Relevant bibliographies by topics / Puppets / Dissertations / Theses
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Dissertations / Theses on the topic 'Puppets'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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1

OLIVEIRA, EDUARDO DE ANDRADE. "PUPPET: PET PUPPETS AND OTHER DISCARDED MATERIALS." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2007. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=11093@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO<br>O presente estudo trata da contribuição do designer na concepção de personagens/bonecos, tendo como principal conceito o reaproveitamento criativo de embalagens PET e outros materiais descartados. Considerando o conhecimento sobre o material como um dos principais requisitos para a realização de um produto, o que propomos aqui é uma investigação do PET na construção de bonecos. Apresentamos como o designer pode se apropriar deste material, potencialmente nocivo ao meio ambiente, e fazê-lo participar da rede de significações que envol
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2

Gamble, Chuck. "Shadow puppets /." Online version of thesis, 1992. http://hdl.handle.net/1850/11077.

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3

Maciel, Aline Razzera. "Shakespearean puppets." reponame:Repositório Institucional da UFSC, 2012. http://repositorio.ufsc.br/xmlui/handle/123456789/94017.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Cominicação e Expressão, Programa de Pós-Graduação em Letras/Inglês e Literatura Correspondente, Florianópolis, 2010<br>Made available in DSpace on 2012-10-25T05:36:56Z (GMT). No. of bitstreams: 1 283000.pdf: 1152628 bytes, checksum: c9430c4a829c7b4a1930a446b281196d (MD5)<br>Through a study of adaptations of Shakespeare#s plays into Puppet heatre, this research explores dramatic and human body adaptations, discussing Shakespearean rewritings in a show performed with puppets, focusing on both the way the human body and S
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McDermott, Lydia M. "It's different with puppets." Ohio : Ohio University, 2007. http://www.ohiolink.edu/etd/view.cgi?ohiou1180977676.

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5

Dwyer, Edward J. "Reading with Stick Puppets." Digital Commons @ East Tennessee State University, 2006. https://dc.etsu.edu/etsu-works/3411.

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6

Zachry, Corinne. "CREATING PUPPETS THAT LIVE: AN EXPLORATION OF THEORIES AND TECHNIQUES IN MODERN PUPPETRY." Ohio University Honors Tutorial College / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1366906448.

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7

Taranovsky, Daniel Alexander. "Guided control of intelligent virtual puppets." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/MQ58779.pdf.

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8

Laura, Joseph. "Rachel's Madcap Theater." ScholarWorks@UNO, 2014. http://scholarworks.uno.edu/td/1929.

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This paper will cover the making of my thesis film Rachel’s Madcap Theater. I will break down all of the interdisciplinary aspects and collaborations with other artists that formed the final film: screenwriting, production design, directing, cinematography, sound, music, and special effects. For each of these categories, when appropriate, I will compare and contrast the changes made during the main stages of filmmaking: pre-production (all decisions made before shooting begins), production (all decisions made while shooting the movie), and post-production (all decisions made after shooting end
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Truxal, Steven James. "Puppets in chaos : airlines, regulators and strings." Thesis, University of Westminster, 2009. https://westminsterresearch.westminster.ac.uk/item/91021/puppets-in-chaos-airlines-regulators-and-strings.

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An examination of the relationships between competition and the deregulation and liberalisation of the US and European air transport sectors reveals that the structure of the air transport sector is undergoing a number of significant changes: a growing number of airlines are entering into horizontal and vertical cooperative arrangements and integration including franchising, codeshare agreements, alliances, ‘virtual mergers’ and in some cases, mergers with other airlines, groups of airlines or other complementary lines of business such as airports. The European and US regulatory approaches to
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10

Metz, Evie. "The Puppets Look Like Flowers At Last." VCU Scholars Compass, 2019. https://scholarscompass.vcu.edu/etd/5922.

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The urge to uncover aspects of human condition permeates my work, from the fundamental curiosity of a child tearing apart their doll to uncover what lies within to continuing a quest in uncovering basic human urges through my puppet animated dramas and tragedies. There is a controversial line between the childlike and the adult-like that can be ambiguous, and at some times more discernible while other times less. I create handcrafted stop-frame puppet animations that explore self-conscious emotions such as embarrassment, shame, and envy within unpredictable life scenarios. These are animations
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11

Kline, Daniel. "Bringing Pocci's "Hansel and Gretel" to America a study and translation of a puppet show /." Bowling Green, Ohio : Bowling Green State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1211208363.

