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Relevant bibliographies by topics / Pushkin's plot

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Academic literature on the topic 'Pushkin's plot'

Author: Grafiati

Published: 5 June 2025

Last updated: 2 August 2025

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Journal articles on the topic "Pushkin's plot"

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Markova, T. N., and E. V. Bilchenko. "Opera “Ruslan and Lyudmila” by M. Glinka: pages of history and modern times." Voprosy kul'turologii (Issues of Cultural Studies), no. 9 (September 30, 2024): 767–75. http://dx.doi.org/10.33920/nik-01-2409-01.

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The article, based on the works of musicologists, literary critics and music critics, examines the history of Glinka's fateful acquaintance with Pushkin, the birth of the opera Ruslan and Lyudmila, the reasons for the failure of its first production and modern directorial decisions of the play. The magical national poem-tale by A. Pushkin “Ruslan and Lyudmila”, despite the attacks of critics, enjoyed great success among contemporaries. Pushkin’s plot attracted Glinka because it opened up a wide scope for his melodic talent. Glinka listened to Pushkin's wishes and created a vivid performance wi

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Zvinyatskovsky, Vladimir, and Vlada Linnik. "Pushkin and George Sand." Vìsnik Marìupolʹsʹkogo deržavnogo unìversitetu Serìâ Fìlologìâ 14, no. 25 (2021): 34–46. http://dx.doi.org/10.34079/2226-3055-2021-14-25-34-46.

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The proposed article reveals the problem of objective perception of Pushkin's skeptical attitude to the personality of George Sand and her novels. In some mystical way this skeptical attitude was connected with poet’s attitude to the personality of Anna Kern and her work as George Sand’s translator and in the same time (as Pushkin guesed) with her being George Sand’s “copy”. But Anna Kern was not “a copy” of George Sand. She was 5 years older, and her multitude love stories (including her love story with Pushkin himself) preceded the world-known George Sand’s love stories – in her life and in

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Korablev, Alexander. "CRYPTOGRAPHY OF FEMALE IMAGES IN POEM "DEAD SOULS" (STRANGER AND BLONDE)." Bulletin of the Donetsk National University. Series D: Philology and Psychology 3 (June 26, 2024): 5–18. https://doi.org/10.5281/zenodo.12540770.

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The article deals with the hidden consistency of female images in the poem "Dead Souls" by N.V. Gogol. The focus is made on the images of the "stranger" and "blonde", which are associatively correlated with the prototypes of Pushkin's plot and Dante's plan. The plot of Pushkin's allusions in "Dead Souls" arises from the correlation of Gogol's and Pushkin's characters, including Eugene Onegin, Tatiana and Olga Larina, Masha Troekurova, Masha Mironova, as well as female images in the poems "Madonna", "I remember a wonderful moment..." and others. The plot of Dante's plan is expressed in the

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ILISEI, ERICA. "REPREZENTĂRI ALE ORIENTULUI ÎN POEMUL PRIZONIERUL DIN CAUCAZ DE A.S. PUȘKIN." Slovo 14, no. 1/2024 (2025): 73–85. https://doi.org/10.62229/slv14/5.

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This paper will analyze how A. S. Pushkin's 1822 poem The Prisoner of the Caucasus reflects an imperialist perspective through its romantic representations of the Orient (Caucasus). Pushkin's poem addresses an identity question centered on the opposition between the East (represented by the Caucasus) and the West (represented by the Russian Empire). We will undertake the analysis based on the concept of imaginative geography, as developed by Edward Said in his study, Orientalism. In his poem, Pushkin unflinchingly explores the theme of freedom in a plot based on the antithesis between civiliza

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Saleh, Ayat Yusuf. "Pushkin quotes in the works of Chekhov." Journal of the College of languages, no. 49 (January 2, 2024): 135–44. http://dx.doi.org/10.36586/jcl.2.2024.0.49.0135.

