Dissertations / Theses on the topic 'Purgatorium'
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Vordermayer, Helmut. "Die Lehre vom Purgatorium und die Vollendung des Menschen ein moraltheologischer Beitrag zu einem umstrittenen Lehrstück aus der Eschatologie." Innsbruck Wien Tyrolia-Verl, 2005. http://deposit.ddb.de/cgi-bin/dokserv?id=2715740&prov=M&dok_var=1&dok_ext=htm.
Full textVordermayer, Helmut. "Die Lehre vom Purgatorium und die Vollendung des Menschen : ein moraltheologischer Beitrag zu einem umstrittenen Lehrstück aus der Eschatologie /." Innsbruck ;Wien : Tyrolia-Verl, 2006. http://deposit.ddb.de/cgi-bin/dokserv?id=2715740&prov=M&dok_var=1&dok_ext=htm.
Full texthedin, jonas. "William Kennedy’s Ironweed : Francis Phelan’s Purgatorial Journey Back Home." Thesis, Karlstad University, Faculty of Arts and Education, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-755.
Full textIn the essay “William Kennedy’s Ironweed: Francis Phelan’s Purgatorial Journey Back Home” I intend to show that William Kennedy has borrowed his narrative structure and symbolic language in the novel Ironweed from The Divine Comedy. I will also try to show how William Kennedy has used these allusions to enhance the imagery of Ironweed and the protagonist Francis Phelan’s wandering through the novel, and his return home. To accomplish this I will present a detailed comparative analysis of William Kennedy’s Ironweed and Dante Alighieri’s The Divine Comedy.
I will begin by showing that Kennedy establishes the protagonist Francis Phelan as a Dante-like figure and a sinner who needs to go through purgatory to redeem himself. Moreover, Kennedy uses Dante Alighieri’s Divine Comedy’s landscape to enhance the imagery of a journey back home, and by showing that each chapter represents a different level on Mount Purgatory Kennedy makes Albany a symbol of the mountain itself. Details such as the mentioning of the seven deadly sins are also there to make the reader think of Dante and thereby reinforcing the image of The Divine Comedy’s landscape in Francis Phelan’s New York, Albany.
I also demonstrate that Kennedy borrows his symbolic structure from Dante Alighieri’s Divine Comedy. For example, the intricate ending of Ironweed where several parallels can be drawn to Purgatory and Paradise reinforces the impression of Francis Phelan’s happiness, that is, a reader who is familiar with The Divine Comedy will appreciate and understand Francis Phelan’s happiness and the journey he has accomplished even more.
Pacifico, David Bartholomew. "Neighborhood politics| Diversity, community, and authority at El Purgatorio, Peru." Thesis, The University of Chicago, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=3627869.
Full textNeighborhood Politics investigates the role of commoners in the social production of an ancient city. Traditional archaeological approaches examine cities primarily through the lens of elite power and agency. Recent approaches have taken a bottom-up approach to research. Neighborhood Politics explores the ancient city as a product of both commoner and elite agencies, power, and practices. Neighborhood Politics proposes a novel methodology: 'neighborhood archaeology.' Neighborhood archaeology emerges out of household archaeology and community archaeology. In order to fully understand urbanism, neighborhood archaeology examines commoner houses, related buildings, and their inhabitants as complex socio-spatial contexts. Consequently, neighborhood archaeology here highlights the multiple contours and tensions of authority, identity, and space that characterized an ancient neighborhood. Investigations in El Purgatorio's residential district focused on architecture, domestic assemblages, and urban planning in order to understand the diverse social identities, shared practices, and built environment of El Purgatorio's commoners. Investigations examined the social history of the Casma Polity's capital city, the configuration of community there, and local-regional linkages from the perspective of commoners' everyday lives. For El Purgatorio's commoners, social diversity was configured around household composition and labor output. Diversity was materialized in unequal access to space, building materials, and construction labor. Urban hierarchies were concretized during neighborhood feasts that simultaneously created neighborhood solidarity. Elites provided raw materials for the neighborhood economy; but commoners prepared food and chicha for ritual and quotidian consumption, some of which was returned to elites in tribute. Diverse residence and circulation patterns show that the neighborhood was a negotiated landscape created through both commoner authority and the extended authority of elites from the monumental district. Neighborhood Politics highlights the complexity of urban identities, the significance of everyday activities, and the tensions in the built environment of the residential district at El Purgatorio.
Reid, Joshua. "From Flesh to Spirit: Dalí’s Visual Transmutation of Dante’s Purgatorio." Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etsu-works/2865.
