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Dissertations / Theses on the topic 'Puppet theater Theater'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

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1

Laura, Joseph. "Rachel's Madcap Theater." ScholarWorks@UNO, 2014. http://scholarworks.uno.edu/td/1929.

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This paper will cover the making of my thesis film Rachel’s Madcap Theater. I will break down all of the interdisciplinary aspects and collaborations with other artists that formed the final film: screenwriting, production design, directing, cinematography, sound, music, and special effects. For each of these categories, when appropriate, I will compare and contrast the changes made during the main stages of filmmaking: pre-production (all decisions made before shooting begins), production (all decisions made while shooting the movie), and post-production (all decisions made after shooting end

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2

Doe, Connor Bartlett. "Puppet Theater in the German-Speaking World." PDXScholar, 2010. https://pdxscholar.library.pdx.edu/open_access_etds/88.

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This work begins with a brief history of puppet theater in Germany. A look at important social aspects, pertinent philosophical discussions and the significance of puppet theater in the German literary tradition follow. The final chapter looks at Peter Schumann, a German puppeteer and artist who lives in America. In Germanistik, German puppet theater deserves a devoted place in the field of legitimate study in terms of its history, content and influence. Puppet theater's historical development in Germany represents the larger evolution of Germany. From ancient times up to the present day, this

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3

Koerner, Ethan. "Voicing an other utilizing puppetry and pageantry for community-based spectacle in America /." Bowling Green, Ohio : Bowling Green State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1219701727.

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4

Stoessner, Jennifer Kathleen. "Infecting the Inanimate: Puppet Theatre Responds to Aids." The Ohio State University, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=osu1363614334.

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5

Goncarovs, Sarah Beth. "[Re]animate a puppet theater workshop for Silver Spring /." College Park, Md. : University of Maryland, 2005. http://hdl.handle.net/1903/3306.

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Thesis (M. Arch.) -- University of Maryland, College Park, 2005.<br>Thesis research directed by: School of Architecture, Planning and Preservation Architecture. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.

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6

Tribble, Keith Owen. "European symbolist theater : conventions and innovations /." Thesis, Connect to this title online; UW restricted, 1990. http://hdl.handle.net/1773/6647.

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7

Stoessner, Jennifer Kathleen. "Building American Puppetry on the Jim Henson Foundation." The Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=osu1211816560.

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8

Kline, Daniel. "Bringing Pocci's "Hansel and Gretel" to America a study and translation of a puppet show /." Bowling Green, Ohio : Bowling Green State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1211208363.

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9

Lessing, Petronella. "'n Ondersoek na die integrasie en wisselwerking van die betekenisdraende elemente in poppeteater." Thesis, Stellenbosch : University of Stellenbosch, 2009. http://hdl.handle.net/10019.1/2453.

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Thesis (MDram (Drama))--University of Stellenbosch, 2009.<br>AFRIKAANSE OPSOMMING: In hierdie navorsing word gepoog om die betekenisdraende elemente van poppeteater, naamlik beweging, klank en ontwerp van naderby te ondersoek om vas te stel in watter mate al drie elemente onmisbaar is al dan nie en hoe hierdie elemente op mekaar inspeel. Die semiotiek van beide teater en poppeteater word as agtergrond en teoretiese basis vir die ondersoek bespreek. Binne hierdie elemente word verskillende kernaspekte ondersoek waaronder distorsie, oordrywing en die dubbele aard van die toneelpop as lewelose ob

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10

Ilari, Mayumi Denise Senoi. "Teatro político e contestação no mundo globalizado: o Bread & Puppet Theater na sociedade de consumo." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-14052008-134439/.