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12

Gossett, Neeley. "Puppets, politics, and postmodernity : Paula Vogel speaks through theater history /." Electronic version (PDF), 2006. http://dl.uncw.edu/etd/2006/gossettn/neeleygossett.html.

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13

Zefferino, Melanie. "Dramatic figures in the Venetian Republic : performance, patronage, and puppets." Thesis, University of Warwick, 2014. http://wrap.warwick.ac.uk/69994/.

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This study offers new insights to the knowledge of Venice`s history and theatre historiography. It is the outcome of an interdisciplinary research investigating the visual and performative culture of this unique context though its representations with dramatic figures from the beginning to the end of its history as a republic. The first chapter offers an insight into Medieval Venice focusing on liturgical drama, mystery plays, and civic ritual with display of movable sculptures and puppets. The second chapter sheds light on the relation between puppetry, the commedia, and different forms of sp
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14

Lai, Siu-lun Francis, and 黎兆麟. "Vanishing puppets: the demise of a Chinese traditional art form." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2001. http://hub.hku.hk/bib/B31972445.

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15

Lai, Siu-lun Francis. "Vanishing puppets : the demise of a Chinese traditional art form /." Hong Kong : University of Hong Kong, 2001. http://sunzi.lib.hku.hk/hkuto/record.jsp?B24534407.

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16

CUNHA, SILVIA REGINA DA SILVA BARROS DA. "THE GODS’ PUPPETS: THE FOUNDATION OF MORAL RESPONSIBILITY IN PLATO’S THOUGHT." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2011. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=17974@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO<br>Numa perspectiva objetiva, o fundamento da responsabilidade moral é objeto do Livro IX das Leis, onde Platão desenvolve sua teoria da punição, baseada na tese de que ninguém comete o mal voluntariamente, que ele concilia com a necessidade prática de graduar as penas, a partir da distinção tradicional entre delitos voluntários e involuntários. Identificando no delito dois aspectos independentes, dano e injustiça, Platão afirma que o primeiro requer apenas reparação, enquanto a punição é concebida como medida destinada a melhorar a alma afeta
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Standard, Marion E. "The use of puppets in children's grief groups an exploratory study /." Online version, 1999. http://www.uwstout.edu/lib/thesis/1999/1999standard.pdf.

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18

Steele, L., G. Podyin, and Edward J. Dwyer. "Enhancing Reading Fluency and Comprehension Using Stick Puppets in the Library." Digital Commons @ East Tennessee State University, 2010. https://dc.etsu.edu/etsu-works/3333.

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The authors suggest that students need to become physically as well as academically involved in their learning. In this light, there are procedures presented for having students make stick puppets that can be used in a variety of learning activities including, but not limited to, readers' theatre and story retelling. We propose that fables can provide a good foundation for developing activities featuring stick puppets, speaking and reading fluency oriented activities. We enncourage teachers and librarians to help make the puppets in order to incorporate first-hand knowledge of the procedures f
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19

Minkley, Emma Smith. "The hand and the head: the handspring puppet company and the arts archive." University of the Western Cape, 2021. http://hdl.handle.net/11394/8117.

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Philosophiae Doctor - PhD<br>My Doctoral dissertation, titled The hand and the head: The Handspring Puppet Company and the arts archive, is focussed on the hand as it appears variously in the production, performance and reception of puppetry as a metonym of care and comfort, but conversely of manipulation and tyranny. The shared proponent of the hand, so crucial to the puppeteer as a means of controlling the movements and “life” of the puppet, acts as the object of study which links the puppet to the modern human and the human body, both through means of creation and representation, in other w
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Singh, Salil Kishore. ""Emerging from shadows" : the puppeteer's art in Tolpava Koothu, shadow puppetry of southern India /." Digital version accessible at:, 1998. http://wwwlib.umi.com/cr/utexas/main.

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21

West, Fiona. "Distance and Immediacy: Investigating narratives of portability." Thesis, Griffith University, 2019. http://hdl.handle.net/10072/386629.

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With reference to the global emigration of South Africans (South African diaspora), this thesis explores themes of displacement, identity and cultural belonging. The hybrid figurine of a modified hula doll, adapted specifically from tourist memorabilia is used as a key motif in my investigation of narratives of portability and the portability of identity in particular. My research relies on a mix of puppet and collage typology, and the manipulation of miniatures and scale that emphasize spatial experiences. Hula dolls and a plastic Kewpie Doll, directly referencing Ray Lawler’s Summer of the S
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22

Stock, Marel Angela. "Puppets, Pioneers, and Sport: The Onstage and Offstage Performance of Khmer Identity." Diss., CLICK HERE for online access, 2009. http://contentdm.lib.byu.edu/ETD/image/etd2944.pdf.