Full textSardagna, Célio Antonio. "Leitura do purgatório da Divina Comédia." Florianópolis, SC, 2006. http://repositorio.ufsc.br/xmlui/handle/123456789/88928.
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A partir da concepção da Divina Comédia como uma obra muito vasta em sentido, e que oferece continuamente desafios para novas leituras, elegi como elemento central para esse estudo três momentos da viagem de Dante que ocorrem no Paraíso Terrestre: o cenário que se desnuda diante dos seus olhos à sua chegada, o encontro com a figura feminina # Matelda # e a procissão mística à qual ele assiste. Após uma acurada leitura dos cantos que envolvem essas três perspectivas (XXVII, XXVIII e XXIX), lancei sobre elas um olhar descritivo e reflexivo, buscando, à luz da crítica, uma aproximação, entre as muitas que a Divina Comédia oferece. As agradáveis sensações visuais, auditivas e táteis que o peregrino desfruta no topo do monte recriam a imagem da terra edênica da qual o ser humano pode desfrutar outrora, e que agora servirá de pano de fundo para o encontro com a figura feminina mais importante do Paraíso Terrestre depois de Beatriz, e para as ações que ela desempenha no ambiente edênico. Nesse mesmo cenário, desenrola-se um cortejo místico, carregado de elementos simbólicos, ao qual Dante é convidado por Matelda a contemplar. Os três momentos sobre os quais lancei o olhar preparam o viajante para o gran finale - o retorno de Beatriz, que será o guia para a última etapa da jornada. From the conception that Divine Comedy is the a very huge work in terms of meanings and offering continuous challenges for new readings I have chosen as a main goal for this study three moments from Dante#s trip that happen in Heaven on Earth: the scenery that becomes real in front of his eyes with his arrival, the meeting with the female picture # Matelda # and the mystical procession that he watches to. After a deep reading of the stanzas that involve these three perspectives (XXVII, XXVIII and XXIX), I have sent a descriptive and reflexive study on them, looking for, through the critic lights, a close approximation among those offered by Divine Comedy. The pleasant visual, heating and touching senses that the pilgrim goes through on the top of the hill bring us back to the Edenic world from which the human being could take advantages before, and from now on are going to serve as a background for the meeting of the most important female picture of the Heaven on Earth after Beatriz and for the roles that she plays in the Edenic environment. In these same scenery a mystic procession takes place, full of symbolic elements to which Dante is invited to watch by Matelda. The three moments which I have chosen for a deep study are those that prepare the traveler for his #gran finale# - Beatriz#s return that is the guide for the last step for the journey.
Day, Peter A. "Origen of Alexandria's understanding of resurrection, the purgatorial state and the Apokatastasis." Thesis, University of Bristol, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.288592.
Full textHambrick, Donald John. "Aristotle transfigured, Dante and the structure of the inferno and the purgatorio." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0026/NQ36554.pdf.
Full textMarie, de France Pontfarcy Yolande de. "L'espurgatoire seint Patriz. [suivi] du De purgatorio sanctii Patricii, éd. de Warnke /." Louvain ; Paris : Peeters, 1995. http://catalogue.bnf.fr/ark:/12148/cb375138172.
Full textDavis, Sarah C. "Purgatorial fire in the theology of the early church fathers from Tertullian to Augustine /." Theological Research Exchange Network (TREN), 1999. http://www.tren.com.
Full textVela, Cordova Roberto J. "El horizonte poetico en tres obras de Raul Zurita "Purgatorio", "Anteparaiso" y "La vida nueva" /." [Bloomington, Ind.] : Indiana University, 2005. http://wwwlib.umi.com/dissertations/fullcit/3212701.
Full textSource: Dissertation Abstracts International, Volume: 67-03, Section: A, page: 0951. Adviser: Luis Davila. "Title from dissertation home page (viewed March 21, 2007)."
Lopes, Marcos Aparecido 1968. "No purgatorio da critica : Coelho Neto e o seu lugar na historia da literatura brasileira." [s.n.], 1997. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269189.
