Academic literature on the topic 'Puppets in literature'
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Journal articles on the topic "Puppets in literature"
Ayers, Shan R. "American Puppetry: Collections, History and Performance. Edited by Phyllis T. Dircks. Foreward by Steve Abrams. Jefferson, NC: McFarland, 2004; pp. vii + 326. $39.95." Theatre Survey 46, no. 2 (2005): 351–53. http://dx.doi.org/10.1017/s0040557405400204.
Full textRatchatakorntrakoon, Ratchaneekorn. "Taleng Phai: A Chakrabhand Puppet Play: Characteristics of Performance Literature." MANUSYA: Journal of Humanities 25, no. 1 (2022): 1–22. http://dx.doi.org/10.1163/26659077-25010017.
Full textIndriyani, Jiphie Gilia, Kholidah Sunni Nafisah, Ainur Rosidah, et al. "Adaptasi Cerita Kakawin Arjuna Wiwaha pada Pewayangan Jawa Lakon Arjuna Wiwaha." SULUK: Jurnal Bahasa, Sastra, dan Budaya 1, no. 1 (2020): 31–36. http://dx.doi.org/10.15642/suluk.2019.1.1.31-36.
Full textSchumann, Peter. "What, At the End of This Century, Is the Situation of Puppets & Performing Objects?" TDR/The Drama Review 43, no. 3 (1999): 56–61. http://dx.doi.org/10.1162/105420499760347324.
Full textPurwaningsih, Dominika Anggraeni. "PUPPET MOVEMENTS IN STRUCTURE-SPECIFIC TRADITIONAL PAPER CUT OUT ANIMATION PRODUCTION." Ultimart: Jurnal Komunikasi Visual 13, no. 2 (2020): 61–68. http://dx.doi.org/10.31937/ultimart.v13i2.1821.
Full textOrenstein, Claudia. "The Object in Question: The FIDENA International Puppetry Festival." TDR/The Drama Review 59, no. 2 (2015): 164–69. http://dx.doi.org/10.1162/dram_a_00457.
Full textPradana, Gede Yoga Kharisma. "IMPLICATIONS OF COMMODIFIED PARWA SHADOW PUPPET PERFORMANCE FOR TOURISM IN UBUD, BALI." Journal of Business on Hospitality and Tourism 4, no. 1 (2018): 70. http://dx.doi.org/10.22334/jbhost.v4i1.103.
Full textLanberg, O. A., L. G. Khayet, and T. V. Kadinskaya. "Systemic Puppet Therapy in Rehabilitation Practice." Bulletin of Rehabilitation Medicine 99, no. 5 (2020): 88–93. http://dx.doi.org/10.38025/2078-1962-2020-99-5-88-93.
Full textBlumenthal, E. "Portfolio: Political Puppets." Theater 36, no. 3 (2006): 83–93. http://dx.doi.org/10.1215/01610775-2006-005.
Full textHabiburrahman, Lalu. "Locality vs Globality: Wayang Sasak's Practice and Teaching in the World Literature." Jurnal Kependidikan: Jurnal Hasil Penelitian dan Kajian Kepustakaan di Bidang Pendidikan, Pengajaran dan Pembelajaran 8, no. 4 (2022): 1063. http://dx.doi.org/10.33394/jk.v8i4.5834.
Full textDissertations / Theses on the topic "Puppets in literature"
McDermott, Lydia M. "It's different with puppets." Ohio : Ohio University, 2007. http://www.ohiolink.edu/etd/view.cgi?ohiou1180977676.
Full textHarris, Jason Marc. "The Angle of Desire and Other Stories." Bowling Green State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1395068706.
Full textAndersson, Sapir Erika. "Cowboys, meat-puppets och razor-girls : Ett genusperspektiv på kroppen i William Gibsons Neuromancer." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-85671.
Full textMaciel, Aline Razzera. "Shakespearean puppets." reponame:Repositório Institucional da UFSC, 2012. http://repositorio.ufsc.br/xmlui/handle/123456789/94017.