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Criado na cidade de Nova Iorque no início dos anos sessenta, o Bread & Puppet Theater estabeleceu-se em meio à vanguarda artística norte-americana do século XX, tornando-se célebre nas apresentações e paradas de rua em protesto contra a guerra do Vietnã. Quatro décadas de teatro mais tarde, em plena guerra no Iraque, o grupo dirigido por Peter Schumann, agora radicado em Vermont, prossegue com seu teatro de papel-maché, em protesto contra os impérios vis e injustos do mundo globalizado. Esta pesquisa compara o espetáculo Portões do Inferno, último \"Circo de Ressurreição Doméstica\" (1998), es

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11

Kline, Daniel P. "Bringing Pocci’s “Hansel and Gretel” to America: A Study and Translation of a Puppet Show." Bowling Green State University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1211208363.

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12

Deniger, Marcy M. (Marcy Marble). "An Ethnographic Study of the Use of Puppetry with a Children's Group." Thesis, University of North Texas, 1990. https://digital.library.unt.edu/ark:/67531/metadc331542/.

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This study utilized an ethnographic methodology to examine and describe the various aspects and processes occurring in a children's group as the members created their own puppets and accompanying puppet plays. Individual and interactive behavior patterns were isolated and analyzed as a means of gaining an in depth understanding of the puppetry process. The puppetry process, in turn, was viewed in terms of information it provided regarding the individual members and the group process. The facilitative and non-facilitative aspects of the procedure were delineated. The adult leader met with a gro

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13

Emad, Mona. "Les oeuvres théâtrales de Bahram Beyzaie : la forme traditionnelle du théâtre et sa modernisation." Thesis, Montpellier 3, 2018. http://www.theses.fr/2018MON30073.

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Bahram Beyzaie, né en 1938 en Iran, est considéré comme un très grand cinéaste et auteur dramatique de sa génération. Si certains de ses films sont bien connus, son théâtre est moins célèbre à l’étranger parce qu’il a été peu traduit et peu joué. Pour lui le théâtre est le lieu par excellence où renouer avec les formes traditionnelles de spectacle non pas pour les reconstituer mais pour parler au public d’aujourd’hui et lutter contre l’amnésie. Il nourrit donc ses pièces de théâtre, ses films, ses contes et ses narrations de l’héritage culturel oublié de son pays. Cette thèse propose d’examine

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Castro, Kely Elias de [UNESP]. "Trinta anos à beira do abismo: o grupo Sobrevento, do virtuosismo da animação de bonecos ao objeto puro." Universidade Estadual Paulista (UNESP), 2018. http://hdl.handle.net/11449/154425.

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Maunder, Paul Alan. "For example Rachel Corrie: the role of theatre in, and as, an activist project." Thesis, University of Canterbury. Theatre and Film Studies, 2007. http://hdl.handle.net/10092/982.

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Rachel Corrie was a young American woman who died at the age of twenty-three in Gaza in 2003. She was killed when an Israeli Occupation Force bulldozer ran over her while she was defending a Palestinian house from demolition. Her martyr's death, combined with the force of her descriptions of her experiences as an activist in Palestine, not only provoked response from other activists; it became material for a number of theatrical projects, among them productions by the Royal Court Theatre in London, Bread and Puppet Theatre in the US, and in a production I recently wrote and directed here in Ne

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16

Salmon, Mary Dwight. "Script training with storybooks and puppets a social skills intervention package across settings for young children with autism and their typically developing peers /." Connect to resource, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1124238875.

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Thesis (Ph. D.)--Ohio State University, 2005.<br>Title from first page of PDF file. Document formatted into pages; contains xvii, 326 p.; also includes graphics (some col.). Includes bibliographical references (p. 236-244). Available online via OhioLINK's ETD Center

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17

Oosthuizen, Johandrie. "Die effektiwiteit van poppeteater in Kenia as sosiale ingrypingsmiddel ten opsigte van tradisie-verwante probleme." Thesis, Stellenbosch : Stellenbosch University, 2009. http://hdl.handle.net/10019.1/4049.