Full textDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
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Resumo: As perspectivas analíticas da obra literária de Coelho Neto foram formuladas no final do século XIX por José Veríssimo, Araripe Jr., Adolfo Caminha, Nestor Vítor e Lima Barreto. É neste período que podemos encontrar os dois vetores críticos que condicionariam grande parte da interpretação crítica e historiográfica da obra do escritor de A Conquista. O primeiro vetor é aquele que procura pensar o texto literário do romancista a partir de sua inserção na tradição realista/naturalista. Deste ângulo, o escritor seria valorizado ou desqualificado por sua capacidade de observação e de adesão à realidade local. A palavra chave reiterada no decorrer das décadas para precisar o significado de sua obra era documental, i.e., literatura preocupada em flagrar um instante político e social do país. No segundo vetor, é o lado ornamental do romancista que será objeto de dúvidas ou de aceitação por parte dos críticos. Sendo que o aspecto ornamental da escrita de Coelho Neto colocava em primeiro plano a sua prosa poética e o seu lado imaginativo. Estes dois vetores constituiram de tal forma um legado crítico para a interpretação da obra literária de Coelho Neto, que mesmo o furor dos jovens modernistas da Semana de 22 ou os esforços revisionistas das décadas de 80 e 90 pouco acrescentaram à fortuna crítica do autor. O que me fez perguntar em que medida a obra do romancista não teria sido satisfatoriamente situada e interpretada pela crítica e pela história literária já na primeira metade da década de 60, quando ocorre um balanço do processo de reabilitação iniciado nos anos 40, e que portanto, a questão para os estudos literários atuais sobre Coelho Neto seria pensar de que lugar devemos julgá-lo ou analisá-lo esteticamente
Abstract: Not informed.
Mestrado
Teoria Literaria
Mestre em Letras
Orlic, David. "Kristian Lundbergs gudomliga komedi : En intertextuell analys av Yarden, Mörkret skulle vara som ljuset och Och allt skall vara kärlek." Thesis, Uppsala universitet, Litteraturvetenskapliga institutionen, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-175001.
Full textTardelli, Terry Claudia. "Francesco da Buti's commentary on Dante's Commedia : new critical edition, based on MS Nap. XIII C 1 Purgatorio, Paradiso." Thesis, University of Cambridge, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.709324.
Full textNapoli, Tiago Augusto. "Tractatus de Purgatorio Sancti Patricii ( \"Tratado do Purgatório de São Patrício\"): tradução anotada e análise histórico-comparativa de seus elementos escatológicos." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8143/tde-11012016-135733/.
Full textThe purpose of this research is to translate the 12th century Latin text Tractatus de Purgatorio Sancti Patricii (\"The Treatise on St. Patrick\'s Purgatory\") and analyze the eschatological elements present in the text by comparing them to those found in works or excerpts of similar nature belonging mainly to the Early and High Middle Ages. Among these are the Long Latin version of the Visio Pauli (\"The Vision of Paul\") edited by Hilhorst and Silverstein (1997), the accounts of life after death described in chapter XXXVI, Book IV, of Gregory the Great\'s Libri Dialogorum (\"Dialogues\"), as well as the visions of the knights Drythelm and Tnugdal, the first of these rendered by Bede in chapter XII, Book V, of his Ecclesiastical History of the English People (Historia Ecclesiastica Gentis Anglorum).
Savage, Tamara. "The Obstacles to and Solutions of Female Characters' Speech: Beatrice in Dante's Vita Nuova and Purgatorio and Susan in J. M. Coetzee's Foe." Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/cmc_theses/1156.
Full textEasting, Robert. "St Patrick's Purgatory : two versions of "Owayne miles" and "The Vision of William of Stranton", together with the long text of the "Tractatus de Purgatorio sancti Patricii /." Oxford (England) : Oxford university press, 1991. http://catalogue.bnf.fr/ark:/12148/cb37160358w.
Full textWhite-Le, Goff Myriam. "Changer le monde : réécritures d'une légende, Le purgatoire de saint Patrick." Paris 3, 2004. http://www.theses.fr/2004PA030081.
Full textThe legend of saint Patrick's purgatory shifts back and forth between imagination and reality, thus nourishing the literature and imagination of medieval times and beyond. The comparative study of the Latin source and French medieval verse versions shows it to be not only a "translation" but also a genuine rewriting,, providing meaningful stylistic effects. What was originally a religious atmosphere becomes literary, especially in Marie de France's rewriting. The legend is set at the junction of a diversity of forms, including that of the novel. The main character is a knight but one who is competing with the clergy in the quest for salvation. The texts disclose another world accessible from earth, and especially the new place for purgatory, revealing the characteristics of the medieval man and world
Ferrier, Esther. "Deutsche Übertragungen der Divina Commedia Dante Alighieris, 1960-1983 Ida und Walther von Wartburg, Benno Geiger, Christa Renate Köhler, Hans Werner Sokop : Vergleichende Analyse, Inferno XXXII, Purgatorio VIII, Paradiso XXXIII /." Berlin ; New York : W. de Gruyter, 1994. http://books.google.com/books?id=5i5ZAAAAMAAJ.
