs influenced by traditional Chinese mural paintings. The comparative analysis exposes fundamental disparities: Kelantan emphasizes dry leather, producing flat colour

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Purwaningsih, Dominika Anggraeni. "Eksplorasi Material Alternatif dalam Pembuatan Puppet dan Set untuk Produksi Animasi Stop-Motion Berjudul “Junk Food”." Ultimart: Jurnal Komunikasi Visual 14, no. 1 (2021): 10–21. http://dx.doi.org/10.31937/ultimart.v14i1.2030.

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Traditional stop-motion animated films have unique visual characteristics so that they have many fans, but the number of stop-motion filmmakers is actually very minimal. This is understandable because compared to other animation techniques that are done digitally, stop-motion seems impractical because it requires longer time, higher production costs, and more tools and materials. This paper discusses the exploration and utilization of alternative materials from well-known conventional materials in making puppets and sets for stop-motion animation. The alternative materials in question will use

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Mujahidah, Nurul, Eka Damayanti, and Ahmad Afiif. "The Role of Storytelling Methods Using Hand Puppets in Early Children’s Language Development." Child Education Journal 3, no. 2 (2021): 78–91. http://dx.doi.org/10.33086/cej.v3i2.2129.

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Using hand puppets in a storytelling activity (which can resemble human or animal forms) as a learning medium has many beneficial. This study aims to determine the role of the hand puppet storytelling method in early childhood language development. This research uses a library research type, Systematic Literature Review (SLR), namely the study of various scientific studies relevant to research to obtain inferences in the form of new findings that can later be replicated. The data source used is secondary data, which has been previously published in the form of books, journals, and previous stu

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Titis Wiji Ahyati, Riza Firmansyah, and Devi Roza K. Kausar. "PENILAIAN ASET WARISAN BUDAYA MENGGUNAKAN MARKET APPEAL-ROBUSTICITY MATRIX." Journal of Tourism Destination and Attraction 8, no. 1 (2020): 1–10. http://dx.doi.org/10.35814/tourism.v8i1.1411.

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Market Appeal Robusticity Matrix is an effective assessment of cultural heritage assets to evaluate the potential market appeal and management of cultural heritage tourism (robusticity). It is important to determine appropriate policies and frameworks for better planning decisions in the future. This study aims to describe the preservation of cultural heritage at the Puppet Museum and analyze the valuation of cultural heritage assets at the Puppet Museum, Jakarta Old Town using Market Appeal-Robusticity Matrix. The research design used is qualitative analysis of Market Appeal-Robusticity Mat

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Ian Perasutiyo, Arif Muchyidin, and Indah Nursuprianah. "Golden Ratio and the Meaning of the Wayang Kulit Gunungan Philosophy." Journal of Mathematics Instruction, Social Research and Opinion 1, no. 1 (2022): 41–53. http://dx.doi.org/10.58421/misro.v1i1.10.

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Mathematics is a field of science taught since elementary school that discusses patterns or regularities of mathematical concepts and mathematical structures. One of the privileges of mathematics is that mathematics is associated with culture, and one of the responsibilities of the citizens of Indonesia is to preserve its culture. The relationship between mathematics and civilization is known as ethnomathematics. In this case, the researcher takes the culture related to Cirebon wayang kulit. The problem researchers face is that there are no rules for making shadow puppet patterns except by pla

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Roy, Anurupa, and Paula Richman. "Tradition and Innovation in the Making of “About Ram”: A Contemporary Indian Puppeteer and a Ramayana Scholar in Conversation." AOQU (Achilles Orlando Quixote Ulysses). Rivista di epica 4, no. 2 (2023): 275–88. http://dx.doi.org/10.54103/2724-3346/22210.

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Anurupa Roy, director of a troupe of puppeteers in Delhi, India, discusses with Paula Richman, emerita professor at Oberlin College (USA), various facets in the creation of her puppet play About Ram. Roy wanted the audience to experience the diversity of the Ramayana tradition as a tragic love story about a hero (first a prince and later a king) who feels duty-bound to banish his wife with the result that he remains alone for the rest of his life. The play is filled with images of the hero’s past life through animation of his memories and weapons on a screen mounted on stage and music with no

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Wijayanto, Gustriya, Sukodoyo Sukodoyo, and Wilis Rengganiasih Endah Ekowati. "DEVELOPMENT OF JĀTAKA PUPPET VIDEOS AS LEARNING MEDIA FOR ADI SEKHA STUDENTS AT ADHICITTA BUDDHIST SUNDAY SCHOOL." Jurnal Pencerahan 14, no. 2 (2021): 13–28. http://dx.doi.org/10.58762/jupen.v14i2.61.