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Pushkin's quotations in Chekhov's works are one of the means of expressing connections between texts, performing the most important constructive role: behind them Chekhov reveals a deep development of the plot-thematic structure, ideas and, more broadly, Pushkin's artistic philosophy. The scientific relevance of our work is the analysis of the similarities between the literary texts of Pushkin and Chekhov, and touches on quotations in Chekhov's works. Аннотация Работа посвящена проблеме функционирования пушкинской традиции в прозе А.П. Чехова . Творчество Чехова занимает уникальное положение в

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Semenova, Anastasia V. "The image of the gloomy warrior in M. M. Kheraskov's poem “Vladimir” and in A. S. Pushkin's fairy tale “Ruslan and Lyudmila”." World of Russian-speaking countries 2, no. 8 (2021): 64–74. http://dx.doi.org/10.20323/2658-7866-2021-2-8-64-74.

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The article uses a comparative text analysis of the poem “Vladimir” and the fairy tale “Ruslan and Lyudmila” to reveal a number of parallels associated with the image of the warrior Rogdai. Previously, researchers have not considered this aspect of the works in detail. The character has a conventionally historical prototype – the epic hero Rogdai is mentioned in the “Core of Russian History” by A. I. Mankiev, and his laconic description in the source sets the type of character in Kheraskov’s and Pushkin’s poems. In both works Rogdai occupies a prominent position at the court of Prince Vladimir

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Boiko, Valentina L. "Multiple interpretations of images of Spain in vocal works of composers: Comparative analysis of romances based on Pushkin's poems." Russian Studies in Culture and Society 9, no. 2 (2025): 56. https://doi.org/10.12731/2576-9782-2025-9-2-282.

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Chamber vocal lyrics of Russian composers have been the subject of study for many researchers more than once. In this sense, the diversity of approaches and methods of study becomes interesting. One of them is the method of comparative analysis, which examines vocal works of different composers written to the same poem. The poem by A.S. Pushkin "I am here, Inezilla!" was a source for the inspired embodiment of this romantic plot in music by many composers. And if the musical interpretation of this opus by M. Glinka, A. Dargomyzhsky, N. Medtner, V. Shebalin and T. Khrennikov is reflected both i

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Kikhney, L. G., and G. A. Krichevsky. "“Queen of Spades” and “Petty Demon”: Pushkinian Allusions and Their Functions in F. Sologub’s Novel." Nauchnyi dialog 13, no. 10 (2024): 252–72. https://doi.org/10.24224/2227-1295-2024-13-10-252-272.

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The problems of the undertaken research are associated with the uncertainty of the semantic mechanisms of intertextual interaction between Sologub’s novel “The Petty Demon” and Pushkin’s story “The Queen of Spades”. In the research literature, particular overlaps between these works have been noted, but the systemic semantic connection between these two texts has not yet been identified, which determines the relevance of the article. The hypothesis of the work is that Pushkin’s “Queen of Spades” serves as a structural prototype for Sologub’s novel “The Petty Demon.” This structural prototype c

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Rozin, Vadim Markovich. ""The Peasant Lady": an Existential Choice, Super-Difficult in Life, but Possible in Art." Культура и искусство, no. 2 (February 2023): 33–42. http://dx.doi.org/10.7256/2454-0625.2023.2.39727.

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The article offers a new, in fact, cultural and psychological version of Pushkin's famous story "The Peasant Lady". Various assessments of this work are given, including the author's, teenage. The author argues that the modern understanding of works of art involves an analysis of the culture in which it was created, as well as the author of this work. Realizing this installation, he discusses why Pushkin shifted to the reader the consideration of the consequences that followed from the last scene of the "Peasant Girl", when the deception-Lisa's game was revealed. According to the author, this

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Kiseleva, I. A., and K. A. Potashova. "Echoes of A. S. Pushkin's Poem “The Fountain of Bakhchisarai” in the Artistic World of M. Y. Lermontov." Russian Studies in Philology, no. 3 (2) (June 5, 2024): 66–76. https://doi.org/10.18384/2949-5008-2024-3-2-66-76.

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Aim. To reveal the influence of Pushkin’s poem “The Fountain of Bakhchisarai” on Lermontov’s artistic world, on his ideas about the female ideal and the essence of love.Methodology. The object of the study is Lermontov’s reception of Pushkin’s poem “The Fountain of Bakhchisarai” in the aspect of the artistic implementation of its plot, imagery, and spiritual content. Through the analysis of such Lermontov’s works as “The Georgian Song”, “Two Slaves”, the poetic message “On secular chains ...”, a holistic study of Lermontov’s dynamic perception of Pushkin’s poem is given. The methodology of the

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Dissertations / Theses on the topic "Pushkin's plot"

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SUI, KAO CHANG, and 高嘗穗. "PUSHKIN'S FAIRY TALES -- HERO, PLOT, CONFLICT." Thesis, 1995. http://ndltd.ncl.edu.tw/handle/11638888863024167112.