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23

Curtis, Richard A. "People, poets, puppets: popular performance and the wong cilik in contemporary Java." Thesis, Curtin University, 1997. http://hdl.handle.net/20.500.11937/2098.

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Many studies have analysed the ways in which the dominant forces of state and capital are shaping contemporary Indonesian political economy, social relations and cultural production. More and more of such studies have evaluated the significance of the "middle class(es)" as a burgeoning social force. Few studies specifically address the social agency of the subordinated classes, the bulk of Indonesia's population, identified as the wong cilik in this study. Only recently have some scholars begun to take seriously the rapid formation of an urban working class as an increasingly important compone
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Curtis, Richard A. "People, poets, puppets: popular performance and the wong cilik in contemporary Java." Curtin University of Technology, School of Social Sciences and Asian Languages, 1997. http://espace.library.curtin.edu.au:80/R/?func=dbin-jump-full&object_id=11257.

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Many studies have analysed the ways in which the dominant forces of state and capital are shaping contemporary Indonesian political economy, social relations and cultural production. More and more of such studies have evaluated the significance of the "middle class(es)" as a burgeoning social force. Few studies specifically address the social agency of the subordinated classes, the bulk of Indonesia's population, identified as the wong cilik in this study. Only recently have some scholars begun to take seriously the rapid formation of an urban working class as an increasingly important compone
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25

Crosby, Leah. "Never Again, Every Year." Ohio University Honors Tutorial College / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1429711176.

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Salmon, Mary Dwight. "Script training with storybooks and puppets a social skills intervention package across settings for young children with autism and their typically developing peers /." Connect to resource, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1124238875.

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Thesis (Ph. D.)--Ohio State University, 2005.<br>Title from first page of PDF file. Document formatted into pages; contains xvii, 326 p.; also includes graphics (some col.). Includes bibliographical references (p. 236-244). Available online via OhioLINK's ETD Center
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Solberg, Ragnhild S. "Playing Puppets : Agency, Immersion, and the Fictional Realities of Sabbath’s Theater and Portal." Thesis, Norges teknisk-naturvitenskapelige universitet, Institutt for språk og litteratur, 2013. http://urn.kb.se/resolve?urn=urn:nbn:no:ntnu:diva-24132.

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Mason, Kirsty. "Puppets of the Barbarian : how Persia controlled Greek relations with the Persian Empire." Thesis, University of Kent, 2016. https://kar.kent.ac.uk/56642/.

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The study of Graeco-Persian relations is not new to academia, however, as much of our information is found within Greek literary texts, we are largely at the mercy of Greek bias concerning these relations. This thesis will present a detailed re-examination of the relevant sources to gain further understanding of Graeco-Persian relations, with a view to looking beyond Greek literary bias. This thesis proposes that the influence of the Persian Empire upon the Greeks was greater than is initially implied by our sources and I argue that in the majority of the contacts between Greek and Persian, Pe
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Khajehi, Yassaman. "L’hybridité marionnettique iranienne." Thesis, Paris 10, 2015. http://www.theses.fr/2015PA100170.

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La marionnette iranienne, par son fonctionnement, son rôle et son comportement esthétique et sociopolitique sur les scènes théâtrales et à la télévision, est un objet et une sorte de personnage hybride : tout en exhibant la nature hybride de cette forme théâtrale, la démarche marionnettique souligne le « grand » pouvoir de cette « petite » chose mineure et trouve un espace pour jouer avec ce même pouvoir. Ainsi, la marionnette en Iran, depuis au moins dix siècles, participe à un « jeu » au-delà des jeux marionnettiques, tout en résistant aux changements de la société. Elle se renouvelle donc e
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Andersson, Sapir Erika. "Cowboys, meat-puppets och razor-girls : Ett genusperspektiv på kroppen i William Gibsons Neuromancer." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-85671.