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Thesis (MDram (Drama))--Stellenbosch University, 2009.<br>ENGLISH ABSTRACT: Kenyan culture is deeply rooted in tradition. Many problems arise from the traditional role and conceptions of the Kenyan woman. These include female genital mutilation, polygamy and lack of scholastic education. A definite correlation can be found between the problem of HIV/AIDS and other sexually transmitted infections and certain social traditions as well as the unscripted prohibition of open conversations about sex and death. Kenya does not have an indigenous tradition of puppetry, and Community Health and Aw

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18

Pereira, Dalmir Rogerio. "As dimensões do traje de cena no Giramundo e no Royal de Luxe." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/27/27156/tde-30052017-152842/.

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Esta pesquisa é um estudo sobre o traje de cena na relação boneco/objeto e ator/manipulador, a partir das dimensões materiais, visuais e simbólicas que o constituem. O estudo abarca dois estudos de caso: a companhia mineira de teatro de bonecos Giramundo e a companhia francesa de teatro de rua Royal de Luxe. A análise do traje de cena em cada companhia foi organizada a partir de temas pré-estabelecidos, e exemplos de seus espetáculos foram evocados na medida em que ilustravam estes temas. Esta escolha não seguiu ordem cronológica e permitiu que os elementos de materialidade e visualidade do tr

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19

Mac?do, Zildalte Ramos de. "Show de Mamulengos de Heraldo Lins: constru??es e transforma??es de um espet?culo na cultura popular." Universidade Federal do Rio Grande do Norte, 2014. http://repositorio.ufrn.br:8080/jspui/handle/123456789/12288.

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Made available in DSpace on 2014-12-17T13:54:53Z (GMT). No. of bitstreams: 1 ZildalteRM_DISSERT.pdf: 4568193 bytes, checksum: ef9003e2fc67f2c9ddf9b082d7a263b6 (MD5) Previous issue date: 2014-04-24<br>The theater of puppets is one of the many expressions of popular culture which is marked by ongoing constructions and transformations in its symbolic representations as well as its characters and performances. In the city of Natal/RN, there is a manipulator called Heraldo Lins, an artist who operates such puppets, and has been performing his puppet since 1992. Lins has his own look at how he p

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20

Du, Preez Petrus. "Ikoon en Medium: die toneelpop, masker en akteurmanipuleerder in Afrika-performances." Thesis, Link to the online version, 2007. http://hdl.handle.net/10019/620.

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21

Cavalcante, Caroline Maria Holanda. "A interpretação com o objeto: reflexões sobre o trabalho do ator-animador." Universidade do Estado de Santa Catarina, 2008. http://tede.udesc.br/handle/handle/1326.

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Made available in DSpace on 2016-12-08T16:52:05Z (GMT). No. of bitstreams: 1 Caroline.pdf: 3747586 bytes, checksum: fc28c84c05397cae209821f7cd5f5b9d (MD5) Previous issue date: 2008-12-12<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>This study is based on the understanding that the puppet theater has undergone intense changes during the twentieth century. In this context, the technique is occupying an important space in the puppeteer practice. It results in a number of reflections and knowledge relevant to the work of the interpreter. The focus of this research is study p

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22

Lovrič, Sara. "Illusion in Puppet Theatre." Master's thesis, Akademie múzických umění v Praze.Divadelní fakulta. Knihovna, 2014. http://www.nusl.cz/ntk/nusl-202410.

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Tématem této práce je studium iluze v loutkovém divadle. V první části se pokusím objasnit pojem iluze v umění všeobecně. Hlavním předpokladem je, že umění a iluze jsou dva neoddělitelné pojmy. Iliuze není výsldkem neby výplodem umění, nýbrž nevyhnutelným prostředkem k analýze věcí. Ona neskutečným způsobem pomáhá k prožitku skutečného a neskutečného světa. V tomto prožitku kromě umělce působí také pozorovatel, na jehož schopnosti vnímat umělcovy iluze závisí také samotný účinek této iluze.V divadelním umění se iluze děje v okamžiku a prostoru před očima diváka. Zázrak iluze se uskutečňuje pře

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23

Zachry, Corinne. "CREATING PUPPETS THAT LIVE: AN EXPLORATION OF THEORIES AND TECHNIQUES IN MODERN PUPPETRY." Ohio University Honors Tutorial College / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1366906448.