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Books on the topic "Pushkin's plot"

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Andreev, Anatoliy. Personocentrism in classical Russian literature of the XIX century. Dialectics of Artistic Consciousness. INFRA-M Academic Publishing LLC., 2021. http://dx.doi.org/10.12737/1095050.

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The monograph is devoted to the study of the brightest phenomenon of the world art culture — Russian literature of the "golden age", which was formed as an aristocratic, personocentric literature. Russian Russian literature began to realize its "cultural code", its purpose, which was close to it in spirit; moreover, it unconsciously formed a program for its development, immediately finding its "gold mine": elitist personocentrism as a highly promising vector of culture, which became a decisive factor in the world recognition of Russian literature. The end-to-end plot of the book was the spirit

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Book chapters on the topic "Pushkin's plot"

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Paderina, Ekaterina G. "Gogol’s “The Carriage”: Problems of Text Criticism with a Parody Author’s Task." In Questions of Source and Text Studies of Russian Literature of the 19th Century. Collection of articles based on the materials of the International Scientific Conference. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2022. http://dx.doi.org/10.22455/978-5-9208-0687-1-91-126.

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Criticism of the text of Gogol’s story “The Carriage” is complicated by the absence of a blank autograph and discrepancies between the two printed editions — in Pushkin’s “Sovremennik” (1836) and in the “Works of N. Gogol”, edited by N.Ya. Prokopovich (1842). The article substantiates the importance of such an additional factor as the parodic nature of the story in solving еditional problems. For a long time, “The Carriage” was perceived only as a joke and household satire. In the 1990s, Gogol studies began to discuss the parody specifics of the genre of this work. The specific characteristics

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Yerik, Gulnur. "STATISTICAL ANALYSIS AND WAYS TO ACHIEVE TRANSLATION AUTHENTICITY (KAZAKH TRANSLATION OF A. PUSHKIN’S FAIRY TALE)." In Synergy of Languages & Cultures 2023: Interdiscipilinary Studies. St Petersburg State University, 2024. http://dx.doi.org/10.21638/2782-1943.2023.34.

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This article is devoted to the application of the statistical method in the analysis of variances in the process of translating Pushkin’s literary fairy tale into the Kazakh language. The results obtained allow us to develop recommendations for achieving translation authenticity and identify factors for the effective integration of another text into the receiving culture. Using the example of the analysis of the translation of A. Pushkin’s “The Tales of the Fisherman and the Fish” into the Kazakh language, A. Baitursynov shows the connection between the criteria of translation authenticity and

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Markova, Elena I. "A Bride and a Bear: the Transformation of Pushkin’s Plot in Nikolai Klyuev’s “Song about the Great Mother”A Bride and a Bear: the Transformation of Pushkin’s Plot in Nikolai Klyuev’s “Song about the Great Mother”". У Sergey Esenin, His Contemporaries and Successors: Сollective Мonograph to the Аnniversary of N.I. Shubnikova-Guseva. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2023. http://dx.doi.org/10.22455/978-5-9208-0718-2-510-530.

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The article is based on the comparison of the wedding plot in N.A. Klyuev’s epic song and S.A. Pushkin’s novel “Eugene Onegin.” In the “Song...” the wedding issue deals not only some private life but rather the whole country. If the wedding takes place or not implies another question: will Russia be safe or not? Will it exist or not? That is why Pushkin’s Tatiana as a canonic image of a bride in Russian literature fully matches Klyuev’s idea of epic songs describing faith issues and Russia’s path to salvation. Tatiana is perfect, because she passes the temptation and stays a true Christian. Kl

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Borisov, Boris N. "THE MOTIF OF THE FEAST IN PLATONOV’S WORKS OF THE 1930s." In Andrey Platonov’s “Country of Philosophers”: Unanswered Questions, vol. 9: Anniversary Issue. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2024. http://dx.doi.org/10.22455/978-5-9208-0745-8-286-299.