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This study aims to determine the process of making and the effectiveness of the Jātaka puppet video as a learning medium for Adhi Sekha (early children education) students at Adhicitta Buddhist Sunday School (BSS). The method used in this research is Research and Development using the ADDIE approach (Analyze, Design, Development, Implementation, Evaluation). Data collection techniques used include observation, interviews, questionnaires, and documentation. Data credibility is assessed by transferability, dependability, confirmability, and logical validity. Data analysis techniques used for qua

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Zvereva, Tatyana V. "KukArt Magazine as a Cultural Project." Humanitarian Vector 17, no. 4 (2022): 138–44. http://dx.doi.org/10.21209/1996-7853-2022-17-4-138-144.

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The present research raises a question on functioning of magazines in the digital era. The author of the paper addresses the KukArt magazine (1992–2006) which used to be a hallmark in the Russian intellectual life at the turn of the century and has not lost its relevance at present. The research proposes a discursive analysis to identify features of the KukArt magazine strategy. According to the author of the paper, the KukArt longevity phenomenon can be explained by the fact that the magazine became a testing ground to try some mutually exclusive ideas, and the place where different discourse

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Bell, John. "The Bread and Puppet Theatre in Nicaragua, 1987." New Theatre Quarterly 5, no. 17 (1989): 8–22. http://dx.doi.org/10.1017/s0266464x0001530x.

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PETER SCHUMANN's Bread and Puppet Theatre began 25 years ago as a new way of making modern theatre, and as Schumann sees it, still is. As he recently stated, “there are two aspects to this newness: (1) the proposal for a much bigger, wider space for the arts to exist in than the space that the arts occupy now – a way for painting, music, sculpture, and language to exist together and in response to the questions of the time in which they live; and (2) the puppet theatre aspect: puppet theatre not as a special branch of theatre but as a challenge to theatre, as a concrete proposal for the overco

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Ahm, Jacob Noer. "Engagementets pædagogik." Forskning i Pædagogers Profession og Uddannelse 5, no. 2 (2021): 15. http://dx.doi.org/10.7146/fppu.v5i2.129130.

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ResuméElevers engagement i undervisningen er afgørende for deres skolegang, fordi det er gennem et initiativrigt forhold til verden, at de lærer noget og bliver til ansvarlige mennesker. Samtidig er udviklingen af elevernes engagement i undervisningen en fælles kerneopgave for skolepædagoger og lærere i folkeskolen. En opgave der kan understøttes ved at integrere skabende arbejde med dukkeanimation i undervisningen. Men hvad kendetegner skabende arbejdsprocesser med dukkeanimation, der bidrager til at udvikle elevernes engagement i undervisningen, og hvorfor øger de engagementet? Artiklen anal

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Katsura Rollins, Annie. "Idle Hands: Individual Effects of the Mechanization of Chinese Shadow Puppet Making." Anthropology Now 7, no. 3 (2015): 23–31. http://dx.doi.org/10.1080/19428200.2015.1103610.

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Stillman, A. "MAKING UP LIFE * Puppet: An Essay on Uncanny Life. By KENNETH GROSS." Essays in Criticism 63, no. 4 (2013): 494–502. http://dx.doi.org/10.1093/escrit/cgt024.

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Harries, Judith. "Take a walk." Early Years Educator 21, no. 12 (2020): S4—S5. http://dx.doi.org/10.12968/eyed.2020.21.12.s4.

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The books of Emily Gravett provide a great focus for activities such as walking to the post box to post a letter home, going on a litter pick to clean up the environment or making and operating a finger puppet.

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Juwono, Angela, Audrey Cerelia Widjaja, and Nanik Linawati. "Pentingnya pembentukan kebiasaan menabung sejak dini untuk mempersiapkan masa depan siswa TK." Penamas: Journal of Community Service 4, no. 1 (2024): 138–47. http://dx.doi.org/10.53088/penamas.v4i1.870.

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Financial problems often come unexpectedly. Applying adequate financial management is the primary key to facing future financial challenges. Therefore, sufficient knowledge is needed to build proper habits for managing money. Community service activities provided to TK Petra 9 Surabaya students involved three kindergarten classes, each consisting of 22 to 23 students. This program aims to introduce proper money management habits early on as a preparation for a stable future financial condition. In its implementation, the method used is service learning, which can directly cultivate awareness o

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Hukmi, Aqim Amral. "Hanoman Obong sebagai Ide Kreatif Penciptaan Night Light Shadow Box." Jurnal Pendidikan dan Penciptaan Seni 1, no. 2 (2021): 78–89. http://dx.doi.org/10.34007/jipsi.v1i2.55.