Full textMade available in DSpace on 2012-10-25T05:36:56Z (GMT). No. of bitstreams: 1 283000.pdf: 1152628 bytes, checksum: c9430c4a829c7b4a1930a446b281196d (MD5)
Through a study of adaptations of Shakespeare#s plays into Puppet heatre, this research explores dramatic and human body adaptations, discussing Shakespearean rewritings in a show performed with puppets, focusing on both the way the human body and Shakespeare#s dramatic body are adapted. The corpus is the play 100 Shakespeare, performed by the Brazilian company Pia Fraus, consisting of an adaptation of nine Shakespearean play-texts. The sketches selected are: Hamlet, Othello, and Titus Andronicus, since they present elements which characterize both textual and bodily adaptations. This thesis draws theoretical parameters mainly from Linda Hutcheon, who stresses that each person experiences differently the same adaptation because of his background; from Patrice Pavis, who believes that an adaptation can modify the meaning of a play; from Ana Maria Amaral, who defines puppet as an inanimate object which portrays human beings or animals, and is animated by an actor-manipulator; from Pilar Amorós and Paco Parício, who contribute to several notions regarding Puppet Theatre; from Valmor Nini Beltrame, who presents some principles of manipulation of puppets; and from Heinrich von Kleist#s ideas regarding the marionette#s superiority to human beings. Based on the identified parameters, this research points out the possibilities of considering puppets as adaptations of human body and mind, and as humanizations of Shakespearean characters, by analyzing how sketches are adapted, puppets manipulated, and characters developed.
Através de um estudo sobre adaptações de peças de Shakespeare para o Teatro de Formas Animadas, essa pesquisa explora adaptações do corpo dramático e humano, discutindo reescrituras de Shakespeare em um espetáculo representado com bonecos, enfocando a questão da adaptação do corpo humano e do corpo dramático de Shakespeare. O corpus é a peça 100 Shakespeare, representada pela Compania brasileira Pia Fraus, que consiste na adaptação de nove peças de Shakespeare para o Teatro de Formas Animadas. As esquetes selecionadas são: Hamlet, Otelo e Titus Andronicus uma vez que estas apresentam elementos que caracterizam adaptações textuais e corpóreas. Esta dissertação utiliza parametros teóricos, sobretudo, de Linda Hutcheon, que aponta que cada pessoa experiencia uma mesma adaptação diferentemente de outra por causa de sua formação; de Patrice Pavis, que acredita que uma adaptação pode modificar o significado de uma peça; de Ana Maria Amaral, que define #boneco# como objeto inanimado que retrata seres humanos ou animais e que é animado por um ator-manipulador; de Pilár Amorós e Paco Parício, que contribuem com diversas idéias a repeito do Teatro de Formas Animadas; de Valmor Nini Beltrame, que apresenta alguns princípios da manipulação de bonecos; e das idéias de Heinrich von Kleist a respeito da superioridade da marionete em relação ao serhumano. Baseando-se nos parametros identificados, esta dissertação aponta para as possibilidades de considerar os bonecos adaptações do corpo e da mente humana e humanizações de personagens Shakespeareanas, analisando como as esquetes são adaptadas, como os bonecos são manipulados e como as personagens são desenvolvidas.
Guglietta-Possamai, Daniela. "The twists and turns of a timeless puppet: Violence and the translation and adaptation of Carlo Collodi's "Le avventure di Pinocchio"." Thesis, University of Ottawa (Canada), 2008. http://hdl.handle.net/10393/27783.
Full textKline, Daniel P. "Bringing Pocci’s “Hansel and Gretel” to America: A Study and Translation of a Puppet Show." Bowling Green State University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1211208363.
Full textEsberg, Högsten Ida. "”Livet blir liksom lite roligare, busigare och fantasifullare om dockor är med i förskolans verksamhet” : Hur dockan används för kommunikation med grund i forskning." Thesis, Karlstads universitet, Institutionen för pedagogiska studier (from 2013), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-71142.