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24

Wisniewski, Marine. "« Chansons-Théâtre-Poésie » au cabaret de l’Écluse (1951-1974) : expérience et poétique des variétés." Thesis, Lyon 2, 2014. http://www.theses.fr/2014LYO20097.

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Le cabaret de l’Écluse est une petite salle de spectacles, ouverte entre 1951 et 1974 au 15, quai des Grands Augustins à Paris, et dont la particularité est de programmer chaque soir des numéros variés — chant, sketch comique, poésie récitée, marionnettes, mime et projection de dessins. Au fil des vingt ans d’existence de ce cabaret, s’y produisent des artistes aussi divers que Barbara, Raymond Devos, Marcel Marceau, Yves Joly, Philippe Noiret et Jean-Pierre Darras ou Cora Vaucaire. À rebours de l'éclectisme déroutant du spectacle qu'il accueille, c'est en tant que lieu que le cabaret de l

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25

Silva, Patrícia Mendes da. "O ator no teatro de animação: uma análise dos espetáculos Envelopes e Plural, da companhia de teatro “Nu escuro”, de Goiás." Universidade Federal de Goiás, 2014. http://repositorio.bc.ufg.br/tede/handle/tede/4632.

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Submitted by Erika Demachki (erikademachki@gmail.com) on 2015-10-14T20:51:24Z No. of bitstreams: 2 Dissertação - Patricia Mendes da Silva - 2014.pdf: 3558852 bytes, checksum: 520f2ac1328627a633e96ed593132637 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5)<br>Approved for entry into archive by Erika Demachki (erikademachki@gmail.com) on 2015-10-14T20:52:42Z (GMT) No. of bitstreams: 2 Dissertação - Patricia Mendes da Silva - 2014.pdf: 3558852 bytes, checksum: 520f2ac1328627a633e96ed593132637 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b863

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Henriques, Sara Cristina Cunha Martins de Almeida. "Teatro com marionetas: um jogo liminar de possibilidades." Master's thesis, Universidade de Évora, 2021. http://hdl.handle.net/10174/29100.

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O presente relatório tem como objeto de reflexão o processo criativo de um espetáculo de teatro com marionetas, multidisciplinar que teve por mote as palavras: Teatro Vida Distorção. Transitando entre o tradicional e o contemporâneo, num jogo liminar de possibilidades, opera no cruzamento de linguagens. Reflete sobre um processo criativo que tem por base a partilha, nas seguintes áreas: trabalho de atriz, marionetista, texto, música, imagem, movimento, vídeo e a relação de proximidade com o público. As opções tomadas e horizontes abrangidos são analisados e considerados, tendo em conta o proce

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Vorontsova, Hikmet Sabahat Özgüler. "Tradição e modernidade na preparação do actor-marionetista." Master's thesis, Universidade de Évora, 2012. http://hdl.handle.net/10174/14935.

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A presente dissertação questiona a tradição e a modernidade no contexto do ensino artístico na área do teatro de marionetas na cidade de Évora, num período de tempo que se inicia com o processo de transmissão da tradição dos Bonecos de Santo Aleixo (BSA) a partir dos anos 80 e que chega até aos nossos dias. Pretendemos avaliar a força transformadora deste processo como marco inicial de uma série de acções académicas e artísticas que tiveram como palco a cidade de Évora, cujos agentes são identificados nos momentos do surgimento da Bienal Internacional de Marionetas de Évora, organizada pelo Ce

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Sinthuphan, Jirayudh. "Animation in Siamese-Thai puppet theatre." Thesis, University of Exeter, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.445455.

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Al-Hamdani, Ilham. "Le corps dans le théâtre de Valère Novarina." Thesis, Tours, 2010. http://www.theses.fr/2010TOUR2005/document.

