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Relevant bibliographies by topics / Puppetry (performing art)

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Journal articles

Academic literature on the topic 'Puppetry (performing art)'

Author: Grafiati

Published: 11 December 2022

Last updated: 26 January 2023

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Journal articles on the topic "Puppetry (performing art)"

1

Nishanth, Anisha. "THOLPAVAKOOTHU:A STUDY ON THE PERFORMING ART OF SHADOW PUPPETRY IN KERALA." International Journal of Research -GRANTHAALAYAH 9, no. 12 (2021): 17–24. http://dx.doi.org/10.29121/granthaalayah.v9.i12.2021.4406.

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Tholpavakoothu is a form of shadow puppetry which is the ancient art form found only in Kerala and it is a ritualistic worship for Goddess Devi. The main theme of tholpavakoothu is based on Kamba Ramayan and puppets which are chiseled out beautifully on the animal skin are used for the puppetry. Unlike other puppetry, it is the black shadow of puppets that forms on the white screen in the presence of oil lamps that portrays the tale of Ramayana. The study is for the deeper understanding of the origin, style, forms, and themes of tholpavakoothu and also to find out the different influences of a

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2

Massoudi, Shiva, and Nazanin Mehraein. "From an image to performance: dramaturgy for image- based performing." Móin-Móin - Revista de Estudos sobre Teatro de Formas Animadas 1, no. 20 (2019): 237–56. http://dx.doi.org/10.5965/2595034701202019237.

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Undoubtedly, it is impossible Teaching any kind of Art without contemplating the others. Based on dissolving the borders of di erent kinds of arts then interdisciplin- ary trends is so prevalent in Contemporary art. e appearance of elements of other kind of Art like Photo, video in eatre emphasizes on revising method of teaching. In Puppet eatre which has essentially synthetic quality of performance with di erent styles of manipulation and animation up to any Artist, this issue is very important. e entrance of new media to puppet theatre have been more strong and e ective because of some overl

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3

Teržan, Vesna. "The Museum of Puppetry a Ljubljana Castle." Maska 31, no. 179 (2016): 126–37. http://dx.doi.org/10.1386/maska.31.179-180.126_1.

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The recent acquisition of space for the Museum of Puppetry at Ljubljana Castle (on the occasion of the centenary of puppet art in Slovenia) is one of the more important steps towards achieving the goal of finally granting puppet art its proper place among the performing arts as well as in the entire history of art in Slovenia. The greater part of the museum mission has been taken over by Ljubljana Puppet Theatre, wherein they prepared an excellent work project and brought to fruition one of the best museum presentations in Slovenia around. They present the history of Slovenian puppetry at a ve

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4

Plowright, Poh Sim. "The Desacralization of Puppetry: a Case History from Rajasthan." New Theatre Quarterly 21, no. 3 (2005): 273–98. http://dx.doi.org/10.1017/s0266464x05000163.

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In the autumn of 2003, Poh Sim Plowright went to Rajasthan—the cradle of string puppetry, where the Creator is perceived as the Arch Puppeteer controlling humans through strings—in search of the provenance of its famed string-puppet tradition (kathputli). She found an ancient collection of thirty-two stories—Sinhasan Battisi—(hitherto unknown in the West), focusing on a golden throne and female puppet power, which provides eloquent testimony to the original importance of the puppet art in that part of India. Yet in the streets of Udaipur today, that art seems to have been reduced to gaudy souv

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5

Vigouroux-Frey, Nicole. "Bulgarian Puppetry: A Stylish Art Form." Theatre Research International 25, no. 2 (2000): 183–90. http://dx.doi.org/10.1017/s030788330001302x.

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Primarily a melting-pot of influences and techniques, the rapid development of the Bulgarian puppet theatre into a series of achievements, over a relatively short period of time, may be regarded as archetypal of the enthusiastic quest of a young nation for new artistic modes of expression. An imaginative, vital flexibility characterizes this pervasive art form, aimed at children and adults alike, with its twenty professional companies across the country at the beginning of the 1990s.

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6

Rovit, Rebecca, and Steve Tillis. "Toward an Aesthetics of the Puppet: Puppetry as a Theatrical Art." Theatre Journal 46, no. 2 (1994): 301. http://dx.doi.org/10.2307/3208478.

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7

Baraitser, Marion. "Appendix A: Questionnaire: Puppetry as a theatrical art." Contemporary Theatre Review 10, no. 1 (1999): 85–88. http://dx.doi.org/10.1080/10486809908568577.

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8

Tillis, Steve. "The Art of Puppetry in the Age of Media Production." TDR/The Drama Review 43, no. 3 (1999): 182–95. http://dx.doi.org/10.1162/105420499760347405.

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The microchip has replaced clockworks as the intelligence driving performing objects. What of virtual animation—the magical CGI's or computer graphics images? Tillis considers this question from Walter Benjamin through to Waldo—an “ergonomic-gonio-kineti-telemetric device.”

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9

Hikmatova Muqadas Nurilloevna. "Mythology in folklore and its features." Middle European Scientific Bulletin 6 (November 18, 2020): 63–66. http://dx.doi.org/10.47494/mesb.2020.6.117.

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In the article, folk art - artistic, creative-practical and amateur activity of the masses; folklore, folk music (folklore), folk theater (performing arts), folk dances (dances), puppetry, wood and wooden foot games (folk circus), folk fine and applied arts of traditional material and intangible culture information and examples of art and technical and artistic hobbies

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10

Bass, Eric. "Notes on puppetry as a theatrical art: Response to an interview." Contemporary Theatre Review 10, no. 1 (1999): 35–39. http://dx.doi.org/10.1080/10486809908568572.

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