Full textSyftet med denna studie är att undersöka om dockor används inom förskolan som en artefakt för kommunikation, språk och identitetsskapande utifrån tidigare forskning. Den undersöker även pedagogers svar om vad en docka respektive puppet är. Detta behandlas genom svar på enkäter från 176 informanter inom förskolan varav 138 är utbildade förskollärare och 38 är utbildade barnskötare. Resultatet visar att dockor används frekvent av många förskollärare och barnskötare men runt 40–50% har inte tagit del av forskning eller utbildning inom ämnet. Resultatet visar också att pedagogerna oftast tänker på dockan i form av bebisdockor vid ordet ’docka’. Några slutsatser jag kan se efter denna studie är att dockans plats på förskolan avgörs utifrån vuxnas åsikter om den. Dockan används ofta som ett kommunikativt redskap men inte alltid medvetet eller med grund inom forskning.
Feeman, Kelley Laurel. "ADAPTING IMAGINATION: A COGNITIVE THEORY FOR ADAPTING COMICS TO THE STAGE." Miami University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=miami1564738881854803.
Full textRatet, Jennifer. "Du littéraire au marionnettique : réécritures de textes littéraires sur la scène marionnettique contemporaine." Thesis, Montpellier 3, 2019. http://www.theses.fr/2019MON30052.
Full textA significant part of puppet production draws its material from source-texts from literature. I asked myself what distinguishes these puppet shows from «original creations». This contribution is an analysis of the relationship between textual data and their scenic reappropriation from a technical, thematic and aesthetic point of view. Its research objective is to determine if there is a poetics of the rewriting of the literary by puppetry. I first built a corpus of shows with the inclusion criteria of the use of a source text as well as the date and place of creation: 21st century in the West. I then collected data through analyses of puppet shows and exchanges with puppet practitioners. Finally, I have structured the structure of our reflection around the following three axes: the operations of modifications made to the source-text in order to solve technical and narrative constraints, the modes and modalities of narratively active puppet expression and the interactive dynamics that make the present scene a source of matters in terms of narration
Poitrenaud-Lamesi, Brigitte. "« Pinocchio, un enfant parallèle » : La question du père et du fils dans l’œuvre de Carlo Collodi (1826-1890)." Thesis, Paris 4, 2009. http://www.theses.fr/2009PA040233.
Full textCarlo Collodi (1826-1890) playwright, novelist, short story writer and storyteller was, at his death, known primarily as a talented journalist and author of popular books for children. Paradoxically, Collodi’s work, according to his most famous biographers, had been reduced to a single book: Le avventure di Pinocchio. Storia di un burattino (1883), an isolated masterpiece "written by chance" (in the words of P. Pancrazi). Recent philological research - in particular the work of Daniela Marcheschi - reinserts Pinocchio into a literary corpus that functioned as a creative writing workshop, in which the stylistic and thematic tools subordinate to the main work were developed. An intertextual study and an anthropological approach to the complete works of Collodi show that Pinocchio is the culmination of an existential search: Collodi’s design, adorned with the magic of fairy tales, is to explore the limits of the animate and the inanimate and raise the question of the integrity of the human being. Textual analysis shows that what the author attempted with Pinocchio is a project of reproduction or regeneration, a sort of engendering without the mother: the puppet he created is not initially a new being, but rather a duplicate of the old man rejuvenated. That is why "the parallel child " to which Collodi gives life stems not from the desire for traditional paternity, but from the impossible dream of refusing the mortal destiny of man
Books on the topic "Puppets in literature"
Puppets. Rourke Press, 2001.
Doney, Meryl. Puppets. F. Watts, 1995.
Samantha, Berger, and Jim Henson Foundation, eds. Puppets. Scholastic, 1999.
Vanessa, Bailey, ed. Puppets. Gloucester Press, 1991.
Llewellyn, Claire. Puppets. Franklin Watts, 2012.
Llewellyn, Claire. Puppets. Franklin Watts, 2008.
Henry, Sally. Puppets. Franklin Watts, 2011.
Puppets. Smart Apple Media, 2006.
Puppets. Celebration Press, 1996.
Peter, McNiven, and Fairclough Chris ill, eds. Puppets. Thomson Learning, 1995.
Book chapters on the topic "Puppets in literature"
Hargrave, Matt. "Puppets, players and the poetics of vulnerability." In The Routledge Companion to Literature and Disability. Routledge, 2020. http://dx.doi.org/10.4324/9781315173047-30.