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Cyberpunk som litterär genre tar ofta upp teman som berör kroppen och dess förhållande till teknik på olika sätt. I denna uppsats studeras mäns och kvinnors förhållande till sin egen kropp och synen på manliga och kvinnliga kroppar i cyberpunk-romanen Neuromancer av William Gibson, utifrån Yvonne Hirdmans teorier om genus. I analysen av romanen kan man se två huvudsakliga spår utifrån Hirdmans tre formler för förhållandet mellan könen, varav det tydligaste är det som Hirdman kallar jämförelsens formel. Kvinnor ses som impulsstyrda och kroppsliga medan män står för intellektet och en längtan ef
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Bergquist, Olsson Frida, and Hanna Dahl. "Co-creators or puppets? : a study on AI-marketing’s role in consumers’ value co-creation." Thesis, Högskolan Kristianstad, Fakulteten för ekonomi, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:hkr:diva-22155.

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In recent years, AI has received increased attention in the field of marketing and is believed to grow even more in the future. It seems that the use of AI in marketing has a significant impact on consumer value creation. The purpose of this thesis is to explore how consumers experience the role of AI-marketing within the scope of the online customer journey, including how both positive and negative aspects of AI-based decision aids influence their value co-creation. Based on previous research, a conceptual model was created to determine whether consumers co-create or co-destroy value in the i
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Edgren, Justin. "ANIMATING DYSTOPIA: AN ANALYSIS OF MY ANIMATED FILM, P19." OpenSIUC, 2013. https://opensiuc.lib.siu.edu/theses/1099.

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In this paper, I discuss the modern socio-technological state of global social control and its representation in my stop motion animated film P19. I will compare the ways in which social control has changed and remained the same from September 11, 2001 to the present. I will discuss the surveillance and control grids permeating all communication networks and how humans are interacting with them. I will conclude with an analysis of some of my techniques and processes in stop motion animation.
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Garrett, Thomas Butler. "The puppet, the cinematic and contemporary visual theatre : principles, practices, logos." Thesis, University of Brighton, 2009. https://research.brighton.ac.uk/en/studentTheses/6390bb62-a47d-4547-b6ee-af1375ec9473.

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This thesis finds inspiration in practitioner academics such as Craig and Meyerhold, and is conceived as a practice-informed research degree, consisting of a written element and a practical element that draw on and inspire each other. That there is value in both practising and analysing an art form is argued, and ‘case studies’ are made of practitioner/theorists at either end of the genealogy traced in the research: both those at the beginning of the 20th century and those at the beginning of the 21st. A case is made for judging the work of artists such as Robert Lepage, Robert Wilson, Complic
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Harris, Jason Marc. "The Angle of Desire and Other Stories." Bowling Green State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1395068706.

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Davies, Helen. "'But Puppets Themselves Have Passions' : The ventriloquial influence of Oscar Wilde on Angela Carter, Will Self and Sarah Waters." Thesis, Leeds Beckett University, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.528348.

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Souza, Alex de. "Só, mas bem acompanhado: atuação solo e animação de bonecos à vista do público." Universidade do Estado de Santa Catarina, 2012. http://tede.udesc.br/handle/handle/1251.

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Made available in DSpace on 2016-12-08T16:51:56Z (GMT). No. of bitstreams: 1 alex.pdf: 1294416 bytes, checksum: a9e5368eec58f31aaa65300e5119de57 (MD5) Previous issue date: 2012-08-30<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>This thesis deals with puppet manipulation visible to the audience , focusing on soloist performance. The field of study is defined by the first four editions of the International Puppet Festival, in Florianópolis FITAFloripa, during the years 2007 untill 2010. First of all there are reflexions about different kinds of didacticism in Puppetry,
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Walmsley, Benjamin A. "Agents, puppets and being-for-others : traces of humanism in the stage characters of Jean-Paul Sartre and Eugene Ionesco." Thesis, University of Glasgow, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.323237.

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38

Martin-Lahmani, Sylvie. "Une vie de marionnette. Approches théorique et historique du phénomène de l’animation." Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040264.

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La marionnette, petite Marie d’après son étymologie, figure réduite à l’image de l’homme, être diminutif ou condensé, actrice « dramatico-végétale » selon l’écrivain Carlo Collodi, amuse, effraie ou fascine depuis toujours l’être humain. Nous en trouvons des traces dès l’Antiquité en occident. Telle l’automate Olympia dans L’Homme au sable d’Ernst Hoffmann, qui inspira à Freud le concept d’ « Inquiétante étrangeté », la marionnette fait douter le spectateur : celui-ci ressent une étrange impression à la vue d’un objet sans vie qui paraît animé, un malaise comparable à celui qu’il éprouve en vo
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Dias, Ana Cristina Macedo Pina. "Viagem e fantasia. A marioneta no Jardim Infantil Pestalozzi." Master's thesis, Universidade de Évora, 2013. http://hdl.handle.net/10174/10841.