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Le corps est l’élément qui s’impose pour aborder l'oeuvre de Valère Novarina. Certes, l’auteur traite d'autres thèmes (politique, télévision, etc.) mais le corps reste sa préoccupation centrale. L’approche du corps novarinien semble s’inscrire dans des traditions qu’on peut faire remonter à l’antiquité et qu’on peut aussi la rattacher à une certaine modernité (Jarry, Artaud, etc). Valère Novarina met en avant des notions originales. Une animalité présentée de façon positive, la pantinitude de l’acteur et la sainteté paradoxale de Louis de Funès. Le corps bizarre et étranger est très présent da

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Caniatto, Fabio 1974. "Pia Fraus : o processo de criação do espetáculo "100 Shakespeare" e suas contribuições para a instrumentalização do ator/manipulador." [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285173.

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Orientador: Matteo Bonfitto Júnior<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-29T00:16:22Z (GMT). No. of bitstreams: 1 Caniatto_Fabio_M.pdf: 3451940 bytes, checksum: f5c50511d2ed464c3bddb60fc4e70e06 (MD5) Previous issue date: 2011<br>Resumo: Esta dissertação tem como objeto de estudo o processo de criação do espetáculo "100 Shakespeare" produzido pela Pia Fraus Teatro no ano de 2006. O espetáculo reúne nove textos de William Shakespeare apresentados de forma não linear, praticamente sem o uso da palavra e com recu

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Irlandini, Isabella Azevedo. "A voz no teatro de animação : artificialidade e síntese vocal." Universidade do Estado de Santa Catarina, 2013. http://tede.udesc.br/handle/handle/1276.

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Made available in DSpace on 2016-12-08T16:51:59Z (GMT). No. of bitstreams: 1 114037.pdf: 2441864 bytes, checksum: b9e78a3d20e9a224a0d901ebb9cb39e0 (MD5) Previous issue date: 2013-09-12<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>This research focuses on the voice in Puppet Theater a term that embraces different kinds of performances, characterized by hybridity and the dynamics of the animate/inanimate present in Puppet Theater, Mask Theater, Shadow Puppetry, Visual Theater, etc. The voice is approached, in Puppet Theater, as a creator of presence and meaning, accordin

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Hong, Huili, A. Gray, Karin Keith, and Edward J. Dwyer. "Enhancing Reader’s Theatre Through Puppetry." Digital Commons @ East Tennessee State University, 2013. https://dc.etsu.edu/etsu-works/987.

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Gossett, Neeley. "Puppets, politics, and postmodernity : Paula Vogel speaks through theater history /." Electronic version (PDF), 2006. http://dl.uncw.edu/etd/2006/gossettn/neeleygossett.html.

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Quintero, Buffy Serene. "Puppetry and art education: a personal journey." Thesis, University of Iowa, 2011. https://ir.uiowa.edu/etd/1063.

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The thesis is an auto-ethnographic study of the author's journey to use puppetry arts as a mode of personal expression. It documents the process of developing; rehearsing; building puppets, props and stage; and performing a puppet performance. The thesis also includes primary source research obtained from an interview with professional puppeteer, Monica Leo, of Eulenspiegel Puppets. The author also describes and reflects upon her experiences teaching an enrichment course on puppetry arts to elementary students. The research highlights ways that puppetry arts can affect students' learning and r

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Riley, Josephine. "The articulate figure : a study of presence in the Chinese theatre." Thesis, University of East Anglia, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.261171.

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Kopecká, Aneta. "Divadlo DRAK a jeho vliv na divadlo Spare Parts Puppet Theatre." Master's thesis, Akademie múzických umění v Praze. Divadelní fakulta AMU. Knihovna, 2011. http://www.nusl.cz/ntk/nusl-96651.

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This diploma thesis is dealing with two theatres: a Czech Puppet theatre called Theatre DRAK and an Australian theatre called Spare Parts Puppet Theatre. The thesis describes the influence of Czech Puppet Theatre at the Australian Puppet Theatre. The first chapter talks about the development of the DRAK Theatre, including the characteristics of chosen plays for the past few years. The next chapter gathers some information about Australian Puppet Theatre general from the 60s of 20th century. The third chapter outlines development of the Spare Parts Puppet Theatre as well as the plays for the pa

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Garrett, Thomas Butler. "The puppet, the cinematic and contemporary visual theatre : principles, practices, logos." Thesis, University of Brighton, 2009. https://research.brighton.ac.uk/en/studentTheses/6390bb62-a47d-4547-b6ee-af1375ec9473.