Full textJurkowski, Henryk. "Between Literature and Plastic Art." In Aspects of Puppet Theatre. Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-33845-7_3.
Full textKelly, Catriona. "Petrushka and the Pioneers: The Russian Carnival Puppet Theatre after the Revolution." In Discontinuous Discourses in Modern Russian Literature. Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-19849-8_5.
Full textBerger, Renate. "Metamorphose und Mortifikation Die Puppe." In Weiblichkeit und Tod in der Literatur. Böhlau Verlag, 1987. http://dx.doi.org/10.7788/9783412307226-012.
Full textPacchioni, Federico. "Poetry and Politics of the Emilian Puppet: Bertoluccian Memories." In The Image of the Puppet in Italian Theater, Literature and Film. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-98668-1_9.
Full textPacchioni, Federico. "Yearning for Vitality: The Italian Avant-Garde and the Puppet." In The Image of the Puppet in Italian Theater, Literature and Film. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-98668-1_5.
Full textPacchioni, Federico. "The Remediation of the Puppet: Theater of Animation and Early Cinema." In The Image of the Puppet in Italian Theater, Literature and Film. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-98668-1_3.
Full textPacchioni, Federico. "The Pupo and the Theater of Life: Pasolini’s Dream." In The Image of the Puppet in Italian Theater, Literature and Film. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-98668-1_8.
Full textPacchioni, Federico. "Conclusions." In The Image of the Puppet in Italian Theater, Literature and Film. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-98668-1_12.
Full textPacchioni, Federico. "Burattino, a Name and an Idea: From Commedia dell’Arte to Pinocchio." In The Image of the Puppet in Italian Theater, Literature and Film. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-98668-1_2.
Full textConference papers on the topic "Puppets in literature"
Insani, Hikmah Nur. "The Use of Puppet in Teaching Speaking to Young Learners." In Tenth International Conference on Applied Linguistics and First International Conference on Language, Literature and Culture. SCITEPRESS - Science and Technology Publications, 2017. http://dx.doi.org/10.5220/0007173206830688.
Full textSantoso, Trisno, and Bagus Setyawan. "Wayang Golek Menak: Wayang Puppet Show as Visualization Media of Javanese Literature." In Proceedings of the 1st Seminar and Workshop on Research Design, for Education, Social Science, Arts, and Humanities, SEWORD FRESSH 2019, April 27 2019, Surakarta, Central Java, Indonesia. EAI, 2019. http://dx.doi.org/10.4108/eai.27-4-2019.2286930.
Full textPurnamawati, Dyah Hanggraheni, and Sri Harti Widyastuti. "The Values of Leadership in the Puppet Show: Bisma Gugur by Ki Manteb Soedarsono." In 1st International Conference on Language, Literature, and Arts Education (ICLLAE 2019). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200804.076.
Full textU Teng, HO. "Transformations of the Live Dog in the “Proteus” Chapter of Ulysses and Shadowed Puppet Play in Plato’s Parable of the Cave." In Annual International Conference on Language, Literature & Linguistics. Global Science & Technology Forum (GSTF), 2012. http://dx.doi.org/10.5176/2251-3566_l31276.
Full textWidayat, Afendy, and Avi Meilawati. "Sugriwa and Subali in Purwa Puppet: Descriptive Ethics Perspective." In Proceedings of the Third International Seminar on Recent Language, Literature, and Local Culture Studies, BASA, 20-21 September 2019, Surakarta, Central Java, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.20-9-2019.2296827.
Full textHarahap, Ahmad, Hafniati Hafniati, Herlina Hrp, and Tiarma Siallagan. "Developing German Short Story (Kurzerzählung) during the “COVID-19” Pandemic into a Puppet Show (Puppenspiel) as a Literature Teaching Material in German Department of FBS UNIMED (State University of Medan)." In Proceedings of the 3rd International Conference on Innovation in Education, Science and Culture, ICIESC 2021, 31 August 2021, Medan, North Sumatera Province, Indonesia. EAI, 2021. http://dx.doi.org/10.4108/eai.31-8-2021.2313794.
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