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Este trabalho consiste no Relatório do Projeto de Mestrado em Teatro, Ramo Ator-Marionetista da Universidade de Évora. Projeto este que foi implementado entre meados de Setembro de 2012 e Janeiro de 2013, na escola de educação infantil e ensino básico Jardim Infantil Pestalozzi, em Lisboa. Contém opções teóricas para a sustentação do trabalho prático ao nível do teatro de marionetas contemporâneo e arte na educação. Procura descrever um processo de cocriação de um espectáculo de teatro de marionetas, na perspetiva contemporânea, envolvendo crianças com oito e nove anos de idade, que implicou e
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Sanders, Victoria. "Transformative Design: A Tale of Arabian Nights." VCU Scholars Compass, 2014. http://scholarscompass.vcu.edu/etd/3385.

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This thesis is a description of the process of creating the scene design for the Theatre VCU production of Arabian Nights. It was directed by Gabriel Barre and the production ran April 11th – 27th, 2014. It follows the preproduction, build and a final evaluation of the design and the process used in creating it.
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Vorontsova, Hikmet Sabahat Özgüler. "Tradição e modernidade na preparação do actor-marionetista." Master's thesis, Universidade de Évora, 2012. http://hdl.handle.net/10174/14935.

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A presente dissertação questiona a tradição e a modernidade no contexto do ensino artístico na área do teatro de marionetas na cidade de Évora, num período de tempo que se inicia com o processo de transmissão da tradição dos Bonecos de Santo Aleixo (BSA) a partir dos anos 80 e que chega até aos nossos dias. Pretendemos avaliar a força transformadora deste processo como marco inicial de uma série de acções académicas e artísticas que tiveram como palco a cidade de Évora, cujos agentes são identificados nos momentos do surgimento da Bienal Internacional de Marionetas de Évora, organizada pelo Ce
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Oliveira, Flávio Gomes de. "Vida de boneco: um filme para pensar a respeito do uso de bonecos em produções audiovisuais." Universidade Federal de Goiás, 2016. http://repositorio.bc.ufg.br/tede/handle/tede/6526.

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Submitted by JÚLIO HEBER SILVA (julioheber@yahoo.com.br) on 2016-11-25T17:05:53Z No. of bitstreams: 2 Tese - Flávio Gomes de Oliveira - 2016.pdf: 9731436 bytes, checksum: eed88b1e37dae3d5c5ee11eebff687d9 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)<br>Approved for entry into archive by Jaqueline Silva (jtas29@gmail.com) on 2016-11-28T17:32:37Z (GMT) No. of bitstreams: 2 Tese - Flávio Gomes de Oliveira - 2016.pdf: 9731436 bytes, checksum: eed88b1e37dae3d5c5ee11eebff687d9 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)<br>Made availabl
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Schrickte, Mariliz Regina. "O ator que é também manipulador: possibilidades da relação entre ator e boneco." Master's thesis, Universidade de Évora, 2018. http://hdl.handle.net/10174/23259.

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A investigação teórico-prática de conclusão deste mestrado orbita em torno do tema “relações do ator com o boneco” e desenvolve uma experimentação teatral que envolve cenicamente as performances do ator e do ator-manipulador. A pesquisa parte de uma investigação sobre as inúmeras possibilidades de relação entre o intérprete e o animado, abarcando eventos históricos, publicações, processos, espetáculos e profissionais que se envolvem com o tema, culminando com o relato da experimentação cênica desenvolvida e consequentes reflexões sobre o ator que é também manipulador. A pesquisa engloba uma et
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Câmara, Vanessa Oliveira Fernandes. "Teatro de bonecos como ferramenta de sensibilização ambiental em unidades de conservação." Universidade Federal da Paraíba, 2016. http://tede.biblioteca.ufpb.br:8080/handle/tede/9150.

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Submitted by Vasti Diniz (vastijpa@hotmail.com) on 2017-07-27T12:41:06Z No. of bitstreams: 1 arquivototal.pdf: 4089493 bytes, checksum: 414a1c4adf5c5f3ffb081f8b3068fa7b (MD5)<br>Made available in DSpace on 2017-07-27T12:41:06Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 4089493 bytes, checksum: 414a1c4adf5c5f3ffb081f8b3068fa7b (MD5) Previous issue date: 2016-10-13<br>The current situation of the planet involves several discussions about the loss of biological diversity. Brazil, one of the largest biodiversity, could not avoid such discussions, declare it as essential to ensure human su
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Deniger, Marcy M. (Marcy Marble). "An Ethnographic Study of the Use of Puppetry with a Children's Group." Thesis, University of North Texas, 1990. https://digital.library.unt.edu/ark:/67531/metadc331542/.