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The article attempts to comprehensively consider the representative function of the scenes of a joint night feast in the works of A.P. Platonov in the 1930s. The research material is the first part of the unfinished “Technical Novel,” “Hurdy-Gurdy,” “Happy Moscow,” and “Jan.” The analysis of micro motifs, compositional techniques, and plot situations revealed the presence in these texts of elements of the feast narrative and various cultural and historical variants of the feast topos representation. In particular, the article exposes such sources of Platonov’s feast motif as the ancient sympos

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Kupchenko, Tatiana A. "The Meaning of Dantean Images in the Architectonics of V. Mayakovsky’s Poem “About This”." In The Works of V.V. Mayakovsky. Issue 5: Interdisciplinary Approaches and Global Reception (For the 130th Anniversary of the Poet’s Birth). A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2024. https://doi.org/10.22455/3034-4026-2024-5-60-88.

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The article examines the tradition of comparing Mayakovsky with Dante, as well as the symbolist perception of his work, adopted by the poet. “The Divine Comedy” represents the metalanguage of the era of symbolism and post- symbolism, and Mayakovsky draws on Dantean motifs to expand the meaning of his works to the timeless. The frequent use of indirect motifs — allusions to Dante through the prism of another author — is a feature of Mayakovsky’s poetics. Symbolists mythologized Dante as an ideal poet, the creator of the poetry of “heavenly ascent”. Mayakovsky makes references to Vyach. Ivanov a

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Khoreva, Larisa G. "Picaresque Traditions in Nikolai Gogol’s Works." In The Non-Euclidean Geometry of Yuri Mann: In Memoriam. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2024. http://dx.doi.org/10.22455/978-5-9208-0754-0-198-207.

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This article makes use of componential and comparative methods to trace the influence of the Spanish picaresque novel on classical Russian literature. It draws on material from the works of Mateo Aleman, Francisco de Quevedo and Nikolai Gogol. Picaro as a modal personality in the Weberian sense of the word appears in different works of Russian literature, including “The Captain’s Daughter” by A. Pushkin, who largely repeated the structure of the Spanish picaresque novel and its main plot lines in an attempt to create the first historical novel in Russian literature. Gogol made use of Picaro’s

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KOCSIS, Lenke. "Interfiguralitás, tematikus áthallások és formakövetés a magyar irodalom verses regényeiben." In Diskurzus, kultúra, reprezentáció / Discurs, cultură şi reprezentare. Scientia, 2024. http://dx.doi.org/10.47745/sapvol.2024.02.

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The characteristics of the genre popular in 19th-century European literature, at least in the Byronic-Puskinian tradition, are surprisingly well-defined in Hungarian literature, or at least as far as the traditional understanding of verse novels is concerned. In the 19th century and the first half of the 20th century, the use of the ottava rima and the Onegin stanza, as well as variations of these forms were quiet common. The connection in form is usually not a stand-alone phenomenon; it is also accompanied by thematic similarities, which can be found at the level of tropes, plot patterns, and

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Kalavszky, Zsófia, and Alexandra Urakova. "On the Borders of Text and Cult." In At the Crossroads of the East and the West: The Problem of Borderzone in Russian and Central European Cultures. Institute of Slavic Studies, Russian Academy of Sciences, 2021. http://dx.doi.org/10.31168/4465-3095-3.08.

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The essay focuses upon interrelated phenomena of literary cult and cultic text. Bearing on the conceptual ideas of Sergey Zenkin and Péter Dávidházi, we problematize the boundaries between text and cults on the example of two case studies. One has to do with one of the recent interpretations of Uncle Tom’s Cabin, a nineteenth-century bestseller novel that had a great impact on literary and political life of the United States in the antebellum period. David S. Reynolds argues that Ulyanov-Lenin’s escape from the Finnish mainland by breaking their way on the broken ice of the river to an island

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Marullo, Thomas Gaiton. "Conclusion." In Fyodor Dostoevsky-The Gathering Storm (1846-1847). Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501751851.003.0005.