Full textCouto, Carla Cristiane Teixeira do. "A diáspora da Igreja Católica de Portugal para a América Portuguesa do século XVIII: o papel religioso, político e cultural do sacramento da penitência e da prática das indulgências." Pontifícia Universidade Católica de São Paulo, 2010. https://tede2.pucsp.br/handle/handle/2142.
Full textSecretaria da Educação do Estado de São Paulo
This research has proposed a study on the diaspora of the Catholic Church of Portugal for Portuguese America in the eighteenth century, following some of the expansion of Christianity, noting the role of religious, political and cultural development of the Sacraments of Penance and the practice of indulgences. We consider the precepts laid down in Council of Trent and their influence in the process of Portuguese colonization, and remember that this period is marked by the ideas of the Renaissance and Enlightenment movements. By monitoring the administrative and pastoral concerns of the bishops, both in Portugal and in the colony, we realize that the ecclesiastical patronage system represented an obstacle to the action of themselves at dioceses. The character of animosity in relations between Church authorities and representatives of the Crown in the captaincy, especially in the middle of the eighteenth century show that the submission of religious power in the face of ecclesiastical patronage system was not full. Gradually, following the guidelines of Trent, the Church takes form more defined in Cologne
Esta pesquisa tem como proposta um estudo sobre a diáspora da Igreja Católica de Portugal para a América Portuguesa no século XVIII, acompanhando um pouco da expansão da Cristandade, verificando o papel religioso, político e cultural dos sacramentos da Penitência e da prática das Indulgências. Consideramos as normas religiosas estabelecidas no Concílio de Trento e suas influências no processo da colonização portuguesa, além de ter presente que esse período é marcado pelas idéias dos movimentos renascentistas e iluministas. Ao acompanhar as preocupações pastorais e administrativas dos bispos, tanto em Portugal quanto na colônia, percebemos que o Padroado representou um obstáculo para a ação dos mesmos nas dioceses. O caráter de animosidade nas relações estabelecidas entre as autoridades eclesiásticas e os representantes da Coroa nas Capitânias, especialmente na metade do século XVIII, revelam que a submissão de poder religioso em virtude do Padroado não era plena. Gradualmente, na esteira das orientações de Trento, a Igreja toma um corpo mais definido na Colônia
Cadavid, Yani Helwi Margarita. "A Colombian Nun and the Love of God and Neighbour : The Spiritual Path of María de Jesús (1690s-1776)." Thesis, Uppsala universitet, Missionsvetenskap, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-296111.
Full textOjeda, Barías Sergio. "Discursividades y transformaciones del sujeto poético en los poetas chilenos de neovanguardia del período 1973-1985: revisión y análisis de la ruptura y el programa poético de La nueva novela de Juan Luis Martínez, Purgatorio de Raúl Zurita, La Tirana de Diego Maquieira y Proyecto de Obras Completas de Rodrigo Lira." Tesis, Universidad de Chile, 2015. http://repositorio.uchile.cl/handle/2250/140643.
Full textEsta investigación abarca la poesía chilena de la segunda mitad del siglo XX, en el periodo comprendido entre 1973 – 1985. Analiza, da cuenta y reconoce las discursividades y transformaciones del sujeto poético en un grupo de autores que los estudios críticos han conceptualizado como la neovanguardia. El corpus de lectura corresponde a: La nueva novela de Juan Luis Martínez (1977), Purgatorio de Raúl Zurita (1979), La Tirana de Diego Maquieira (1983) y Proyecto de Obras Completas de Rodrigo Lira (obra póstuma, 1984). Así, se recorren los principales componentes de un nuevo programa discursivo de ruptura cuya característica principal es una profunda fragmentación del sujeto poético. Este fenómeno deviene en un proyecto poético que, recogiendo la herencia de la vanguardia histórica, clausura las posibilidades del poema formal y se rebasa a lo extratextual. El análisis discursivo de las escrituras se guía principalmente bajo los postulados teóricos de Mijail Bajtín y Yuri Lotman, lo que posibilita el estudio de la poesía desde la perspectiva de los géneros discursivos como un sistema complejo que se nutre de un conjunto de elementos extraliterarios. Otros enfoques teóricos se integran a la discusión bibliográfica. Analizar las discursividades poéticas como sistemas polisemánticos y multigenéricos, ha sido uno de los propósitos centrales de este estudio.
Cai, Wan-ling, and 蔡宛玲. "Sin and Purgatorial Punishment in Dante’s Divine Comedy and DizangpusaBenyuanjing." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/31780123674785959141.