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This study utilized an ethnographic methodology to examine and describe the various aspects and processes occurring in a children's group as the members created their own puppets and accompanying puppet plays. Individual and interactive behavior patterns were isolated and analyzed as a means of gaining an in depth understanding of the puppetry process. The puppetry process, in turn, was viewed in terms of information it provided regarding the individual members and the group process. The facilitative and non-facilitative aspects of the procedure were delineated. The adult leader met with a gro
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Quintero, Buffy Serene. "Puppetry and art education: a personal journey." Thesis, University of Iowa, 2011. https://ir.uiowa.edu/etd/1063.

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The thesis is an auto-ethnographic study of the author's journey to use puppetry arts as a mode of personal expression. It documents the process of developing; rehearsing; building puppets, props and stage; and performing a puppet performance. The thesis also includes primary source research obtained from an interview with professional puppeteer, Monica Leo, of Eulenspiegel Puppets. The author also describes and reflects upon her experiences teaching an enrichment course on puppetry arts to elementary students. The research highlights ways that puppetry arts can affect students' learning and r
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Gonzaga, Solange Maria Norjosa. "O homem como marionete dos deuses : uma leitura das Leis de Platão." [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280356.

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Orientador: Francisco Benjamin de Souza Netto<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas<br>Made available in DSpace on 2018-08-08T04:42:03Z (GMT). No. of bitstreams: 1 Gonzaga_SolangeMariaNorjosa_D.pdf: 1654797 bytes, checksum: 8d8393033146423ad9a9e3522135c6b6 (MD5) Previous issue date: 2006<br>Resumo: A pesquisa demonstra que Platão, no diálogo Leis, possibilita a efetivação da arte política por meio do cuidado da alma em sua natureza e disposição (I, 650b). A reflexão sobre a disposição da alma dar-se via mito da marionete, em que Pl
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Parente, Jose Oliveira. "Preparação corporal do ator para o teatro de animação : uma experiência." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/27/27139/tde-22072009-182852/.

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Investiga o papel do corpo no teatro de animação, um gênero teatral que elege máscaras, bonecos e objetos como seus principais meios de expressão. O ator desse teatro, conhecido como ator-animador, ator-manipulador ou ator-bonequeiro, tem como principal característica a expressão por meio dos elementos materiais acima citados. Objetivo: propor um treinamento corporal básico a esse ator, tendo como fundamentos os princípios gerais da técnica do movimento consciente (ou técnica Klauss Vianna) aplicados à linguagem do teatro de animação. Método: oficina prática realizada com atoresbonequeiros. Re
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Horváthová, Anežka. "Možnosti podpory, prezentace a zachování kulturního statku "České loutkářství - lidové interpretační umění"." Master's thesis, Vysoká škola ekonomická v Praze, 2015. http://www.nusl.cz/ntk/nusl-205332.

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This thesis reflects the history and contemporary changes of Czech and Slovak puppetry and presents Czech and Slovak legislative framework preceding the inscription of the element on the Representative List of the Intangible Cultural Heritage of Humanity UNESCO. The practical part analyses the process of preparation and implementation of recognition of traditional puppetry as an intangible cultural heritage in the Czech and Slovak Republics and maps the joint efforts of these countries to inscribe the phenomenon on the Representative List of the Intangible Cultural Heritage of Humanity. Based
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Younge, Janni. "Creating resonance in emptiness with visual theatre : how the metaphorical potential of puppets, objects and images in theatre can be used to explore the constructed nature of reality and the complexity of the self." Master's thesis, University of Cape Town, 2007. http://hdl.handle.net/11427/8158.

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Includes the performance script of the play.<br>Includes bibliographical references (leaves 88-93).<br>The aim of this explication is to set my practical theatre research, and the production Dolos in particular, in a theoretical framework and performance historical context. Since the central theme of Dolos is the construction of reality and the consequent attachment to aspects of the self, my study draws on the ideas proposed by Phenomenology and Madhyamaka Buddhist philosophy.According to these two philosophical systems, the concept of reality is subjective and relative. This leads me to ques
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