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This chapter recounts how Fyodor Dostoevsky was decidedly not on the straight and steady path that Pushkin and Gogol, Turgenev, and Tolstoy appeared to travel to glory and fame in 1846 and 1847. It elaborates Dostoevsky's feelings of going off the rails in literature and life when he published The Double, Mr. Prokharchin, The Landlady, and A Novel in Nine Letters after he released Poor Folk. It also describes the disturbed and deranged characters, complex and convoluted plots, and winding and windy prose of Dostoevsky's four works that caused former admirers and fans to lose faith in him and l

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Pyatkin, Sergey N., та Tatiana V. Leontyeva. "“Oh, The Miller!”: about One Character in the Poem by S.A. Esenin “Anna Snegina”". У Sergey Esenin, His Contemporaries and Successors: Сollective Мonograph to the Аnniversary of N.I. Shubnikova-Guseva. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2023. http://dx.doi.org/10.22455/978-5-9208-0718-2-172-190.

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Characteristic features of the poetics of “Anna Snegina,” as in Pushkin’s “Eugene Onegin,” are different kinds of contradictory “cohesion” in the text of Esenin’s work. The article focuses on the plot and image structure of the poem, where, as it is assumed, the image of the miller occupies a key place, serving as a point of attraction and at the same time generating the center of all contradictions in the depicted world of “Anna Snegina.” It is noted that the semantics of the images of the mill and the miller, specific to folklore and mythological discourse, is clearly manifested in various s

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Conference papers on the topic "Pushkin's plot"

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Bazant, L. "PUSHKIN AND TOLSTOY: PLOT LINES OF THE NOVELS «EUGENE ONEGIN» AND «ANNA KARENINA»." In ACTUAL PROBLEMS OF LINGUISTICS AND LITERARY STUDIES. TSU Press, 2023. https://doi.org/10.17223/978-5-907572-02-7-2023-73.

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Т.М., Хацкевич. "THE PUSHKIN TRADITION IN RUSSIA AND EUROPE: CLÉMENTINE BEAUVAIS’S IN PARIS WITH YOU AND EVGENIYA TUR’S A MISTAKE." In АЛЕКСАНДР СЕРГЕЕВИЧ ПУШКИН КАК КУЛЬТУРНЫЙ ФЕНОМЕН. Crossref, 2024. https://doi.org/10.54874/9785605245797.2024.2.09.

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В современной литературе наблюдается устойчивый интерес и обращение к произведениям классиков, в связи с чем является актуальным исследование произведений Клементины Бове «Ужель та самая Татьяна?» и «Ошибка» Евгении Тур, в основу которых положен сюжет романа в стихах «Евгений Онегин» А.С. Пушкина. Представляется интересным сравнить два произведения разных временных периодов, так как ранее между ними не проводились аналогии. Основной целью является изучение отечественного и европейского подходов к переписыванию существующего сюжета. In contemporary literature, there is a sustained interest in a

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Туминская, О. А. "“TALES OF THE EAST”: REMINISCENCE OF ARTISTIC AND PLASTIC TECHNIQUES (SET DESIGN, PORCELAIN)." In Искусство и дизайн: история и практика. Crossref, 2024. http://dx.doi.org/10.54874/9785605162995.2024.9.08.

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Материал к статье подобран в рамках подготовки научных мероприятий в честь празднования 225-летия со дня рождения А. С. Пушкина. Цель — осветить и проанализировать образцы фарфоровой пластики из хранения декоративно-прикладного искусства Государственного Русского музея с позиции художественно-образного решения формы и изображения, сравнить оформление сцены, увидеть «малое» в «большом» и «большое» в «малом», проследить историю музейной экспозиции «пушкинских» выставок, обратить внимание на сюжет «Бахчисарайский фонтан», увидеть связь «подражательства» и «реминисценции». Изображение А. С. Пушкин

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Proshkina, E. V. "COLOUR AND LANDSCAPE AS A MEANS OF PLOT DEVELOPMENT AND IMAGE CREATION IN THE WORKS OF ALEXANDER PUSHKIN." In АЛЕКСАНДР СЕРГЕЕВИЧ ПУШКИН КАК КУЛЬТУРНЫЙ ФЕНОМЕН: ПРОБЛЕМЫ, ПОДХОДЫ, ИНТЕРПРЕТАЦИИ. Федеральное государственное бюджетное образовательное учреждение высшего образования «Санкт-Петербургская государственная художественно-промышленная академия имени А.Л. Штиглица», 2022. http://dx.doi.org/10.54874/9785604831045_40.

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