Full text東吳大學
英文學系
99
Dante’s Purgatorio and The Sutra of Terra-Treasure (Pusa’s Primal Vows) [Dizangpusa Benyuanjing] present the concept of sin and purgatorial punishment for sinners in two different cultural contexts. The purgatorial punishments can be viewed as a way of atoning for sins by being taught a painful lesson through various kinds of suffering. Through such purgatorial punishments, they can attain salvation by being reborn into a new and better life. For sinners in The Sutra of Terra-Treasure, many distinct categories of temporal punishments “are made in the minds of sinners” 唯心所造. Similarly, sinners’ seven deadly sins in the Purgatorio also display seven types of punishments which match seven particular sins resulting from their sinful experiences. Purgatory is a temporary place of suffering, namely, symbolic of a transitional state of purification for sinners. These temporary punishments become a necessary way to rid them of their past sins. In Dante’s Purgatorio, sinners can leave Mount Purgatory to reach Paradise after they complet their purgatorial punishments. They finish purifying their sinful souls, and then they gain salvation and attain Heaven. In a similar way, sinners in The Sutra of Terra-Treasure can leave Purgatory-hood in an improved state to enjoy improved future lives. Hence, the Buddhist Purgatory-hood is also viewed as a temporary kind of punishment. In both works, sinners show their repentance for their past bad deeds. In Dante’s Purgatorio, so long as sinners show their penitence, God will allow them to enter into the gate of Mount Purgatory to purify their sinful souls. In The Sutra of Terra-Treasure, when sinners show their repentance at any time, they can attain salvation in their future lives. Furthermore, in the Divine Comedy, we observe that sinners ask Dante to carry the message of praying for them to sinners’ relatives, friends, or parents who are still alive in this world. Also, in The Sutra of Terra-Treasure, human beings who are still alive in this world can transfer some of their merits to relieve sinners’ pain. By comparing both works, we may see that although each comes from a different culture and religion, there are many similar concepts. Sinners can burn away the “wordly dust” in their minds through the various purgatorial punishments. Sinners’ personal regret over their sins and the prayers of others both can help to relieve their suffering. Hence, in both works, we find the idea of mercy for sinners; in the same way, the mercy comforting their minds also gives all humankind the hope of ultimate salvation.
Bargetto-Andrés, Teresa M. "Transcription and study of Enrique de Villena's translation of Infierno and Purgatorio of Dante's Divine comedy." 1997. http://catalog.hathitrust.org/api/volumes/oclc/37629769.html.
Full textFanucchi, Sonia. ""The art of visible speech": infernal and purgatorial figurations in Great Expectations and A Tale of Two Cities." Thesis, 2010. http://hdl.handle.net/10539/8352.
Full textKunhong, Jiang, and 蔣昆宏. "The Journey of Purification: The Mythic Signification of the “River” in Xiyouji or The Journey to the West and the Purgatorio of Divine Comedy." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/85487662847248170723.
Full text東吳大學
英文學系
94
Purgatorio and The Journey to the West present the image of sailing over the symbolic river by crossing over “ignorance”無明 to attain enlightenment. This image is prevalent in these two masterpieces as the mythic journey of life. Additionally, these two characters, Dante and Tripitaka, represent everyman in their journeys. Dante sails over the watery realm, Purgatory, on his “little bark” which symbolizes his genius. Dante perceives God’s instructions by realizing torments of souls in Purgatory. With regard to Tripitaka, those demons during his journey are analogous with the self-imposed manacles which hinder him from realizing true self. Their journeys coincide with the descriptions in the Heart Sutra. The scripture says: “He perceived that all five skandhas are empty. Thus, he overcame all ills and suffering” 照見五蘊皆空，度一切苦厄 (trans. Master Lok 6-15). Through their journeys of purification, we may have a deeper understanding of “Karma” and “Original Sin,” which represent different perspectives of Buddhism and Christianity to suffering. Souls in Purgatory are exemplary for Dante to perceive the nature of love deeply. He also realizes that happiness in the physical world is transient when it is compared with eternity in heaven. With regard to Tripitaka, demons during his journey are caused by his ignorance which veils his Buddhahood. Hence when he rejects these demons, he also shatters the self-imposed manacles, ignorance, on his mind. We may see Tripitaka’s and Dante’s journeys as the process of returning and restoration. By comparing these two journeys, we may renew our customary ways of viewing suffering, and further, affirm the value of the mythic journey towards real life.
Tawfik, Mireille. "Purgatoire suivi de Devant le temps." Thèse, 2017. http://hdl.handle.net/1866/20128.
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