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This thesis finds inspiration in practitioner academics such as Craig and Meyerhold, and is conceived as a practice-informed research degree, consisting of a written element and a practical element that draw on and inspire each other. That there is value in both practising and analysing an art form is argued, and ‘case studies’ are made of practitioner/theorists at either end of the genealogy traced in the research: both those at the beginning of the 20th century and those at the beginning of the 21st. A case is made for judging the work of artists such as Robert Lepage, Robert Wilson, Complic

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Solberg, Ragnhild S. "Playing Puppets : Agency, Immersion, and the Fictional Realities of Sabbath’s Theater and Portal." Thesis, Norges teknisk-naturvitenskapelige universitet, Institutt for språk og litteratur, 2013. http://urn.kb.se/resolve?urn=urn:nbn:no:ntnu:diva-24132.

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Grant, Ian John. "Shadows, touch and digital puppeteering : a media archaeological approach." Thesis, University of Sussex, 2018. http://sro.sussex.ac.uk/id/eprint/80919/.

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Aims The practical aim of this research project is to create a multi-touch digital puppetry system that simulates shadow theatre environments and translates gestural acts of touch into live and expressive control of virtual shadow figures. The research is focussed on the qualities of movement achievable through the haptics of single and multi-touch control of the digital puppets in the simulation. An associated aim is to create a collaborative environment where multiple performers can control dynamic animation and scenography, and create novel visualisations and narratives. The conceptual aim

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Zefferino, Melanie. "Dramatic figures in the Venetian Republic : performance, patronage, and puppets." Thesis, University of Warwick, 2014. http://wrap.warwick.ac.uk/69994/.

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This study offers new insights to the knowledge of Venice`s history and theatre historiography. It is the outcome of an interdisciplinary research investigating the visual and performative culture of this unique context though its representations with dramatic figures from the beginning to the end of its history as a republic. The first chapter offers an insight into Medieval Venice focusing on liturgical drama, mystery plays, and civic ritual with display of movable sculptures and puppets. The second chapter sheds light on the relation between puppetry, the commedia, and different forms of sp

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Stock, Marel Angela. "Puppets, Pioneers, and Sport: The Onstage and Offstage Performance of Khmer Identity." Diss., CLICK HERE for online access, 2009. http://contentdm.lib.byu.edu/ETD/image/etd2944.pdf.

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Horváthová, Anežka. "Možnosti podpory, prezentace a zachování kulturního statku "České loutkářství - lidové interpretační umění"." Master's thesis, Vysoká škola ekonomická v Praze, 2015. http://www.nusl.cz/ntk/nusl-205332.

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This thesis reflects the history and contemporary changes of Czech and Slovak puppetry and presents Czech and Slovak legislative framework preceding the inscription of the element on the Representative List of the Intangible Cultural Heritage of Humanity UNESCO. The practical part analyses the process of preparation and implementation of recognition of traditional puppetry as an intangible cultural heritage in the Czech and Slovak Republics and maps the joint efforts of these countries to inscribe the phenomenon on the Representative List of the Intangible Cultural Heritage of Humanity. Based

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Lerman, Mark J. "MOBILE ENCHANTMENT: THE VIRGINIA THEATRE MACHINE LLC, A NEW TWIST ON DRIVE-IN THEATRE." VCU Scholars Compass, 2018. https://scholarscompass.vcu.edu/etd/5337.