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Puppet is a culture of the Indonesian nation. Puppet stories originally developed during the Javanese Hindu era. Pewayangan has been appointed as a masterpiece of world culture by UNESCO on 7 November 2003 or the Masterpiece of Oral and Intangible Heritage of Humanity. One of the familiar characters in puppet stories is Hanoman. However, nowadays people, especially teenagers who call themselves millennials, are less interested in puppet stories. To introduce traditional culture to society and millennial adolescents as the younger generation, breakthroughs or new innovative ways are needed, one

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Purwaningsih, Dominika Anggraeni. "JOINT AND SEGMENTATION DESIGN ON PAPER PUPPETS FOR CAT CHARACTERS IN CUT OUT STOP MOTION ANIMATION." Ultimart: Jurnal Komunikasi Visual 12, no. 2 (2020): 1–8. http://dx.doi.org/10.31937/ultimart.v12i2.1436.

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   Stop motion, particularly paper cut out animation, is one of the oldest yet surviving animation techniques to date. Similar to other traditional animation techniques, it offers appealing looks unique to its nature. With the development of new technologies, stop motion continues to evolve. Paper puppet act as actor, therefore it’s the most essential element in production of paper cut out animation. Careful designs have to be made to ensure movements can be performed well by animators. The biggest question when designing puppets are how do we divide the parts (segmentation)

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Losi, Rizky Vita, Virdyra Tasril, Rika Widya, and Maulana Akbar. "Using Storytelling to Develop English Vocabulary on Early Age Children Measured by Mean Length Of Utterance (MLU)." International Journal of English and Applied Linguistics (IJEAL) 2, no. 1 (2022): 179–87. http://dx.doi.org/10.47709/ijeal.v2i1.1470.

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For early childhood, listening to stories can be a very useful stimulation for the development of their language skills. The development of English language skills from an early age plays an important role, because through language, children begin to hone their reasoning and skills by learning to express their thoughts and emotions. This study aimed to measure the Mean of Length Utterance (MLU) in early age children stimulated by storytelling aided by digital printing puppets. This research was a qualitative research conducted at Al-Washliyah Kindergarten. The utterances in English which were

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I Made Sidia. "The Theatre of “Glass Puppetry” Enhanced With The Use of The Technology of Lighting." Lekesan: Interdisciplinary Journal of Asia Pacific Arts 6, no. 2 (2023): 170–81. http://dx.doi.org/10.31091/lekesan.v6i2.2538.

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The life of a Wayang Artist is an honorable role to have in the society of the Balinese people. Storytellers using the art of the wayang are highly respected, whose role in the community is to pass on the precious stories about the history, the culture and the spiritual heart of the Balinese people. The Wayang artist, known as the dalang goes on a life journey in sharing their philosophies through stories for the enrichment and soul of society. The process of internalization of the Puppet master from an early age through the world of wayang, forms a cognitive map of the creator who is immersed

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Завьялова, О. Ю. "Марионетки и их связь с духами (Мали) / Puppets and Their Relations with Spirits (Mali)". Вестник антропологии (Herald of Anthropology), № 2024 № 2 (червень 2024): 170–85. http://dx.doi.org/10.33876/2311-0546/2024-2/170-185.

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Традиция марионеток — одна из самых популярных в Мали, причем у представителей многих народов. Это живая традиция, которая является основой самоидентификации для бамана, бозо и других, как говорят сами информанты. Данная статья написана на основе бесед с известным малийским марионеточником Яя Кулибали. Марионетки Кулибали радуют всех людей, однако, основная их задача радовать духов, в частности духов воды фаро. Именно поэтому марионетки чаще всего выступают у народа рыбаков бозо, которые более других связаны с водой. Изготовление марионеток также требует исполнения определенных ритуалов, тради

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Trommer-Beardslee, Heather, Ann Dasen, Wiline Pangle, and Jay Batzner. "Team Hyena Puppet: An Interdisciplinary Approach to Making and Teaching Science Through Art." Teaching Artist Journal 17, no. 1-2 (2019): 45–50. http://dx.doi.org/10.1080/15411796.2019.1595969.

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ZHANG, Chunzhi. "Making Close Examination on the Chosen Literature in the Puppet Manchukuo : Another Perspective." Korean Literary Theory and Criticism 20, no. 2 (2016): 279. http://dx.doi.org/10.20461/kltc.2016.06.71.279.

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