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A disassembling of the Virginia Theatre Machine (VTM), LLC and its annual restaging of an adaption of Charles Dickens’ novella, A Christmas Carol. The VTM is a custom-built trailer theater that combines the performance energy of street theater with the magic and wonder of a fully designed theatrical production. I provide a historical context for this 21st century revising of mobile theater that switches the paradigm of the traditional theater experience by bringing the stage to audiences, for free. I draw from critical social and cultural theory to make sense of the audience impact in public

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Medeiros, Fábio Henrique Nunes. "Fronteiras invisíveis e territórios movediços entre o teatro de animação contemporâneo e as artes visuais: a voz do pincel de Álvaro Apocalypse." Universidade do Estado de Santa Catarina, 2010. http://tede.udesc.br/handle/handle/1338.

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Made available in DSpace on 2016-12-08T16:52:07Z (GMT). No. of bitstreams: 1 fabio.pdf: 9228335 bytes, checksum: 01c6b3ae9e5dee3177e967b0a9a6838c (MD5) Previous issue date: 2010-03-10<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>Assuming that the contemporary puppet theater hybridize to other artistic forms, it is necessary to reveal the co-existence of borders in this language. The research covers mainly the multiple relationships and intersections between contemporary puppet theater and plastic/visual arts, relying on the concepts of hybridity by Nestor Garcia Canclini

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Christoffersen, Joshua Michael. "Telling stories with pictures : exploring theatrical design." Thesis, University of Iowa, 2015. https://ir.uiowa.edu/etd/1568.

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This document will chronicle the theatrical design work of Josh Christoffersen at the University of Iowa from August of 2012 through the spring of 2015. The bulk of the images included will be production photos of realized productions--both large-scale mainstage and smaller independent productions--as well as draftings, paint elevations, and sketches to illuminate the process of the artist. The intent is that this document will stand as a record of the various techniques and tactics used throughout my graduate career to tell a story through design

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Fisler, Benjamin Daniel. "The phenomenology of racialism blackface puppetry in American theatre, 1872-1939 /." College Park, Md. : University of Maryland, 2005. http://hdl.handle.net/1903/2464.

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Thesis (Ph. D.) -- University of Maryland, College Park, 2005.<br>Thesis research directed by: Theatre. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.

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Li, Yun-ying, and 李昀穎. "Radio Puppet Theater of Tainan." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/20983533652781143353.

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碩士<br>國立成功大學<br>藝術研究所<br>95<br>Radio puppet performance is the first puppet theater association with communication media. Its development witnessed the social movement of Taiwan’s drama forbidden about society and macroenvironment, and puppet performance has been influenced and changed by the improvement of the technology and economics. Although radio puppet theater is lack of visional transmission, it presents the tension of theater that puppet performance and the refined oral culture. The way of performance is a kind of imagination to establish the stage by narration, script and music. T

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Chiu, Jui-Ting, and 邱睿婷. "Hsiao Hsi Yuan Puppet Theater Research." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/41157732313461255339.

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Hsieh, Chun-Pei, and 謝均佩. "Latin Rhythms in Taiwanese Puppet Theater." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/05267013950354828406.

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碩士<br>國立臺灣大學<br>音樂學研究所<br>100<br>The musical source of Taiwanese puppet theatre became significantly diverse after 1950s. The audience could hear Latin rhythms in folk songs and popular music presented in Taiwanese puppet theatre, as well as the fusion of a traditional Beiguan tune and Cha Cha Cha. The present study explored the Latin rhythms in Taiwanese puppet theatre in terms of the analyses of social context, theatrical uses, and music. There are three major findings: (1) the combinations of popular music and Latin rhythms facilitate their symbolization of theatrical events and role types;

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Chen, Jain-Lin, and 陳建霖. "Internet Puppet Theater With Java Based Platform." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/67953846591861315024.

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碩士<br>朝陽科技大學<br>網路與通訊研究所<br>97<br>This paper proposed an innovative idea of an Internet appli-ca¬tion for collaboratively learning, performing and appreciating of Taiwanese handy puppet. The Internet handy puppet theater is a platform for distance learning and it is constructed by the com¬puter vision and networking technology. Performing of an old art with new technologies produces a new culture style to make the folklore culture more creative and worldwide. There are three technologies, Human-Computer Interaction, Collabo-rative and Distributed Visualization and User Interface, inte-grated t

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